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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33ACF2 it is the complementary color #CC530D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33ACF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33ACF2 shade: #38ACED, #49BEFF, #5AD0FF, #6BE2FF and #7CF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33ACF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33ACF2 shade: #33ACF2, #229ADF, #1188CC, #0076B9 and #0064A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33ACF2 shade: #31ABF2, #3177F2, #3143F2, #5331F2 and #8731F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33ACF2 shade: #31ABF2, #3177F2, #3143F2 and #3131F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33ACF2 shade matches the following richer shades: #31ABF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33ACF2 shade: #31ABF2, #43A6E0, #54A2CE, #669DBD and #7898AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33ACF2 shade: #31F2CE, #31E2F2, #31AEF2, #317BF2 and #3147F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33ACF2 shade: #0C81C4, #0F9AEA, #31ABF2, #58BBF4 and #7ECBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33ACF2 shade: #33ACF2, #9B31F2 and #F2E831

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33ACF2 shade: #33ACF2, #F231AE and #AEF231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33ACF2 shade: #33ACF2, #9B31F2, #F27431 and #88F231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33ACF2 shade: #33ACF2, #D531F2, #F27431 and #4EF231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 29 / 0 / 5

HEX #33ACF2

RGB 51 172 242

HSL 201.99, 0.88%, 0.57%

LAB 66.99, -9.36, -44.18

 

Complementary color

CMYK 0 / 59 / 94 / 20

HEX #CC530D

RGB 204 83 13

HSL 21.99, 0.88%, 0.43%

LAB 50.75, 45.25, 57.65

 

CMYK 76 / 27 / 0 / 7

HEX #38ACED

RGB 56 172 237

HSL 201.55, 0.83%, 0.57%

LAB 66.87, -10.56, -41.63

 

CMYK 71 / 25 / 0 / 0

HEX #49BEFF

RGB 73 190 255

HSL 201.43, 1%, 0.64%

LAB 73.2, -12.25, -41.47

 

CMYK 65 / 18 / 0 / 0

HEX #5AD0FF

RGB 90 208 255

HSL 197.09, 1%, 0.68%

LAB 78.76, -19.24, -32.81

 

CMYK 58 / 11 / 0 / 0

HEX #6BE2FF

RGB 107 226 255

HSL 191.76, 1%, 0.71%

LAB 84.35, -25.42, -24.2

 

CMYK 51 / 4 / 0 / 0

HEX #7CF4FF

RGB 124 244 255

HSL 185.04, 1%, 0.74%

LAB 89.96, -30.87, -15.68

 

CMYK 79 / 29 / 0 / 5

HEX #33ACF2

RGB 51 172 242

HSL 201.99, 0.88%, 0.57%

LAB 66.99, -9.36, -44.18

 

CMYK 85 / 31 / 0 / 13

HEX #229ADF

RGB 34 154 223

HSL 201.9, 0.75%, 0.5%

LAB 60.59, -7.49, -43.81

 

CMYK 92 / 33 / 0 / 20

HEX #1188CC

RGB 17 136 204

HSL 201.82, 0.85%, 0.43%

LAB 54.12, -5.17, -43.38

 

CMYK 100 / 36 / 0 / 27

HEX #0076B9

RGB 0 118 185

HSL 201.73, 1%, 0.36%

LAB 47.57, -2.41, -42.9

 

CMYK 100 / 40 / 0 / 35

HEX #0064A6

RGB 0 100 166

HSL 203.86, 1%, 0.33%

LAB 41, 1.16, -42.24

 

CMYK 80 / 29 / 0 / 5

HEX #31ABF2

RGB 49 171 242

HSL 202.07, 0.88%, 0.57%

LAB 66.66, -9, -44.69

 

CMYK 80 / 51 / 0 / 5

HEX #3177F2

RGB 49 119 242

HSL 218.24, 0.88%, 0.57%

LAB 52.13, 21.9, -67.88

 

CMYK 80 / 72 / 0 / 5

HEX #3143F2

RGB 49 67 242

HSL 234.4, 0.88%, 0.57%

LAB 39.71, 53.75, -88.19

 

CMYK 66 / 80 / 0 / 5

HEX #5331F2

RGB 83 49 242

HSL 250.57, 0.88%, 0.57%

LAB 38.63, 65.31, -89.91

 

CMYK 44 / 80 / 0 / 5

HEX #8731F2

RGB 135 49 242

HSL 266.74, 0.88%, 0.57%

LAB 43.88, 71.04, -81.07

 

CMYK 80 / 29 / 0 / 5

HEX #31ABF2

RGB 49 171 242

HSL 202.07, 0.88%, 0.57%

LAB 66.66, -9, -44.69

 

CMYK 80 / 51 / 0 / 5

HEX #3177F2

RGB 49 119 242

HSL 218.24, 0.88%, 0.57%

LAB 52.13, 21.9, -67.88

 

CMYK 80 / 72 / 0 / 5

HEX #3143F2

RGB 49 67 242

HSL 234.4, 0.88%, 0.57%

LAB 39.71, 53.75, -88.19

 

CMYK 80 / 80 / 0 / 5

HEX #3131F2

RGB 49 49 242

HSL 240, 0.88%, 0.57%

LAB 36.48, 62.99, -93.54

 

CMYK 80 / 29 / 0 / 5

HEX #31ABF2

RGB 49 171 242

HSL 202.07, 0.88%, 0.57%

LAB 66.66, -9, -44.69

 

CMYK 80 / 29 / 0 / 5

HEX #31ABF2

RGB 49 171 242

HSL 202.07, 0.88%, 0.57%

LAB 66.66, -9, -44.69

 

CMYK 70 / 26 / 0 / 12

HEX #43A6E0

RGB 67 166 224

HSL 202.17, 0.72%, 0.57%

LAB 64.84, -10.29, -37.64

 

CMYK 59 / 21 / 0 / 19

HEX #54A2CE

RGB 84 162 206

HSL 201.64, 0.55%, 0.57%

LAB 63.49, -11.07, -29.73

 

CMYK 46 / 17 / 0 / 26

HEX #669DBD

RGB 102 157 189

HSL 202.07, 0.4%, 0.57%

LAB 62.18, -9.43, -22.18

 

CMYK 30 / 11 / 0 / 33

HEX #7898AB

RGB 120 152 171

HSL 202.35, 0.23%, 0.57%

LAB 61.12, -6.51, -13.55

 

CMYK 80 / 0 / 15 / 5

HEX #31F2CE

RGB 49 242 206

HSL 168.81, 0.88%, 0.57%

LAB 86.31, -53.75, 4.36

 

CMYK 80 / 7 / 0 / 5

HEX #31E2F2

RGB 49 226 242

HSL 184.97, 0.88%, 0.57%

LAB 82.62, -36.88, -20.07

 

CMYK 80 / 28 / 0 / 5

HEX #31AEF2

RGB 49 174 242

HSL 201.14, 0.88%, 0.57%

LAB 67.53, -10.65, -43.34

 

CMYK 80 / 49 / 0 / 5

HEX #317BF2

RGB 49 123 242

HSL 216.99, 0.88%, 0.57%

LAB 53.2, 19.4, -66.15

 

CMYK 80 / 71 / 0 / 5

HEX #3147F2

RGB 49 71 242

HSL 233.16, 0.88%, 0.57%

LAB 40.52, 51.49, -86.85

 

CMYK 94 / 34 / 0 / 23

HEX #0C81C4

RGB 12 129 196

HSL 201.85, 0.88%, 0.41%

LAB 51.57, -4.3, -42.87

 

CMYK 94 / 34 / 0 / 8

HEX #0F9AEA

RGB 15 154 234

HSL 201.92, 0.88%, 0.49%

LAB 60.92, -4.47, -49.4

 

CMYK 80 / 29 / 0 / 5

HEX #31ABF2

RGB 49 171 242

HSL 202.07, 0.88%, 0.57%

LAB 66.66, -9, -44.69

 

CMYK 64 / 23 / 0 / 4

HEX #58BBF4

RGB 88 187 244

HSL 201.92, 0.88%, 0.65%

LAB 72.33, -11.98, -36.86

 

CMYK 49 / 18 / 0 / 3

HEX #7ECBF7

RGB 126 203 247

HSL 201.82, 0.88%, 0.73%

LAB 78.38, -12.14, -29

 

CMYK 79 / 29 / 0 / 5

HEX #33ACF2

RGB 51 172 242

HSL 201.99, 0.88%, 0.57%

LAB 66.99, -9.36, -44.18

 

CMYK 36 / 80 / 0 / 5

HEX #9B31F2

RGB 155 49 242

HSL 272.95, 0.88%, 0.57%

LAB 46.41, 73.82, -76.83

 

CMYK 0 / 4 / 80 / 5

HEX #F2E831

RGB 242 232 49

HSL 56.89, 0.88%, 0.57%

LAB 90.24, -15.08, 81.62

 

CMYK 79 / 29 / 0 / 5

HEX #33ACF2

RGB 51 172 242

HSL 201.99, 0.88%, 0.57%

LAB 66.99, -9.36, -44.18

 

CMYK 0 / 80 / 28 / 5

HEX #F231AE

RGB 242 49 174

HSL 321.14, 0.88%, 0.57%

LAB 56.22, 79.44, -21.43

 

CMYK 28 / 0 / 80 / 5

HEX #AEF231

RGB 174 242 49

HSL 81.14, 0.88%, 0.57%

LAB 88.32, -46.65, 78.15

 

CMYK 79 / 29 / 0 / 5

HEX #33ACF2

RGB 51 172 242

HSL 201.99, 0.88%, 0.57%

LAB 66.99, -9.36, -44.18

 

CMYK 36 / 80 / 0 / 5

HEX #9B31F2

RGB 155 49 242

HSL 272.95, 0.88%, 0.57%

LAB 46.41, 73.82, -76.83

 

CMYK 0 / 52 / 80 / 5

HEX #F27431

RGB 242 116 49

HSL 20.83, 0.88%, 0.57%

LAB 63, 44.55, 57.19

 

CMYK 44 / 0 / 80 / 5

HEX #88F231

RGB 136 242 49

HSL 92.95, 0.88%, 0.57%

LAB 86.48, -59.52, 75.8

 

CMYK 79 / 29 / 0 / 5

HEX #33ACF2

RGB 51 172 242

HSL 201.99, 0.88%, 0.57%

LAB 66.99, -9.36, -44.18

 

CMYK 12 / 80 / 0 / 5

HEX #D531F2

RGB 213 49 242

HSL 290.98, 0.88%, 0.57%

LAB 54.82, 83.19, -62.81

 

CMYK 0 / 52 / 80 / 5

HEX #F27431

RGB 242 116 49

HSL 20.83, 0.88%, 0.57%

LAB 63, 44.55, 57.19

 

CMYK 68 / 0 / 80 / 5

HEX #4EF231

RGB 78 242 49

HSL 110.98, 0.88%, 0.57%

LAB 84.66, -73.98, 73.46

 

Description

Color code: HEX #33ACF2 | qconv.com Color code: HEX #33ACF2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 172 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 172 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 29 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 29% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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