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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33A816 it is the complementary color #CC57E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33A816. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33A816 shade: #38A811, #49BA24, #5ACC37, #6BDE4A and #7CF05D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33A816. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33A816 shade: #33A816, #229603, #118400, #007200 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33A816 shade: #33A716, #5AA716, #81A716, #A7A616 and #A77F16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33A816 shade: #33A716, #16A720, #16A747, #16A76E and #16A796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33A816 shade matches the following richer shades: #33A716 and #29B606

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33A816 shade: #33A716, #3C9825, #458834, #4E7943 and #576A53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33A816 shade: #80A716, #5AA716, #33A716, #16A71F and #16A746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33A816 shade: #1C5E0C, #288211, #33A716, #3ECC1A and #50E42C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33A816 shade: #33A816, #16A7A7 and #A7166D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33A816 shade: #33A816, #1633A7 and #A71633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33A816 shade: #33A816, #16A7A7, #8A16A7 and #A71616

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33A816 shade: #33A816, #167BA7, #8A16A7 and #A74116

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 87 / 34

HEX #33A816

RGB 51 168 22

HSL 108.08, 0.77%, 0.37%

LAB 60.58, -56.82, 58.12

 

Complementary color

CMYK 12 / 63 / 0 / 9

HEX #CC57E9

RGB 204 87 233

HSL 288.08, 0.77%, 0.63%

LAB 57.59, 66.67, -53.4

 

CMYK 67 / 0 / 90 / 34

HEX #38A811

RGB 56 168 17

HSL 104.5, 0.82%, 0.36%

LAB 60.68, -55.98, 59.29

 

CMYK 61 / 0 / 81 / 27

HEX #49BA24

RGB 73 186 36

HSL 105.2, 0.68%, 0.44%

LAB 67.02, -57.39, 60.58

 

CMYK 56 / 0 / 73 / 20

HEX #5ACC37

RGB 90 204 55

HSL 105.91, 0.59%, 0.51%

LAB 73.31, -58.31, 60.76

 

CMYK 52 / 0 / 67 / 13

HEX #6BDE4A

RGB 107 222 74

HSL 106.62, 0.69%, 0.58%

LAB 79.54, -58.88, 60.29

 

CMYK 48 / 0 / 61 / 6

HEX #7CF05D

RGB 124 240 93

HSL 107.35, 0.83%, 0.65%

LAB 85.7, -59.21, 59.47

 

CMYK 70 / 0 / 87 / 34

HEX #33A816

RGB 51 168 22

HSL 108.08, 0.77%, 0.37%

LAB 60.58, -56.82, 58.12

 

CMYK 77 / 0 / 98 / 41

HEX #229603

RGB 34 150 3

HSL 107.35, 0.96%, 0.3%

LAB 54.2, -54.68, 55.94

 

CMYK 87 / 0 / 100 / 48

HEX #118400

RGB 17 132 0

HSL 112.27, 1%, 0.26%

LAB 47.78, -51.47, 51.21

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 69 / 0 / 87 / 35

HEX #33A716

RGB 51 167 22

HSL 108, 0.77%, 0.37%

LAB 60.25, -56.49, 57.83

 

CMYK 46 / 0 / 87 / 35

HEX #5AA716

RGB 90 167 22

HSL 91.86, 0.77%, 0.37%

LAB 61.54, -46.14, 59.46

 

CMYK 23 / 0 / 87 / 35

HEX #81A716

RGB 129 167 22

HSL 75.72, 0.77%, 0.37%

LAB 63.64, -31.63, 62.09

 

CMYK 0 / 1 / 87 / 35

HEX #A7A616

RGB 167 166 22

HSL 59.59, 0.77%, 0.37%

LAB 66.17, -14.83, 65.34

 

CMYK 0 / 24 / 87 / 35

HEX #A77F16

RGB 167 127 22

HSL 43.45, 0.77%, 0.37%

LAB 55.54, 6.24, 56.64

 

CMYK 69 / 0 / 87 / 35

HEX #33A716

RGB 51 167 22

HSL 108, 0.77%, 0.37%

LAB 60.25, -56.49, 57.83

 

CMYK 87 / 0 / 81 / 35

HEX #16A720

RGB 22 167 32

HSL 124.14, 0.77%, 0.37%

LAB 59.81, -60.15, 54.62

 

CMYK 87 / 0 / 57 / 35

HEX #16A747

RGB 22 167 71

HSL 140.28, 0.77%, 0.37%

LAB 60.13, -56.21, 39.21

 

CMYK 87 / 0 / 34 / 35

HEX #16A76E

RGB 22 167 110

HSL 156.41, 0.77%, 0.37%

LAB 60.72, -49.19, 19.66

 

CMYK 87 / 0 / 10 / 35

HEX #16A796

RGB 22 167 150

HSL 172.97, 0.77%, 0.37%

LAB 61.66, -39.08, -1.27

 

CMYK 69 / 0 / 87 / 35

HEX #33A716

RGB 51 167 22

HSL 108, 0.77%, 0.37%

LAB 60.25, -56.49, 57.83

 

CMYK 77 / 0 / 97 / 29

HEX #29B606

RGB 41 182 6

HSL 108.07, 0.94%, 0.37%

LAB 64.92, -63.38, 64.29

 

CMYK 69 / 0 / 87 / 35

HEX #33A716

RGB 51 167 22

HSL 108, 0.77%, 0.37%

LAB 60.25, -56.49, 57.83

 

CMYK 61 / 0 / 76 / 40

HEX #3C9825

RGB 60 152 37

HSL 108, 0.61%, 0.37%

LAB 55.64, -48.38, 49.18

 

CMYK 49 / 0 / 62 / 47

HEX #458834

RGB 69 136 52

HSL 107.86, 0.45%, 0.37%

LAB 50.83, -38.07, 37.81

 

CMYK 36 / 0 / 45 / 53

HEX #4E7943

RGB 78 121 67

HSL 107.78, 0.29%, 0.37%

LAB 46.58, -26.13, 24.97

 

CMYK 18 / 0 / 22 / 58

HEX #576A53

RGB 87 106 83

HSL 109.57, 0.12%, 0.37%

LAB 42.7, -12, 10.6

 

CMYK 23 / 0 / 87 / 35

HEX #80A716

RGB 128 167 22

HSL 76.14, 0.77%, 0.37%

LAB 63.58, -32.04, 62.01

 

CMYK 46 / 0 / 87 / 35

HEX #5AA716

RGB 90 167 22

HSL 91.86, 0.77%, 0.37%

LAB 61.54, -46.14, 59.46

 

CMYK 69 / 0 / 87 / 35

HEX #33A716

RGB 51 167 22

HSL 108, 0.77%, 0.37%

LAB 60.25, -56.49, 57.83

 

CMYK 87 / 0 / 81 / 35

HEX #16A71F

RGB 22 167 31

HSL 123.72, 0.77%, 0.37%

LAB 59.8, -60.21, 54.91

 

CMYK 87 / 0 / 58 / 35

HEX #16A746

RGB 22 167 70

HSL 139.86, 0.77%, 0.37%

LAB 60.11, -56.35, 39.68

 

CMYK 70 / 0 / 87 / 63

HEX #1C5E0C

RGB 28 94 12

HSL 108.29, 0.77%, 0.21%

LAB 34.56, -36.4, 37.12

 

CMYK 69 / 0 / 87 / 49

HEX #288211

RGB 40 130 17

HSL 107.79, 0.77%, 0.29%

LAB 47.57, -46.45, 47.66

 

CMYK 69 / 0 / 87 / 35

HEX #33A716

RGB 51 167 22

HSL 108, 0.77%, 0.37%

LAB 60.25, -56.49, 57.83

 

CMYK 70 / 0 / 87 / 20

HEX #3ECC1A

RGB 62 204 26

HSL 107.87, 0.77%, 0.45%

LAB 72.42, -66.11, 67.74

 

CMYK 65 / 0 / 81 / 11

HEX #50E42C

RGB 80 228 44

HSL 108.26, 0.77%, 0.53%

LAB 80.39, -69.43, 70.84

 

CMYK 70 / 0 / 87 / 34

HEX #33A816

RGB 51 168 22

HSL 108.08, 0.77%, 0.37%

LAB 60.58, -56.82, 58.12

 

CMYK 87 / 0 / 0 / 35

HEX #16A7A7

RGB 22 167 167

HSL 180, 0.77%, 0.37%

LAB 62.17, -34.06, -10.07

 

CMYK 0 / 87 / 35 / 35

HEX #A7166D

RGB 167 22 109

HSL 324, 0.77%, 0.37%

LAB 37.65, 61.02, -11.65

 

CMYK 70 / 0 / 87 / 34

HEX #33A816

RGB 51 168 22

HSL 108.08, 0.77%, 0.37%

LAB 60.58, -56.82, 58.12

 

CMYK 87 / 69 / 0 / 35

HEX #1633A7

RGB 22 51 167

HSL 228, 0.77%, 0.37%

LAB 27.65, 35.36, -64.48

 

CMYK 0 / 87 / 69 / 35

HEX #A71633

RGB 167 22 51

HSL 348, 0.77%, 0.37%

LAB 36.04, 56.41, 23.3

 

CMYK 70 / 0 / 87 / 34

HEX #33A816

RGB 51 168 22

HSL 108.08, 0.77%, 0.37%

LAB 60.58, -56.82, 58.12

 

CMYK 87 / 0 / 0 / 35

HEX #16A7A7

RGB 22 167 167

HSL 180, 0.77%, 0.37%

LAB 62.17, -34.06, -10.07

 

CMYK 17 / 87 / 0 / 35

HEX #8A16A7

RGB 138 22 167

HSL 288, 0.77%, 0.37%

LAB 35.53, 63.64, -51.11

 

CMYK 0 / 87 / 87 / 35

HEX #A71616

RGB 167 22 22

HSL 0, 0.77%, 0.37%

LAB 35.69, 55.38, 40.09

 

CMYK 70 / 0 / 87 / 34

HEX #33A816

RGB 51 168 22

HSL 108.08, 0.77%, 0.37%

LAB 60.58, -56.82, 58.12

 

CMYK 87 / 26 / 0 / 35

HEX #167BA7

RGB 22 123 167

HSL 198.21, 0.77%, 0.37%

LAB 48.42, -11.19, -31.1

 

CMYK 17 / 87 / 0 / 35

HEX #8A16A7

RGB 138 22 167

HSL 288, 0.77%, 0.37%

LAB 35.53, 63.64, -51.11

 

CMYK 0 / 61 / 87 / 35

HEX #A74116

RGB 167 65 22

HSL 17.79, 0.77%, 0.37%

LAB 41.3, 39.99, 44.84

 

Description

Color code: HEX #33A816 | qconv.com Color code: HEX #33A816 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 168 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 168 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 87 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 87% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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