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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33974A it is the complementary color #CC68B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33974A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33974A shade: #389745, #49A958, #5ABB6B, #6BCD7E and #7CDF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33974A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33974A shade: #33974A, #228537, #117324, #006111 and #004F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33974A shade: #33994A, #379933, #539933, #6E9933 and #8A9933

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33974A shade: #33994A, #339966, #339981, #339599 and #337A99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33974A shade matches the following richer shades: #33994A, #22AA42, #12BA39 and #01CB30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33974A shade: #33994A, #448853, #54785C, #656765 and #75576E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33974A shade: #539933, #389933, #339949, #339964 and #339980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33974A shade: #1E5B2C, #297A3B, #33994A, #3DB85A and #57C771

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33974A shade: #33974A, #336F99 and #993346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33974A shade: #33974A, #493399 and #994933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33974A shade: #33974A, #336F99, #993383 and #995E33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33974A shade: #33974A, #335099, #993383 and #997C33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 51 / 41

HEX #33974A

RGB 51 151 74

HSL 133.8, 0.5%, 0.4%

LAB 55.41, -45.86, 32.11

 

Complementary color

CMYK 0 / 49 / 11 / 20

HEX #CC68B5

RGB 204 104 181

HSL 313.8, 0.5%, 0.6%

LAB 58.11, 49.54, -23.1

 

CMYK 63 / 0 / 54 / 41

HEX #389745

RGB 56 151 69

HSL 128.21, 0.46%, 0.41%

LAB 55.49, -45.51, 34.79

 

CMYK 57 / 0 / 48 / 34

HEX #49A958

RGB 73 169 88

HSL 129.38, 0.4%, 0.47%

LAB 62.08, -45.76, 33.36

 

CMYK 52 / 0 / 43 / 27

HEX #5ABB6B

RGB 90 187 107

HSL 130.52, 0.42%, 0.54%

LAB 68.59, -45.79, 31.97

 

CMYK 48 / 0 / 39 / 20

HEX #6BCD7E

RGB 107 205 126

HSL 131.63, 0.49%, 0.61%

LAB 75.01, -45.69, 30.66

 

CMYK 44 / 0 / 35 / 13

HEX #7CDF91

RGB 124 223 145

HSL 132.73, 0.61%, 0.68%

LAB 81.35, -45.51, 29.42

 

CMYK 66 / 0 / 51 / 41

HEX #33974A

RGB 51 151 74

HSL 133.8, 0.5%, 0.4%

LAB 55.41, -45.86, 32.11

 

CMYK 74 / 0 / 59 / 48

HEX #228537

RGB 34 133 55

HSL 132.73, 0.59%, 0.33%

LAB 48.75, -45.14, 33.64

 

CMYK 85 / 0 / 69 / 55

HEX #117324

RGB 17 115 36

HSL 131.63, 0.74%, 0.26%

LAB 42.01, -43.71, 35.06

 

CMYK 100 / 0 / 82 / 62

HEX #006111

RGB 0 97 17

HSL 130.52, 1%, 0.19%

LAB 35.18, -41.41, 35.85

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 64 / 0 / 67 / 40

HEX #379933

RGB 55 153 51

HSL 117.65, 0.5%, 0.4%

LAB 55.92, -48.71, 43.81

 

CMYK 46 / 0 / 67 / 40

HEX #539933

RGB 83 153 51

HSL 101.18, 0.5%, 0.4%

LAB 56.94, -40.89, 45.22

 

CMYK 28 / 0 / 67 / 40

HEX #6E9933

RGB 110 153 51

HSL 85.29, 0.5%, 0.4%

LAB 58.36, -31.15, 47.16

 

CMYK 10 / 0 / 67 / 40

HEX #8A9933

RGB 138 153 51

HSL 68.82, 0.5%, 0.4%

LAB 60.27, -19.59, 49.76

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 67 / 0 / 33 / 40

HEX #339966

RGB 51 153 102

HSL 150, 0.5%, 0.4%

LAB 56.53, -41.51, 18.45

 

CMYK 67 / 0 / 16 / 40

HEX #339981

RGB 51 153 129

HSL 165.88, 0.5%, 0.4%

LAB 57.14, -35.13, 4.09

 

CMYK 67 / 3 / 0 / 40

HEX #339599

RGB 51 149 153

HSL 182.35, 0.5%, 0.4%

LAB 56.58, -26.46, -10.44

 

CMYK 67 / 20 / 0 / 40

HEX #337A99

RGB 51 122 153

HSL 198.24, 0.5%, 0.4%

LAB 48.16, -12.04, -23.26

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 80 / 0 / 61 / 33

HEX #22AA42

RGB 34 170 66

HSL 134.12, 0.67%, 0.4%

LAB 61.21, -56.6, 42.88

 

CMYK 90 / 0 / 69 / 27

HEX #12BA39

RGB 18 186 57

HSL 133.93, 0.82%, 0.4%

LAB 66.17, -64.16, 52.18

 

CMYK 100 / 0 / 76 / 20

HEX #01CB30

RGB 1 203 48

HSL 133.96, 0.99%, 0.4%

LAB 71.51, -70.65, 60.86

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 50 / 0 / 39 / 47

HEX #448853

RGB 68 136 83

HSL 133.24, 0.33%, 0.4%

LAB 51.22, -33.81, 22

 

CMYK 30 / 0 / 23 / 53

HEX #54785C

RGB 84 120 92

HSL 133.33, 0.18%, 0.4%

LAB 47.09, -19.02, 11.36

 

CMYK 2 / 0 / 2 / 60

HEX #656765

RGB 101 103 101

HSL 120, 0.01%, 0.4%

LAB 43.37, -1.19, 0.85

 

CMYK 0 / 26 / 6 / 54

HEX #75576E

RGB 117 87 110

HSL 314, 0.15%, 0.4%

LAB 40.77, 16.54, -8.31

 

CMYK 46 / 0 / 67 / 40

HEX #539933

RGB 83 153 51

HSL 101.18, 0.5%, 0.4%

LAB 56.94, -40.89, 45.22

 

CMYK 63 / 0 / 67 / 40

HEX #389933

RGB 56 153 51

HSL 117.06, 0.5%, 0.4%

LAB 55.95, -48.48, 43.85

 

CMYK 67 / 0 / 52 / 40

HEX #339949

RGB 51 153 73

HSL 132.94, 0.5%, 0.4%

LAB 56.06, -46.78, 33.42

 

CMYK 67 / 0 / 35 / 40

HEX #339964

RGB 51 153 100

HSL 148.82, 0.5%, 0.4%

LAB 56.49, -41.93, 19.5

 

CMYK 67 / 0 / 16 / 40

HEX #339980

RGB 51 153 128

HSL 165.29, 0.5%, 0.4%

LAB 57.12, -35.39, 4.62

 

CMYK 67 / 0 / 52 / 64

HEX #1E5B2C

RGB 30 91 44

HSL 133.77, 0.5%, 0.24%

LAB 33.86, -30.98, 21.38

 

CMYK 66 / 0 / 52 / 52

HEX #297A3B

RGB 41 122 59

HSL 133.33, 0.5%, 0.32%

LAB 45.23, -38.9, 27.32

 

CMYK 67 / 0 / 52 / 40

HEX #33994A

RGB 51 153 74

HSL 133.53, 0.5%, 0.4%

LAB 56.07, -46.63, 32.92

 

CMYK 67 / 0 / 51 / 28

HEX #3DB85A

RGB 61 184 90

HSL 134.15, 0.5%, 0.48%

LAB 66.53, -53.89, 37.81

 

CMYK 56 / 0 / 43 / 22

HEX #57C771

RGB 87 199 113

HSL 133.93, 0.5%, 0.56%

LAB 72.27, -50.45, 33.62

 

CMYK 66 / 0 / 51 / 41

HEX #33974A

RGB 51 151 74

HSL 133.8, 0.5%, 0.4%

LAB 55.41, -45.86, 32.11

 

CMYK 67 / 27 / 0 / 40

HEX #336F99

RGB 51 111 153

HSL 204.71, 0.5%, 0.4%

LAB 44.76, -5.62, -28.54

 

CMYK 0 / 67 / 54 / 40

HEX #993346

RGB 153 51 70

HSL 348.82, 0.5%, 0.4%

LAB 37.08, 43.94, 12.05

 

CMYK 66 / 0 / 51 / 41

HEX #33974A

RGB 51 151 74

HSL 133.8, 0.5%, 0.4%

LAB 55.41, -45.86, 32.11

 

CMYK 52 / 67 / 0 / 40

HEX #493399

RGB 73 51 153

HSL 252.94, 0.5%, 0.4%

LAB 29.62, 36.85, -52.63

 

CMYK 0 / 52 / 67 / 40

HEX #994933

RGB 153 73 51

HSL 12.94, 0.5%, 0.4%

LAB 40.86, 31.67, 28.6

 

CMYK 66 / 0 / 51 / 41

HEX #33974A

RGB 51 151 74

HSL 133.8, 0.5%, 0.4%

LAB 55.41, -45.86, 32.11

 

CMYK 67 / 27 / 0 / 40

HEX #336F99

RGB 51 111 153

HSL 204.71, 0.5%, 0.4%

LAB 44.76, -5.62, -28.54

 

CMYK 0 / 67 / 14 / 40

HEX #993383

RGB 153 51 131

HSL 312.94, 0.5%, 0.4%

LAB 39.21, 51.38, -23.2

 

CMYK 0 / 39 / 67 / 40

HEX #995E33

RGB 153 94 51

HSL 25.29, 0.5%, 0.4%

LAB 45.66, 19.96, 34.23

 

CMYK 66 / 0 / 51 / 41

HEX #33974A

RGB 51 151 74

HSL 133.8, 0.5%, 0.4%

LAB 55.41, -45.86, 32.11

 

CMYK 67 / 48 / 0 / 40

HEX #335099

RGB 51 80 153

HSL 222.94, 0.5%, 0.4%

LAB 35.48, 14.01, -43.23

 

CMYK 0 / 67 / 14 / 40

HEX #993383

RGB 153 51 131

HSL 312.94, 0.5%, 0.4%

LAB 39.21, 51.38, -23.2

 

CMYK 0 / 19 / 67 / 40

HEX #997C33

RGB 153 124 51

HSL 42.94, 0.5%, 0.4%

LAB 53.41, 2.8, 42.88

 

Description

Color code: HEX #33974A | qconv.com Color code: HEX #33974A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 151 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 151 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 51 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 51% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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