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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #339479 it is the complementary color #CC6B86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #339479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #339479 shade: #389474, #49A687, #5AB89A, #6BCAAD and #7CDCC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #339479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #339479 shade: #339479, #228266, #117053, #005E40 and #004C2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #339479 shade: #339479, #33945F, #339444, #3B9433 and #569433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #339479 shade: #339479, #339493, #337B94, #336094 and #334694

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #339479 shade matches the following richer shades: #339479, #23A480, #13B487 and #02C48E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #339479 shade: #339479, #438472, #53746B, #636464 and #73545D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #339479 shade: #339445, #33945F, #339479, #339493 and #337C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #339479 shade: #1E5747, #287560, #339479, #3DB392 and #55C5A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #339479 shade: #339479, #333B94 and #945233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #339479 shade: #339479, #793394 and #947933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #339479 shade: #339479, #333B94, #94334E and #948C33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #339479 shade: #339479, #483394, #94334E and #7F9433

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

Complementary color

CMYK 0 / 48 / 34 / 20

HEX #CC6B86

RGB 204 107 134

HSL 343.3, 0.49%, 0.61%

LAB 57.15, 41.25, 2.71

 

CMYK 62 / 0 / 22 / 42

HEX #389474

RGB 56 148 116

HSL 159.13, 0.45%, 0.4%

LAB 55.36, -35.17, 8.96

 

CMYK 56 / 0 / 19 / 35

HEX #49A687

RGB 73 166 135

HSL 160, 0.39%, 0.47%

LAB 62.03, -35.24, 7.8

 

CMYK 51 / 0 / 16 / 28

HEX #5AB89A

RGB 90 184 154

HSL 160.85, 0.4%, 0.54%

LAB 68.6, -35.19, 6.76

 

CMYK 47 / 0 / 14 / 21

HEX #6BCAAD

RGB 107 202 173

HSL 161.68, 0.47%, 0.61%

LAB 75.07, -35.08, 5.81

 

CMYK 44 / 0 / 13 / 14

HEX #7CDCC0

RGB 124 220 192

HSL 162.5, 0.58%, 0.67%

LAB 81.44, -34.93, 4.93

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 74 / 0 / 22 / 49

HEX #228266

RGB 34 130 102

HSL 162.5, 0.59%, 0.32%

LAB 48.59, -34.45, 7.34

 

CMYK 85 / 0 / 26 / 56

HEX #117053

RGB 17 112 83

HSL 161.68, 0.74%, 0.25%

LAB 41.74, -33.59, 8.82

 

CMYK 100 / 0 / 32 / 63

HEX #005E40

RGB 0 94 64

HSL 160.85, 1%, 0.18%

LAB 34.75, -32.32, 10.53

 

CMYK 100 / 0 / 41 / 70

HEX #004C2D

RGB 0 76 45

HSL 155.53, 1%, 0.15%

LAB 27.73, -29.47, 12.7

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 66 / 0 / 36 / 42

HEX #33945F

RGB 51 148 95

HSL 147.22, 0.49%, 0.39%

LAB 54.77, -40.86, 19.96

 

CMYK 66 / 0 / 54 / 42

HEX #339444

RGB 51 148 68

HSL 130.52, 0.49%, 0.39%

LAB 54.34, -45.61, 33.88

 

CMYK 60 / 0 / 66 / 42

HEX #3B9433

RGB 59 148 51

HSL 115.05, 0.49%, 0.39%

LAB 54.39, -45.87, 42.17

 

CMYK 42 / 0 / 66 / 42

HEX #569433

RGB 86 148 51

HSL 98.35, 0.49%, 0.39%

LAB 55.48, -37.75, 43.67

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 66 / 0 / 1 / 42

HEX #339493

RGB 51 148 147

HSL 179.38, 0.49%, 0.39%

LAB 56.08, -27.75, -7.76

 

CMYK 66 / 17 / 0 / 42

HEX #337B94

RGB 51 123 148

HSL 195.46, 0.49%, 0.39%

LAB 48.27, -14.27, -20.15

 

CMYK 66 / 35 / 0 / 42

HEX #336094

RGB 51 96 148

HSL 212.16, 0.49%, 0.39%

LAB 39.93, 1.8, -33.14

 

CMYK 66 / 53 / 0 / 42

HEX #334694

RGB 51 70 148

HSL 228.25, 0.49%, 0.39%

LAB 32.31, 18.83, -45.3

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 79 / 0 / 22 / 36

HEX #23A480

RGB 35 164 128

HSL 163.26, 0.65%, 0.39%

LAB 60.31, -42.5, 9.14

 

CMYK 89 / 0 / 25 / 29

HEX #13B487

RGB 19 180 135

HSL 163.23, 0.81%, 0.39%

LAB 65.38, -48.69, 12.4

 

CMYK 99 / 0 / 28 / 23

HEX #02C48E

RGB 2 196 142

HSL 163.3, 0.98%, 0.39%

LAB 70.49, -53.94, 15.74

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 49 / 0 / 14 / 48

HEX #438472

RGB 67 132 114

HSL 163.38, 0.33%, 0.39%

LAB 50.58, -25.45, 3.32

 

CMYK 28 / 0 / 8 / 55

HEX #53746B

RGB 83 116 107

HSL 163.64, 0.17%, 0.39%

LAB 46.17, -13.91, 1.15

 

CMYK 1 / 0 / 0 / 61

HEX #636464

RGB 99 100 100

HSL 180, 0.01%, 0.39%

LAB 42.29, -0.39, -0.14

 

CMYK 0 / 27 / 19 / 55

HEX #73545D

RGB 115 84 93

HSL 342.58, 0.16%, 0.39%

LAB 39.2, 14.4, -0.16

 

CMYK 66 / 0 / 53 / 42

HEX #339445

RGB 51 148 69

HSL 131.13, 0.49%, 0.39%

LAB 54.36, -45.46, 33.38

 

CMYK 66 / 0 / 36 / 42

HEX #33945F

RGB 51 148 95

HSL 147.22, 0.49%, 0.39%

LAB 54.77, -40.86, 19.96

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 66 / 0 / 1 / 42

HEX #339493

RGB 51 148 147

HSL 179.38, 0.49%, 0.39%

LAB 56.08, -27.75, -7.76

 

CMYK 66 / 16 / 0 / 42

HEX #337C94

RGB 51 124 148

HSL 194.85, 0.49%, 0.39%

LAB 48.58, -14.83, -19.68

 

CMYK 66 / 0 / 18 / 66

HEX #1E5747

RGB 30 87 71

HSL 163.16, 0.49%, 0.23%

LAB 33.02, -22.95, 3.83

 

CMYK 66 / 0 / 18 / 54

HEX #287560

RGB 40 117 96

HSL 163.64, 0.49%, 0.31%

LAB 44.26, -28.94, 4.71

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 66 / 0 / 18 / 30

HEX #3DB392

RGB 61 179 146

HSL 163.22, 0.49%, 0.47%

LAB 65.99, -40.77, 7.31

 

CMYK 57 / 0 / 16 / 23

HEX #55C5A6

RGB 85 197 166

HSL 163.39, 0.49%, 0.55%

LAB 72.64, -39.39, 6

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 66 / 60 / 0 / 42

HEX #333B94

RGB 51 59 148

HSL 235.05, 0.49%, 0.39%

LAB 29.34, 26.19, -50.12

 

CMYK 0 / 45 / 66 / 42

HEX #945233

RGB 148 82 51

HSL 19.18, 0.49%, 0.39%

LAB 42.11, 24.62, 29.91

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 18 / 66 / 0 / 42

HEX #793394

RGB 121 51 148

HSL 283.3, 0.49%, 0.39%

LAB 35.14, 46.19, -40.37

 

CMYK 0 / 18 / 66 / 42

HEX #947933

RGB 148 121 51

HSL 43.3, 0.49%, 0.39%

LAB 52.07, 2.22, 41.27

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 66 / 60 / 0 / 42

HEX #333B94

RGB 51 59 148

HSL 235.05, 0.49%, 0.39%

LAB 29.34, 26.19, -50.12

 

CMYK 0 / 66 / 47 / 42

HEX #94334E

RGB 148 51 78

HSL 343.3, 0.49%, 0.39%

LAB 36.39, 42.99, 5.85

 

CMYK 0 / 5 / 66 / 42

HEX #948C33

RGB 148 140 51

HSL 55.05, 0.49%, 0.39%

LAB 57.36, -8.33, 46.96

 

CMYK 66 / 0 / 18 / 42

HEX #339479

RGB 51 148 121

HSL 163.3, 0.49%, 0.39%

LAB 55.34, -34.89, 6.06

 

CMYK 51 / 66 / 0 / 42

HEX #483394

RGB 72 51 148

HSL 252.99, 0.49%, 0.39%

LAB 29.12, 35.12, -50.4

 

CMYK 0 / 66 / 47 / 42

HEX #94334E

RGB 148 51 78

HSL 343.3, 0.49%, 0.39%

LAB 36.39, 42.99, 5.85

 

CMYK 14 / 0 / 66 / 42

HEX #7F9433

RGB 127 148 51

HSL 72.99, 0.49%, 0.39%

LAB 57.97, -21.75, 47.09

 

Description

Color code: HEX #339479 | qconv.com Color code: HEX #339479 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 148 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 148 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 18 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 18% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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