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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3393FC it is the complementary color #CC6C03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3393FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3393FC shade: #3893F7, #49A5FF, #5AB7FF, #6BC9FF and #7CDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3393FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3393FC shade: #3393FC, #2281E9, #116FD6, #005DC3 and #004BB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3393FC shade: #3192FC, #315BFC, #3E31FC, #7431FC and #AB31FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3393FC shade: #3192FC, #315BFC and #3131FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3393FC shade matches the following richer shades: #3192FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3393FC shade: #3192FC, #4293EB, #5393DA, #6494C9 and #7595B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3393FC shade: #31FCF8, #31C9FC, #3193FC, #315DFC and #3B31FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3393FC shade: #0368D7, #087CFB, #3192FC, #5AA7FC and #82BDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3393FC shade: #3393FC, #C231FC and #E4FC31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3393FC shade: #3393FC, #FC3193 and #93FC31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3393FC shade: #3393FC, #C231FC, #FC9A31 and #6BFC31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3393FC shade: #3393FC, #FC31F8, #FC9A31 and #31FC34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 42 / 0 / 1

HEX #3393FC

RGB 51 147 252

HSL 211.34, 0.97%, 0.59%

LAB 60.43, 8.61, -60.05

 

Complementary color

CMYK 0 / 47 / 99 / 20

HEX #CC6C03

RGB 204 108 3

HSL 31.34, 0.97%, 0.41%

LAB 55.65, 32.64, 62.87

 

CMYK 77 / 40 / 0 / 3

HEX #3893F7

RGB 56 147 247

HSL 211.41, 0.92%, 0.59%

LAB 60.27, 7.29, -57.55

 

CMYK 71 / 35 / 0 / 0

HEX #49A5FF

RGB 73 165 255

HSL 209.67, 1%, 0.64%

LAB 66.17, 1.62, -52.51

 

CMYK 65 / 28 / 0 / 0

HEX #5AB7FF

RGB 90 183 255

HSL 206.18, 1%, 0.68%

LAB 71.73, -5.97, -43.72

 

CMYK 58 / 21 / 0 / 0

HEX #6BC9FF

RGB 107 201 255

HSL 201.89, 1%, 0.71%

LAB 77.35, -12.68, -34.93

 

CMYK 51 / 14 / 0 / 0

HEX #7CDBFF

RGB 124 219 255

HSL 196.49, 1%, 0.74%

LAB 83, -18.6, -26.2

 

CMYK 80 / 42 / 0 / 1

HEX #3393FC

RGB 51 147 252

HSL 211.34, 0.97%, 0.59%

LAB 60.43, 8.61, -60.05

 

CMYK 85 / 45 / 0 / 9

HEX #2281E9

RGB 34 129 233

HSL 211.36, 0.82%, 0.52%

LAB 53.95, 11.07, -59.95

 

CMYK 92 / 48 / 0 / 16

HEX #116FD6

RGB 17 111 214

HSL 211.37, 0.85%, 0.45%

LAB 47.42, 14.05, -59.76

 

CMYK 100 / 52 / 0 / 24

HEX #005DC3

RGB 0 93 195

HSL 211.38, 1%, 0.38%

LAB 40.85, 17.54, -59.49

 

CMYK 100 / 57 / 0 / 31

HEX #004BB0

RGB 0 75 176

HSL 214.43, 1%, 0.35%

LAB 34.33, 21.85, -58.94

 

CMYK 81 / 42 / 0 / 1

HEX #3192FC

RGB 49 146 252

HSL 211.33, 0.97%, 0.59%

LAB 60.1, 9.02, -60.57

 

CMYK 81 / 64 / 0 / 1

HEX #315BFC

RGB 49 91 252

HSL 227.59, 0.97%, 0.59%

LAB 45.86, 43.04, -83.67

 

CMYK 75 / 81 / 0 / 1

HEX #3E31FC

RGB 62 49 252

HSL 243.84, 0.97%, 0.59%

LAB 38.29, 66.62, -96.15

 

CMYK 54 / 81 / 0 / 1

HEX #7431FC

RGB 116 49 252

HSL 259.8, 0.97%, 0.59%

LAB 42.67, 71.15, -88.76

 

CMYK 32 / 81 / 0 / 1

HEX #AB31FC

RGB 171 49 252

HSL 276.06, 0.97%, 0.59%

LAB 49.35, 78.26, -77.54

 

CMYK 81 / 42 / 0 / 1

HEX #3192FC

RGB 49 146 252

HSL 211.33, 0.97%, 0.59%

LAB 60.1, 9.02, -60.57

 

CMYK 81 / 64 / 0 / 1

HEX #315BFC

RGB 49 91 252

HSL 227.59, 0.97%, 0.59%

LAB 45.86, 43.04, -83.67

 

CMYK 81 / 81 / 0 / 1

HEX #3131FC

RGB 49 49 252

HSL 240, 0.97%, 0.59%

LAB 37.62, 65.94, -97.27

 

CMYK 81 / 42 / 0 / 1

HEX #3192FC

RGB 49 146 252

HSL 211.33, 0.97%, 0.59%

LAB 60.1, 9.02, -60.57

 

CMYK 81 / 42 / 0 / 1

HEX #3192FC

RGB 49 146 252

HSL 211.33, 0.97%, 0.59%

LAB 60.1, 9.02, -60.57

 

CMYK 72 / 37 / 0 / 8

HEX #4293EB

RGB 66 147 235

HSL 211.24, 0.81%, 0.59%

LAB 59.91, 4.2, -51.49

 

CMYK 62 / 33 / 0 / 15

HEX #5393DA

RGB 83 147 218

HSL 211.56, 0.65%, 0.59%

LAB 59.68, 1.08, -42.37

 

CMYK 50 / 26 / 0 / 21

HEX #6494C9

RGB 100 148 201

HSL 211.49, 0.48%, 0.59%

LAB 59.98, -1.34, -32.31

 

CMYK 36 / 19 / 0 / 28

HEX #7595B8

RGB 117 149 184

HSL 211.34, 0.32%, 0.59%

LAB 60.55, -2.35, -21.79

 

CMYK 81 / 0 / 2 / 1

HEX #31FCF8

RGB 49 252 248

HSL 178.82, 0.97%, 0.59%

LAB 90.35, -46.79, -11.62

 

CMYK 81 / 20 / 0 / 1

HEX #31C9FC

RGB 49 201 252

HSL 195.07, 0.97%, 0.59%

LAB 75.73, -21.57, -35.95

 

CMYK 81 / 42 / 0 / 1

HEX #3193FC

RGB 49 147 252

HSL 211.03, 0.97%, 0.59%

LAB 60.38, 8.42, -60.13

 

CMYK 81 / 63 / 0 / 1

HEX #315DFC

RGB 49 93 252

HSL 227, 0.97%, 0.59%

LAB 46.32, 41.81, -82.91

 

CMYK 77 / 81 / 0 / 1

HEX #3B31FC

RGB 59 49 252

HSL 242.96, 0.97%, 0.59%

LAB 38.12, 66.45, -96.44

 

CMYK 99 / 52 / 0 / 16

HEX #0368D7

RGB 3 104 215

HSL 211.42, 0.97%, 0.43%

LAB 45.4, 18.47, -63.61

 

CMYK 97 / 51 / 0 / 2

HEX #087CFB

RGB 8 124 251

HSL 211.36, 0.97%, 0.51%

LAB 53.42, 19.94, -70.82

 

CMYK 81 / 42 / 0 / 1

HEX #3192FC

RGB 49 146 252

HSL 211.33, 0.97%, 0.59%

LAB 60.1, 9.02, -60.57

 

CMYK 64 / 34 / 0 / 1

HEX #5AA7FC

RGB 90 167 252

HSL 211.48, 0.96%, 0.67%

LAB 67.16, 2.01, -49.29

 

CMYK 49 / 25 / 0 / 1

HEX #82BDFD

RGB 130 189 253

HSL 211.22, 0.97%, 0.75%

LAB 74.97, -2.04, -37.47

 

CMYK 80 / 42 / 0 / 1

HEX #3393FC

RGB 51 147 252

HSL 211.34, 0.97%, 0.59%

LAB 60.43, 8.61, -60.05

 

CMYK 23 / 81 / 0 / 1

HEX #C231FC

RGB 194 49 252

HSL 282.86, 0.97%, 0.59%

LAB 52.61, 81.79, -72.09

 

CMYK 10 / 0 / 81 / 1

HEX #E4FC31

RGB 228 252 49

HSL 67.09, 0.97%, 0.59%

LAB 94.46, -30.32, 84.86

 

CMYK 80 / 42 / 0 / 1

HEX #3393FC

RGB 51 147 252

HSL 211.34, 0.97%, 0.59%

LAB 60.43, 8.61, -60.05

 

CMYK 0 / 81 / 42 / 1

HEX #FC3193

RGB 252 49 147

HSL 331.03, 0.97%, 0.59%

LAB 57.07, 79.03, -4.12

 

CMYK 42 / 0 / 81 / 1

HEX #93FC31

RGB 147 252 49

HSL 91.03, 0.97%, 0.59%

LAB 89.88, -59.88, 79.06

 

CMYK 80 / 42 / 0 / 1

HEX #3393FC

RGB 51 147 252

HSL 211.34, 0.97%, 0.59%

LAB 60.43, 8.61, -60.05

 

CMYK 23 / 81 / 0 / 1

HEX #C231FC

RGB 194 49 252

HSL 282.86, 0.97%, 0.59%

LAB 52.61, 81.79, -72.09

 

CMYK 0 / 39 / 81 / 1

HEX #FC9A31

RGB 252 154 49

HSL 31.03, 0.97%, 0.59%

LAB 72.25, 29.23, 66.17

 

CMYK 58 / 0 / 81 / 1

HEX #6BFC31

RGB 107 252 49

HSL 102.86, 0.97%, 0.59%

LAB 88.43, -71.04, 77.21

 

CMYK 80 / 42 / 0 / 1

HEX #3393FC

RGB 51 147 252

HSL 211.34, 0.97%, 0.59%

LAB 60.43, 8.61, -60.05

 

CMYK 0 / 81 / 2 / 1

HEX #FC31F8

RGB 252 49 248

HSL 301.18, 0.97%, 0.59%

LAB 61.37, 91.07, -55.32

 

CMYK 0 / 39 / 81 / 1

HEX #FC9A31

RGB 252 154 49

HSL 31.03, 0.97%, 0.59%

LAB 72.25, 29.23, 66.17

 

CMYK 81 / 0 / 79 / 1

HEX #31FC34

RGB 49 252 52

HSL 120.89, 0.97%, 0.59%

LAB 87.25, -80.97, 74.9

 

Description

Color code: HEX #3393FC | qconv.com Color code: HEX #3393FC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 147 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 147 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 42 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 42% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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