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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33895F it is the complementary color #CC76A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33895F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33895F shade: #38895A, #499B6D, #5AAD80, #6BBF93 and #7CD1A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33895F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33895F shade: #33895F, #22774C, #116539, #005326 and #004113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33895F shade: #338A5F, #338A48, #358A33, #4D8A33 and #648A33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33895F shade: #338A5F, #338A77, #33858A, #336E8A and #33578A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33895F shade matches the following richer shades: #338A5F, #249960, #14A860 and #05B860

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33895F shade: #338A5F, #427A5F, #516B5F, #615C5E and #704D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33895F shade: #368A33, #338A47, #338A5E, #338A75 and #33878A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33895F shade: #1D4E36, #286C4B, #338A5F, #3EA874 and #51BF89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33895F shade: #33895F, #334D8A and #8A3C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33895F shade: #33895F, #5E338A and #8A5E33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33895F shade: #33895F, #334D8A, #8A335E and #8A7033

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33895F shade: #33895F, #33338A, #8A335E and #8A8A33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 31 / 46

HEX #33895F

RGB 51 137 95

HSL 150.7, 0.46%, 0.37%

LAB 51.18, -36.13, 15.06

 

Complementary color

CMYK 0 / 42 / 22 / 20

HEX #CC76A0

RGB 204 118 160

HSL 330.7, 0.46%, 0.63%

LAB 60.19, 39.06, -7.88

 

CMYK 59 / 0 / 34 / 46

HEX #38895A

RGB 56 137 90

HSL 145.19, 0.42%, 0.38%

LAB 51.23, -36.06, 18

 

CMYK 53 / 0 / 30 / 39

HEX #499B6D

RGB 73 155 109

HSL 146.34, 0.36%, 0.45%

LAB 58, -36, 16.67

 

CMYK 48 / 0 / 26 / 32

HEX #5AAD80

RGB 90 173 128

HSL 147.47, 0.34%, 0.52%

LAB 64.66, -35.84, 15.47

 

CMYK 44 / 0 / 23 / 25

HEX #6BBF93

RGB 107 191 147

HSL 148.57, 0.4%, 0.58%

LAB 71.21, -35.62, 14.37

 

CMYK 41 / 0 / 21 / 18

HEX #7CD1A6

RGB 124 209 166

HSL 149.65, 0.48%, 0.65%

LAB 77.66, -35.39, 13.36

 

CMYK 63 / 0 / 31 / 46

HEX #33895F

RGB 51 137 95

HSL 150.7, 0.46%, 0.37%

LAB 51.18, -36.13, 15.06

 

CMYK 71 / 0 / 36 / 53

HEX #22774C

RGB 34 119 76

HSL 149.65, 0.56%, 0.3%

LAB 44.31, -35.84, 16.55

 

CMYK 83 / 0 / 44 / 60

HEX #116539

RGB 17 101 57

HSL 148.57, 0.71%, 0.23%

LAB 37.34, -35.08, 18.25

 

CMYK 100 / 0 / 54 / 67

HEX #005326

RGB 0 83 38

HSL 147.47, 1%, 0.16%

LAB 30.22, -33.79, 20.15

 

CMYK 100 / 0 / 71 / 75

HEX #004113

RGB 0 65 19

HSL 137.54, 1%, 0.13%

LAB 23.09, -30.29, 22.3

 

CMYK 63 / 0 / 31 / 46

HEX #338A5F

RGB 51 138 95

HSL 150.34, 0.46%, 0.37%

LAB 51.5, -36.57, 15.51

 

CMYK 63 / 0 / 48 / 46

HEX #338A48

RGB 51 138 72

HSL 134.48, 0.46%, 0.37%

LAB 51.09, -41.01, 27.75

 

CMYK 62 / 0 / 63 / 46

HEX #358A33

RGB 53 138 51

HSL 118.62, 0.46%, 0.37%

LAB 50.89, -43.52, 38.2

 

CMYK 44 / 0 / 63 / 46

HEX #4D8A33

RGB 77 138 51

HSL 102.07, 0.46%, 0.37%

LAB 51.83, -36.44, 39.51

 

CMYK 28 / 0 / 63 / 46

HEX #648A33

RGB 100 138 51

HSL 86.21, 0.46%, 0.37%

LAB 53.09, -27.94, 41.26

 

CMYK 63 / 0 / 31 / 46

HEX #338A5F

RGB 51 138 95

HSL 150.34, 0.46%, 0.37%

LAB 51.5, -36.57, 15.51

 

CMYK 63 / 0 / 14 / 46

HEX #338A77

RGB 51 138 119

HSL 166.9, 0.46%, 0.37%

LAB 52.08, -30.74, 2.51

 

CMYK 63 / 4 / 0 / 46

HEX #33858A

RGB 51 133 138

HSL 183.45, 0.46%, 0.37%

LAB 51.05, -22.84, -10.07

 

CMYK 63 / 20 / 0 / 46

HEX #336E8A

RGB 51 110 138

HSL 199.31, 0.46%, 0.37%

LAB 43.79, -10.19, -21.13

 

CMYK 63 / 37 / 0 / 46

HEX #33578A

RGB 51 87 138

HSL 215.17, 0.46%, 0.37%

LAB 36.66, 3.92, -32.26

 

CMYK 63 / 0 / 31 / 46

HEX #338A5F

RGB 51 138 95

HSL 150.34, 0.46%, 0.37%

LAB 51.5, -36.57, 15.51

 

CMYK 76 / 0 / 37 / 40

HEX #249960

RGB 36 153 96

HSL 150.77, 0.62%, 0.37%

LAB 56.09, -45.23, 21.12

 

CMYK 88 / 0 / 43 / 34

HEX #14A860

RGB 20 168 96

HSL 150.81, 0.79%, 0.37%

LAB 60.78, -52.58, 27.28

 

CMYK 97 / 0 / 48 / 28

HEX #05B860

RGB 5 184 96

HSL 150.5, 0.95%, 0.37%

LAB 65.87, -58.94, 33.81

 

CMYK 63 / 0 / 31 / 46

HEX #338A5F

RGB 51 138 95

HSL 150.34, 0.46%, 0.37%

LAB 51.5, -36.57, 15.51

 

CMYK 46 / 0 / 22 / 52

HEX #427A5F

RGB 66 122 95

HSL 151.07, 0.3%, 0.37%

LAB 46.85, -25.24, 9.12

 

CMYK 24 / 0 / 11 / 58

HEX #516B5F

RGB 81 107 95

HSL 152.31, 0.14%, 0.37%

LAB 42.9, -12.33, 3.61

 

CMYK 0 / 5 / 3 / 62

HEX #615C5E

RGB 97 92 94

HSL 336, 0.03%, 0.37%

LAB 39.59, 2.41, -0.44

 

CMYK 0 / 31 / 16 / 56

HEX #704D5E

RGB 112 77 94

HSL 330.86, 0.19%, 0.37%

LAB 37.04, 17.64, -4

 

CMYK 61 / 0 / 63 / 46

HEX #368A33

RGB 54 138 51

HSL 117.93, 0.46%, 0.37%

LAB 50.92, -43.27, 38.24

 

CMYK 63 / 0 / 49 / 46

HEX #338A47

RGB 51 138 71

HSL 133.79, 0.46%, 0.37%

LAB 51.08, -41.18, 28.26

 

CMYK 63 / 0 / 32 / 46

HEX #338A5E

RGB 51 138 94

HSL 149.66, 0.46%, 0.37%

LAB 51.48, -36.78, 16.05

 

CMYK 63 / 0 / 15 / 46

HEX #338A75

RGB 51 138 117

HSL 165.52, 0.46%, 0.37%

LAB 52.02, -31.27, 3.59

 

CMYK 63 / 2 / 0 / 46

HEX #33878A

RGB 51 135 138

HSL 182.07, 0.46%, 0.37%

LAB 51.69, -23.87, -9.12

 

CMYK 63 / 0 / 31 / 69

HEX #1D4E36

RGB 29 78 54

HSL 150.61, 0.46%, 0.21%

LAB 29.35, -23.07, 9.36

 

CMYK 63 / 0 / 31 / 58

HEX #286C4B

RGB 40 108 75

HSL 150.88, 0.46%, 0.29%

LAB 40.71, -29.91, 12.24

 

CMYK 63 / 0 / 31 / 46

HEX #338A5F

RGB 51 138 95

HSL 150.34, 0.46%, 0.37%

LAB 51.5, -36.57, 15.51

 

CMYK 63 / 0 / 31 / 34

HEX #3EA874

RGB 62 168 116

HSL 150.57, 0.46%, 0.45%

LAB 61.9, -42.71, 18.11

 

CMYK 58 / 0 / 28 / 25

HEX #51BF89

RGB 81 191 137

HSL 150.55, 0.46%, 0.53%

LAB 70.05, -44.09, 18

 

CMYK 63 / 0 / 31 / 46

HEX #33895F

RGB 51 137 95

HSL 150.7, 0.46%, 0.37%

LAB 51.18, -36.13, 15.06

 

CMYK 63 / 44 / 0 / 46

HEX #334D8A

RGB 51 77 138

HSL 222.07, 0.46%, 0.37%

LAB 33.66, 10.47, -37.02

 

CMYK 0 / 57 / 63 / 46

HEX #8A3C33

RGB 138 60 51

HSL 6.21, 0.46%, 0.37%

LAB 35.74, 32.56, 21.76

 

CMYK 63 / 0 / 31 / 46

HEX #33895F

RGB 51 137 95

HSL 150.7, 0.46%, 0.37%

LAB 51.18, -36.13, 15.06

 

CMYK 32 / 63 / 0 / 46

HEX #5E338A

RGB 94 51 138

HSL 269.66, 0.46%, 0.37%

LAB 30.84, 37.17, -41.34

 

CMYK 0 / 32 / 63 / 46

HEX #8A5E33

RGB 138 94 51

HSL 29.66, 0.46%, 0.37%

LAB 43.72, 13.26, 31.49

 

CMYK 63 / 0 / 31 / 46

HEX #33895F

RGB 51 137 95

HSL 150.7, 0.46%, 0.37%

LAB 51.18, -36.13, 15.06

 

CMYK 63 / 44 / 0 / 46

HEX #334D8A

RGB 51 77 138

HSL 222.07, 0.46%, 0.37%

LAB 33.66, 10.47, -37.02

 

CMYK 0 / 63 / 32 / 46

HEX #8A335E

RGB 138 51 94

HSL 330.34, 0.46%, 0.37%

LAB 35.16, 41.54, -6.4

 

CMYK 0 / 19 / 63 / 46

HEX #8A7033

RGB 138 112 51

HSL 42.07, 0.46%, 0.37%

LAB 48.55, 2.78, 37.05

 

CMYK 63 / 0 / 31 / 46

HEX #33895F

RGB 51 137 95

HSL 150.7, 0.46%, 0.37%

LAB 51.18, -36.13, 15.06

 

CMYK 63 / 63 / 0 / 46

HEX #33338A

RGB 51 51 138

HSL 240, 0.46%, 0.37%

LAB 26.47, 27.89, -48.62

 

CMYK 0 / 63 / 32 / 46

HEX #8A335E

RGB 138 51 94

HSL 330.34, 0.46%, 0.37%

LAB 35.16, 41.54, -6.4

 

CMYK 0 / 0 / 63 / 46

HEX #8A8A33

RGB 138 138 51

HSL 60, 0.46%, 0.37%

LAB 55.91, -11.72, 45.15

 

Description

Color code: HEX #33895F | qconv.com Color code: HEX #33895F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 137 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 137 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 31 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 31% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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