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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3384C4 it is the complementary color #CC7B3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3384C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3384C4 shade: #3884BF, #4996D2, #5AA8E5, #6BBAF8 and #7CCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3384C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3384C4 shade: #3384C4, #2272B1, #11609E, #004E8B and #003C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3384C4 shade: #3283C3, #325CC3, #3235C3, #5632C3 and #7D32C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3384C4 shade: #3283C3, #325CC3, #3235C3 and #3232C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3384C4 shade matches the following richer shades: #3283C3, #1E85D6 and #0B88EA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3384C4 shade: #3283C3, #4681AF, #5A7E9B, #6E7C87 and #817A73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3384C4 shade: #32C3B4, #32ABC3, #3284C3, #325EC3 and #3237C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3384C4 shade: #215781, #2A6DA2, #3283C3, #4D97D1 and #6EAADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3384C4 shade: #3384C4, #8E32C3 and #BEC332

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3384C4 shade: #3384C4, #C33284 and #84C332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3384C4 shade: #3384C4, #8E32C3, #C37132 and #67C332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3384C4 shade: #3384C4, #B932C3, #C37132 and #3CC332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 33 / 0 / 23

HEX #3384C4

RGB 51 132 196

HSL 206.48, 0.59%, 0.48%

LAB 53.16, -2.8, -40.31

 

Complementary color

CMYK 0 / 40 / 71 / 20

HEX #CC7B3B

RGB 204 123 59

HSL 26.48, 0.59%, 0.52%

LAB 59.27, 26.19, 47.13

 

CMYK 71 / 31 / 0 / 25

HEX #3884BF

RGB 56 132 191

HSL 206.22, 0.55%, 0.48%

LAB 53.06, -3.88, -37.6

 

CMYK 65 / 29 / 0 / 18

HEX #4996D2

RGB 73 150 210

HSL 206.28, 0.6%, 0.55%

LAB 59.78, -5.07, -37.76

 

CMYK 61 / 27 / 0 / 10

HEX #5AA8E5

RGB 90 168 229

HSL 206.33, 0.73%, 0.63%

LAB 66.39, -6.01, -37.91

 

CMYK 57 / 25 / 0 / 3

HEX #6BBAF8

RGB 107 186 248

HSL 206.38, 0.91%, 0.7%

LAB 72.91, -6.76, -38.07

 

CMYK 51 / 20 / 0 / 0

HEX #7CCCFF

RGB 124 204 255

HSL 203.36, 1%, 0.74%

LAB 78.86, -10.84, -32.54

 

CMYK 74 / 33 / 0 / 23

HEX #3384C4

RGB 51 132 196

HSL 206.48, 0.59%, 0.48%

LAB 53.16, -2.8, -40.31

 

CMYK 81 / 36 / 0 / 31

HEX #2272B1

RGB 34 114 177

HSL 206.43, 0.68%, 0.41%

LAB 46.38, -1.01, -40.12

 

CMYK 89 / 39 / 0 / 38

HEX #11609E

RGB 17 96 158

HSL 206.38, 0.81%, 0.34%

LAB 39.5, 1.33, -39.87

 

CMYK 100 / 44 / 0 / 45

HEX #004E8B

RGB 0 78 139

HSL 206.33, 1%, 0.27%

LAB 32.51, 4.26, -39.56

 

CMYK 100 / 50 / 0 / 53

HEX #003C78

RGB 0 60 120

HSL 210, 1%, 0.24%

LAB 25.53, 8.43, -38.96

 

CMYK 74 / 33 / 0 / 24

HEX #3283C3

RGB 50 131 195

HSL 206.48, 0.59%, 0.48%

LAB 52.79, -2.7, -40.33

 

CMYK 74 / 53 / 0 / 24

HEX #325CC3

RGB 50 92 195

HSL 222.62, 0.59%, 0.48%

LAB 41.65, 21.68, -58.14

 

CMYK 74 / 73 / 0 / 24

HEX #3235C3

RGB 50 53 195

HSL 238.76, 0.59%, 0.48%

LAB 32.18, 46.19, -73.62

 

CMYK 56 / 74 / 0 / 24

HEX #5632C3

RGB 86 50 195

HSL 254.9, 0.59%, 0.48%

LAB 34.4, 51.95, -69.87

 

CMYK 36 / 74 / 0 / 24

HEX #7D32C3

RGB 125 50 195

HSL 271.03, 0.59%, 0.48%

LAB 38.87, 58.14, -62.38

 

CMYK 74 / 33 / 0 / 24

HEX #3283C3

RGB 50 131 195

HSL 206.48, 0.59%, 0.48%

LAB 52.79, -2.7, -40.33

 

CMYK 74 / 53 / 0 / 24

HEX #325CC3

RGB 50 92 195

HSL 222.62, 0.59%, 0.48%

LAB 41.65, 21.68, -58.14

 

CMYK 74 / 73 / 0 / 24

HEX #3235C3

RGB 50 53 195

HSL 238.76, 0.59%, 0.48%

LAB 32.18, 46.19, -73.62

 

CMYK 74 / 74 / 0 / 24

HEX #3232C3

RGB 50 50 195

HSL 240, 0.59%, 0.48%

LAB 31.58, 47.88, -74.61

 

CMYK 74 / 33 / 0 / 24

HEX #3283C3

RGB 50 131 195

HSL 206.48, 0.59%, 0.48%

LAB 52.79, -2.7, -40.33

 

CMYK 86 / 38 / 0 / 16

HEX #1E85D6

RGB 30 133 214

HSL 206.41, 0.75%, 0.48%

LAB 53.93, 1.15, -49.32

 

CMYK 95 / 42 / 0 / 8

HEX #0B88EA

RGB 11 136 234

HSL 206.37, 0.91%, 0.48%

LAB 55.71, 6.05, -57.7

 

CMYK 74 / 33 / 0 / 24

HEX #3283C3

RGB 50 131 195

HSL 206.48, 0.59%, 0.48%

LAB 52.79, -2.7, -40.33

 

CMYK 60 / 26 / 0 / 31

HEX #4681AF

RGB 70 129 175

HSL 206.29, 0.43%, 0.48%

LAB 51.95, -5.14, -30.13

 

CMYK 42 / 19 / 0 / 39

HEX #5A7E9B

RGB 90 126 155

HSL 206.77, 0.27%, 0.48%

LAB 51.22, -4.8, -19.57

 

CMYK 19 / 8 / 0 / 47

HEX #6E7C87

RGB 110 124 135

HSL 206.4, 0.1%, 0.48%

LAB 51.24, -2.65, -7.72

 

CMYK 0 / 5 / 11 / 49

HEX #817A73

RGB 129 122 115

HSL 30, 0.06%, 0.48%

LAB 51.64, 1.36, 4.78

 

CMYK 74 / 0 / 8 / 24

HEX #32C3B4

RGB 50 195 180

HSL 173.79, 0.59%, 0.48%

LAB 71.56, -40.53, -3.29

 

CMYK 74 / 12 / 0 / 24

HEX #32ABC3

RGB 50 171 195

HSL 189.93, 0.59%, 0.48%

LAB 64.76, -24.66, -21.75

 

CMYK 74 / 32 / 0 / 24

HEX #3284C3

RGB 50 132 195

HSL 206.07, 0.59%, 0.48%

LAB 53.08, -3.29, -39.87

 

CMYK 74 / 52 / 0 / 24

HEX #325EC3

RGB 50 94 195

HSL 221.79, 0.59%, 0.48%

LAB 42.19, 20.39, -57.26

 

CMYK 74 / 72 / 0 / 24

HEX #3237C3

RGB 50 55 195

HSL 237.93, 0.59%, 0.48%

LAB 32.59, 45.04, -72.94

 

CMYK 74 / 33 / 0 / 49

HEX #215781

RGB 33 87 129

HSL 206.25, 0.59%, 0.32%

LAB 35.45, -2.66, -28.71

 

CMYK 74 / 33 / 0 / 36

HEX #2A6DA2

RGB 42 109 162

HSL 206.5, 0.59%, 0.4%

LAB 44.29, -2.61, -34.62

 

CMYK 74 / 33 / 0 / 24

HEX #3283C3

RGB 50 131 195

HSL 206.48, 0.59%, 0.48%

LAB 52.79, -2.7, -40.33

 

CMYK 63 / 28 / 0 / 18

HEX #4D97D1

RGB 77 151 209

HSL 206.36, 0.59%, 0.56%

LAB 60.17, -5.27, -36.58

 

CMYK 50 / 22 / 0 / 15

HEX #6EAADA

RGB 110 170 218

HSL 206.67, 0.59%, 0.64%

LAB 67.37, -6.31, -30.28

 

CMYK 74 / 33 / 0 / 23

HEX #3384C4

RGB 51 132 196

HSL 206.48, 0.59%, 0.48%

LAB 53.16, -2.8, -40.31

 

CMYK 27 / 74 / 0 / 24

HEX #8E32C3

RGB 142 50 195

HSL 278.07, 0.59%, 0.48%

LAB 41.17, 61.24, -58.53

 

CMYK 3 / 0 / 74 / 24

HEX #BEC332

RGB 190 195 50

HSL 62.07, 0.59%, 0.48%

LAB 76.2, -18.61, 67.16

 

CMYK 74 / 33 / 0 / 23

HEX #3384C4

RGB 51 132 196

HSL 206.48, 0.59%, 0.48%

LAB 53.16, -2.8, -40.31

 

CMYK 0 / 74 / 32 / 24

HEX #C33284

RGB 195 50 132

HSL 326.07, 0.59%, 0.48%

LAB 46.38, 63.07, -12.19

 

CMYK 32 / 0 / 74 / 24

HEX #84C332

RGB 132 195 50

HSL 86.07, 0.59%, 0.48%

LAB 72.34, -41.84, 62.13

 

CMYK 74 / 33 / 0 / 23

HEX #3384C4

RGB 51 132 196

HSL 206.48, 0.59%, 0.48%

LAB 53.16, -2.8, -40.31

 

CMYK 27 / 74 / 0 / 24

HEX #8E32C3

RGB 142 50 195

HSL 278.07, 0.59%, 0.48%

LAB 41.17, 61.24, -58.53

 

CMYK 0 / 42 / 74 / 24

HEX #C37132

RGB 195 113 50

HSL 26.07, 0.59%, 0.48%

LAB 55.73, 27.38, 47.34

 

CMYK 47 / 0 / 74 / 24

HEX #67C332

RGB 103 195 50

HSL 98.07, 0.59%, 0.48%

LAB 70.97, -51.62, 60.32

 

CMYK 74 / 33 / 0 / 23

HEX #3384C4

RGB 51 132 196

HSL 206.48, 0.59%, 0.48%

LAB 53.16, -2.8, -40.31

 

CMYK 5 / 74 / 0 / 24

HEX #B932C3

RGB 185 50 195

HSL 295.86, 0.59%, 0.48%

LAB 47.67, 69.73, -47.74

 

CMYK 0 / 42 / 74 / 24

HEX #C37132

RGB 195 113 50

HSL 26.07, 0.59%, 0.48%

LAB 55.73, 27.38, 47.34

 

CMYK 69 / 0 / 74 / 24

HEX #3CC332

RGB 60 195 50

HSL 115.86, 0.59%, 0.48%

LAB 69.63, -62.3, 58.54

 

Description

Color code: HEX #3384C4 | qconv.com Color code: HEX #3384C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 132 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 132 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 33 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 33% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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