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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337EB5 it is the complementary color #CC814A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337EB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337EB5 shade: #387EB0, #4990C3, #5AA2D6, #6BB4E9 and #7CC6FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337EB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337EB5 shade: #337EB5, #226CA2, #115A8F, #00487C and #003669

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337EB5 shade: #327DB3, #325AB3, #3237B3, #5032B3 and #7332B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337EB5 shade: #327DB3, #325AB3, #3237B3 and #3232B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337EB5 shade matches the following richer shades: #327DB3, #2080C6 and #0D82D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337EB5 shade: #327DB3, #457AA0, #58778E, #6A747B and #7D7169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337EB5 shade: #32B3A4, #32A0B3, #327DB3, #325BB3 and #3239B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337EB5 shade: #205073, #296693, #327DB3, #4492CA and #65A5D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337EB5 shade: #337EB5, #8232B3 and #B1B332

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337EB5 shade: #337EB5, #B3327D and #7DB332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337EB5 shade: #337EB5, #8232B3, #B36832 and #64B332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337EB5 shade: #337EB5, #A832B3, #B36832 and #3DB332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 30 / 0 / 29

HEX #337EB5

RGB 51 126 181

HSL 205.38, 0.56%, 0.45%

LAB 50.64, -4.62, -35.68

 

Complementary color

CMYK 0 / 37 / 64 / 20

HEX #CC814A

RGB 204 129 74

HSL 25.38, 0.56%, 0.55%

LAB 60.81, 23.82, 41.33

 

CMYK 68 / 28 / 0 / 31

HEX #387EB0

RGB 56 126 176

HSL 205, 0.52%, 0.45%

LAB 50.57, -5.61, -32.9

 

CMYK 63 / 26 / 0 / 24

HEX #4990C3

RGB 73 144 195

HSL 205.08, 0.5%, 0.53%

LAB 57.37, -6.62, -33.09

 

CMYK 58 / 24 / 0 / 16

HEX #5AA2D6

RGB 90 162 214

HSL 205.16, 0.6%, 0.6%

LAB 64.05, -7.4, -33.28

 

CMYK 54 / 23 / 0 / 9

HEX #6BB4E9

RGB 107 180 233

HSL 205.24, 0.74%, 0.67%

LAB 70.63, -8.02, -33.47

 

CMYK 51 / 21 / 0 / 1

HEX #7CC6FC

RGB 124 198 252

HSL 205.31, 0.96%, 0.74%

LAB 77.1, -8.52, -33.66

 

CMYK 72 / 30 / 0 / 29

HEX #337EB5

RGB 51 126 181

HSL 205.38, 0.56%, 0.45%

LAB 50.64, -4.62, -35.68

 

CMYK 79 / 33 / 0 / 36

HEX #226CA2

RGB 34 108 162

HSL 205.31, 0.65%, 0.38%

LAB 43.76, -3.03, -35.46

 

CMYK 88 / 37 / 0 / 44

HEX #115A8F

RGB 17 90 143

HSL 205.24, 0.79%, 0.31%

LAB 36.77, -0.88, -35.19

 

CMYK 100 / 42 / 0 / 51

HEX #00487C

RGB 0 72 124

HSL 205.16, 1%, 0.24%

LAB 29.64, 1.88, -34.87

 

CMYK 100 / 49 / 0 / 59

HEX #003669

RGB 0 54 105

HSL 209.14, 1%, 0.21%

LAB 22.51, 6.02, -34.23

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

CMYK 72 / 50 / 0 / 30

HEX #325AB3

RGB 50 90 179

HSL 221.4, 0.56%, 0.45%

LAB 39.99, 16.99, -51.47

 

CMYK 72 / 69 / 0 / 30

HEX #3237B3

RGB 50 55 179

HSL 237.67, 0.56%, 0.45%

LAB 31.03, 39.59, -66.06

 

CMYK 55 / 72 / 0 / 30

HEX #5032B3

RGB 80 50 179

HSL 253.95, 0.56%, 0.45%

LAB 32.35, 46.44, -63.81

 

CMYK 36 / 72 / 0 / 30

HEX #7332B3

RGB 115 50 179

HSL 270.23, 0.56%, 0.45%

LAB 36.33, 52.5, -57.14

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

CMYK 72 / 50 / 0 / 30

HEX #325AB3

RGB 50 90 179

HSL 221.4, 0.56%, 0.45%

LAB 39.99, 16.99, -51.47

 

CMYK 72 / 69 / 0 / 30

HEX #3237B3

RGB 50 55 179

HSL 237.67, 0.56%, 0.45%

LAB 31.03, 39.59, -66.06

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

CMYK 84 / 35 / 0 / 22

HEX #2080C6

RGB 32 128 198

HSL 205.3, 0.72%, 0.45%

LAB 51.64, -1.73, -43.89

 

CMYK 94 / 40 / 0 / 15

HEX #0D82D8

RGB 13 130 216

HSL 205.42, 0.89%, 0.45%

LAB 52.96, 2.83, -52.01

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

CMYK 57 / 24 / 0 / 37

HEX #457AA0

RGB 69 122 160

HSL 205.05, 0.4%, 0.45%

LAB 49.16, -6.17, -25.76

 

CMYK 38 / 16 / 0 / 44

HEX #58778E

RGB 88 119 142

HSL 205.56, 0.23%, 0.45%

LAB 48.54, -4.99, -16.06

 

CMYK 14 / 6 / 0 / 52

HEX #6A747B

RGB 106 116 123

HSL 204.71, 0.07%, 0.45%

LAB 48.24, -2.19, -5.13

 

CMYK 0 / 10 / 16 / 51

HEX #7D7169

RGB 125 113 105

HSL 24, 0.09%, 0.45%

LAB 48.5, 3.22, 6.13

 

CMYK 72 / 0 / 8 / 30

HEX #32B3A4

RGB 50 179 164

HSL 173.02, 0.56%, 0.45%

LAB 66.21, -37.74, -2.35

 

CMYK 72 / 11 / 0 / 30

HEX #32A0B3

RGB 50 160 179

HSL 188.84, 0.56%, 0.45%

LAB 60.85, -24.14, -18.76

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

CMYK 72 / 49 / 0 / 30

HEX #325BB3

RGB 50 91 179

HSL 220.93, 0.56%, 0.45%

LAB 40.27, 16.34, -51.02

 

CMYK 72 / 68 / 0 / 30

HEX #3239B3

RGB 50 57 179

HSL 236.74, 0.56%, 0.45%

LAB 31.48, 38.36, -65.32

 

CMYK 72 / 30 / 0 / 55

HEX #205073

RGB 32 80 115

HSL 205.3, 0.56%, 0.29%

LAB 32.44, -3.71, -24.76

 

CMYK 72 / 31 / 0 / 42

HEX #296693

RGB 41 102 147

HSL 205.47, 0.56%, 0.37%

LAB 41.34, -4.01, -30.34

 

CMYK 72 / 30 / 0 / 30

HEX #327DB3

RGB 50 125 179

HSL 205.12, 0.56%, 0.45%

LAB 50.22, -4.89, -35.2

 

CMYK 66 / 28 / 0 / 21

HEX #4492CA

RGB 68 146 202

HSL 205.07, 0.56%, 0.53%

LAB 58.09, -6.3, -35.94

 

CMYK 52 / 22 / 0 / 17

HEX #65A5D3

RGB 101 165 211

HSL 205.09, 0.56%, 0.61%

LAB 65.26, -7.66, -29.71

 

CMYK 72 / 30 / 0 / 29

HEX #337EB5

RGB 51 126 181

HSL 205.38, 0.56%, 0.45%

LAB 50.64, -4.62, -35.68

 

CMYK 27 / 72 / 0 / 30

HEX #8232B3

RGB 130 50 179

HSL 277.21, 0.56%, 0.45%

LAB 38.34, 55.44, -53.78

 

CMYK 1 / 0 / 72 / 30

HEX #B1B332

RGB 177 179 50

HSL 60.93, 0.56%, 0.45%

LAB 70.74, -16.11, 61.63

 

CMYK 72 / 30 / 0 / 29

HEX #337EB5

RGB 51 126 181

HSL 205.38, 0.56%, 0.45%

LAB 50.64, -4.62, -35.68

 

CMYK 0 / 72 / 30 / 30

HEX #B3327D

RGB 179 50 125

HSL 325.12, 0.56%, 0.45%

LAB 43.28, 58, -12.87

 

CMYK 30 / 0 / 72 / 30

HEX #7DB332

RGB 125 179 50

HSL 85.12, 0.56%, 0.45%

LAB 67.15, -37.39, 56.89

 

CMYK 72 / 30 / 0 / 29

HEX #337EB5

RGB 51 126 181

HSL 205.38, 0.56%, 0.45%

LAB 50.64, -4.62, -35.68

 

CMYK 27 / 72 / 0 / 30

HEX #8232B3

RGB 130 50 179

HSL 277.21, 0.56%, 0.45%

LAB 38.34, 55.44, -53.78

 

CMYK 0 / 42 / 72 / 30

HEX #B36832

RGB 179 104 50

HSL 25.12, 0.56%, 0.45%

LAB 51.51, 25.54, 42.24

 

CMYK 44 / 0 / 72 / 30

HEX #64B332

RGB 100 179 50

HSL 96.74, 0.56%, 0.45%

LAB 65.89, -46.2, 55.21

 

CMYK 72 / 30 / 0 / 29

HEX #337EB5

RGB 51 126 181

HSL 205.38, 0.56%, 0.45%

LAB 50.64, -4.62, -35.68

 

CMYK 6 / 72 / 0 / 30

HEX #A832B3

RGB 168 50 179

HSL 294.88, 0.56%, 0.45%

LAB 44.03, 63.41, -44.34

 

CMYK 0 / 42 / 72 / 30

HEX #B36832

RGB 179 104 50

HSL 25.12, 0.56%, 0.45%

LAB 51.51, 25.54, 42.24

 

CMYK 66 / 0 / 72 / 30

HEX #3DB332

RGB 61 179 50

HSL 114.88, 0.56%, 0.45%

LAB 64.53, -56.74, 53.39

 

Description

Color code: HEX #337EB5 | qconv.com Color code: HEX #337EB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 126 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 126 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 30 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 30% 0% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - lucalodi | photoblog
Link: http://www.gustosolab.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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