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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337AF5 it is the complementary color #CC850A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337AF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337AF5 shade: #387AF0, #498CFF, #5A9EFF, #6BB0FF and #7CC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337AF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337AF5 shade: #337AF5, #2268E2, #1156CF, #0044BC and #0032A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337AF5 shade: #327AF5, #3245F5, #5432F5, #8932F5 and #BD32F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337AF5 shade: #327AF5, #3245F5 and #3232F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337AF5 shade matches the following richer shades: #327AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337AF5 shade: #327AF5, #447EE4, #5583D3, #6688C1 and #788CB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337AF5 shade: #32E2F5, #32AEF5, #327AF5, #3246F5 and #5332F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337AF5 shade: #0A51CC, #0B60F3, #327AF5, #5A93F7 and #81ADF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337AF5 shade: #337AF5, #D532F5 and #C8F532

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337AF5 shade: #337AF5, #F5327A and #7AF532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337AF5 shade: #337AF5, #D532F5, #F5AE32 and #53F532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337AF5 shade: #337AF5, #F532DB, #F5AE32 and #32F54C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 50 / 0 / 4

HEX #337AF5

RGB 51 122 245

HSL 218.04, 0.91%, 0.58%

LAB 53.18, 21.32, -67.84

 

Complementary color

CMYK 0 / 35 / 95 / 20

HEX #CC850A

RGB 204 133 10

HSL 38.04, 0.91%, 0.42%

LAB 61.34, 19.29, 65.5

 

CMYK 77 / 49 / 0 / 6

HEX #387AF0

RGB 56 122 240

HSL 218.48, 0.86%, 0.58%

LAB 53.01, 19.98, -65.34

 

CMYK 71 / 45 / 0 / 0

HEX #498CFF

RGB 73 140 255

HSL 217.91, 1%, 0.64%

LAB 59.34, 16.37, -63.41

 

CMYK 65 / 38 / 0 / 0

HEX #5A9EFF

RGB 90 158 255

HSL 215.27, 1%, 0.68%

LAB 64.84, 8.19, -54.58

 

CMYK 58 / 31 / 0 / 0

HEX #6BB0FF

RGB 107 176 255

HSL 212.03, 1%, 0.71%

LAB 70.45, 0.92, -45.68

 

CMYK 51 / 24 / 0 / 0

HEX #7CC2FF

RGB 124 194 255

HSL 207.94, 1%, 0.74%

LAB 76.12, -5.51, -36.78

 

CMYK 79 / 50 / 0 / 4

HEX #337AF5

RGB 51 122 245

HSL 218.04, 0.91%, 0.58%

LAB 53.18, 21.32, -67.84

 

CMYK 85 / 54 / 0 / 11

HEX #2268E2

RGB 34 104 226

HSL 218.13, 0.77%, 0.51%

LAB 46.62, 24.16, -67.85

 

CMYK 92 / 58 / 0 / 19

HEX #1156CF

RGB 17 86 207

HSL 218.21, 0.85%, 0.44%

LAB 40.05, 27.54, -67.72

 

CMYK 100 / 64 / 0 / 26

HEX #0044BC

RGB 0 68 188

HSL 218.3, 1%, 0.37%

LAB 33.49, 31.41, -67.4

 

CMYK 100 / 70 / 0 / 34

HEX #0032A9

RGB 0 50 169

HSL 222.25, 1%, 0.33%

LAB 27.15, 35.87, -66.53

 

CMYK 80 / 50 / 0 / 4

HEX #327AF5

RGB 50 122 245

HSL 217.85, 0.91%, 0.58%

LAB 53.16, 21.23, -67.88

 

CMYK 80 / 72 / 0 / 4

HEX #3245F5

RGB 50 69 245

HSL 234.15, 0.91%, 0.58%

LAB 40.45, 53.69, -88.65

 

CMYK 66 / 80 / 0 / 4

HEX #5432F5

RGB 84 50 245

HSL 250.46, 0.91%, 0.58%

LAB 39.17, 65.79, -90.71

 

CMYK 44 / 80 / 0 / 4

HEX #8932F5

RGB 137 50 245

HSL 266.77, 0.91%, 0.58%

LAB 44.51, 71.64, -81.73

 

CMYK 23 / 80 / 0 / 4

HEX #BD32F5

RGB 189 50 245

HSL 282.77, 0.91%, 0.58%

LAB 51.49, 79.4, -70.05

 

CMYK 80 / 50 / 0 / 4

HEX #327AF5

RGB 50 122 245

HSL 217.85, 0.91%, 0.58%

LAB 53.16, 21.23, -67.88

 

CMYK 80 / 72 / 0 / 4

HEX #3245F5

RGB 50 69 245

HSL 234.15, 0.91%, 0.58%

LAB 40.45, 53.69, -88.65

 

CMYK 80 / 80 / 0 / 4

HEX #3232F5

RGB 50 50 245

HSL 240, 0.91%, 0.58%

LAB 37.03, 63.47, -94.33

 

CMYK 80 / 50 / 0 / 4

HEX #327AF5

RGB 50 122 245

HSL 217.85, 0.91%, 0.58%

LAB 53.16, 21.23, -67.88

 

CMYK 80 / 50 / 0 / 4

HEX #327AF5

RGB 50 122 245

HSL 217.85, 0.91%, 0.58%

LAB 53.16, 21.23, -67.88

 

CMYK 70 / 45 / 0 / 11

HEX #447EE4

RGB 68 126 228

HSL 218.25, 0.75%, 0.58%

LAB 53.76, 14.66, -57.39

 

CMYK 60 / 38 / 0 / 17

HEX #5583D3

RGB 85 131 211

HSL 218.1, 0.59%, 0.58%

LAB 54.94, 8.6, -45.92

 

CMYK 47 / 30 / 0 / 24

HEX #6688C1

RGB 102 136 193

HSL 217.58, 0.42%, 0.58%

LAB 56.37, 3.69, -33.42

 

CMYK 32 / 20 / 0 / 31

HEX #788CB0

RGB 120 140 176

HSL 218.57, 0.26%, 0.58%

LAB 57.93, 1.54, -21.24

 

CMYK 80 / 8 / 0 / 4

HEX #32E2F5

RGB 50 226 245

HSL 185.85, 0.91%, 0.58%

LAB 82.73, -35.9, -21.49

 

CMYK 80 / 29 / 0 / 4

HEX #32AEF5

RGB 50 174 245

HSL 201.85, 0.91%, 0.58%

LAB 67.68, -9.52, -44.73

 

CMYK 80 / 50 / 0 / 4

HEX #327AF5

RGB 50 122 245

HSL 217.85, 0.91%, 0.58%

LAB 53.16, 21.23, -67.88

 

CMYK 80 / 71 / 0 / 4

HEX #3246F5

RGB 50 70 245

HSL 233.85, 0.91%, 0.58%

LAB 40.66, 53.12, -88.32

 

CMYK 66 / 80 / 0 / 4

HEX #5332F5

RGB 83 50 245

HSL 250.15, 0.91%, 0.58%

LAB 39.09, 65.71, -90.84

 

CMYK 95 / 60 / 0 / 20

HEX #0A51CC

RGB 10 81 204

HSL 218.04, 0.91%, 0.42%

LAB 38.39, 29.4, -68.7

 

CMYK 95 / 60 / 0 / 5

HEX #0B60F3

RGB 11 96 243

HSL 218.02, 0.91%, 0.5%

LAB 45.51, 34.73, -79.25

 

CMYK 80 / 50 / 0 / 4

HEX #327AF5

RGB 50 122 245

HSL 217.85, 0.91%, 0.58%

LAB 53.16, 21.23, -67.88

 

CMYK 64 / 40 / 0 / 3

HEX #5A93F7

RGB 90 147 247

HSL 218.22, 0.91%, 0.66%

LAB 61.44, 11.98, -55.61

 

CMYK 48 / 31 / 0 / 2

HEX #81ADF9

RGB 129 173 249

HSL 218, 0.91%, 0.74%

LAB 70.45, 5.45, -42.36

 

CMYK 79 / 50 / 0 / 4

HEX #337AF5

RGB 51 122 245

HSL 218.04, 0.91%, 0.58%

LAB 53.18, 21.32, -67.84

 

CMYK 13 / 80 / 0 / 4

HEX #D532F5

RGB 213 50 245

HSL 290.15, 0.91%, 0.58%

LAB 55.09, 83.44, -64.04

 

CMYK 18 / 0 / 80 / 4

HEX #C8F532

RGB 200 245 50

HSL 73.85, 0.91%, 0.58%

LAB 90.7, -38.13, 80.59

 

CMYK 79 / 50 / 0 / 4

HEX #337AF5

RGB 51 122 245

HSL 218.04, 0.91%, 0.58%

LAB 53.18, 21.32, -67.84

 

CMYK 0 / 80 / 50 / 4

HEX #F5327A

RGB 245 50 122

HSL 337.85, 0.91%, 0.58%

LAB 55.17, 74.99, 7.82

 

CMYK 50 / 0 / 80 / 4

HEX #7AF532

RGB 122 245 50

HSL 97.85, 0.91%, 0.58%

LAB 86.84, -64.69, 75.66

 

CMYK 79 / 50 / 0 / 4

HEX #337AF5

RGB 51 122 245

HSL 218.04, 0.91%, 0.58%

LAB 53.18, 21.32, -67.84

 

CMYK 13 / 80 / 0 / 4

HEX #D532F5

RGB 213 50 245

HSL 290.15, 0.91%, 0.58%

LAB 55.09, 83.44, -64.04

 

CMYK 0 / 29 / 80 / 4

HEX #F5AE32

RGB 245 174 50

HSL 38.15, 0.91%, 0.58%

LAB 76.02, 15.87, 68.9

 

CMYK 66 / 0 / 80 / 4

HEX #53F532

RGB 83 245 50

HSL 109.85, 0.91%, 0.58%

LAB 85.69, -73.92, 74.19

 

CMYK 79 / 50 / 0 / 4

HEX #337AF5

RGB 51 122 245

HSL 218.04, 0.91%, 0.58%

LAB 53.18, 21.32, -67.84

 

CMYK 0 / 80 / 11 / 4

HEX #F532DB

RGB 245 50 219

HSL 308, 0.91%, 0.58%

LAB 58.8, 85.44, -43.22

 

CMYK 0 / 29 / 80 / 4

HEX #F5AE32

RGB 245 174 50

HSL 38.15, 0.91%, 0.58%

LAB 76.02, 15.87, 68.9

 

CMYK 80 / 0 / 69 / 4

HEX #32F54C

RGB 50 245 76

HSL 128, 0.91%, 0.58%

LAB 85.25, -77.13, 65.19

 

Description

Color code: HEX #337AF5 | qconv.com Color code: HEX #337AF5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 122 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 122 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 50 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 50% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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