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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337ACD it is the complementary color #CC8532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337ACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337ACD shade: #387AC8, #498CDB, #5A9EEE, #6BB0FF and #7CC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337ACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337ACD shade: #337ACD, #2268BA, #1156A7, #004494 and #003281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337ACD shade: #3279CD, #324FCD, #3E32CD, #6832CD and #9232CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337ACD shade: #3279CD, #324FCD and #3232CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337ACD shade matches the following richer shades: #3279CD, #1D78E2 and #0876F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337ACD shade: #3279CD, #467BB9, #5B7DA4, #707E8F and #84807B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337ACD shade: #32CDCD, #32A4CD, #327ACD, #3251CD and #3C32CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337ACD shade: #22528B, #2A66AC, #3279CD, #538FD5 and #74A5DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337ACD shade: #337ACD, #A432CD and #B9CD32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337ACD shade: #337ACD, #CD327A and #7ACD32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337ACD shade: #337ACD, #A432CD, #CD8532 and #5BCD32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337ACD shade: #337ACD, #CD32C8, #CD8532 and #32CD37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 40 / 0 / 20

HEX #337ACD

RGB 51 122 205

HSL 212.34, 0.61%, 0.5%

LAB 50.72, 6.51, -49.3

 

Complementary color

CMYK 0 / 35 / 75 / 20

HEX #CC8532

RGB 204 133 50

HSL 32.34, 0.61%, 0.5%

LAB 61.52, 20.34, 53.56

 

CMYK 72 / 39 / 0 / 22

HEX #387AC8

RGB 56 122 200

HSL 212.5, 0.57%, 0.5%

LAB 50.61, 5.34, -46.63

 

CMYK 67 / 36 / 0 / 14

HEX #498CDB

RGB 73 140 219

HSL 212.47, 0.67%, 0.57%

LAB 57.35, 3.8, -46.62

 

CMYK 62 / 34 / 0 / 7

HEX #5A9EEE

RGB 90 158 238

HSL 212.43, 0.81%, 0.64%

LAB 64, 2.56, -46.61

 

CMYK 58 / 31 / 0 / 0

HEX #6BB0FF

RGB 107 176 255

HSL 212.03, 1%, 0.71%

LAB 70.45, 0.92, -45.68

 

CMYK 51 / 24 / 0 / 0

HEX #7CC2FF

RGB 124 194 255

HSL 207.94, 1%, 0.74%

LAB 76.12, -5.51, -36.78

 

CMYK 75 / 40 / 0 / 20

HEX #337ACD

RGB 51 122 205

HSL 212.34, 0.61%, 0.5%

LAB 50.72, 6.51, -49.3

 

CMYK 82 / 44 / 0 / 27

HEX #2268BA

RGB 34 104 186

HSL 212.37, 0.69%, 0.43%

LAB 43.92, 8.7, -49.27

 

CMYK 90 / 49 / 0 / 35

HEX #1156A7

RGB 17 86 167

HSL 212.4, 0.82%, 0.36%

LAB 37.05, 11.51, -49.16

 

CMYK 100 / 54 / 0 / 42

HEX #004494

RGB 0 68 148

HSL 212.43, 1%, 0.29%

LAB 30.09, 14.96, -48.97

 

CMYK 100 / 61 / 0 / 49

HEX #003281

RGB 0 50 129

HSL 216.74, 1%, 0.25%

LAB 23.22, 19.56, -48.38

 

CMYK 76 / 41 / 0 / 20

HEX #3279CD

RGB 50 121 205

HSL 212.52, 0.61%, 0.5%

LAB 50.41, 7, -49.81

 

CMYK 76 / 61 / 0 / 20

HEX #324FCD

RGB 50 79 205

HSL 228.77, 0.61%, 0.5%

LAB 39.03, 33.78, -68.19

 

CMYK 70 / 76 / 0 / 20

HEX #3E32CD

RGB 62 50 205

HSL 244.65, 0.61%, 0.5%

LAB 33.38, 52.14, -77.46

 

CMYK 49 / 76 / 0 / 20

HEX #6832CD

RGB 104 50 205

HSL 260.9, 0.61%, 0.5%

LAB 37.17, 57.24, -71.07

 

CMYK 29 / 76 / 0 / 20

HEX #9232CD

RGB 146 50 205

HSL 277.16, 0.61%, 0.5%

LAB 42.46, 64.11, -62.22

 

CMYK 76 / 41 / 0 / 20

HEX #3279CD

RGB 50 121 205

HSL 212.52, 0.61%, 0.5%

LAB 50.41, 7, -49.81

 

CMYK 76 / 61 / 0 / 20

HEX #324FCD

RGB 50 79 205

HSL 228.77, 0.61%, 0.5%

LAB 39.03, 33.78, -68.19

 

CMYK 76 / 76 / 0 / 20

HEX #3232CD

RGB 50 50 205

HSL 240, 0.61%, 0.5%

LAB 32.63, 51.11, -78.72

 

CMYK 76 / 41 / 0 / 20

HEX #3279CD

RGB 50 121 205

HSL 212.52, 0.61%, 0.5%

LAB 50.41, 7, -49.81

 

CMYK 87 / 47 / 0 / 11

HEX #1D78E2

RGB 29 120 226

HSL 212.28, 0.77%, 0.5%

LAB 50.9, 13.66, -60.93

 

CMYK 97 / 52 / 0 / 3

HEX #0876F7

RGB 8 118 247

HSL 212.38, 0.94%, 0.5%

LAB 51.52, 22.18, -71.67

 

CMYK 76 / 41 / 0 / 20

HEX #3279CD

RGB 50 121 205

HSL 212.52, 0.61%, 0.5%

LAB 50.41, 7, -49.81

 

CMYK 62 / 34 / 0 / 27

HEX #467BB9

RGB 70 123 185

HSL 212.35, 0.45%, 0.5%

LAB 50.65, 1.77, -37.92

 

CMYK 45 / 24 / 0 / 36

HEX #5B7DA4

RGB 91 125 164

HSL 212.05, 0.29%, 0.5%

LAB 51.35, -1.32, -24.61

 

CMYK 22 / 12 / 0 / 44

HEX #707E8F

RGB 112 126 143

HSL 212.9, 0.12%, 0.5%

LAB 52.23, -1.23, -10.9

 

CMYK 0 / 3 / 7 / 48

HEX #84807B

RGB 132 128 123

HSL 33.33, 0.04%, 0.5%

LAB 53.79, 0.55, 3.24

 

CMYK 76 / 0 / 0 / 20

HEX #32CDCD

RGB 50 205 205

HSL 180, 0.61%, 0.5%

LAB 75.29, -38, -11.31

 

CMYK 76 / 20 / 0 / 20

HEX #32A4CD

RGB 50 164 205

HSL 195.87, 0.61%, 0.5%

LAB 63.04, -17.75, -29.95

 

CMYK 76 / 40 / 0 / 20

HEX #327ACD

RGB 50 122 205

HSL 212.13, 0.61%, 0.5%

LAB 50.69, 6.39, -49.35

 

CMYK 76 / 60 / 0 / 20

HEX #3251CD

RGB 50 81 205

HSL 228, 0.61%, 0.5%

LAB 39.53, 32.5, -67.37

 

CMYK 71 / 76 / 0 / 20

HEX #3C32CD

RGB 60 50 205

HSL 243.87, 0.61%, 0.5%

LAB 33.24, 51.95, -77.69

 

CMYK 76 / 41 / 0 / 45

HEX #22528B

RGB 34 82 139

HSL 212.57, 0.61%, 0.34%

LAB 34.48, 4.59, -36.38

 

CMYK 76 / 41 / 0 / 33

HEX #2A66AC

RGB 42 102 172

HSL 212.31, 0.61%, 0.42%

LAB 42.72, 5.5, -42.99

 

CMYK 76 / 41 / 0 / 20

HEX #3279CD

RGB 50 121 205

HSL 212.52, 0.61%, 0.5%

LAB 50.41, 7, -49.81

 

CMYK 61 / 33 / 0 / 16

HEX #538FD5

RGB 83 143 213

HSL 212.31, 0.61%, 0.58%

LAB 58.31, 1.76, -41.73

 

CMYK 48 / 25 / 0 / 13

HEX #74A5DD

RGB 116 165 221

HSL 212, 0.61%, 0.66%

LAB 66.4, -1.25, -33.41

 

CMYK 75 / 40 / 0 / 20

HEX #337ACD

RGB 51 122 205

HSL 212.34, 0.61%, 0.5%

LAB 50.72, 6.51, -49.3

 

CMYK 20 / 76 / 0 / 20

HEX #A432CD

RGB 164 50 205

HSL 284.13, 0.61%, 0.5%

LAB 45.06, 67.41, -57.9

 

CMYK 10 / 0 / 76 / 20

HEX #B9CD32

RGB 185 205 50

HSL 67.74, 0.61%, 0.5%

LAB 78.58, -25.6, 69.24

 

CMYK 75 / 40 / 0 / 20

HEX #337ACD

RGB 51 122 205

HSL 212.34, 0.61%, 0.5%

LAB 50.72, 6.51, -49.3

 

CMYK 0 / 76 / 40 / 20

HEX #CD327A

RGB 205 50 122

HSL 332.13, 0.61%, 0.5%

LAB 47.84, 64.64, -3.74

 

CMYK 40 / 0 / 76 / 20

HEX #7ACD32

RGB 122 205 50

HSL 92.13, 0.61%, 0.5%

LAB 74.84, -49.51, 64.38

 

CMYK 75 / 40 / 0 / 20

HEX #337ACD

RGB 51 122 205

HSL 212.34, 0.61%, 0.5%

LAB 50.72, 6.51, -49.3

 

CMYK 20 / 76 / 0 / 20

HEX #A432CD

RGB 164 50 205

HSL 284.13, 0.61%, 0.5%

LAB 45.06, 67.41, -57.9

 

CMYK 0 / 35 / 76 / 20

HEX #CD8532

RGB 205 133 50

HSL 32.13, 0.61%, 0.5%

LAB 61.64, 20.76, 53.72

 

CMYK 56 / 0 / 76 / 20

HEX #5BCD32

RGB 91 205 50

HSL 104.13, 0.61%, 0.5%

LAB 73.62, -58.75, 62.77

 

CMYK 75 / 40 / 0 / 20

HEX #337ACD

RGB 51 122 205

HSL 212.34, 0.61%, 0.5%

LAB 50.72, 6.51, -49.3

 

CMYK 0 / 76 / 2 / 20

HEX #CD32C8

RGB 205 50 200

HSL 301.94, 0.61%, 0.5%

LAB 51.19, 74.64, -44.84

 

CMYK 0 / 35 / 76 / 20

HEX #CD8532

RGB 205 133 50

HSL 32.13, 0.61%, 0.5%

LAB 61.64, 20.76, 53.72

 

CMYK 76 / 0 / 73 / 20

HEX #32CD37

RGB 50 205 55

HSL 121.94, 0.61%, 0.5%

LAB 72.64, -66.75, 59.76

 

Description

Color code: HEX #337ACD | qconv.com Color code: HEX #337ACD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 122 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 122 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 40 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 40% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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