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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337721 it is the complementary color #CC88DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337721. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337721 shade: #38771C, #49892F, #5A9B42, #6BAD55 and #7CBF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337721. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337721 shade: #337721, #22650E, #115300, #004100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337721 shade: #337821, #4B7821, #627821, #787721 and #785F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337721 shade: #337821, #217826, #21783E, #217855 and #21786D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337721 shade matches the following richer shades: #337821, #2C8415 and #259108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337721 shade: #337821, #3A6C2D, #425F3A, #495346 and #504752

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337721 shade: #627821, #4B7821, #347821, #217825 and #21783D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337721 shade: #18370F, #255818, #337821, #41982A and #4FB933

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337721 shade: #337721, #217877 and #782157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337721 shade: #337721, #213478 and #782134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337721 shade: #337721, #217877, #652178 and #782122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337721 shade: #337721, #215F78, #652178 and #783A21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 72 / 53

HEX #337721

RGB 51 119 33

HSL 107.44, 0.57%, 0.3%

LAB 44.24, -38.41, 39.04

 

Complementary color

CMYK 8 / 39 / 0 / 13

HEX #CC88DE

RGB 204 136 222

HSL 287.44, 0.57%, 0.7%

LAB 66.31, 40.32, -33.56

 

CMYK 53 / 0 / 76 / 53

HEX #38771C

RGB 56 119 28

HSL 101.54, 0.62%, 0.29%

LAB 44.4, -37.31, 41.29

 

CMYK 47 / 0 / 66 / 46

HEX #49892F

RGB 73 137 47

HSL 102.67, 0.49%, 0.36%

LAB 51.28, -37.75, 40.7

 

CMYK 42 / 0 / 57 / 39

HEX #5A9B42

RGB 90 155 66

HSL 103.82, 0.4%, 0.43%

LAB 58.05, -37.89, 39.64

 

CMYK 38 / 0 / 51 / 32

HEX #6BAD55

RGB 107 173 85

HSL 105, 0.35%, 0.51%

LAB 64.7, -37.87, 38.43

 

CMYK 35 / 0 / 46 / 25

HEX #7CBF68

RGB 124 191 104

HSL 106.21, 0.4%, 0.58%

LAB 71.25, -37.75, 37.2

 

CMYK 57 / 0 / 72 / 53

HEX #337721

RGB 51 119 33

HSL 107.44, 0.57%, 0.3%

LAB 44.24, -38.41, 39.04

 

CMYK 66 / 0 / 86 / 60

HEX #22650E

RGB 34 101 14

HSL 106.21, 0.76%, 0.23%

LAB 37.26, -37.44, 39.06

 

CMYK 80 / 0 / 100 / 67

HEX #115300

RGB 17 83 0

HSL 107.71, 1%, 0.16%

LAB 30.17, -35.5, 37.14

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 58 / 0 / 73 / 53

HEX #337821

RGB 51 120 33

HSL 107.59, 0.57%, 0.3%

LAB 44.58, -38.81, 39.39

 

CMYK 38 / 0 / 73 / 53

HEX #4B7821

RGB 75 120 33

HSL 91.03, 0.57%, 0.3%

LAB 45.69, -30.7, 40.88

 

CMYK 18 / 0 / 73 / 53

HEX #627821

RGB 98 120 33

HSL 75.17, 0.57%, 0.3%

LAB 47.16, -21.2, 42.85

 

CMYK 0 / 1 / 73 / 53

HEX #787721

RGB 120 119 33

HSL 59.31, 0.57%, 0.3%

LAB 48.63, -10.7, 44.91

 

CMYK 0 / 21 / 73 / 53

HEX #785F21

RGB 120 95 33

HSL 42.76, 0.57%, 0.3%

LAB 41.67, 3.04, 37.89

 

CMYK 58 / 0 / 73 / 53

HEX #337821

RGB 51 120 33

HSL 107.59, 0.57%, 0.3%

LAB 44.58, -38.81, 39.39

 

CMYK 73 / 0 / 68 / 53

HEX #217826

RGB 33 120 38

HSL 123.45, 0.57%, 0.3%

LAB 44.08, -42.69, 36.5

 

CMYK 73 / 0 / 48 / 53

HEX #21783E

RGB 33 120 62

HSL 140, 0.57%, 0.3%

LAB 44.38, -39.21, 24.57

 

CMYK 73 / 0 / 29 / 53

HEX #217855

RGB 33 120 85

HSL 155.86, 0.57%, 0.3%

LAB 44.82, -34.39, 11.99

 

CMYK 73 / 0 / 9 / 53

HEX #21786D

RGB 33 120 109

HSL 172.41, 0.57%, 0.3%

LAB 45.44, -27.98, -1.34

 

CMYK 58 / 0 / 73 / 53

HEX #337821

RGB 51 120 33

HSL 107.59, 0.57%, 0.3%

LAB 44.58, -38.81, 39.39

 

CMYK 67 / 0 / 84 / 48

HEX #2C8415

RGB 44 132 21

HSL 107.57, 0.73%, 0.3%

LAB 48.38, -46.05, 47.33

 

CMYK 74 / 0 / 94 / 43

HEX #259108

RGB 37 145 8

HSL 107.3, 0.9%, 0.3%

LAB 52.58, -52.43, 53.8

 

CMYK 58 / 0 / 73 / 53

HEX #337821

RGB 51 120 33

HSL 107.59, 0.57%, 0.3%

LAB 44.58, -38.81, 39.39

 

CMYK 46 / 0 / 58 / 58

HEX #3A6C2D

RGB 58 108 45

HSL 107.62, 0.41%, 0.3%

LAB 40.92, -30.11, 29.7

 

CMYK 31 / 0 / 39 / 63

HEX #425F3A

RGB 66 95 58

HSL 107.03, 0.24%, 0.3%

LAB 37.2, -18.72, 17.84

 

CMYK 12 / 0 / 16 / 67

HEX #495346

RGB 73 83 70

HSL 106.15, 0.08%, 0.3%

LAB 34.08, -6.8, 6.29

 

CMYK 2 / 13 / 0 / 68

HEX #504752

RGB 80 71 82

HSL 289.09, 0.07%, 0.3%

LAB 31.4, 6.13, -5.16

 

CMYK 18 / 0 / 73 / 53

HEX #627821

RGB 98 120 33

HSL 75.17, 0.57%, 0.3%

LAB 47.16, -21.2, 42.85

 

CMYK 38 / 0 / 73 / 53

HEX #4B7821

RGB 75 120 33

HSL 91.03, 0.57%, 0.3%

LAB 45.69, -30.7, 40.88

 

CMYK 57 / 0 / 73 / 53

HEX #347821

RGB 52 120 33

HSL 106.9, 0.57%, 0.3%

LAB 44.62, -38.52, 39.45

 

CMYK 73 / 0 / 69 / 53

HEX #217825

RGB 33 120 37

HSL 122.76, 0.57%, 0.3%

LAB 44.07, -42.8, 36.94

 

CMYK 73 / 0 / 49 / 53

HEX #21783D

RGB 33 120 61

HSL 139.31, 0.57%, 0.3%

LAB 44.37, -39.39, 25.11

 

CMYK 56 / 0 / 73 / 78

HEX #18370F

RGB 24 55 15

HSL 106.5, 0.57%, 0.14%

LAB 19.89, -20.7, 21.03

 

CMYK 58 / 0 / 73 / 65

HEX #255818

RGB 37 88 24

HSL 107.81, 0.57%, 0.22%

LAB 32.79, -30.51, 30.76

 

CMYK 58 / 0 / 73 / 53

HEX #337821

RGB 51 120 33

HSL 107.59, 0.57%, 0.3%

LAB 44.58, -38.81, 39.39

 

CMYK 57 / 0 / 72 / 40

HEX #41982A

RGB 65 152 42

HSL 107.45, 0.57%, 0.38%

LAB 55.83, -46.67, 47.55

 

CMYK 57 / 0 / 72 / 27

HEX #4FB933

RGB 79 185 51

HSL 107.46, 0.57%, 0.46%

LAB 66.98, -54.56, 55.68

 

CMYK 57 / 0 / 72 / 53

HEX #337721

RGB 51 119 33

HSL 107.44, 0.57%, 0.3%

LAB 44.24, -38.41, 39.04

 

CMYK 73 / 0 / 1 / 53

HEX #217877

RGB 33 120 119

HSL 179.31, 0.57%, 0.3%

LAB 45.75, -24.96, -6.84

 

CMYK 0 / 73 / 28 / 53

HEX #782157

RGB 120 33 87

HSL 322.76, 0.57%, 0.3%

LAB 28.82, 42.92, -11.75

 

CMYK 57 / 0 / 72 / 53

HEX #337721

RGB 51 119 33

HSL 107.44, 0.57%, 0.3%

LAB 44.24, -38.41, 39.04

 

CMYK 73 / 57 / 0 / 53

HEX #213478

RGB 33 52 120

HSL 226.9, 0.57%, 0.3%

LAB 24.11, 17.46, -41.19

 

CMYK 0 / 73 / 57 / 53

HEX #782134

RGB 120 33 52

HSL 346.9, 0.57%, 0.3%

LAB 27.65, 38.98, 9.86

 

CMYK 57 / 0 / 72 / 53

HEX #337721

RGB 51 119 33

HSL 107.44, 0.57%, 0.3%

LAB 44.24, -38.41, 39.04

 

CMYK 73 / 0 / 1 / 53

HEX #217877

RGB 33 120 119

HSL 179.31, 0.57%, 0.3%

LAB 45.75, -24.96, -6.84

 

CMYK 16 / 73 / 0 / 53

HEX #652178

RGB 101 33 120

HSL 286.9, 0.57%, 0.3%

LAB 27.33, 43.66, -35.64

 

CMYK 0 / 73 / 72 / 53

HEX #782122

RGB 120 33 34

HSL 359.31, 0.57%, 0.3%

LAB 27.29, 37.7, 21.3

 

CMYK 57 / 0 / 72 / 53

HEX #337721

RGB 51 119 33

HSL 107.44, 0.57%, 0.3%

LAB 44.24, -38.41, 39.04

 

CMYK 73 / 21 / 0 / 53

HEX #215F78

RGB 33 95 120

HSL 197.24, 0.57%, 0.3%

LAB 37.6, -10.9, -19.83

HEX #215F78

CMYK 16 / 73 / 0 / 53

HEX #652178

RGB 101 33 120

HSL 286.9, 0.57%, 0.3%

LAB 27.33, 43.66, -35.64

HEX #652178

CMYK 0 / 52 / 73 / 53

HEX #783A21

RGB 120 58 33

HSL 17.24, 0.57%, 0.3%

LAB 32.1, 24.99, 27.54

HEX #783A21

Description

Color code: HEX #337721 | qconv.com Color code: HEX #337721 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 119 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 119 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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