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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337715 it is the complementary color #CC88EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337715 shade: #387710, #498923, #5A9B36, #6BAD49 and #7CBF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337715 shade: #337715, #226502, #115300, #004100 and #002F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337715 shade: #327515, #4C7515, #667515, #756A15 and #755015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337715 shade: #327515, #187515, #15752B, #157545 and #15755F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337715 shade matches the following richer shades: #327515 and #2E800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337715 shade: #327515, #366A20, #3B5F2B, #3F5436 and #434841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337715 shade: #677515, #4D7515, #337515, #197515 and #15752A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337715 shade: #142F08, #23520E, #327515, #41981B and #50BB21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337715 shade: #337715, #15756A and #75155A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337715 shade: #337715, #153375 and #751533

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337715 shade: #337715, #15756A, #571575 and #751520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337715 shade: #337715, #156375, #571575 and #752615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 82 / 53

HEX #337715

RGB 51 119 21

HSL 101.63, 0.7%, 0.27%

LAB 44.16, -39.32, 43.49

 

Complementary color

CMYK 13 / 42 / 0 / 8

HEX #CC88EA

RGB 204 136 234

HSL 281.63, 0.7%, 0.73%

LAB 66.81, 42.75, -39.41

 

CMYK 53 / 0 / 87 / 53

HEX #387710

RGB 56 119 16

HSL 96.7, 0.76%, 0.26%

LAB 44.34, -38.05, 45.22

 

CMYK 47 / 0 / 74 / 46

HEX #498923

RGB 73 137 35

HSL 97.65, 0.59%, 0.34%

LAB 51.19, -38.78, 45.64

 

CMYK 42 / 0 / 65 / 39

HEX #5A9B36

RGB 90 155 54

HSL 98.61, 0.48%, 0.41%

LAB 57.93, -39.14, 45.07

 

CMYK 38 / 0 / 58 / 32

HEX #6BAD49

RGB 107 173 73

HSL 99.6, 0.41%, 0.48%

LAB 64.56, -39.27, 44.09

 

CMYK 35 / 0 / 52 / 25

HEX #7CBF5C

RGB 124 191 92

HSL 100.61, 0.44%, 0.55%

LAB 71.09, -39.27, 42.95

 

CMYK 57 / 0 / 82 / 53

HEX #337715

RGB 51 119 21

HSL 101.63, 0.7%, 0.27%

LAB 44.16, -39.32, 43.49

 

CMYK 66 / 0 / 98 / 60

HEX #226502

RGB 34 101 2

HSL 100.61, 0.96%, 0.2%

LAB 37.21, -38.04, 42.35

 

CMYK 80 / 0 / 100 / 67

HEX #115300

RGB 17 83 0

HSL 107.71, 1%, 0.16%

LAB 30.17, -35.5, 37.14

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 57 / 0 / 82 / 54

HEX #327515

RGB 50 117 21

HSL 101.88, 0.7%, 0.27%

LAB 43.44, -38.82, 42.79

 

CMYK 35 / 0 / 82 / 54

HEX #4C7515

RGB 76 117 21

HSL 85.63, 0.7%, 0.27%

LAB 44.68, -29.69, 44.4

 

CMYK 13 / 0 / 82 / 54

HEX #667515

RGB 102 117 21

HSL 69.38, 0.7%, 0.27%

LAB 46.45, -18.5, 46.67

 

CMYK 0 / 9 / 82 / 54

HEX #756A15

RGB 117 106 21

HSL 53.13, 0.7%, 0.27%

LAB 44.44, -5.4, 45.35

 

CMYK 0 / 32 / 82 / 54

HEX #755015

RGB 117 80 21

HSL 36.88, 0.7%, 0.27%

LAB 37.07, 9.96, 38.61

 

CMYK 57 / 0 / 82 / 54

HEX #327515

RGB 50 117 21

HSL 101.88, 0.7%, 0.27%

LAB 43.44, -38.82, 42.79

 

CMYK 79 / 0 / 82 / 54

HEX #187515

RGB 24 117 21

HSL 118.13, 0.7%, 0.27%

LAB 42.72, -44.79, 41.85

 

CMYK 82 / 0 / 63 / 54

HEX #15752B

RGB 21 117 43

HSL 133.75, 0.7%, 0.27%

LAB 42.85, -43.01, 32.67

 

CMYK 82 / 0 / 41 / 54

HEX #157545

RGB 21 117 69

HSL 150, 0.7%, 0.27%

LAB 43.23, -38.53, 19.09

 

CMYK 82 / 0 / 19 / 54

HEX #15755F

RGB 21 117 95

HSL 166.25, 0.7%, 0.27%

LAB 43.81, -32.16, 4.61

 

CMYK 57 / 0 / 82 / 54

HEX #327515

RGB 50 117 21

HSL 101.88, 0.7%, 0.27%

LAB 43.44, -38.82, 42.79

 

CMYK 64 / 0 / 92 / 50

HEX #2E800A

RGB 46 128 10

HSL 101.69, 0.86%, 0.27%

LAB 47.03, -44.62, 48.84

 

CMYK 57 / 0 / 82 / 54

HEX #327515

RGB 50 117 21

HSL 101.88, 0.7%, 0.27%

LAB 43.44, -38.82, 42.79

 

CMYK 49 / 0 / 70 / 58

HEX #366A20

RGB 54 106 32

HSL 102.16, 0.54%, 0.27%

LAB 39.91, -32.05, 34.92

 

CMYK 38 / 0 / 55 / 63

HEX #3B5F2B

RGB 59 95 43

HSL 101.54, 0.38%, 0.27%

LAB 36.53, -23.75, 25.54

 

CMYK 25 / 0 / 36 / 67

HEX #3F5436

RGB 63 84 54

HSL 102, 0.22%, 0.27%

LAB 33.27, -14.56, 15

 

CMYK 7 / 0 / 10 / 72

HEX #434841

RGB 67 72 65

HSL 102.86, 0.05%, 0.27%

LAB 29.94, -3.6, 3.49

 

CMYK 12 / 0 / 82 / 54

HEX #677515

RGB 103 117 21

HSL 68.75, 0.7%, 0.27%

LAB 46.53, -18.05, 46.77

 

CMYK 34 / 0 / 82 / 54

HEX #4D7515

RGB 77 117 21

HSL 85, 0.7%, 0.27%

LAB 44.74, -29.29, 44.47

 

CMYK 56 / 0 / 82 / 54

HEX #337515

RGB 51 117 21

HSL 101.25, 0.7%, 0.27%

LAB 43.48, -38.52, 42.84

 

CMYK 79 / 0 / 82 / 54

HEX #197515

RGB 25 117 21

HSL 117.5, 0.7%, 0.27%

LAB 42.74, -44.63, 41.88

 

CMYK 82 / 0 / 64 / 54

HEX #15752A

RGB 21 117 42

HSL 133.13, 0.7%, 0.27%

LAB 42.84, -43.15, 33.15

 

CMYK 57 / 0 / 83 / 82

HEX #142F08

RGB 20 47 8

HSL 101.54, 0.71%, 0.11%

LAB 16.5, -19.03, 20.11

 

CMYK 57 / 0 / 83 / 68

HEX #23520E

RGB 35 82 14

HSL 101.47, 0.71%, 0.19%

LAB 30.46, -29.43, 32.63

 

CMYK 57 / 0 / 82 / 54

HEX #327515

RGB 50 117 21

HSL 101.88, 0.7%, 0.27%

LAB 43.44, -38.82, 42.79

 

CMYK 57 / 0 / 82 / 40

HEX #41981B

RGB 65 152 27

HSL 101.76, 0.7%, 0.35%

LAB 55.75, -47.69, 52.62

 

CMYK 57 / 0 / 82 / 27

HEX #50BB21

RGB 80 187 33

HSL 101.69, 0.7%, 0.43%

LAB 67.54, -56.14, 61.97

 

CMYK 57 / 0 / 82 / 53

HEX #337715

RGB 51 119 21

HSL 101.63, 0.7%, 0.27%

LAB 44.16, -39.32, 43.49

 

CMYK 82 / 0 / 9 / 54

HEX #15756A

RGB 21 117 106

HSL 173.13, 0.7%, 0.27%

LAB 44.12, -28.98, -1.52

 

CMYK 0 / 82 / 23 / 54

HEX #75155A

RGB 117 21 90

HSL 316.88, 0.7%, 0.27%

LAB 26.89, 46.74, -16.73

 

CMYK 57 / 0 / 82 / 53

HEX #337715

RGB 51 119 21

HSL 101.63, 0.7%, 0.27%

LAB 44.16, -39.32, 43.49

 

CMYK 82 / 56 / 0 / 54

HEX #153375

RGB 21 51 117

HSL 221.25, 0.7%, 0.27%

LAB 23.04, 15.31, -41.05

 

CMYK 0 / 82 / 56 / 54

HEX #751533

RGB 117 21 51

HSL 341.25, 0.7%, 0.27%

LAB 25.43, 42.35, 7.37

 

CMYK 57 / 0 / 82 / 53

HEX #337715

RGB 51 119 21

HSL 101.63, 0.7%, 0.27%

LAB 44.16, -39.32, 43.49

 

CMYK 82 / 0 / 9 / 54

HEX #15756A

RGB 21 117 106

HSL 173.13, 0.7%, 0.27%

LAB 44.12, -28.98, -1.52

 

CMYK 26 / 82 / 0 / 54

HEX #571575

RGB 87 21 117

HSL 281.25, 0.7%, 0.27%

LAB 23.16, 44.81, -40.56

 

CMYK 0 / 82 / 73 / 54

HEX #751520

RGB 117 21 32

HSL 353.13, 0.7%, 0.27%

LAB 25.02, 41.06, 19.73

 

CMYK 57 / 0 / 82 / 53

HEX #337715

RGB 51 119 21

HSL 101.63, 0.7%, 0.27%

LAB 44.16, -39.32, 43.49

 

CMYK 82 / 15 / 0 / 54

HEX #156375

RGB 21 99 117

HSL 191.25, 0.7%, 0.27%

LAB 38.49, -15.93, -16.64

 

CMYK 26 / 82 / 0 / 54

HEX #571575

RGB 87 21 117

HSL 281.25, 0.7%, 0.27%

LAB 23.16, 44.81, -40.56

 

CMYK 0 / 68 / 82 / 54

HEX #752615

RGB 117 38 21

HSL 10.63, 0.7%, 0.27%

LAB 27.36, 33.72, 29.2

 

Description

Color code: HEX #337715 | qconv.com Color code: HEX #337715 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 119 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 119 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 82 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 82% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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