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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3376AE it is the complementary color #CC8951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3376AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3376AE shade: #3876A9, #4988BC, #5A9ACF, #6BACE2 and #7CBEF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3376AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3376AE shade: #3376AE, #22649B, #115288, #004075 and #002E62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3376AE shade: #3276AE, #3254AE, #3233AE, #5332AE and #7432AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3376AE shade: #3276AE, #3254AE, #3233AE and #3232AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3376AE shade matches the following richer shades: #3276AE, #2077C0 and #0E79D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3376AE shade: #3276AE, #45749C, #57728A, #697177 and #7B6F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3376AE shade: #32AEA4, #3297AE, #3276AE, #3255AE and #3235AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3376AE shade: #204A6E, #29608E, #3276AE, #428BC8 and #629ED1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3376AE shade: #3376AE, #8332AE and #A8AE32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3376AE shade: #3376AE, #AE3276 and #76AE32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3376AE shade: #3376AE, #8332AE, #AE6A32 and #5EAE32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3376AE shade: #3376AE, #A832AE, #AE6A32 and #39AE32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 32 / 0 / 32

HEX #3376AE

RGB 51 118 174

HSL 207.32, 0.55%, 0.44%

LAB 47.9, -2.36, -35.94

 

Complementary color

CMYK 0 / 33 / 60 / 20

HEX #CC8951

RGB 204 137 81

HSL 27.32, 0.55%, 0.56%

LAB 62.78, 19.95, 40.02

 

CMYK 67 / 30 / 0 / 34

HEX #3876A9

RGB 56 118 169

HSL 207.08, 0.5%, 0.44%

LAB 47.83, -3.32, -33.12

 

CMYK 61 / 28 / 0 / 26

HEX #4988BC

RGB 73 136 188

HSL 207.13, 0.46%, 0.51%

LAB 54.72, -4.33, -33.26

 

CMYK 57 / 26 / 0 / 19

HEX #5A9ACF

RGB 90 154 207

HSL 207.18, 0.55%, 0.58%

LAB 61.47, -5.11, -33.4

 

CMYK 53 / 24 / 0 / 11

HEX #6BACE2

RGB 107 172 226

HSL 207.23, 0.67%, 0.65%

LAB 68.11, -5.73, -33.54

 

CMYK 49 / 22 / 0 / 4

HEX #7CBEF5

RGB 124 190 245

HSL 207.27, 0.86%, 0.72%

LAB 74.64, -6.23, -33.7

 

CMYK 71 / 32 / 0 / 32

HEX #3376AE

RGB 51 118 174

HSL 207.32, 0.55%, 0.44%

LAB 47.9, -2.36, -35.94

 

CMYK 78 / 35 / 0 / 39

HEX #22649B

RGB 34 100 155

HSL 207.27, 0.64%, 0.37%

LAB 40.93, -0.75, -35.79

 

CMYK 88 / 40 / 0 / 47

HEX #115288

RGB 17 82 136

HSL 207.23, 0.78%, 0.3%

LAB 33.84, 1.45, -35.58

 

CMYK 100 / 45 / 0 / 54

HEX #004075

RGB 0 64 117

HSL 207.18, 1%, 0.23%

LAB 26.6, 4.3, -35.34

 

CMYK 100 / 53 / 0 / 62

HEX #002E62

RGB 0 46 98

HSL 211.84, 1%, 0.19%

LAB 19.37, 8.67, -34.73

 

CMYK 71 / 32 / 0 / 32

HEX #3276AE

RGB 50 118 174

HSL 207.1, 0.55%, 0.44%

LAB 47.87, -2.51, -35.99

 

CMYK 71 / 52 / 0 / 32

HEX #3254AE

RGB 50 84 174

HSL 223.55, 0.55%, 0.44%

LAB 37.98, 19.05, -51.77

 

CMYK 71 / 71 / 0 / 32

HEX #3233AE

RGB 50 51 174

HSL 239.52, 0.55%, 0.44%

LAB 29.67, 40.29, -65.32

 

CMYK 52 / 71 / 0 / 32

HEX #5332AE

RGB 83 50 174

HSL 255.97, 0.55%, 0.44%

LAB 32.2, 45.45, -61.05

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 71 / 32 / 0 / 32

HEX #3276AE

RGB 50 118 174

HSL 207.1, 0.55%, 0.44%

LAB 47.87, -2.51, -35.99

 

CMYK 71 / 52 / 0 / 32

HEX #3254AE

RGB 50 84 174

HSL 223.55, 0.55%, 0.44%

LAB 37.98, 19.05, -51.77

 

CMYK 71 / 71 / 0 / 32

HEX #3233AE

RGB 50 51 174

HSL 239.52, 0.55%, 0.44%

LAB 29.67, 40.29, -65.32

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

CMYK 71 / 32 / 0 / 32

HEX #3276AE

RGB 50 118 174

HSL 207.1, 0.55%, 0.44%

LAB 47.87, -2.51, -35.99

 

CMYK 83 / 38 / 0 / 25

HEX #2077C0

RGB 32 119 192

HSL 207.38, 0.71%, 0.44%

LAB 48.64, 1.45, -45.2

 

CMYK 93 / 42 / 0 / 18

HEX #0E79D2

RGB 14 121 210

HSL 207.24, 0.88%, 0.44%

LAB 50, 6.06, -53.34

 

CMYK 71 / 32 / 0 / 32

HEX #3276AE

RGB 50 118 174

HSL 207.1, 0.55%, 0.44%

LAB 47.87, -2.51, -35.99

 

CMYK 56 / 26 / 0 / 39

HEX #45749C

RGB 69 116 156

HSL 207.59, 0.39%, 0.44%

LAB 47.18, -3.93, -26.49

 

CMYK 37 / 17 / 0 / 46

HEX #57728A

RGB 87 114 138

HSL 208.24, 0.23%, 0.44%

LAB 46.84, -3.47, -16.29

 

CMYK 12 / 5 / 0 / 53

HEX #697177

RGB 105 113 119

HSL 205.71, 0.06%, 0.44%

LAB 47.16, -1.7, -4.36

 

CMYK 0 / 10 / 18 / 52

HEX #7B6F65

RGB 123 111 101

HSL 27.27, 0.1%, 0.44%

LAB 47.65, 2.89, 7.26

 

CMYK 71 / 0 / 6 / 32

HEX #32AEA4

RGB 50 174 164

HSL 175.16, 0.55%, 0.44%

LAB 64.67, -35.44, -4.62

 

CMYK 71 / 13 / 0 / 32

HEX #3297AE

RGB 50 151 174

HSL 191.13, 0.55%, 0.44%

LAB 57.91, -21.08, -20.41

 

CMYK 71 / 32 / 0 / 32

HEX #3276AE

RGB 50 118 174

HSL 207.1, 0.55%, 0.44%

LAB 47.87, -2.51, -35.99

 

CMYK 71 / 51 / 0 / 32

HEX #3255AE

RGB 50 85 174

HSL 223.06, 0.55%, 0.44%

LAB 38.25, 18.39, -51.32

 

CMYK 71 / 70 / 0 / 32

HEX #3235AE

RGB 50 53 174

HSL 238.55, 0.55%, 0.44%

LAB 30.11, 39.08, -64.59

 

CMYK 71 / 33 / 0 / 57

HEX #204A6E

RGB 32 74 110

HSL 207.69, 0.55%, 0.28%

LAB 30.23, -1.76, -25.09

 

CMYK 71 / 32 / 0 / 44

HEX #29608E

RGB 41 96 142

HSL 207.33, 0.55%, 0.36%

LAB 39.22, -2.15, -30.66

 

CMYK 71 / 32 / 0 / 32

HEX #3276AE

RGB 50 118 174

HSL 207.1, 0.55%, 0.44%

LAB 47.87, -2.51, -35.99

 

CMYK 67 / 31 / 0 / 22

HEX #428BC8

RGB 66 139 200

HSL 207.31, 0.55%, 0.52%

LAB 55.88, -3.28, -38.27

 

CMYK 53 / 24 / 0 / 18

HEX #629ED1

RGB 98 158 209

HSL 207.57, 0.55%, 0.6%

LAB 63.06, -5.03, -32.03

 

CMYK 71 / 32 / 0 / 32

HEX #3376AE

RGB 51 118 174

HSL 207.32, 0.55%, 0.44%

LAB 47.9, -2.36, -35.94

 

CMYK 25 / 71 / 0 / 32

HEX #8332AE

RGB 131 50 174

HSL 279.19, 0.55%, 0.44%

LAB 38.13, 54.55, -51.15

 

CMYK 3 / 0 / 71 / 32

HEX #A8AE32

RGB 168 174 50

HSL 62.9, 0.55%, 0.44%

LAB 68.63, -17.44, 59.33

 

CMYK 71 / 32 / 0 / 32

HEX #3376AE

RGB 51 118 174

HSL 207.32, 0.55%, 0.44%

LAB 47.9, -2.36, -35.94

 

CMYK 0 / 71 / 32 / 32

HEX #AE3276

RGB 174 50 118

HSL 327.1, 0.55%, 0.44%

LAB 42.14, 55.79, -10.37

 

CMYK 32 / 0 / 71 / 32

HEX #76AE32

RGB 118 174 50

HSL 87.1, 0.55%, 0.44%

LAB 65.24, -37.78, 54.84

 

CMYK 71 / 32 / 0 / 32

HEX #3376AE

RGB 51 118 174

HSL 207.32, 0.55%, 0.44%

LAB 47.9, -2.36, -35.94

 

CMYK 25 / 71 / 0 / 32

HEX #8332AE

RGB 131 50 174

HSL 279.19, 0.55%, 0.44%

LAB 38.13, 54.55, -51.15

 

CMYK 0 / 39 / 71 / 32

HEX #AE6A32

RGB 174 106 50

HSL 27.1, 0.55%, 0.44%

LAB 51.31, 22.28, 41.82

 

CMYK 46 / 0 / 71 / 32

HEX #5EAE32

RGB 94 174 50

HSL 98.71, 0.55%, 0.44%

LAB 64.07, -46.1, 53.27

 

CMYK 71 / 32 / 0 / 32

HEX #3376AE

RGB 51 118 174

HSL 207.32, 0.55%, 0.44%

LAB 47.9, -2.36, -35.94

 

CMYK 3 / 71 / 0 / 32

HEX #A832AE

RGB 168 50 174

HSL 297.1, 0.55%, 0.44%

LAB 43.74, 62.54, -41.85

 

CMYK 0 / 39 / 71 / 32

HEX #AE6A32

RGB 174 106 50

HSL 27.1, 0.55%, 0.44%

LAB 51.31, 22.28, 41.82

 

CMYK 67 / 0 / 71 / 32

HEX #39AE32

RGB 57 174 50

HSL 116.61, 0.55%, 0.44%

LAB 62.82, -55.84, 51.59

 

Description

Color code: HEX #3376AE | qconv.com Color code: HEX #3376AE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 118 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 118 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 32 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 32% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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