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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337580 it is the complementary color #CC8A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337580 shade: #38757B, #49878E, #5A99A1, #6BABB4 and #7CBDC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337580 shade: #337580, #22636D, #11515A, #003F47 and #002D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337580 shade: #337580, #336080, #334B80, #333780 and #443380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337580 shade: #337580, #336080, #334B80, #333780 and #333380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337580 shade matches the following richer shades: #337580, #247F8E, #16899D and #0894AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337580 shade: #337580, #416A71, #506063, #5E5654 and #6D4B46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337580 shade: #338061, #338075, #337580, #336180 and #334C80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337580 shade: #1B3F45, #275A62, #337580, #3F909D and #4DA9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337580 shade: #337580, #4C3380 and #806B33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337580 shade: #337580, #803375 and #758033

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337580 shade: #337580, #4C3380, #803D33 and #668033

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337580 shade: #337580, #633380, #803D33 and #4F8033

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

Complementary color

CMYK 0 / 32 / 38 / 20

HEX #CC8A7F

RGB 204 138 127

HSL 8.57, 0.43%, 0.65%

LAB 63.79, 23.83, 16.15

 

CMYK 54 / 5 / 0 / 52

HEX #38757B

RGB 56 117 123

HSL 185.37, 0.37%, 0.35%

LAB 45.63, -17.84, -9.35

 

CMYK 49 / 5 / 0 / 44

HEX #49878E

RGB 73 135 142

HSL 186.09, 0.32%, 0.42%

LAB 52.62, -18, -9.97

 

CMYK 44 / 5 / 0 / 37

HEX #5A99A1

RGB 90 153 161

HSL 186.76, 0.28%, 0.49%

LAB 59.46, -18.08, -10.55

 

CMYK 41 / 5 / 0 / 29

HEX #6BABB4

RGB 107 171 180

HSL 187.4, 0.33%, 0.56%

LAB 66.17, -18.11, -11.09

 

CMYK 38 / 5 / 0 / 22

HEX #7CBDC7

RGB 124 189 199

HSL 188, 0.4%, 0.63%

LAB 72.76, -18.11, -11.6

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 69 / 9 / 0 / 57

HEX #22636D

RGB 34 99 109

HSL 188, 0.52%, 0.28%

LAB 38.49, -16.85, -11.7

 

CMYK 81 / 10 / 0 / 65

HEX #11515A

RGB 17 81 90

HSL 187.4, 0.68%, 0.21%

LAB 31.21, -15.92, -10.92

 

CMYK 100 / 11 / 0 / 72

HEX #003F47

RGB 0 63 71

HSL 186.76, 1%, 0.14%

LAB 23.7, -14.63, -10.04

 

CMYK 100 / 13 / 0 / 80

HEX #002D34

RGB 0 45 52

HSL 188.08, 1%, 0.1%

LAB 16.13, -11.47, -8.66

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 60 / 25 / 0 / 50

HEX #336080

RGB 51 96 128

HSL 204.94, 0.43%, 0.35%

LAB 38.95, -5.25, -22.58

 

CMYK 60 / 41 / 0 / 50

HEX #334B80

RGB 51 75 128

HSL 221.3, 0.43%, 0.35%

LAB 32.47, 8.16, -32.75

 

CMYK 60 / 57 / 0 / 50

HEX #333780

RGB 51 55 128

HSL 236.88, 0.43%, 0.35%

LAB 26.72, 21.66, -41.97

 

CMYK 47 / 60 / 0 / 50

HEX #443380

RGB 68 51 128

HSL 253.25, 0.43%, 0.35%

LAB 27.17, 28.03, -41.16

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 60 / 25 / 0 / 50

HEX #336080

RGB 51 96 128

HSL 204.94, 0.43%, 0.35%

LAB 38.95, -5.25, -22.58

 

CMYK 60 / 41 / 0 / 50

HEX #334B80

RGB 51 75 128

HSL 221.3, 0.43%, 0.35%

LAB 32.47, 8.16, -32.75

 

CMYK 60 / 57 / 0 / 50

HEX #333780

RGB 51 55 128

HSL 236.88, 0.43%, 0.35%

LAB 26.72, 21.66, -41.97

 

CMYK 60 / 60 / 0 / 50

HEX #333380

RGB 51 51 128

HSL 240, 0.43%, 0.35%

LAB 25.65, 24.35, -43.69

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 75 / 11 / 0 / 44

HEX #247F8E

RGB 36 127 142

HSL 188.49, 0.6%, 0.35%

LAB 48.89, -20.78, -15.71

 

CMYK 86 / 13 / 0 / 38

HEX #16899D

RGB 22 137 157

HSL 188.89, 0.75%, 0.35%

LAB 52.39, -22.44, -19.14

 

CMYK 95 / 13 / 0 / 33

HEX #0894AB

RGB 8 148 171

HSL 188.47, 0.91%, 0.35%

LAB 56.26, -24.11, -21.28

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 42 / 6 / 0 / 56

HEX #416A71

RGB 65 106 113

HSL 188.75, 0.27%, 0.35%

LAB 42.19, -12.33, -8.44

 

CMYK 19 / 3 / 0 / 61

HEX #506063

RGB 80 96 99

HSL 189.47, 0.11%, 0.35%

LAB 39.53, -5.36, -3.76

 

CMYK 0 / 9 / 11 / 63

HEX #5E5654

RGB 94 86 84

HSL 12, 0.06%, 0.35%

LAB 37.25, 2.86, 2.33

 

CMYK 0 / 31 / 36 / 57

HEX #6D4B46

RGB 109 75 70

HSL 7.69, 0.22%, 0.35%

LAB 35.45, 13.71, 8.76

 

CMYK 60 / 0 / 24 / 50

HEX #338061

RGB 51 128 97

HSL 155.84, 0.43%, 0.35%

LAB 48.27, -31.57, 9.86

 

CMYK 60 / 0 / 9 / 50

HEX #338075

RGB 51 128 117

HSL 171.43, 0.43%, 0.35%

LAB 48.79, -26.41, -1.11

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 60 / 24 / 0 / 50

HEX #336180

RGB 51 97 128

HSL 204.16, 0.43%, 0.35%

LAB 39.26, -5.86, -22.09

 

CMYK 60 / 41 / 0 / 50

HEX #334C80

RGB 51 76 128

HSL 220.52, 0.43%, 0.35%

LAB 32.77, 7.5, -32.28

 

CMYK 61 / 9 / 0 / 73

HEX #1B3F45

RGB 27 63 69

HSL 188.57, 0.44%, 0.19%

LAB 24.38, -10.87, -7.62

 

CMYK 60 / 8 / 0 / 62

HEX #275A62

RGB 39 90 98

HSL 188.14, 0.43%, 0.27%

LAB 35.25, -14.4, -9.78

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 60 / 8 / 0 / 38

HEX #3F909D

RGB 63 144 157

HSL 188.3, 0.43%, 0.43%

LAB 55.52, -20.57, -14.3

 

CMYK 58 / 8 / 0 / 28

HEX #4DA9B8

RGB 77 169 184

HSL 188.41, 0.43%, 0.51%

LAB 64.5, -22.8, -15.96

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 41 / 60 / 0 / 50

HEX #4C3380

RGB 76 51 128

HSL 259.48, 0.43%, 0.35%

LAB 28.01, 29.96, -39.76

 

CMYK 0 / 16 / 60 / 50

HEX #806B33

RGB 128 107 51

HSL 43.64, 0.43%, 0.35%

LAB 46.1, 1.06, 33.97

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 0 / 60 / 9 / 50

HEX #803375

RGB 128 51 117

HSL 308.57, 0.43%, 0.35%

LAB 34.48, 41.97, -22.16

 

CMYK 9 / 0 / 60 / 50

HEX #758033

RGB 117 128 51

HSL 68.57, 0.43%, 0.35%

LAB 51.22, -15.68, 39.52

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 41 / 60 / 0 / 50

HEX #4C3380

RGB 76 51 128

HSL 259.48, 0.43%, 0.35%

LAB 28.01, 29.96, -39.76

 

CMYK 0 / 52 / 60 / 50

HEX #803D33

RGB 128 61 51

HSL 7.79, 0.43%, 0.35%

LAB 34.33, 27.98, 19.63

 

CMYK 20 / 0 / 60 / 50

HEX #668033

RGB 102 128 51

HSL 80.26, 0.43%, 0.35%

LAB 50.1, -22.14, 37.96

 

CMYK 60 / 9 / 0 / 50

HEX #337580

RGB 51 117 128

HSL 188.57, 0.43%, 0.35%

LAB 45.61, -17.4, -12.36

 

CMYK 23 / 60 / 0 / 50

HEX #633380

RGB 99 51 128

HSL 277.4, 0.43%, 0.35%

LAB 30.83, 35.96, -35.1

 

CMYK 0 / 52 / 60 / 50

HEX #803D33

RGB 128 61 51

HSL 7.79, 0.43%, 0.35%

LAB 34.33, 27.98, 19.63

 

CMYK 38 / 0 / 60 / 50

HEX #4F8033

RGB 79 128 51

HSL 98.18, 0.43%, 0.35%

LAB 48.69, -31.22, 35.97

 

Description

Color code: HEX #337580 | qconv.com Color code: HEX #337580 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 117 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 117 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 9 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 9% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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