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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3374A4 it is the complementary color #CC8B5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3374A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3374A4 shade: #38749F, #4986B2, #5A98C5, #6BAAD8 and #7CBCEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3374A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3374A4 shade: #3374A4, #226291, #11507E, #003E6B and #002C58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3374A4 shade: #3274A4, #3255A4, #3236A4, #4D32A4 and #6B32A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3374A4 shade: #3274A4, #3255A4, #3236A4 and #3232A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3374A4 shade matches the following richer shades: #3274A4, #2176B5 and #1079C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3374A4 shade: #3274A4, #447193, #556E81, #666C70 and #78695F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3374A4 shade: #32A497, #3293A4, #3275A4, #3256A4 and #3238A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3374A4 shade: #1F4765, #295D84, #3274A4, #3C8AC3 and #5C9DCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3374A4 shade: #3374A4, #7832A4 and #A2A432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3374A4 shade: #3374A4, #A43275 and #75A432

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3374A4 shade: #3374A4, #7832A4, #A46232 and #5EA432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3374A4 shade: #3374A4, #9A32A4, #A46232 and #3CA432

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 29 / 0 / 36

HEX #3374A4

RGB 51 116 164

HSL 205.49, 0.53%, 0.42%

LAB 46.81, -4.73, -31.81

 

Complementary color

CMYK 0 / 32 / 55 / 20

HEX #CC8B5B

RGB 204 139 91

HSL 25.49, 0.53%, 0.58%

LAB 63.39, 19.64, 35.49

 

CMYK 65 / 27 / 0 / 38

HEX #38749F

RGB 56 116 159

HSL 205.05, 0.48%, 0.42%

LAB 46.76, -5.6, -28.95

 

CMYK 59 / 25 / 0 / 30

HEX #4986B2

RGB 73 134 178

HSL 205.14, 0.42%, 0.49%

LAB 53.69, -6.45, -29.14

 

CMYK 54 / 23 / 0 / 23

HEX #5A98C5

RGB 90 152 197

HSL 205.23, 0.48%, 0.56%

LAB 60.48, -7.09, -29.33

 

CMYK 50 / 21 / 0 / 15

HEX #6BAAD8

RGB 107 170 216

HSL 205.32, 0.58%, 0.63%

LAB 67.15, -7.59, -29.53

 

CMYK 47 / 20 / 0 / 8

HEX #7CBCEB

RGB 124 188 235

HSL 205.41, 0.74%, 0.7%

LAB 73.71, -7.99, -29.74

 

CMYK 69 / 29 / 0 / 36

HEX #3374A4

RGB 51 116 164

HSL 205.49, 0.53%, 0.42%

LAB 46.81, -4.73, -31.81

 

CMYK 77 / 32 / 0 / 43

HEX #226291

RGB 34 98 145

HSL 205.41, 0.62%, 0.35%

LAB 39.78, -3.31, -31.61

 

CMYK 87 / 37 / 0 / 51

HEX #11507E

RGB 17 80 126

HSL 205.32, 0.76%, 0.28%

LAB 32.62, -1.33, -31.36

 

CMYK 100 / 42 / 0 / 58

HEX #003E6B

RGB 0 62 107

HSL 205.23, 1%, 0.21%

LAB 25.28, 1.28, -31.07

 

CMYK 100 / 50 / 0 / 65

HEX #002C58

RGB 0 44 88

HSL 210, 1%, 0.17%

LAB 17.95, 5.53, -30.41

 

CMYK 70 / 29 / 0 / 36

HEX #3274A4

RGB 50 116 164

HSL 205.26, 0.53%, 0.42%

LAB 46.78, -4.89, -31.87

 

CMYK 70 / 48 / 0 / 36

HEX #3255A4

RGB 50 85 164

HSL 221.58, 0.53%, 0.42%

LAB 37.58, 14.65, -46.46

 

CMYK 70 / 67 / 0 / 36

HEX #3236A4

RGB 50 54 164

HSL 237.89, 0.53%, 0.42%

LAB 29.4, 34.98, -59.74

 

CMYK 53 / 70 / 0 / 36

HEX #4D32A4

RGB 77 50 164

HSL 254.21, 0.53%, 0.42%

LAB 30.73, 41.5, -57.48

 

CMYK 35 / 70 / 0 / 36

HEX #6B32A4

RGB 107 50 164

HSL 270, 0.53%, 0.42%

LAB 34.16, 47.23, -51.74

 

CMYK 70 / 29 / 0 / 36

HEX #3274A4

RGB 50 116 164

HSL 205.26, 0.53%, 0.42%

LAB 46.78, -4.89, -31.87

 

CMYK 70 / 48 / 0 / 36

HEX #3255A4

RGB 50 85 164

HSL 221.58, 0.53%, 0.42%

LAB 37.58, 14.65, -46.46

 

CMYK 70 / 67 / 0 / 36

HEX #3236A4

RGB 50 54 164

HSL 237.89, 0.53%, 0.42%

LAB 29.4, 34.98, -59.74

 

CMYK 70 / 70 / 0 / 36

HEX #3232A4

RGB 50 50 164

HSL 240, 0.53%, 0.42%

LAB 28.48, 37.47, -61.25

 

CMYK 70 / 29 / 0 / 36

HEX #3274A4

RGB 50 116 164

HSL 205.26, 0.53%, 0.42%

LAB 46.78, -4.89, -31.87

 

CMYK 82 / 35 / 0 / 29

HEX #2176B5

RGB 33 118 181

HSL 205.54, 0.69%, 0.42%

LAB 47.77, -2.03, -40.24

 

CMYK 92 / 39 / 0 / 22

HEX #1079C7

RGB 16 121 199

HSL 205.57, 0.85%, 0.42%

LAB 49.38, 1.86, -48.05

 

CMYK 70 / 29 / 0 / 36

HEX #3274A4

RGB 50 116 164

HSL 205.26, 0.53%, 0.42%

LAB 46.78, -4.89, -31.87

 

CMYK 54 / 23 / 0 / 42

HEX #447193

RGB 68 113 147

HSL 205.82, 0.37%, 0.42%

LAB 45.83, -5.29, -23.26

 

CMYK 34 / 15 / 0 / 49

HEX #556E81

RGB 85 110 129

HSL 205.91, 0.21%, 0.42%

LAB 45.18, -4.21, -13.46

 

CMYK 9 / 4 / 0 / 56

HEX #666C70

RGB 102 108 112

HSL 204, 0.05%, 0.42%

LAB 45.25, -1.42, -3.03

 

CMYK 0 / 13 / 21 / 53

HEX #78695F

RGB 120 105 95

HSL 24, 0.12%, 0.42%

LAB 45.53, 4.17, 7.79

 

CMYK 70 / 0 / 8 / 36

HEX #32A497

RGB 50 164 151

HSL 173.16, 0.53%, 0.42%

LAB 61.19, -34.44, -2.47

 

CMYK 70 / 10 / 0 / 36

HEX #3293A4

RGB 50 147 164

HSL 188.95, 0.53%, 0.42%

LAB 56.31, -22.19, -17.15

 

CMYK 70 / 29 / 0 / 36

HEX #3275A4

RGB 50 117 164

HSL 204.74, 0.53%, 0.42%

LAB 47.08, -5.49, -31.39

 

CMYK 70 / 48 / 0 / 36

HEX #3256A4

RGB 50 86 164

HSL 221.05, 0.53%, 0.42%

LAB 37.87, 13.99, -46

 

CMYK 70 / 66 / 0 / 36

HEX #3238A4

RGB 50 56 164

HSL 236.84, 0.53%, 0.42%

LAB 29.88, 33.72, -58.96

 

CMYK 69 / 30 / 0 / 60

HEX #1F4765

RGB 31 71 101

HSL 205.71, 0.53%, 0.26%

LAB 28.74, -3.43, -21.71

 

CMYK 69 / 30 / 0 / 48

HEX #295D84

RGB 41 93 132

HSL 205.71, 0.53%, 0.34%

LAB 37.78, -3.97, -26.86

 

CMYK 70 / 29 / 0 / 36

HEX #3274A4

RGB 50 116 164

HSL 205.26, 0.53%, 0.42%

LAB 46.78, -4.89, -31.87

 

CMYK 69 / 29 / 0 / 24

HEX #3C8AC3

RGB 60 138 195

HSL 205.33, 0.53%, 0.5%

LAB 55.15, -5.37, -36.59

 

CMYK 55 / 23 / 0 / 20

HEX #5C9DCD

RGB 92 157 205

HSL 205.49, 0.53%, 0.58%

LAB 62.34, -6.99, -30.93

 

CMYK 69 / 29 / 0 / 36

HEX #3374A4

RGB 51 116 164

HSL 205.49, 0.53%, 0.42%

LAB 46.81, -4.73, -31.81

 

CMYK 27 / 70 / 0 / 36

HEX #7832A4

RGB 120 50 164

HSL 276.84, 0.53%, 0.42%

LAB 35.9, 49.99, -48.86

 

CMYK 1 / 0 / 70 / 36

HEX #A2A432

RGB 162 164 50

HSL 61.05, 0.53%, 0.42%

LAB 65.33, -14.91, 55.92

 

CMYK 69 / 29 / 0 / 36

HEX #3374A4

RGB 51 116 164

HSL 205.49, 0.53%, 0.42%

LAB 46.81, -4.73, -31.81

 

CMYK 0 / 70 / 29 / 36

HEX #A43275

RGB 164 50 117

HSL 324.74, 0.53%, 0.42%

LAB 40.34, 52.86, -12.64

 

CMYK 29 / 0 / 70 / 36

HEX #75A432

RGB 117 164 50

HSL 84.74, 0.53%, 0.42%

LAB 62.14, -33.63, 51.66

 

CMYK 69 / 29 / 0 / 36

HEX #3374A4

RGB 51 116 164

HSL 205.49, 0.53%, 0.42%

LAB 46.81, -4.73, -31.81

 

CMYK 27 / 70 / 0 / 36

HEX #7832A4

RGB 120 50 164

HSL 276.84, 0.53%, 0.42%

LAB 35.9, 49.99, -48.86

 

CMYK 0 / 40 / 70 / 36

HEX #A46232

RGB 164 98 50

HSL 25.26, 0.53%, 0.42%

LAB 48.08, 22.43, 37.9

 

CMYK 43 / 0 / 70 / 36

HEX #5EA432

RGB 94 164 50

HSL 96.84, 0.53%, 0.42%

LAB 60.92, -41.97, 50.02

 

CMYK 69 / 29 / 0 / 36

HEX #3374A4

RGB 51 116 164

HSL 205.49, 0.53%, 0.42%

LAB 46.81, -4.73, -31.81

 

CMYK 6 / 70 / 0 / 36

HEX #9A32A4

RGB 154 50 164

HSL 294.74, 0.53%, 0.42%

LAB 40.95, 57.61, -40.48

 

CMYK 0 / 40 / 70 / 36

HEX #A46232

RGB 164 98 50

HSL 25.26, 0.53%, 0.42%

LAB 48.08, 22.43, 37.9

 

CMYK 63 / 0 / 70 / 36

HEX #3CA432

RGB 60 164 50

HSL 114.74, 0.53%, 0.42%

LAB 59.65, -51.67, 48.29

 

Description

Color code: HEX #3374A4 | qconv.com Color code: HEX #3374A4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 116 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 116 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 29 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 29% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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