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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3370FDCE it is the complementary color #CC8F02CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3370FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3370FDCE shade: #3870F8CE, #4982FFCE, #5A94FFCE, #6BA6FFCE and #7CB8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3370FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3370FDCE shade: #3370FDCE, #225EEACE, #114CD7CE, #003AC4CE and #0028B1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3370FDCE shade: #3571FD, #353CFD, #6435FD, #9A35FD and #D035FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3370FDCE shade: #3571FD, #353CFD and #3535FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3370FDCE shade matches the following richer shades: #3571FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3370FDCE shade: #3571FD, #4678EC, #567EDC, #6785CB and #778CBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3370FDCE shade: #35DFFD, #35AAFD, #3574FD, #353FFD and #6035FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3370FDCE shade: #0244DD, #0C55FD, #3571FD, #5E8EFD and #87ABFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3370FDCE shade: #3370FD, #E635FD and #C4FD35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3370FDCE shade: #3370FD, #FD3574 and #74FD35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3370FDCE shade: #3370FD, #E635FD, #FDBE35 and #4CFD35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3370FDCE shade: #3370FD, #FD35D8, #FDBE35 and #35FD5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 45 / 0 / 1

HEX #3370FDCE

RGBA 51 112 253 0.81

HSLA 221.88, 0.98%, 0.6%, 0.81

LABA 51.13, 30.52, -75.6, 0.81

 

Complementary color

CMYK 0 / 24 / 80 / 16

HEX #CC8F02CE

RGBA 204 143 2 0.81

HSLA 41.88, 0.98%, 0.4%, 0.81

LABA 63.74, 13.76, 68.35, 0.81

 

CMYK 63 / 44 / 0 / 2

HEX #3870F8CE

RGBA 56 112 248 0.81

HSLA 222.5, 0.93%, 0.6%, 0.81

LABA 50.93, 29.16, -73.16, 0.81

 

CMYK 58 / 40 / 0 / 0

HEX #4982FFCE

RGBA 73 130 255 0.81

HSLA 221.21, 1%, 0.64%, 0.81

LABA 56.69, 22.46, -67.68, 0.81

 

CMYK 52 / 34 / 0 / 0

HEX #5A94FFCE

RGBA 90 148 255 0.81

HSLA 218.91, 1%, 0.68%, 0.81

LABA 62.15, 14.08, -58.88, 0.81

 

CMYK 47 / 28 / 0 / 0

HEX #6BA6FFCE

RGBA 107 166 255 0.81

HSLA 216.08, 1%, 0.71%, 0.81

LABA 67.74, 6.59, -49.95, 0.81

 

CMYK 42 / 23 / 0 / 0

HEX #7CB8FFCE

RGBA 124 184 255 0.81

HSLA 212.52, 1%, 0.74%, 0.81

LABA 73.41, -0.05, -41, 0.81

 

CMYK 65 / 45 / 0 / 1

HEX #3370FDCE

RGBA 51 112 253 0.81

HSLA 221.88, 0.98%, 0.6%, 0.81

LABA 51.13, 30.52, -75.6, 0.81

 

CMYK 69 / 48 / 0 / 7

HEX #225EEACE

RGBA 34 94 234 0.81

HSLA 222, 0.83%, 0.53%, 0.81

LABA 44.64, 33.58, -75.6, 0.81

 

CMYK 75 / 52 / 0 / 13

HEX #114CD7CE

RGBA 17 76 215 0.81

HSLA 222.12, 0.85%, 0.45%, 0.81

LABA 38.19, 37.12, -75.37, 0.81

 

CMYK 81 / 57 / 0 / 19

HEX #003AC4CE

RGBA 0 58 196 0.81

HSLA 222.24, 1%, 0.38%, 0.81

LABA 31.83, 40.96, -74.83, 0.81

 

CMYK 81 / 63 / 0 / 25

HEX #0028B1CE

RGBA 0 40 177 0.81

HSLA 226.44, 1%, 0.35%, 0.81

LABA 25.84, 44.95, -73.5, 0.81

 

CMYK 79 / 55 / 0 / 1

HEX #3571FD

RGB 53 113 253

HSL 222, 0.98%, 0.6%

LAB 51.45, 30.07, -75.09

 

CMYK 79 / 76 / 0 / 1

HEX #353CFD

RGB 53 60 253

HSL 237.9, 0.98%, 0.6%

LAB 39.72, 61.22, -94.36

 

CMYK 60 / 79 / 0 / 1

HEX #6435FD

RGB 100 53 253

HSL 254.1, 0.98%, 0.6%

LAB 41.76, 68.18, -90.87

 

CMYK 39 / 79 / 0 / 1

HEX #9A35FD

RGB 154 53 253

HSL 270.3, 0.98%, 0.6%

LAB 47.63, 74.74, -81

 

CMYK 18 / 79 / 0 / 1

HEX #D035FD

RGB 208 53 253

HSL 286.5, 0.98%, 0.6%

LAB 55.12, 83.18, -68.49

 

CMYK 79 / 55 / 0 / 1

HEX #3571FD

RGB 53 113 253

HSL 222, 0.98%, 0.6%

LAB 51.45, 30.07, -75.09

 

CMYK 79 / 76 / 0 / 1

HEX #353CFD

RGB 53 60 253

HSL 237.9, 0.98%, 0.6%

LAB 39.72, 61.22, -94.36

 

CMYK 79 / 79 / 0 / 1

HEX #3535FD

RGB 53 53 253

HSL 240, 0.98%, 0.6%

LAB 38.54, 64.62, -96.3

 

CMYK 79 / 55 / 0 / 1

HEX #3571FD

RGB 53 113 253

HSL 222, 0.98%, 0.6%

LAB 51.45, 30.07, -75.09

 

CMYK 79 / 55 / 0 / 1

HEX #3571FD

RGB 53 113 253

HSL 222, 0.98%, 0.6%

LAB 51.45, 30.07, -75.09

 

CMYK 70 / 49 / 0 / 7

HEX #4678EC

RGB 70 120 236

HSL 221.93, 0.81%, 0.6%

LAB 52.72, 21.49, -63.54

 

CMYK 61 / 43 / 0 / 14

HEX #567EDC

RGB 86 126 220

HSL 222.09, 0.66%, 0.6%

LAB 54.1, 14.83, -52.32

 

CMYK 49 / 34 / 0 / 20

HEX #6785CB

RGB 103 133 203

HSL 222, 0.49%, 0.6%

LAB 56.06, 8.74, -39.57

 

CMYK 36 / 25 / 0 / 27

HEX #778CBB

RGB 119 140 187

HSL 221.47, 0.33%, 0.6%

LAB 58.29, 4.18, -26.95

 

CMYK 79 / 12 / 0 / 1

HEX #35DFFD

RGB 53 223 253

HSL 189, 0.98%, 0.6%

LAB 82.18, -31.79, -26.57

 

CMYK 79 / 33 / 0 / 1

HEX #35AAFD

RGB 53 170 253

HSL 204.9, 0.98%, 0.6%

LAB 66.97, -4.21, -50.19

 

CMYK 79 / 54 / 0 / 1

HEX #3574FD

RGB 53 116 253

HSL 221.1, 0.98%, 0.6%

LAB 52.22, 28.19, -73.84

 

CMYK 79 / 75 / 0 / 1

HEX #353FFD

RGB 53 63 253

HSL 237, 0.98%, 0.6%

LAB 40.25, 59.69, -93.47

 

CMYK 62 / 79 / 0 / 1

HEX #6035FD

RGB 96 53 253

HSL 252.9, 0.98%, 0.6%

LAB 41.41, 67.79, -91.46

 

CMYK 99 / 69 / 0 / 13

HEX #0244DD

RGB 2 68 221

HSL 221.92, 0.98%, 0.44%

LAB 36.68, 43.98, -81.3

 

CMYK 95 / 66 / 0 / 1

HEX #0C55FD

RGB 12 85 253

HSL 221.83, 0.98%, 0.52%

LAB 43.75, 45.34, -87.72

 

CMYK 79 / 55 / 0 / 1

HEX #3571FD

RGB 53 113 253

HSL 222, 0.98%, 0.6%

LAB 51.45, 30.07, -75.09

 

CMYK 63 / 44 / 0 / 1

HEX #5E8EFD

RGB 94 142 253

HSL 221.89, 0.98%, 0.68%

LAB 60.62, 17.64, -60.21

 

CMYK 47 / 33 / 0 / 0

HEX #87ABFE

RGB 135 171 254

HSL 221.85, 0.98%, 0.76%

LAB 70.48, 9.43, -45

 

CMYK 80 / 56 / 0 / 1

HEX #3370FD

RGB 51 112 253

HSL 221.88, 0.98%, 0.6%

LAB 51.13, 30.52, -75.6

 

CMYK 9 / 79 / 0 / 1

HEX #E635FD

RGB 230 53 253

HSL 293.1, 0.98%, 0.6%

LAB 58.47, 86.98, -62.92

 

CMYK 23 / 0 / 79 / 1

HEX #C4FD35

RGB 196 253 53

HSL 77.1, 0.98%, 0.6%

LAB 92.68, -43.06, 81.5

 

CMYK 80 / 56 / 0 / 1

HEX #3370FD

RGB 51 112 253

HSL 221.88, 0.98%, 0.6%

LAB 51.13, 30.52, -75.6

 

CMYK 0 / 79 / 54 / 1

HEX #FD3574

RGB 253 53 116

HSL 341.1, 0.98%, 0.6%

LAB 56.77, 75.83, 13.86

 

CMYK 54 / 0 / 79 / 1

HEX #74FD35

RGB 116 253 53

HSL 101.1, 0.98%, 0.6%

LAB 89.03, -68.95, 76.81

 

CMYK 80 / 56 / 0 / 1

HEX #3370FD

RGB 51 112 253

HSL 221.88, 0.98%, 0.6%

LAB 51.13, 30.52, -75.6

 

CMYK 9 / 79 / 0 / 1

HEX #E635FD

RGB 230 53 253

HSL 293.1, 0.98%, 0.6%

LAB 58.47, 86.98, -62.92

 

CMYK 0 / 25 / 79 / 1

HEX #FDBE35

RGB 253 190 53

HSL 41.1, 0.98%, 0.6%

LAB 80.72, 10.98, 72.45

 

CMYK 70 / 0 / 79 / 1

HEX #4CFD35

RGB 76 253 53

HSL 113.1, 0.98%, 0.6%

LAB 87.99, -77.49, 75.47

 

CMYK 80 / 56 / 0 / 1

HEX #3370FD

RGB 51 112 253

HSL 221.88, 0.98%, 0.6%

LAB 51.13, 30.52, -75.6

 

CMYK 0 / 79 / 15 / 1

HEX #FD35D8

RGB 253 53 216

HSL 311.1, 0.98%, 0.6%

LAB 60.24, 85.96, -39.17

 

CMYK 0 / 25 / 79 / 1

HEX #FDBE35

RGB 253 190 53

HSL 41.1, 0.98%, 0.6%

LAB 80.72, 10.98, 72.45

 

CMYK 79 / 0 / 64 / 1

HEX #35FD5A

RGB 53 253 90

HSL 131.1, 0.98%, 0.6%

LAB 87.85, -77.86, 62.59

 

Description

Color code: HEX #3370FDCE | qconv.com Color code: HEX #3370FDCE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 112 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 112 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 45 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 45% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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