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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33701B it is the complementary color #CC8FE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33701B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33701B shade: #387016, #498229, #5A943C, #6BA64F and #7CB862

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33701B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33701B shade: #33701B, #225E08, #114C00, #003A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33701B shade: #336F1B, #496F1B, #606F1B, #6F671B and #6F511B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33701B shade: #336F1B, #1C6F1B, #1B6F30, #1B6F47 and #1B6F5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33701B shade matches the following richer shades: #336F1B, #2E7A10 and #298505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33701B shade: #336F1B, #376426, #3C5931, #414D3C and #464247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33701B shade: #5F6F1B, #496F1B, #336F1B, #1C6F1B and #1B6F30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33701B shade: #142C0B, #234E13, #336F1B, #429023 and #51B12B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33701B shade: #33701B, #1B6F68 and #6F1B54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33701B shade: #33701B, #1B336F and #6F1B33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33701B shade: #33701B, #1B6F68, #571B6F and #6F1B22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33701B shade: #33701B, #1B5D6F, #571B6F and #6F2D1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 76 / 56

HEX #33701B

RGB 51 112 27

HSL 103.06, 0.61%, 0.27%

LAB 41.8, -36.05, 39

 

Complementary color

CMYK 11 / 37 / 0 / 11

HEX #CC8FE4

RGB 204 143 228

HSL 283.06, 0.61%, 0.73%

LAB 68.08, 37.75, -34.12

 

CMYK 50 / 0 / 80 / 56

HEX #387016

RGB 56 112 22

HSL 97.33, 0.67%, 0.26%

LAB 41.98, -34.79, 41.14

 

CMYK 44 / 0 / 68 / 49

HEX #498229

RGB 73 130 41

HSL 98.43, 0.52%, 0.34%

LAB 48.94, -35.27, 40.83

 

CMYK 39 / 0 / 59 / 42

HEX #5A943C

RGB 90 148 60

HSL 99.55, 0.42%, 0.41%

LAB 55.77, -35.45, 39.89

 

CMYK 36 / 0 / 52 / 35

HEX #6BA64F

RGB 107 166 79

HSL 100.69, 0.36%, 0.48%

LAB 62.48, -35.46, 38.72

 

CMYK 33 / 0 / 47 / 28

HEX #7CB862

RGB 124 184 98

HSL 101.86, 0.38%, 0.55%

LAB 69.07, -35.37, 37.5

 

CMYK 54 / 0 / 76 / 56

HEX #33701B

RGB 51 112 27

HSL 103.06, 0.61%, 0.27%

LAB 41.8, -36.05, 39

 

CMYK 64 / 0 / 91 / 63

HEX #225E08

RGB 34 94 8

HSL 101.86, 0.84%, 0.2%

LAB 34.73, -35.05, 38.52

 

CMYK 78 / 0 / 100 / 70

HEX #114C00

RGB 17 76 0

HSL 106.58, 1%, 0.15%

LAB 27.54, -32.96, 35.01

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 34 / 0 / 76 / 56

HEX #496F1B

RGB 73 111 27

HSL 87.14, 0.61%, 0.27%

LAB 42.56, -27.68, 40.12

 

CMYK 14 / 0 / 76 / 56

HEX #606F1B

RGB 96 111 27

HSL 70.71, 0.61%, 0.27%

LAB 44.14, -17.75, 42.21

 

CMYK 0 / 7 / 76 / 56

HEX #6F671B

RGB 111 103 27

HSL 54.29, 0.61%, 0.27%

LAB 43, -6.28, 41.55

 

CMYK 0 / 27 / 76 / 56

HEX #6F511B

RGB 111 81 27

HSL 38.57, 0.61%, 0.27%

LAB 36.64, 6.74, 35.23

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 75 / 0 / 76 / 56

HEX #1C6F1B

RGB 28 111 27

HSL 119.29, 0.61%, 0.27%

LAB 40.73, -41.51, 37.68

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 76 / 0 / 36 / 56

HEX #1B6F47

RGB 27 111 71

HSL 151.43, 0.61%, 0.27%

LAB 41.31, -34.73, 15.37

 

CMYK 76 / 0 / 15 / 56

HEX #1B6F5E

RGB 27 111 94

HSL 167.86, 0.61%, 0.27%

LAB 41.86, -28.85, 2.41

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 62 / 0 / 87 / 52

HEX #2E7A10

RGB 46 122 16

HSL 103.02, 0.77%, 0.27%

LAB 44.99, -42.15, 45.67

 

CMYK 69 / 0 / 96 / 48

HEX #298505

RGB 41 133 5

HSL 103.13, 0.93%, 0.27%

LAB 48.58, -47.73, 51.06

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 45 / 0 / 62 / 61

HEX #376426

RGB 55 100 38

HSL 103.55, 0.45%, 0.27%

LAB 37.96, -28.31, 29.84

 

CMYK 33 / 0 / 45 / 65

HEX #3C5931

RGB 60 89 49

HSL 103.5, 0.29%, 0.27%

LAB 34.66, -19.36, 19.77

 

CMYK 16 / 0 / 22 / 70

HEX #414D3C

RGB 65 77 60

HSL 102.35, 0.12%, 0.27%

LAB 31.25, -8.53, 8.52

 

CMYK 1 / 7 / 0 / 72

HEX #464247

RGB 70 66 71

HSL 288, 0.04%, 0.27%

LAB 28.52, 2.79, -2.42

 

CMYK 14 / 0 / 76 / 56

HEX #5F6F1B

RGB 95 111 27

HSL 71.43, 0.61%, 0.27%

LAB 44.06, -18.2, 42.11

 

CMYK 34 / 0 / 76 / 56

HEX #496F1B

RGB 73 111 27

HSL 87.14, 0.61%, 0.27%

LAB 42.56, -27.68, 40.12

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 75 / 0 / 76 / 56

HEX #1C6F1B

RGB 28 111 27

HSL 119.29, 0.61%, 0.27%

LAB 40.73, -41.51, 37.68

 

CMYK 76 / 0 / 57 / 56

HEX #1B6F30

RGB 27 111 48

HSL 135, 0.61%, 0.27%

LAB 40.92, -39.11, 27.86

 

CMYK 55 / 0 / 75 / 83

HEX #142C0B

RGB 20 44 11

HSL 103.64, 0.6%, 0.11%

LAB 15.35, -17.13, 17.43

 

CMYK 55 / 0 / 76 / 69

HEX #234E13

RGB 35 78 19

HSL 103.73, 0.61%, 0.19%

LAB 29.04, -27.23, 29.08

 

CMYK 54 / 0 / 76 / 56

HEX #336F1B

RGB 51 111 27

HSL 102.86, 0.61%, 0.27%

LAB 41.46, -35.63, 38.65

 

CMYK 54 / 0 / 76 / 44

HEX #429023

RGB 66 144 35

HSL 102.94, 0.61%, 0.35%

LAB 53.2, -43.83, 47.55

 

CMYK 54 / 0 / 76 / 31

HEX #51B12B

RGB 81 177 43

HSL 102.99, 0.61%, 0.43%

LAB 64.46, -51.65, 56.03

 

CMYK 54 / 0 / 76 / 56

HEX #33701B

RGB 51 112 27

HSL 103.06, 0.61%, 0.27%

LAB 41.8, -36.05, 39

 

CMYK 76 / 0 / 6 / 56

HEX #1B6F68

RGB 27 111 104

HSL 175, 0.61%, 0.27%

LAB 42.16, -25.9, -3.19

 

CMYK 0 / 76 / 24 / 56

HEX #6F1B54

RGB 111 27 84

HSL 319.29, 0.61%, 0.27%

LAB 26.17, 42.26, -13.98

 

CMYK 54 / 0 / 76 / 56

HEX #33701B

RGB 51 112 27

HSL 103.06, 0.61%, 0.27%

LAB 41.8, -36.05, 39

 

CMYK 76 / 54 / 0 / 56

HEX #1B336F

RGB 27 51 111

HSL 222.86, 0.61%, 0.27%

LAB 22.82, 13.62, -37.55

 

CMYK 0 / 76 / 54 / 56

HEX #6F1B33

RGB 111 27 51

HSL 342.86, 0.61%, 0.27%

LAB 24.96, 38.34, 6.52

 

CMYK 54 / 0 / 76 / 56

HEX #33701B

RGB 51 112 27

HSL 103.06, 0.61%, 0.27%

LAB 41.8, -36.05, 39

 

CMYK 76 / 0 / 6 / 56

HEX #1B6F68

RGB 27 111 104

HSL 175, 0.61%, 0.27%

LAB 42.16, -25.9, -3.19

 

CMYK 22 / 76 / 0 / 56

HEX #571B6F

RGB 87 27 111

HSL 282.86, 0.61%, 0.27%

LAB 23.53, 41.08, -36.1

 

CMYK 0 / 76 / 69 / 56

HEX #6F1B22

RGB 111 27 34

HSL 355, 0.61%, 0.27%

LAB 24.57, 37.03, 17.56

 

CMYK 54 / 0 / 76 / 56

HEX #33701B

RGB 51 112 27

HSL 103.06, 0.61%, 0.27%

LAB 41.8, -36.05, 39

 

CMYK 76 / 16 / 0 / 56

HEX #1B5D6F

RGB 27 93 111

HSL 192.86, 0.61%, 0.27%

LAB 36.38, -13.89, -16.17

 

CMYK 22 / 76 / 0 / 56

HEX #571B6F

RGB 87 27 111

HSL 282.86, 0.61%, 0.27%

LAB 23.53, 41.08, -36.1

 

CMYK 0 / 59 / 76 / 56

HEX #6F2D1B

RGB 111 45 27

HSL 12.86, 0.61%, 0.27%

LAB 27.67, 28.04, 25.69

 

Description

Color code: HEX #33701B | qconv.com Color code: HEX #33701B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 112 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 112 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 76 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 76% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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