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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #337019 it is the complementary color #CC8FE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #337019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #337019 shade: #387014, #498227, #5A943A, #6BA64D and #7CB860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #337019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #337019 shade: #337019, #225E06, #114C00, #003A00 and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #337019 shade: #337119, #4B7119, #637119, #716719 and #715019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #337019 shade: #337119, #1B7119, #19712E, #197146 and #19715E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #337019 shade matches the following richer shades: #337119, #2F7C0E and #2A8703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #337019 shade: #337119, #386624, #3C5B2F, #414F3A and #454445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #337019 shade: #627119, #4B7119, #337119, #1C7119 and #19712D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #337019 shade: #142D0A, #244F11, #337119, #429320 and #52B528

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #337019 shade: #337019, #197168 and #711956

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #337019 shade: #337019, #193371 and #711933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #337019 shade: #337019, #197168, #561971 and #711922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #337019 shade: #337019, #195F71, #561971 and #712A19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 78 / 56

HEX #337019

RGB 51 112 25

HSL 102.07, 0.64%, 0.27%

LAB 41.79, -36.21, 39.77

 

Complementary color

CMYK 11 / 38 / 0 / 10

HEX #CC8FE6

RGB 204 143 230

HSL 282.07, 0.64%, 0.73%

LAB 68.16, 38.16, -35.1

 

CMYK 50 / 0 / 82 / 56

HEX #387014

RGB 56 112 20

HSL 96.52, 0.7%, 0.26%

LAB 41.97, -34.92, 41.82

 

CMYK 44 / 0 / 70 / 49

HEX #498227

RGB 73 130 39

HSL 97.58, 0.54%, 0.33%

LAB 48.92, -35.45, 41.68

 

CMYK 39 / 0 / 61 / 42

HEX #5A943A

RGB 90 148 58

HSL 98.67, 0.44%, 0.4%

LAB 55.74, -35.66, 40.82

 

CMYK 36 / 0 / 54 / 35

HEX #6BA64D

RGB 107 166 77

HSL 99.78, 0.37%, 0.48%

LAB 62.45, -35.7, 39.68

 

CMYK 33 / 0 / 48 / 28

HEX #7CB860

RGB 124 184 96

HSL 100.91, 0.38%, 0.55%

LAB 69.05, -35.63, 38.48

 

CMYK 54 / 0 / 78 / 56

HEX #337019

RGB 51 112 25

HSL 102.07, 0.64%, 0.27%

LAB 41.79, -36.21, 39.77

 

CMYK 64 / 0 / 94 / 63

HEX #225E06

RGB 34 94 6

HSL 100.91, 0.88%, 0.2%

LAB 34.72, -35.15, 39.1

 

CMYK 78 / 0 / 100 / 70

HEX #114C00

RGB 17 76 0

HSL 106.58, 1%, 0.15%

LAB 27.54, -32.96, 35.01

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 55 / 0 / 78 / 56

HEX #337119

RGB 51 113 25

HSL 102.27, 0.64%, 0.27%

LAB 42.13, -36.62, 40.11

 

CMYK 34 / 0 / 78 / 56

HEX #4B7119

RGB 75 113 25

HSL 85.91, 0.64%, 0.27%

LAB 43.32, -27.96, 41.69

 

CMYK 12 / 0 / 78 / 56

HEX #637119

RGB 99 113 25

HSL 69.55, 0.64%, 0.27%

LAB 44.99, -17.56, 43.86

 

CMYK 0 / 9 / 78 / 56

HEX #716719

RGB 113 103 25

HSL 53.18, 0.64%, 0.27%

LAB 43.18, -5.42, 42.59

 

CMYK 0 / 29 / 78 / 56

HEX #715019

RGB 113 80 25

HSL 37.5, 0.64%, 0.27%

LAB 36.59, 8.21, 36.21

 

CMYK 55 / 0 / 78 / 56

HEX #337119

RGB 51 113 25

HSL 102.27, 0.64%, 0.27%

LAB 42.13, -36.62, 40.11

 

CMYK 76 / 0 / 78 / 56

HEX #1B7119

RGB 27 113 25

HSL 118.64, 0.64%, 0.27%

LAB 41.4, -42.59, 39.14

 

CMYK 78 / 0 / 59 / 56

HEX #19712E

RGB 25 113 46

HSL 134.32, 0.64%, 0.27%

LAB 41.55, -40.52, 29.66

 

CMYK 78 / 0 / 38 / 56

HEX #197146

RGB 25 113 70

HSL 150.68, 0.64%, 0.27%

LAB 41.94, -36.11, 16.8

 

CMYK 78 / 0 / 17 / 56

HEX #19715E

RGB 25 113 94

HSL 167.05, 0.64%, 0.27%

LAB 42.5, -30.09, 3.33

 

CMYK 55 / 0 / 78 / 56

HEX #337119

RGB 51 113 25

HSL 102.27, 0.64%, 0.27%

LAB 42.13, -36.62, 40.11

 

CMYK 62 / 0 / 89 / 51

HEX #2F7C0E

RGB 47 124 14

HSL 102, 0.8%, 0.27%

LAB 45.7, -42.73, 46.83

 

CMYK 69 / 0 / 98 / 47

HEX #2A8703

RGB 42 135 3

HSL 102.27, 0.96%, 0.27%

LAB 49.29, -48.26, 52.03

 

CMYK 55 / 0 / 78 / 56

HEX #337119

RGB 51 113 25

HSL 102.27, 0.64%, 0.27%

LAB 42.13, -36.62, 40.11

 

CMYK 45 / 0 / 65 / 60

HEX #386624

RGB 56 102 36

HSL 101.82, 0.48%, 0.27%

LAB 38.67, -29.11, 31.68

 

CMYK 34 / 0 / 48 / 64

HEX #3C5B2F

RGB 60 91 47

HSL 102.27, 0.32%, 0.27%

LAB 35.3, -20.73, 21.76

 

CMYK 18 / 0 / 27 / 69

HEX #414F3A

RGB 65 79 58

HSL 100, 0.15%, 0.27%

LAB 31.86, -10.11, 10.62

 

CMYK 0 / 1 / 0 / 73

HEX #454445

RGB 69 68 69

HSL 300, 0.01%, 0.27%

LAB 28.98, 0.64, -0.46

 

CMYK 13 / 0 / 78 / 56

HEX #627119

RGB 98 113 25

HSL 70.23, 0.64%, 0.27%

LAB 44.91, -18.01, 43.76

 

CMYK 34 / 0 / 78 / 56

HEX #4B7119

RGB 75 113 25

HSL 85.91, 0.64%, 0.27%

LAB 43.32, -27.96, 41.69

 

CMYK 55 / 0 / 78 / 56

HEX #337119

RGB 51 113 25

HSL 102.27, 0.64%, 0.27%

LAB 42.13, -36.62, 40.11

 

CMYK 75 / 0 / 78 / 56

HEX #1C7119

RGB 28 113 25

HSL 117.95, 0.64%, 0.27%

LAB 41.42, -42.4, 39.17

 

CMYK 78 / 0 / 60 / 56

HEX #19712D

RGB 25 113 45

HSL 133.64, 0.64%, 0.27%

LAB 41.54, -40.67, 30.16

 

CMYK 56 / 0 / 78 / 82

HEX #142D0A

RGB 20 45 10

HSL 102.86, 0.64%, 0.11%

LAB 15.73, -17.78, 18.33

 

CMYK 54 / 0 / 78 / 69

HEX #244F11

RGB 36 79 17

HSL 101.61, 0.65%, 0.19%

LAB 29.43, -27.53, 30.4

 

CMYK 55 / 0 / 78 / 56

HEX #337119

RGB 51 113 25

HSL 102.27, 0.64%, 0.27%

LAB 42.13, -36.62, 40.11

 

CMYK 55 / 0 / 78 / 42

HEX #429320

RGB 66 147 32

HSL 102.26, 0.64%, 0.35%

LAB 54.16, -45.21, 49.56

 

CMYK 55 / 0 / 78 / 29

HEX #52B528

RGB 82 181 40

HSL 102.13, 0.64%, 0.43%

LAB 65.74, -53.05, 58.28

 

CMYK 54 / 0 / 78 / 56

HEX #337019

RGB 51 112 25

HSL 102.07, 0.64%, 0.27%

LAB 41.79, -36.21, 39.77

 

CMYK 78 / 0 / 8 / 56

HEX #197168

RGB 25 113 104

HSL 173.86, 0.64%, 0.27%

LAB 42.79, -27.16, -2.27

 

CMYK 0 / 78 / 24 / 56

HEX #711956

RGB 113 25 86

HSL 318.41, 0.64%, 0.27%

LAB 26.38, 43.83, -14.94

 

CMYK 54 / 0 / 78 / 56

HEX #337019

RGB 51 112 25

HSL 102.07, 0.64%, 0.27%

LAB 41.79, -36.21, 39.77

 

CMYK 78 / 55 / 0 / 56

HEX #193371

RGB 25 51 113

HSL 222.27, 0.64%, 0.27%

LAB 22.88, 14.15, -38.74

 

CMYK 0 / 78 / 55 / 56

HEX #711933

RGB 113 25 51

HSL 342.27, 0.64%, 0.27%

LAB 25.09, 39.75, 6.77

 

CMYK 54 / 0 / 78 / 56

HEX #337019

RGB 51 112 25

HSL 102.07, 0.64%, 0.27%

LAB 41.79, -36.21, 39.77

 

CMYK 78 / 0 / 8 / 56

HEX #197168

RGB 25 113 104

HSL 173.86, 0.64%, 0.27%

LAB 42.79, -27.16, -2.27

 

CMYK 24 / 78 / 0 / 56

HEX #561971

RGB 86 25 113

HSL 281.59, 0.64%, 0.27%

LAB 23.22, 42.16, -37.89

 

CMYK 0 / 78 / 70 / 56

HEX #711922

RGB 113 25 34

HSL 353.86, 0.64%, 0.27%

LAB 24.71, 38.49, 17.81

HEX #711922

CMYK 54 / 0 / 78 / 56

HEX #337019

RGB 51 112 25

HSL 102.07, 0.64%, 0.27%

LAB 41.79, -36.21, 39.77

 

CMYK 78 / 16 / 0 / 56

HEX #195F71

RGB 25 95 113

HSL 192.27, 0.64%, 0.27%

LAB 37.08, -14.6, -16.34

 

CMYK 24 / 78 / 0 / 56

HEX #561971

RGB 86 25 113

HSL 281.59, 0.64%, 0.27%

LAB 23.22, 42.16, -37.89

 

CMYK 0 / 63 / 78 / 56

HEX #712A19

RGB 113 42 25

HSL 11.59, 0.64%, 0.27%

LAB 27.4, 30.34, 26.68

 

Description

Color code: HEX #337019 | qconv.com Color code: HEX #337019 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 112 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 112 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 78 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 78% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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