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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #336E8C it is the complementary color #CC9173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #336E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #336E8C shade: #386E87, #49809A, #5A92AD, #6BA4C0 and #7CB6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #336E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #336E8C shade: #336E8C, #225C79, #114A66, #003853 and #002640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #336E8C shade: #326C8A, #32548A, #323C8A, #3E328A and #56328A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #336E8C shade: #326C8A, #32548A, #323C8A and #32328A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #336E8C shade matches the following richer shades: #326C8A, #227199, #1376A9 and #047BB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #336E8C shade: #326C8A, #41677B, #50626C, #5F5D5C and #6F584D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #336E8C shade: #328A78, #32848A, #326D8A, #32558A and #323D8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #336E8C shade: #1C3D4E, #27556C, #326C8A, #3C84A9 and #4F99BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #336E8C shade: #336E8C, #61328A and #8A8432

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #336E8C shade: #336E8C, #8A326D and #6D8A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #336E8C shade: #336E8C, #61328A, #8A4F32 and #5B8A32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #336E8C shade: #336E8C, #7B328A, #8A4F32 and #408A32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 21 / 0 / 45

HEX #336E8C

RGB 51 110 140

HSL 200.22, 0.47%, 0.37%

LAB 43.87, -9.52, -22.19

 

Complementary color

CMYK 0 / 29 / 44 / 20

HEX #CC9173

RGB 204 145 115

HSL 20.22, 0.47%, 0.63%

LAB 65.22, 18.65, 24.78

 

CMYK 59 / 19 / 0 / 47

HEX #386E87

RGB 56 110 135

HSL 198.99, 0.41%, 0.37%

LAB 43.86, -10.15, -19.2

 

CMYK 53 / 17 / 0 / 40

HEX #49809A

RGB 73 128 154

HSL 199.26, 0.36%, 0.45%

LAB 50.91, -10.6, -19.55

 

CMYK 48 / 16 / 0 / 32

HEX #5A92AD

RGB 90 146 173

HSL 199.52, 0.34%, 0.52%

LAB 57.8, -10.92, -19.89

 

CMYK 44 / 15 / 0 / 25

HEX #6BA4C0

RGB 107 164 192

HSL 199.76, 0.4%, 0.59%

LAB 64.55, -11.16, -20.22

 

CMYK 41 / 14 / 0 / 17

HEX #7CB6D3

RGB 124 182 211

HSL 200, 0.5%, 0.66%

LAB 71.18, -11.34, -20.55

 

CMYK 64 / 21 / 0 / 45

HEX #336E8C

RGB 51 110 140

HSL 200.22, 0.47%, 0.37%

LAB 43.87, -9.52, -22.19

 

CMYK 72 / 24 / 0 / 53

HEX #225C79

RGB 34 92 121

HSL 200, 0.56%, 0.3%

LAB 36.7, -8.58, -21.84

 

CMYK 83 / 27 / 0 / 60

HEX #114A66

RGB 17 74 102

HSL 199.76, 0.71%, 0.23%

LAB 29.35, -7.16, -21.43

 

CMYK 100 / 33 / 0 / 67

HEX #003853

RGB 0 56 83

HSL 199.52, 1%, 0.16%

LAB 21.77, -5.23, -20.99

 

CMYK 100 / 41 / 0 / 75

HEX #002640

RGB 0 38 64

HSL 204.38, 1%, 0.13%

LAB 14.15, -1.33, -20.13

 

CMYK 64 / 22 / 0 / 46

HEX #326C8A

RGB 50 108 138

HSL 200.45, 0.47%, 0.37%

LAB 43.12, -9.22, -22.16

 

CMYK 64 / 39 / 0 / 46

HEX #32548A

RGB 50 84 138

HSL 216.82, 0.47%, 0.37%

LAB 35.7, 5.66, -33.78

 

CMYK 64 / 57 / 0 / 46

HEX #323C8A

RGB 50 60 138

HSL 233.18, 0.47%, 0.37%

LAB 28.76, 21.71, -44.9

 

CMYK 55 / 64 / 0 / 46

HEX #3E328A

RGB 62 50 138

HSL 248.18, 0.47%, 0.37%

LAB 27.13, 30.58, -47.5

 

CMYK 38 / 64 / 0 / 46

HEX #56328A

RGB 86 50 138

HSL 264.55, 0.47%, 0.37%

LAB 29.65, 35.81, -43.3

 

CMYK 64 / 22 / 0 / 46

HEX #326C8A

RGB 50 108 138

HSL 200.45, 0.47%, 0.37%

LAB 43.12, -9.22, -22.16

 

CMYK 64 / 39 / 0 / 46

HEX #32548A

RGB 50 84 138

HSL 216.82, 0.47%, 0.37%

LAB 35.7, 5.66, -33.78

 

CMYK 64 / 57 / 0 / 46

HEX #323C8A

RGB 50 60 138

HSL 233.18, 0.47%, 0.37%

LAB 28.76, 21.71, -44.9

 

CMYK 64 / 64 / 0 / 46

HEX #32328A

RGB 50 50 138

HSL 240, 0.47%, 0.37%

LAB 26.14, 28.38, -49.15

 

CMYK 64 / 22 / 0 / 46

HEX #326C8A

RGB 50 108 138

HSL 200.45, 0.47%, 0.37%

LAB 43.12, -9.22, -22.16

 

CMYK 78 / 26 / 0 / 40

HEX #227199

RGB 34 113 153

HSL 200.17, 0.64%, 0.37%

LAB 44.87, -9.37, -28.4

 

CMYK 89 / 30 / 0 / 34

HEX #1376A9

RGB 19 118 169

HSL 200.4, 0.8%, 0.37%

LAB 46.92, -7.73, -34.61

 

CMYK 98 / 33 / 0 / 28

HEX #047BB8

RGB 4 123 184

HSL 200.33, 0.96%, 0.37%

LAB 49.07, -5.65, -39.94

 

CMYK 64 / 22 / 0 / 46

HEX #326C8A

RGB 50 108 138

HSL 200.45, 0.47%, 0.37%

LAB 43.12, -9.22, -22.16

 

CMYK 47 / 16 / 0 / 52

HEX #41677B

RGB 65 103 123

HSL 200.69, 0.31%, 0.37%

LAB 41.62, -7.64, -15.37

 

CMYK 26 / 9 / 0 / 58

HEX #50626C

RGB 80 98 108

HSL 201.43, 0.15%, 0.37%

LAB 40.45, -4.3, -7.92

 

CMYK 0 / 2 / 3 / 63

HEX #5F5D5C

RGB 95 93 92

HSL 20, 0.02%, 0.37%

LAB 39.64, 0.59, 0.85

 

CMYK 0 / 21 / 31 / 56

HEX #6F584D

RGB 111 88 77

HSL 19.41, 0.18%, 0.37%

LAB 39.4, 7.67, 9.96

 

CMYK 64 / 0 / 13 / 46

HEX #328A78

RGB 50 138 120

HSL 167.73, 0.47%, 0.37%

LAB 52.08, -30.67, 1.92

 

CMYK 64 / 4 / 0 / 46

HEX #32848A

RGB 50 132 138

HSL 184.09, 0.47%, 0.37%

LAB 50.71, -22.5, -10.59

 

CMYK 64 / 21 / 0 / 46

HEX #326D8A

RGB 50 109 138

HSL 199.77, 0.47%, 0.37%

LAB 43.43, -9.81, -21.67

 

CMYK 64 / 38 / 0 / 46

HEX #32558A

RGB 50 85 138

HSL 216.14, 0.47%, 0.37%

LAB 36, 5.01, -33.3

 

CMYK 64 / 56 / 0 / 46

HEX #323D8A

RGB 50 61 138

HSL 232.5, 0.47%, 0.37%

LAB 29.03, 21.03, -44.46

 

CMYK 64 / 22 / 0 / 69

HEX #1C3D4E

RGB 28 61 78

HSL 200.4, 0.47%, 0.21%

LAB 24.11, -6.19, -13.98

 

CMYK 64 / 21 / 0 / 58

HEX #27556C

RGB 39 85 108

HSL 200, 0.47%, 0.29%

LAB 34.01, -8.06, -17.93

 

CMYK 64 / 22 / 0 / 46

HEX #326C8A

RGB 50 108 138

HSL 200.45, 0.47%, 0.37%

LAB 43.12, -9.22, -22.16

 

CMYK 64 / 22 / 0 / 34

HEX #3C84A9

RGB 60 132 169

HSL 200.37, 0.48%, 0.45%

LAB 52.21, -10.76, -26.3

 

CMYK 59 / 20 / 0 / 25

HEX #4F99BF

RGB 79 153 191

HSL 200.36, 0.47%, 0.53%

LAB 60.07, -11.79, -26.63

 

CMYK 64 / 21 / 0 / 45

HEX #336E8C

RGB 51 110 140

HSL 200.22, 0.47%, 0.37%

LAB 43.87, -9.52, -22.19

 

CMYK 30 / 64 / 0 / 46

HEX #61328A

RGB 97 50 138

HSL 272.05, 0.47%, 0.37%

LAB 31.01, 38.46, -41.03

 

CMYK 0 / 4 / 64 / 46

HEX #8A8432

RGB 138 132 50

HSL 55.91, 0.47%, 0.37%

LAB 54.17, -8.54, 43.74

 

CMYK 64 / 21 / 0 / 45

HEX #336E8C

RGB 51 110 140

HSL 200.22, 0.47%, 0.37%

LAB 43.87, -9.52, -22.19

 

CMYK 0 / 64 / 21 / 46

HEX #8A326D

RGB 138 50 109

HSL 319.77, 0.47%, 0.37%

LAB 35.57, 44.14, -15.3

 

CMYK 21 / 0 / 64 / 46

HEX #6D8A32

RGB 109 138 50

HSL 79.77, 0.47%, 0.37%

LAB 53.66, -24.36, 42.52

 

CMYK 64 / 21 / 0 / 45

HEX #336E8C

RGB 51 110 140

HSL 200.22, 0.47%, 0.37%

LAB 43.87, -9.52, -22.19

 

CMYK 30 / 64 / 0 / 46

HEX #61328A

RGB 97 50 138

HSL 272.05, 0.47%, 0.37%

LAB 31.01, 38.46, -41.03

 

CMYK 0 / 43 / 64 / 46

HEX #8A4F32

RGB 138 79 50

HSL 19.77, 0.47%, 0.37%

LAB 39.96, 21.93, 27.57

 

CMYK 34 / 0 / 64 / 46

HEX #5B8A32

RGB 91 138 50

HSL 92.05, 0.47%, 0.37%

LAB 52.54, -31.52, 40.97

 

CMYK 64 / 21 / 0 / 45

HEX #336E8C

RGB 51 110 140

HSL 200.22, 0.47%, 0.37%

LAB 43.87, -9.52, -22.19

 

CMYK 11 / 64 / 0 / 46

HEX #7B328A

RGB 123 50 138

HSL 289.77, 0.47%, 0.37%

LAB 34.66, 45.06, -35

 

CMYK 0 / 43 / 64 / 46

HEX #8A4F32

RGB 138 79 50

HSL 19.77, 0.47%, 0.37%

LAB 39.96, 21.93, 27.57

 

CMYK 54 / 0 / 64 / 46

HEX #408A32

RGB 64 138 50

HSL 110.45, 0.47%, 0.37%

LAB 51.26, -40.65, 39.19

 

Description

Color code: HEX #336E8C | qconv.com Color code: HEX #336E8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 110 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 110 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 21 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 21% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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