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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33692E it is the complementary color #CC96D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33692E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33692E shade: #386929, #497B3C, #5A8D4F, #6B9F62 and #7CB175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33692E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33692E shade: #33692E, #22571B, #114508, #003300 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33692E shade: #346A2F, #446A2F, #546A2F, #646A2F and #6A612F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33692E shade: #346A2F, #2F6A3A, #2F6A4A, #2F6A5A and #2F6A6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33692E shade matches the following richer shades: #346A2F, #297722, #1F8316 and #158F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33692E shade: #346A2F, #3E5E3B, #485247, #534554 and #5D3960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33692E shade: #546A2F, #456A2F, #356A2F, #2F6A39 and #2F6A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33692E shade: #183115, #264E22, #346A2F, #42873B and #50A448

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33692E shade: #33692E, #2F646A and #6A2F4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33692E shade: #33692E, #2F356A and #6A2F35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33692E shade: #33692E, #2F646A, #642F6A and #6A352F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33692E shade: #33692E, #2F526A, #642F6A and #6A472F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 56 / 59

HEX #33692E

RGB 51 105 46

HSL 114.92, 0.39%, 0.3%

LAB 39.59, -30.92, 27.5

 

Complementary color

CMYK 2 / 28 / 0 / 18

HEX #CC96D1

RGB 204 150 209

HSL 294.92, 0.39%, 0.7%

LAB 68.93, 30.18, -22.31

 

CMYK 47 / 0 / 61 / 59

HEX #386929

RGB 56 105 41

HSL 105.94, 0.44%, 0.29%

LAB 39.76, -29.92, 30.38

 

CMYK 41 / 0 / 51 / 52

HEX #497B3C

RGB 73 123 60

HSL 107.62, 0.34%, 0.36%

LAB 46.85, -29.9, 29.08

 

CMYK 36 / 0 / 44 / 45

HEX #5A8D4F

RGB 90 141 79

HSL 109.35, 0.28%, 0.43%

LAB 53.8, -29.75, 27.76

 

CMYK 33 / 0 / 38 / 38

HEX #6B9F62

RGB 107 159 98

HSL 111.15, 0.24%, 0.5%

LAB 60.61, -29.55, 26.49

 

CMYK 30 / 0 / 34 / 31

HEX #7CB175

RGB 124 177 117

HSL 113, 0.28%, 0.58%

LAB 67.29, -29.32, 25.29

 

CMYK 51 / 0 / 56 / 59

HEX #33692E

RGB 51 105 46

HSL 114.92, 0.39%, 0.3%

LAB 39.59, -30.92, 27.5

 

CMYK 61 / 0 / 69 / 66

HEX #22571B

RGB 34 87 27

HSL 113, 0.53%, 0.22%

LAB 32.34, -30.66, 28.8

 

CMYK 75 / 0 / 88 / 73

HEX #114508

RGB 17 69 8

HSL 111.15, 0.79%, 0.15%

LAB 24.93, -29.67, 29.38

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 51 / 0 / 56 / 58

HEX #346A2F

RGB 52 106 47

HSL 114.92, 0.39%, 0.3%

LAB 39.99, -30.91, 27.45

 

CMYK 36 / 0 / 56 / 58

HEX #446A2F

RGB 68 106 47

HSL 98.64, 0.39%, 0.3%

LAB 40.8, -25.26, 28.63

 

CMYK 21 / 0 / 56 / 58

HEX #546A2F

RGB 84 106 47

HSL 82.37, 0.39%, 0.3%

LAB 41.84, -18.73, 30.12

 

CMYK 6 / 0 / 56 / 58

HEX #646A2F

RGB 100 106 47

HSL 66.1, 0.39%, 0.3%

LAB 43.1, -11.64, 31.9

 

CMYK 0 / 8 / 56 / 58

HEX #6A612F

RGB 106 97 47

HSL 50.85, 0.39%, 0.3%

LAB 40.93, -3.71, 29.49

 

CMYK 51 / 0 / 56 / 58

HEX #346A2F

RGB 52 106 47

HSL 114.92, 0.39%, 0.3%

LAB 39.99, -30.91, 27.45

 

CMYK 56 / 0 / 45 / 58

HEX #2F6A3A

RGB 47 106 58

HSL 131.19, 0.39%, 0.3%

LAB 39.95, -30.66, 21.23

 

CMYK 56 / 0 / 30 / 58

HEX #2F6A4A

RGB 47 106 74

HSL 147.46, 0.39%, 0.3%

LAB 40.26, -27.44, 12.26

 

CMYK 56 / 0 / 15 / 58

HEX #2F6A5A

RGB 47 106 90

HSL 163.73, 0.39%, 0.3%

LAB 40.66, -23.52, 3.17

 

CMYK 56 / 0 / 0 / 58

HEX #2F6A6A

RGB 47 106 106

HSL 180, 0.39%, 0.3%

LAB 41.14, -19.01, -5.85

 

CMYK 51 / 0 / 56 / 58

HEX #346A2F

RGB 52 106 47

HSL 114.92, 0.39%, 0.3%

LAB 39.99, -30.91, 27.45

 

CMYK 66 / 0 / 71 / 53

HEX #297722

RGB 41 119 34

HSL 115.06, 0.56%, 0.3%

LAB 43.92, -40.98, 38.16

 

CMYK 76 / 0 / 83 / 49

HEX #1F8316

RGB 31 131 22

HSL 115.05, 0.71%, 0.3%

LAB 47.73, -48.27, 46.32

 

CMYK 85 / 0 / 93 / 44

HEX #158F0A

RGB 21 143 10

HSL 115.04, 0.87%, 0.3%

LAB 51.64, -54.05, 52.57

 

CMYK 51 / 0 / 56 / 58

HEX #346A2F

RGB 52 106 47

HSL 114.92, 0.39%, 0.3%

LAB 39.99, -30.91, 27.45

 

CMYK 34 / 0 / 37 / 63

HEX #3E5E3B

RGB 62 94 59

HSL 114.86, 0.23%, 0.3%

LAB 36.64, -19.55, 16.45

 

CMYK 12 / 0 / 13 / 68

HEX #485247

RGB 72 82 71

HSL 114.55, 0.07%, 0.3%

LAB 33.7, -6.4, 5.12

 

CMYK 1 / 18 / 0 / 67

HEX #534554

RGB 83 69 84

HSL 296, 0.1%, 0.3%

LAB 31.2, 9.06, -6.71

 

CMYK 3 / 41 / 0 / 62

HEX #5D3960

RGB 93 57 96

HSL 295.38, 0.25%, 0.3%

LAB 29.66, 23.13, -16.68

 

CMYK 21 / 0 / 56 / 58

HEX #546A2F

RGB 84 106 47

HSL 82.37, 0.39%, 0.3%

LAB 41.84, -18.73, 30.12

 

CMYK 35 / 0 / 56 / 58

HEX #456A2F

RGB 69 106 47

HSL 97.63, 0.39%, 0.3%

LAB 40.86, -24.87, 28.71

 

CMYK 50 / 0 / 56 / 58

HEX #356A2F

RGB 53 106 47

HSL 113.9, 0.39%, 0.3%

LAB 40.03, -30.59, 27.52

 

CMYK 56 / 0 / 46 / 58

HEX #2F6A39

RGB 47 106 57

HSL 130.17, 0.39%, 0.3%

LAB 39.93, -30.84, 21.78

 

CMYK 56 / 0 / 31 / 58

HEX #2F6A49

RGB 47 106 73

HSL 146.44, 0.39%, 0.3%

LAB 40.24, -27.66, 12.82

 

CMYK 51 / 0 / 57 / 81

HEX #183115

RGB 24 49 21

HSL 113.57, 0.4%, 0.14%

LAB 17.67, -16.7, 14.86

 

CMYK 51 / 0 / 56 / 69

HEX #264E22

RGB 38 78 34

HSL 114.55, 0.39%, 0.22%

LAB 29.35, -24.33, 21.61

 

CMYK 51 / 0 / 56 / 58

HEX #346A2F

RGB 52 106 47

HSL 114.92, 0.39%, 0.3%

LAB 39.99, -30.91, 27.45

 

CMYK 51 / 0 / 56 / 47

HEX #42873B

RGB 66 135 59

HSL 114.47, 0.39%, 0.38%

LAB 50.45, -37.72, 33.89

 

CMYK 51 / 0 / 56 / 36

HEX #50A448

RGB 80 164 72

HSL 114.78, 0.39%, 0.46%

LAB 60.54, -44.09, 39.55

 

CMYK 51 / 0 / 56 / 59

HEX #33692E

RGB 51 105 46

HSL 114.92, 0.39%, 0.3%

LAB 39.59, -30.92, 27.5

 

CMYK 56 / 6 / 0 / 58

HEX #2F646A

RGB 47 100 106

HSL 186.1, 0.39%, 0.3%

LAB 39.17, -15.71, -8.79

 

CMYK 0 / 56 / 27 / 58

HEX #6A2F4D

RGB 106 47 77

HSL 329.49, 0.39%, 0.3%

LAB 28.47, 30.16, -5.94

 

CMYK 51 / 0 / 56 / 59

HEX #33692E

RGB 51 105 46

HSL 114.92, 0.39%, 0.3%

LAB 39.59, -30.92, 27.5

 

CMYK 56 / 50 / 0 / 58

HEX #2F356A

RGB 47 53 106

HSL 233.9, 0.39%, 0.3%

LAB 24.29, 14.25, -31.9

 

CMYK 0 / 56 / 50 / 58

HEX #6A2F35

RGB 106 47 53

HSL 353.9, 0.39%, 0.3%

LAB 27.72, 26.98, 8.89

 

CMYK 51 / 0 / 56 / 59

HEX #33692E

RGB 51 105 46

HSL 114.92, 0.39%, 0.3%

LAB 39.59, -30.92, 27.5

 

CMYK 56 / 6 / 0 / 58

HEX #2F646A

RGB 47 100 106

HSL 186.1, 0.39%, 0.3%

LAB 39.17, -15.71, -8.79

 

CMYK 6 / 56 / 0 / 58

HEX #642F6A

RGB 100 47 106

HSL 293.9, 0.39%, 0.3%

LAB 28.86, 33.47, -24.28

 

CMYK 0 / 50 / 56 / 58

HEX #6A352F

RGB 106 53 47

HSL 6.1, 0.39%, 0.3%

LAB 28.94, 22.91, 14.48

 

CMYK 51 / 0 / 56 / 59

HEX #33692E

RGB 51 105 46

HSL 114.92, 0.39%, 0.3%

LAB 39.59, -30.92, 27.5

 

CMYK 56 / 23 / 0 / 58

HEX #2F526A

RGB 47 82 106

HSL 204.41, 0.39%, 0.3%

LAB 33.31, -5.05, -17.73

 

CMYK 6 / 56 / 0 / 58

HEX #642F6A

RGB 100 47 106

HSL 293.9, 0.39%, 0.3%

LAB 28.86, 33.47, -24.28

 

CMYK 0 / 33 / 56 / 58

HEX #6A472F

RGB 106 71 47

HSL 24.41, 0.39%, 0.3%

LAB 33.51, 12.01, 20.4

 

Description

Color code: HEX #33692E | qconv.com Color code: HEX #33692E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 105 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 105 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 56 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 56% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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