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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3366FE it is the complementary color #CC9901. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3366FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3366FE shade: #3866F9, #4978FF, #5A8AFF, #6B9CFF and #7CAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3366FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3366FE shade: #3366FE, #2254EB, #1142D8, #0030C5 and #001EB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3366FE shade: #3466FD, #3734FD, #6E34FD, #A434FD and #DB34FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3366FE shade: #3466FD and #3434FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3366FE shade matches the following richer shades: #3466FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3366FE shade: #3466FD, #446EED, #5577DC, #657FCC and #7687BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3366FE shade: #34D5FD, #349FFD, #3469FD, #3434FD and #6934FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3366FE shade: #0138DE, #0A47FD, #3466FD, #5D85FE and #86A4FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3366FE shade: #3366FE, #F034FD and #BAFD34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3366FE shade: #3366FE, #FD3469 and #69FD34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3366FE shade: #3366FE, #F034FD, #FDC834 and #41FD34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3366FE shade: #3366FE, #FD34CE, #FDC834 and #34FD63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 60 / 0 / 0

HEX #3366FE

RGB 51 102 254

HSL 224.93, 0.99%, 0.6%

LAB 48.71, 37.12, -80.11

 

Complementary color

CMYK 0 / 25 / 100 / 20

HEX #CC9901

RGB 204 153 1

HSL 44.93, 0.99%, 0.4%

LAB 66.23, 8.32, 70.2

 

CMYK 78 / 59 / 0 / 2

HEX #3866F9

RGB 56 102 249

HSL 225.7, 0.94%, 0.6%

LAB 48.49, 35.76, -77.68

 

CMYK 71 / 53 / 0 / 0

HEX #4978FF

RGB 73 120 255

HSL 224.51, 1%, 0.64%

LAB 54.1, 28.6, -71.85

 

CMYK 65 / 46 / 0 / 0

HEX #5A8AFF

RGB 90 138 255

HSL 222.55, 1%, 0.68%

LAB 59.5, 20.06, -63.11

 

CMYK 58 / 39 / 0 / 0

HEX #6B9CFF

RGB 107 156 255

HSL 220.14, 1%, 0.71%

LAB 65.06, 12.37, -54.19

 

CMYK 51 / 32 / 0 / 0

HEX #7CAEFF

RGB 124 174 255

HSL 217.1, 1%, 0.74%

LAB 70.72, 5.54, -45.21

 

CMYK 80 / 60 / 0 / 0

HEX #3366FE

RGB 51 102 254

HSL 224.93, 0.99%, 0.6%

LAB 48.71, 37.12, -80.11

 

CMYK 86 / 64 / 0 / 8

HEX #2254EB

RGB 34 84 235

HSL 225.07, 0.83%, 0.53%

LAB 42.28, 40.27, -80.04

 

CMYK 92 / 69 / 0 / 15

HEX #1142D8

RGB 17 66 216

HSL 225.23, 0.85%, 0.46%

LAB 35.93, 43.77, -79.66

 

CMYK 100 / 76 / 0 / 23

HEX #0030C5

RGB 0 48 197

HSL 225.38, 1%, 0.39%

LAB 29.78, 47.35, -78.82

 

CMYK 100 / 83 / 0 / 30

HEX #001EB2

RGB 0 30 178

HSL 229.89, 1%, 0.35%

LAB 24.14, 50.59, -76.93

 

CMYK 79 / 60 / 0 / 1

HEX #3466FD

RGB 52 102 253

HSL 225.07, 0.98%, 0.6%

LAB 48.67, 36.84, -79.63

 

CMYK 78 / 79 / 0 / 1

HEX #3734FD

RGB 55 52 253

HSL 240.9, 0.98%, 0.6%

LAB 38.48, 65.18, -96.4

 

CMYK 57 / 79 / 0 / 1

HEX #6E34FD

RGB 110 52 253

HSL 257.31, 0.98%, 0.6%

LAB 42.56, 69.61, -89.53

 

CMYK 35 / 79 / 0 / 1

HEX #A434FD

RGB 164 52 253

HSL 273.43, 0.98%, 0.6%

LAB 48.81, 76.51, -79.03

 

CMYK 13 / 79 / 0 / 1

HEX #DB34FD

RGB 219 52 253

HSL 289.85, 0.98%, 0.6%

LAB 56.69, 85.32, -65.87

 

CMYK 79 / 60 / 0 / 1

HEX #3466FD

RGB 52 102 253

HSL 225.07, 0.98%, 0.6%

LAB 48.67, 36.84, -79.63

 

CMYK 79 / 79 / 0 / 1

HEX #3434FD

RGB 52 52 253

HSL 240, 0.98%, 0.6%

LAB 38.34, 65.03, -96.64

 

CMYK 79 / 60 / 0 / 1

HEX #3466FD

RGB 52 102 253

HSL 225.07, 0.98%, 0.6%

LAB 48.67, 36.84, -79.63

 

CMYK 79 / 60 / 0 / 1

HEX #3466FD

RGB 52 102 253

HSL 225.07, 0.98%, 0.6%

LAB 48.67, 36.84, -79.63

 

CMYK 71 / 54 / 0 / 7

HEX #446EED

RGB 68 110 237

HSL 225.09, 0.82%, 0.6%

LAB 50.09, 27.81, -68.36

 

CMYK 61 / 46 / 0 / 14

HEX #5577DC

RGB 85 119 220

HSL 224.89, 0.66%, 0.6%

LAB 52.17, 18.93, -55.42

 

CMYK 50 / 38 / 0 / 20

HEX #657FCC

RGB 101 127 204

HSL 224.85, 0.5%, 0.6%

LAB 54.35, 12.16, -42.84

 

CMYK 37 / 28 / 0 / 27

HEX #7687BB

RGB 118 135 187

HSL 225.22, 0.34%, 0.6%

LAB 56.85, 6.81, -29.18

 

CMYK 79 / 16 / 0 / 1

HEX #34D5FD

RGB 52 213 253

HSL 191.94, 0.98%, 0.6%

LAB 79.28, -27.02, -31.01

 

CMYK 79 / 37 / 0 / 1

HEX #349FFD

RGB 52 159 253

HSL 208.06, 0.98%, 0.6%

LAB 63.85, 1.99, -55.14

 

CMYK 79 / 58 / 0 / 1

HEX #3469FD

RGB 52 105 253

HSL 224.18, 0.98%, 0.6%

LAB 49.41, 34.97, -78.42

 

CMYK 79 / 79 / 0 / 1

HEX #3434FD

RGB 52 52 253

HSL 240, 0.98%, 0.6%

LAB 38.34, 65.03, -96.64

 

CMYK 58 / 79 / 0 / 1

HEX #6934FD

RGB 105 52 253

HSL 255.82, 0.98%, 0.6%

LAB 42.08, 69.09, -90.33

 

CMYK 100 / 75 / 0 / 13

HEX #0138DE

RGB 1 56 222

HSL 225.07, 0.99%, 0.44%

LAB 34.21, 51.43, -85.97

 

CMYK 96 / 72 / 0 / 1

HEX #0A47FD

RGB 10 71 253

HSL 224.94, 0.98%, 0.52%

LAB 40.68, 53.64, -92.8

 

CMYK 79 / 60 / 0 / 1

HEX #3466FD

RGB 52 102 253

HSL 225.07, 0.98%, 0.6%

LAB 48.67, 36.84, -79.63

 

CMYK 63 / 48 / 0 / 0

HEX #5D85FE

RGB 93 133 254

HSL 225.09, 0.99%, 0.68%

LAB 58.28, 23.22, -64.51

 

CMYK 47 / 35 / 0 / 0

HEX #86A4FE

RGB 134 164 254

HSL 225, 0.98%, 0.76%

LAB 68.59, 13.18, -47.97

 

CMYK 80 / 60 / 0 / 0

HEX #3366FE

RGB 51 102 254

HSL 224.93, 0.99%, 0.6%

LAB 48.71, 37.12, -80.11

 

CMYK 5 / 79 / 0 / 1

HEX #F034FD

RGB 240 52 253

HSL 296.12, 0.98%, 0.6%

LAB 59.95, 88.99, -60.46

 

CMYK 26 / 0 / 79 / 1

HEX #BAFD34

RGB 186 253 52

HSL 80, 0.98%, 0.6%

LAB 92.1, -46.81, 81.02

 

CMYK 80 / 60 / 0 / 0

HEX #3366FE

RGB 51 102 254

HSL 224.93, 0.99%, 0.6%

LAB 48.71, 37.12, -80.11

 

CMYK 0 / 79 / 58 / 1

HEX #FD3469

RGB 253 52 105

HSL 344.18, 0.98%, 0.6%

LAB 56.45, 75.36, 19.96

 

CMYK 58 / 0 / 79 / 1

HEX #69FD34

RGB 105 253 52

HSL 104.18, 0.98%, 0.6%

LAB 88.69, -71.7, 76.64

 

CMYK 80 / 60 / 0 / 0

HEX #3366FE

RGB 51 102 254

HSL 224.93, 0.99%, 0.6%

LAB 48.71, 37.12, -80.11

 

CMYK 5 / 79 / 0 / 1

HEX #F034FD

RGB 240 52 253

HSL 296.12, 0.98%, 0.6%

LAB 59.95, 88.99, -60.46

 

CMYK 0 / 21 / 79 / 1

HEX #FDC834

RGB 253 200 52

HSL 44.18, 0.98%, 0.6%

LAB 83.15, 5.77, 74.93

 

CMYK 74 / 0 / 79 / 1

HEX #41FD34

RGB 65 253 52

HSL 116.12, 0.98%, 0.6%

LAB 87.79, -79.26, 75.48

 

CMYK 80 / 60 / 0 / 0

HEX #3366FE

RGB 51 102 254

HSL 224.93, 0.99%, 0.6%

LAB 48.71, 37.12, -80.11

 

CMYK 0 / 79 / 19 / 1

HEX #FD34CE

RGB 253 52 206

HSL 314.03, 0.98%, 0.6%

LAB 59.7, 84.92, -34.33

 

CMYK 0 / 21 / 79 / 1

HEX #FDC834

RGB 253 200 52

HSL 44.18, 0.98%, 0.6%

LAB 83.15, 5.77, 74.93

 

CMYK 79 / 0 / 61 / 1

HEX #34FD63

RGB 52 253 99

HSL 134.03, 0.98%, 0.6%

LAB 87.91, -77.01, 58.96

 

Description

Color code: HEX #3366FE | qconv.com Color code: HEX #3366FE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 102 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 102 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 60 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 60% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - Blog
Link: http://blog.jp.square-enix.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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