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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #335AB0CE it is the complementary color #CCA54FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #335AB0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #335AB0CE shade: #385AABCE, #496CBECE, #5A7ED1CE, #6B90E4CE and #7CA2F7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #335AB0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #335AB0CE shade: #335AB0CE, #22489DCE, #11368ACE, #002477CE and #001264CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #335AB0CE shade: #345BB2, #3439B2, #5034B2, #7234B2 and #9434B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #335AB0CE shade: #345BB2, #3439B2 and #3434B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #335AB0CE shade matches the following richer shades: #345BB2, #2154C4 and #0F4DD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #335AB0CE shade: #345BB2, #46629F, #59698D, #6B707A and #7E7768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #335AB0CE shade: #349FB2, #347DB2, #345CB2, #343AB2 and #4F34B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #335AB0CE shade: #213A72, #2A4B92, #345BB2, #466FC9 and #6688D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #335AB0CE shade: #335AB0, #A334B2 and #8EB234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #335AB0CE shade: #335AB0, #B2345C and #5CB234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #335AB0CE shade: #335AB0, #A334B2, #B28A34 and #42B234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #335AB0CE shade: #335AB0, #B2349B, #B28A34 and #34B24B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 40 / 0 / 25

HEX #335AB0CE

RGBA 51 90 176 0.81

HSLA 221.28, 0.55%, 0.45%, 0.81

LABA 39.83, 16.01, -49.96, 0.81

 

Complementary color

CMYK 0 / 15 / 50 / 16

HEX #CCA54FCE

RGBA 204 165 79 0.81

HSLA 41.28, 0.55%, 0.55%, 0.81

LABA 69.69, 4.61, 49.05, 0.81

 

CMYK 54 / 38 / 0 / 27

HEX #385AABCE

RGBA 56 90 171 0.81

HSLA 222.26, 0.51%, 0.45%, 0.81

LABA 39.74, 14.95, -47.14, 0.81

 

CMYK 50 / 35 / 0 / 21

HEX #496CBECE

RGBA 73 108 190 0.81

HSLA 222.05, 0.47%, 0.52%, 0.81

LABA 46.79, 13.29, -46.92, 0.81

 

CMYK 46 / 32 / 0 / 15

HEX #5A7ED1CE

RGBA 90 126 209 0.81

HSLA 221.85, 0.56%, 0.59%, 0.81

LABA 53.71, 11.96, -46.73, 0.81

 

CMYK 43 / 30 / 0 / 9

HEX #6B90E4CE

RGBA 107 144 228 0.81

HSLA 221.65, 0.69%, 0.66%, 0.81

LABA 60.49, 10.88, -46.57, 0.81

 

CMYK 40 / 28 / 0 / 3

HEX #7CA2F7CE

RGBA 124 162 247 0.81

HSLA 221.46, 0.88%, 0.73%, 0.81

LABA 67.16, 9.97, -46.45, 0.81

 

CMYK 58 / 40 / 0 / 25

HEX #335AB0CE

RGBA 51 90 176 0.81

HSLA 221.28, 0.55%, 0.45%, 0.81

LABA 39.83, 16.01, -49.96, 0.81

 

CMYK 63 / 44 / 0 / 31

HEX #22489DCE

RGBA 34 72 157 0.81

HSLA 221.46, 0.64%, 0.37%, 0.81

LABA 32.72, 18.42, -50.14, 0.81

 

CMYK 71 / 49 / 0 / 37

HEX #11368ACE

RGBA 17 54 138 0.81

HSLA 221.65, 0.78%, 0.3%, 0.81

LABA 25.54, 21.54, -50.2, 0.81

 

CMYK 81 / 56 / 0 / 43

HEX #002477CE

RGBA 0 36 119 0.81

HSLA 221.85, 1%, 0.23%, 0.81

LABA 18.34, 25.34, -50.04, 0.81

 

CMYK 81 / 66 / 0 / 49

HEX #001264CE

RGBA 0 18 100 0.81

HSLA 229.2, 1%, 0.2%, 0.81

LABA 11.64, 29.89, -48.73, 0.81

 

CMYK 71 / 49 / 0 / 30

HEX #345BB2

RGB 52 91 178

HSL 221.43, 0.55%, 0.45%

LAB 40.29, 16.26, -50.4

 

CMYK 71 / 68 / 0 / 30

HEX #3439B2

RGB 52 57 178

HSL 237.62, 0.55%, 0.45%

LAB 31.51, 38.25, -64.67

 

CMYK 55 / 71 / 0 / 30

HEX #5034B2

RGB 80 52 178

HSL 253.33, 0.55%, 0.45%

LAB 32.65, 45.07, -62.72

 

CMYK 36 / 71 / 0 / 30

HEX #7234B2

RGB 114 52 178

HSL 269.52, 0.55%, 0.45%

LAB 36.46, 51.13, -56.35

 

CMYK 17 / 71 / 0 / 30

HEX #9434B2

RGB 148 52 178

HSL 285.71, 0.55%, 0.45%

LAB 41.16, 58.15, -48.52

 

CMYK 71 / 49 / 0 / 30

HEX #345BB2

RGB 52 91 178

HSL 221.43, 0.55%, 0.45%

LAB 40.29, 16.26, -50.4

 

CMYK 71 / 68 / 0 / 30

HEX #3439B2

RGB 52 57 178

HSL 237.62, 0.55%, 0.45%

LAB 31.51, 38.25, -64.67

 

CMYK 71 / 71 / 0 / 30

HEX #3434B2

RGB 52 52 178

HSL 240, 0.55%, 0.45%

LAB 30.4, 41.27, -66.5

 

CMYK 71 / 49 / 0 / 30

HEX #345BB2

RGB 52 91 178

HSL 221.43, 0.55%, 0.45%

LAB 40.29, 16.26, -50.4

 

CMYK 83 / 57 / 0 / 23

HEX #2154C4

RGB 33 84 196

HSL 221.23, 0.71%, 0.45%

LAB 38.98, 25.55, -63.07

 

CMYK 93 / 64 / 0 / 16

HEX #0F4DD7

RGB 15 77 215

HSL 221.4, 0.87%, 0.45%

LAB 38.4, 36.4, -75.02

 

CMYK 71 / 49 / 0 / 30

HEX #345BB2

RGB 52 91 178

HSL 221.43, 0.55%, 0.45%

LAB 40.29, 16.26, -50.4

 

CMYK 56 / 38 / 0 / 38

HEX #46629F

RGB 70 98 159

HSL 221.12, 0.39%, 0.45%

LAB 42.06, 8.34, -36.28

 

CMYK 37 / 26 / 0 / 45

HEX #59698D

RGB 89 105 141

HSL 221.54, 0.23%, 0.45%

LAB 44.45, 3.38, -21.73

 

CMYK 12 / 8 / 0 / 52

HEX #6B707A

RGB 107 112 122

HSL 220, 0.07%, 0.45%

LAB 47.13, 0.29, -6.18

 

CMYK 0 / 6 / 17 / 51

HEX #7E7768

RGB 126 119 104

HSL 40.91, 0.1%, 0.45%

LAB 50.25, -0.03, 9.22

 

CMYK 71 / 11 / 0 / 30

HEX #349FB2

RGB 52 159 178

HSL 189.05, 0.55%, 0.45%

LAB 60.55, -23.67, -18.64

 

CMYK 71 / 30 / 0 / 30

HEX #347DB2

RGB 52 125 178

HSL 205.24, 0.55%, 0.45%

LAB 50.23, -4.95, -34.6

 

CMYK 71 / 48 / 0 / 30

HEX #345CB2

RGB 52 92 178

HSL 220.95, 0.55%, 0.45%

LAB 40.57, 15.61, -49.94

 

CMYK 71 / 67 / 0 / 30

HEX #343AB2

RGB 52 58 178

HSL 237.14, 0.55%, 0.45%

LAB 31.74, 37.63, -64.3

 

CMYK 56 / 71 / 0 / 30

HEX #4F34B2

RGB 79 52 178

HSL 252.86, 0.55%, 0.45%

LAB 32.55, 44.91, -62.88

 

CMYK 71 / 49 / 0 / 55

HEX #213A72

RGB 33 58 114

HSL 221.48, 0.55%, 0.29%

LAB 25.46, 10.85, -35.21

 

CMYK 71 / 49 / 0 / 43

HEX #2A4B92

RGB 42 75 146

HSL 220.96, 0.55%, 0.37%

LAB 33.13, 13.19, -42.78

 

CMYK 71 / 49 / 0 / 30

HEX #345BB2

RGB 52 91 178

HSL 221.43, 0.55%, 0.45%

LAB 40.29, 16.26, -50.4

 

CMYK 65 / 45 / 0 / 21

HEX #466FC9

RGB 70 111 201

HSL 221.22, 0.55%, 0.53%

LAB 48.12, 14.71, -51.14

 

CMYK 51 / 35 / 0 / 18

HEX #6688D2

RGB 102 136 210

HSL 221.11, 0.55%, 0.61%

LAB 57.16, 8.89, -41.79

 

CMYK 71 / 49 / 0 / 31

HEX #335AB0

RGB 51 90 176

HSL 221.28, 0.55%, 0.45%

LAB 39.83, 16.01, -49.96

 

CMYK 8 / 71 / 0 / 30

HEX #A334B2

RGB 163 52 178

HSL 292.86, 0.55%, 0.45%

LAB 43.44, 61.41, -44.74

 

CMYK 20 / 0 / 71 / 30

HEX #8EB234

RGB 142 178 52

HSL 77.14, 0.55%, 0.45%

LAB 67.9, -30.16, 57.24

 

CMYK 71 / 49 / 0 / 31

HEX #335AB0

RGB 51 90 176

HSL 221.28, 0.55%, 0.45%

LAB 39.83, 16.01, -49.96

 

CMYK 0 / 71 / 48 / 30

HEX #B2345C

RGB 178 52 92

HSL 340.95, 0.55%, 0.45%

LAB 42.3, 53.46, 6.14

 

CMYK 48 / 0 / 71 / 30

HEX #5CB234

RGB 92 178 52

HSL 100.95, 0.55%, 0.45%

LAB 65.25, -48.17, 53.69

 

CMYK 71 / 49 / 0 / 31

HEX #335AB0

RGB 51 90 176

HSL 221.28, 0.55%, 0.45%

LAB 39.83, 16.01, -49.96

 

CMYK 8 / 71 / 0 / 30

HEX #A334B2

RGB 163 52 178

HSL 292.86, 0.55%, 0.45%

LAB 43.44, 61.41, -44.74

 

CMYK 0 / 22 / 71 / 30

HEX #B28A34

RGB 178 138 52

HSL 40.95, 0.55%, 0.45%

LAB 59.79, 6.29, 49.97

 

CMYK 63 / 0 / 71 / 30

HEX #42B234

RGB 66 178 52

HSL 113.33, 0.55%, 0.45%

LAB 64.36, -55.12, 52.49

 

CMYK 71 / 49 / 0 / 31

HEX #335AB0

RGB 51 90 176

HSL 221.28, 0.55%, 0.45%

LAB 39.83, 16.01, -49.96

 

CMYK 0 / 71 / 13 / 30

HEX #B2349B

RGB 178 52 155

HSL 310.95, 0.55%, 0.45%

LAB 44.64, 61.11, -29

 

CMYK 0 / 22 / 71 / 30

HEX #B28A34

RGB 178 138 52

HSL 40.95, 0.55%, 0.45%

LAB 59.79, 6.29, 49.97

 

CMYK 71 / 0 / 58 / 30

HEX #34B24B

RGB 52 178 75

HSL 130.95, 0.55%, 0.45%

LAB 64.22, -55.47, 42.27

 

Description

Color code: HEX #335AB0CE | qconv.com Color code: HEX #335AB0CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 90 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 90 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 40 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 40% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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