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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #335260 it is the complementary color #CCAD9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #335260. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #335260 shade: #38525B, #49646E, #5A7681, #6B8894 and #7C9AA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #335260. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #335260 shade: #335260, #22404D, #112E3A, #001C27 and #000A14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #335260 shade: #335361, #334661, #333A61, #393361 and #453361

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #335260 shade: #335361, #334661, #333A61 and #333361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #335260 shade matches the following richer shades: #335361, #27576D, #1B5C79, #0F6085 and #036591

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #335260 shade: #335361, #3F4E55, #4B4A49, #57453D and #634131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #335260 shade: #336156, #335F61, #335361, #334761 and #333B61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #335260 shade: #17252B, #253C46, #335361, #416A7C and #4F8197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #335260 shade: #335260, #4A3361 and #615C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #335260 shade: #335260, #613353 and #536133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #335260 shade: #335260, #4A3361, #614133 and #4A6133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #335260 shade: #335260, #583361, #614133 and #3C6133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 15 / 0 / 62

HEX #335260

RGB 51 82 96

HSL 198.67, 0.31%, 0.29%

LAB 33.1, -7.23, -11.73

 

Complementary color

CMYK 0 / 15 / 22 / 20

HEX #CCAD9F

RGB 204 173 159

HSL 18.67, 0.31%, 0.71%

LAB 73.04, 9.06, 11.36

 

CMYK 38 / 10 / 0 / 64

HEX #38525B

RGB 56 82 91

HSL 195.43, 0.24%, 0.29%

LAB 33.2, -7.22, -8.39

 

CMYK 34 / 9 / 0 / 57

HEX #49646E

RGB 73 100 110

HSL 196.22, 0.2%, 0.36%

LAB 40.67, -7.27, -8.86

 

CMYK 30 / 9 / 0 / 49

HEX #5A7681

RGB 90 118 129

HSL 196.92, 0.18%, 0.43%

LAB 47.9, -7.3, -9.32

 

CMYK 28 / 8 / 0 / 42

HEX #6B8894

RGB 107 136 148

HSL 197.56, 0.16%, 0.5%

LAB 54.94, -7.33, -9.78

 

CMYK 26 / 8 / 0 / 35

HEX #7C9AA7

RGB 124 154 167

HSL 198.14, 0.2%, 0.57%

LAB 61.81, -7.36, -10.23

 

CMYK 47 / 15 / 0 / 62

HEX #335260

RGB 51 82 96

HSL 198.67, 0.31%, 0.29%

LAB 33.1, -7.23, -11.73

 

CMYK 56 / 17 / 0 / 70

HEX #22404D

RGB 34 64 77

HSL 198.14, 0.39%, 0.22%

LAB 25.39, -6.95, -11.33

 

CMYK 71 / 21 / 0 / 77

HEX #112E3A

RGB 17 46 58

HSL 197.56, 0.55%, 0.15%

LAB 17.36, -6.41, -10.9

 

CMYK 100 / 28 / 0 / 85

HEX #001C27

RGB 0 28 39

HSL 196.92, 1%, 0.08%

LAB 8.8, -5.91, -10.6

 

CMYK 100 / 50 / 0 / 92

HEX #000A14

RGB 0 10 20

HSL 210, 1%, 0.04%

LAB 2.42, -0.8, -5.86

 

CMYK 47 / 14 / 0 / 62

HEX #335361

RGB 51 83 97

HSL 198.26, 0.31%, 0.29%

LAB 33.46, -7.53, -11.81

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 47 / 40 / 0 / 62

HEX #333A61

RGB 51 58 97

HSL 230.87, 0.31%, 0.29%

LAB 25.54, 8.73, -24.08

 

CMYK 41 / 47 / 0 / 62

HEX #393361

RGB 57 51 97

HSL 247.83, 0.31%, 0.29%

LAB 24, 15.29, -26.48

 

CMYK 29 / 47 / 0 / 62

HEX #453361

RGB 69 51 97

HSL 263.48, 0.31%, 0.29%

LAB 25.25, 19.01, -24.43

 

CMYK 47 / 14 / 0 / 62

HEX #335361

RGB 51 83 97

HSL 198.26, 0.31%, 0.29%

LAB 33.46, -7.53, -11.81

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 47 / 40 / 0 / 62

HEX #333A61

RGB 51 58 97

HSL 230.87, 0.31%, 0.29%

LAB 25.54, 8.73, -24.08

 

CMYK 47 / 47 / 0 / 62

HEX #333361

RGB 51 51 97

HSL 240, 0.31%, 0.29%

LAB 23.45, 13.55, -27.39

 

CMYK 47 / 14 / 0 / 62

HEX #335361

RGB 51 83 97

HSL 198.26, 0.31%, 0.29%

LAB 33.46, -7.53, -11.81

 

CMYK 64 / 20 / 0 / 57

HEX #27576D

RGB 39 87 109

HSL 198.86, 0.47%, 0.29%

LAB 34.71, -8.92, -17.48

 

CMYK 78 / 24 / 0 / 53

HEX #1B5C79

RGB 27 92 121

HSL 198.51, 0.64%, 0.29%

LAB 36.49, -9.64, -22.17

 

CMYK 89 / 28 / 0 / 48

HEX #0F6085

RGB 15 96 133

HSL 198.81, 0.8%, 0.29%

LAB 38.13, -8.73, -26.98

 

CMYK 98 / 30 / 0 / 43

HEX #036591

RGB 3 101 145

HSL 198.59, 0.96%, 0.29%

LAB 40.2, -7.76, -30.99

 

CMYK 47 / 14 / 0 / 62

HEX #335361

RGB 51 83 97

HSL 198.26, 0.31%, 0.29%

LAB 33.46, -7.53, -11.81

 

CMYK 26 / 8 / 0 / 67

HEX #3F4E55

RGB 63 78 85

HSL 199.09, 0.15%, 0.29%

LAB 32.17, -4.07, -6.08

 

CMYK 0 / 1 / 3 / 71

HEX #4B4A49

RGB 75 74 73

HSL 30, 0.01%, 0.29%

LAB 31.52, 0.2, 0.74

 

CMYK 0 / 21 / 30 / 66

HEX #57453D

RGB 87 69 61

HSL 18.46, 0.18%, 0.29%

LAB 30.92, 6.33, 7.75

 

CMYK 0 / 34 / 51 / 61

HEX #634131

RGB 99 65 49

HSL 19.2, 0.34%, 0.29%

LAB 31.01, 12.69, 15.75

 

CMYK 47 / 0 / 11 / 62

HEX #336156

RGB 51 97 86

HSL 165.65, 0.31%, 0.29%

LAB 37.71, -18.77, 1.37

 

CMYK 47 / 2 / 0 / 62

HEX #335F61

RGB 51 95 97

HSL 182.61, 0.31%, 0.29%

LAB 37.39, -14.59, -5.89

 

CMYK 47 / 14 / 0 / 62

HEX #335361

RGB 51 83 97

HSL 198.26, 0.31%, 0.29%

LAB 33.46, -7.53, -11.81

 

CMYK 47 / 27 / 0 / 62

HEX #334761

RGB 51 71 97

HSL 213.91, 0.31%, 0.29%

LAB 29.6, 0.04, -17.74

 

CMYK 47 / 39 / 0 / 62

HEX #333B61

RGB 51 59 97

HSL 229.57, 0.31%, 0.29%

LAB 25.85, 8.05, -23.6

 

CMYK 47 / 14 / 0 / 83

HEX #17252B

RGB 23 37 43

HSL 198, 0.3%, 0.13%

LAB 13.71, -4.02, -5.88

 

CMYK 47 / 14 / 0 / 73

HEX #253C46

RGB 37 60 70

HSL 198.18, 0.31%, 0.21%

LAB 23.89, -5.85, -8.97

 

CMYK 47 / 14 / 0 / 62

HEX #335361

RGB 51 83 97

HSL 198.26, 0.31%, 0.29%

LAB 33.46, -7.53, -11.81

 

CMYK 48 / 15 / 0 / 51

HEX #416A7C

RGB 65 106 124

HSL 198.31, 0.31%, 0.37%

LAB 42.59, -9.1, -14.49

 

CMYK 48 / 15 / 0 / 41

HEX #4F8197

RGB 79 129 151

HSL 198.33, 0.31%, 0.45%

LAB 51.38, -10.6, -17.05

 

CMYK 47 / 15 / 0 / 62

HEX #335260

RGB 51 82 96

HSL 198.67, 0.31%, 0.29%

LAB 33.1, -7.23, -11.73

 

CMYK 24 / 47 / 0 / 62

HEX #4A3361

RGB 74 51 97

HSL 270, 0.31%, 0.29%

LAB 25.82, 20.63, -23.48

 

CMYK 0 / 5 / 47 / 62

HEX #615C33

RGB 97 92 51

HSL 53.48, 0.31%, 0.29%

LAB 38.61, -4.54, 24.23

 

CMYK 47 / 15 / 0 / 62

HEX #335260

RGB 51 82 96

HSL 198.67, 0.31%, 0.29%

LAB 33.1, -7.23, -11.73

 

CMYK 0 / 47 / 14 / 62

HEX #613353

RGB 97 51 83

HSL 318.26, 0.31%, 0.29%

LAB 28.2, 25.58, -10.41

 

CMYK 14 / 0 / 47 / 62

HEX #536133

RGB 83 97 51

HSL 78.26, 0.31%, 0.29%

LAB 38.95, -13.77, 24.39

 

CMYK 47 / 15 / 0 / 62

HEX #335260

RGB 51 82 96

HSL 198.67, 0.31%, 0.29%

LAB 33.1, -7.23, -11.73

 

CMYK 24 / 47 / 0 / 62

HEX #4A3361

RGB 74 51 97

HSL 270, 0.31%, 0.29%

LAB 25.82, 20.63, -23.48

 

CMYK 0 / 33 / 47 / 62

HEX #614133

RGB 97 65 51

HSL 18.26, 0.31%, 0.29%

LAB 30.79, 12.01, 14.14

 

CMYK 24 / 0 / 47 / 62

HEX #4A6133

RGB 74 97 51

HSL 90, 0.31%, 0.29%

LAB 38.28, -17.64, 23.41

 

CMYK 47 / 15 / 0 / 62

HEX #335260

RGB 51 82 96

HSL 198.67, 0.31%, 0.29%

LAB 33.1, -7.23, -11.73

 

CMYK 9 / 47 / 0 / 62

HEX #583361

RGB 88 51 97

HSL 288.26, 0.31%, 0.29%

LAB 27.59, 25.3, -20.59

 

CMYK 0 / 33 / 47 / 62

HEX #614133

RGB 97 65 51

HSL 18.26, 0.31%, 0.29%

LAB 30.79, 12.01, 14.14

 

CMYK 38 / 0 / 47 / 62

HEX #3C6133

RGB 60 97 51

HSL 108.26, 0.31%, 0.29%

LAB 37.39, -23.21, 22.1

 

Description

Color code: HEX #335260 | qconv.com Color code: HEX #335260 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 82 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 82 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 15 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 15% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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