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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #334CBACE it is the complementary color #CCB345CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #334CBACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #334CBACE shade: #384CB5CE, #495EC8CE, #5A70DBCE, #6B82EECE and #7C94FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #334CBACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #334CBACE shade: #334CBACE, #223AA7CE, #112894CE, #001681CE and #00046ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #334CBACE shade: #324BB8, #3E32B8, #6232B8, #8632B8 and #AA32B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #334CBACE shade: #324BB8 and #3232B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #334CBACE shade matches the following richer shades: #324BB8, #1F3FCB and #0C33DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #334CBACE shade: #324BB8, #4557A5, #586392, #6B6F7F and #7E7B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #334CBACE shade: #3295B8, #3271B8, #324DB8, #3B32B8 and #5F32B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #334CBACE shade: #213177, #2A3E98, #324BB8, #4760CD and #687CD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #334CBACE shade: #334CBA, #B832B8 and #83B832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #334CBACE shade: #334CBA, #B8324D and #4DB832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #334CBACE shade: #334CBA, #B832B8, #B89D32 and #32B832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #334CBACE shade: #334CBA, #B83290, #B89D32 and #32B85B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 48 / 0 / 22

HEX #334CBACE

RGBA 51 76 186 0.81

HSLA 228.89, 0.57%, 0.46%, 0.81

LABA 36.78, 28.89, -60.79, 0.81

 

Complementary color

CMYK 0 / 10 / 54 / 16

HEX #CCB345CE

RGBA 204 179 69 0.81

HSLA 48.89, 0.57%, 0.54%, 0.81

LABA 73.22, -3.46, 57.43, 0.81

 

CMYK 56 / 47 / 0 / 24

HEX #384CB5CE

RGBA 56 76 181 0.81

HSLA 230.4, 0.53%, 0.46%, 0.81

LABA 36.64, 27.74, -58.06, 0.81

 

CMYK 51 / 43 / 0 / 17

HEX #495EC8CE

RGBA 73 94 200 0.81

HSLA 230.08, 0.54%, 0.54%, 0.81

LABA 43.64, 25.6, -57.75, 0.81

 

CMYK 48 / 40 / 0 / 11

HEX #5A70DBCE

RGBA 90 112 219 0.81

HSLA 229.77, 0.64%, 0.61%, 0.81

LABA 50.54, 23.84, -57.44, 0.81

 

CMYK 45 / 37 / 0 / 5

HEX #6B82EECE

RGBA 107 130 238 0.81

HSLA 229.47, 0.79%, 0.68%, 0.81

LABA 57.33, 22.36, -57.15, 0.81

 

CMYK 42 / 34 / 0 / 0

HEX #7C94FFCE

RGBA 124 148 255 0.81

HSLA 229.01, 1%, 0.74%, 0.81

LABA 63.9, 20.51, -55.97, 0.81

 

CMYK 59 / 48 / 0 / 22

HEX #334CBACE

RGBA 51 76 186 0.81

HSLA 228.89, 0.57%, 0.46%, 0.81

LABA 36.78, 28.89, -60.79, 0.81

 

CMYK 65 / 53 / 0 / 28

HEX #223AA7CE

RGBA 34 58 167 0.81

HSLA 229.17, 0.66%, 0.39%, 0.81

LABA 29.8, 31.71, -60.93, 0.81

 

CMYK 72 / 59 / 0 / 34

HEX #112894CE

RGBA 17 40 148 0.81

HSLA 229.47, 0.79%, 0.32%, 0.81

LABA 22.91, 35, -60.71, 0.81

 

CMYK 81 / 67 / 0 / 40

HEX #001681CE

RGBA 0 22 129 0.81

HSLA 229.77, 1%, 0.25%, 0.81

LABA 16.3, 38.24, -59.79, 0.81

 

CMYK 81 / 78 / 0 / 46

HEX #00046ECE

RGBA 0 4 110 0.81

HSLA 237.82, 1%, 0.22%, 0.81

LABA 10.65, 40.61, -56.97, 0.81

 

CMYK 73 / 59 / 0 / 28

HEX #324BB8

RGB 50 75 184

HSL 228.81, 0.57%, 0.46%

LAB 36.31, 28.68, -60.38

 

CMYK 66 / 73 / 0 / 28

HEX #3E32B8

RGB 62 50 184

HSL 245.37, 0.57%, 0.46%

LAB 31.27, 45.54, -68.61

 

CMYK 47 / 73 / 0 / 28

HEX #6232B8

RGB 98 50 184

HSL 261.49, 0.57%, 0.46%

LAB 34.68, 50.73, -62.88

 

CMYK 27 / 73 / 0 / 28

HEX #8632B8

RGB 134 50 184

HSL 277.61, 0.57%, 0.46%

LAB 39.26, 57.33, -55.23

 

CMYK 8 / 73 / 0 / 28

HEX #AA32B8

RGB 170 50 184

HSL 293.73, 0.57%, 0.46%

LAB 44.64, 64.71, -46.29

 

CMYK 73 / 59 / 0 / 28

HEX #324BB8

RGB 50 75 184

HSL 228.81, 0.57%, 0.46%

LAB 36.31, 28.68, -60.38

 

CMYK 73 / 73 / 0 / 28

HEX #3232B8

RGB 50 50 184

HSL 240, 0.57%, 0.46%

LAB 30.45, 44.25, -69.99

 

CMYK 73 / 59 / 0 / 28

HEX #324BB8

RGB 50 75 184

HSL 228.81, 0.57%, 0.46%

LAB 36.31, 28.68, -60.38

 

CMYK 85 / 69 / 0 / 20

HEX #1F3FCB

RGB 31 63 203

HSL 228.84, 0.74%, 0.46%

LAB 34.31, 41.57, -74.81

 

CMYK 95 / 77 / 0 / 13

HEX #0C33DE

RGB 12 51 222

HSL 228.86, 0.9%, 0.46%

LAB 33.39, 54.39, -87.32

 

CMYK 73 / 59 / 0 / 28

HEX #324BB8

RGB 50 75 184

HSL 228.81, 0.57%, 0.46%

LAB 36.31, 28.68, -60.38

 

CMYK 58 / 47 / 0 / 35

HEX #4557A5

RGB 69 87 165

HSL 228.75, 0.41%, 0.46%

LAB 39.24, 17.21, -44.34

 

CMYK 40 / 32 / 0 / 43

HEX #586392

RGB 88 99 146

HSL 228.62, 0.25%, 0.46%

LAB 42.87, 8.23, -27.17

 

CMYK 16 / 13 / 0 / 50

HEX #6B6F7F

RGB 107 111 127

HSL 228, 0.09%, 0.46%

LAB 47.01, 2.04, -9.34

 

CMYK 0 / 2 / 14 / 51

HEX #7E7B6C

RGB 126 123 108

HSL 50, 0.08%, 0.46%

LAB 51.48, -1.64, 8.61

 

CMYK 73 / 19 / 0 / 28

HEX #3295B8

RGB 50 149 184

HSL 195.67, 0.57%, 0.46%

LAB 57.69, -16.72, -26.43

 

CMYK 73 / 39 / 0 / 28

HEX #3271B8

RGB 50 113 184

HSL 211.79, 0.57%, 0.46%

LAB 46.91, 4.19, -43.32

 

CMYK 73 / 58 / 0 / 28

HEX #324DB8

RGB 50 77 184

HSL 227.91, 0.57%, 0.46%

LAB 36.83, 27.37, -59.53

 

CMYK 68 / 73 / 0 / 28

HEX #3B32B8

RGB 59 50 184

HSL 244.03, 0.57%, 0.46%

LAB 31.05, 45.19, -68.98

 

CMYK 48 / 73 / 0 / 28

HEX #5F32B8

RGB 95 50 184

HSL 260.15, 0.57%, 0.46%

LAB 34.34, 50.24, -63.44

 

CMYK 72 / 59 / 0 / 53

HEX #213177

RGB 33 49 119

HSL 228.84, 0.57%, 0.3%

LAB 23.18, 19.18, -42.08

 

CMYK 72 / 59 / 0 / 40

HEX #2A3E98

RGB 42 62 152

HSL 229.09, 0.57%, 0.38%

LAB 29.92, 24.29, -51.63

 

CMYK 73 / 59 / 0 / 28

HEX #324BB8

RGB 50 75 184

HSL 228.81, 0.57%, 0.46%

LAB 36.31, 28.68, -60.38

 

CMYK 65 / 53 / 0 / 20

HEX #4760CD

RGB 71 96 205

HSL 228.81, 0.57%, 0.54%

LAB 44.39, 25.75, -59.42

 

CMYK 51 / 42 / 0 / 16

HEX #687CD6

RGB 104 124 214

HSL 229.09, 0.57%, 0.62%

LAB 54.25, 17.78, -48.64

 

CMYK 73 / 59 / 0 / 27

HEX #334CBA

RGB 51 76 186

HSL 228.89, 0.57%, 0.46%

LAB 36.78, 28.89, -60.79

 

CMYK 0 / 73 / 0 / 28

HEX #B832B8

RGB 184 50 184

HSL 300, 0.57%, 0.46%

LAB 46.89, 67.7, -42.58

 

CMYK 29 / 0 / 73 / 28

HEX #83B832

RGB 131 184 50

HSL 83.73, 0.57%, 0.46%

LAB 68.99, -37.36, 58.83

 

CMYK 73 / 59 / 0 / 27

HEX #334CBA

RGB 51 76 186

HSL 228.89, 0.57%, 0.46%

LAB 36.78, 28.89, -60.79

 

CMYK 0 / 73 / 58 / 28

HEX #B8324D

RGB 184 50 77

HSL 347.91, 0.57%, 0.46%

LAB 42.77, 54.8, 16.33

 

CMYK 58 / 0 / 73 / 28

HEX #4DB832

RGB 77 184 50

HSL 107.91, 0.57%, 0.46%

LAB 66.59, -54.79, 55.63

 

CMYK 73 / 59 / 0 / 27

HEX #334CBA

RGB 51 76 186

HSL 228.89, 0.57%, 0.46%

LAB 36.78, 28.89, -60.79

 

CMYK 0 / 73 / 0 / 28

HEX #B832B8

RGB 184 50 184

HSL 300, 0.57%, 0.46%

LAB 46.89, 67.7, -42.58

 

CMYK 0 / 15 / 73 / 28

HEX #B89D32

RGB 184 157 50

HSL 47.91, 0.57%, 0.46%

LAB 65.38, -1.52, 56.64

 

CMYK 73 / 0 / 73 / 28

HEX #32B832

RGB 50 184 50

HSL 120, 0.57%, 0.46%

LAB 65.9, -60.48, 54.71

 

CMYK 73 / 59 / 0 / 27

HEX #334CBA

RGB 51 76 186

HSL 228.89, 0.57%, 0.46%

LAB 36.78, 28.89, -60.79

 

CMYK 0 / 73 / 22 / 28

HEX #B83290

RGB 184 50 144

HSL 317.91, 0.57%, 0.46%

LAB 44.92, 61.74, -21.87

 

CMYK 0 / 15 / 73 / 28

HEX #B89D32

RGB 184 157 50

HSL 47.91, 0.57%, 0.46%

LAB 65.38, -1.52, 56.64

 

CMYK 73 / 0 / 51 / 28

HEX #32B85B

RGB 50 184 91

HSL 138.36, 0.57%, 0.46%

LAB 66.3, -55.65, 36.98

 

Description

Color code: HEX #334CBACE | qconv.com Color code: HEX #334CBACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 76 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 76 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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