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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #334B28CE it is the complementary color #CCB4D7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #334B28CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #334B28CE shade: #384B23CE, #495D36CE, #5A6F49CE, #6B815CCE and #7C936FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #334B28CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #334B28CE shade: #334B28CE, #223915CE, #112702CE, #001500CE and #000300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #334B28CE shade: #344C29, #3E4C29, #474C29, #4C4829 and #4C3E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #334B28CE shade: #344C29, #2B4C29, #294C31, #294C3A and #294C44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #334B28CE shade matches the following richer shades: #344C29, #315620, #2D5F16, #2A690D and #267203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #334B28CE shade: #344C29, #384333, #3B393C, #3F3046 and #42264F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #334B28CE shade: #474C29, #3E4C29, #344C29, #2B4C29 and #294C31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #334B28CE shade: #0F170C, #22311B, #344C29, #466737 and #598246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #334B28CE shade: #334B28, #294C48 and #4C2942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #334B28CE shade: #334B28, #29344C and #4C2934

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #334B28CE shade: #334B28, #294C48, #41294C and #4C292D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #334B28CE shade: #334B28, #29464C, #41294C and #4C3029

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 38 / 57

HEX #334B28CE

RGBA 51 75 40 0.81

HSLA 101.14, 0.3%, 0.23%, 0.81

LABA 29.13, -16.86, 17.95, 0.81

 

Complementary color

CMYK 4 / 13 / 0 / 13

HEX #CCB4D7CE

RGBA 204 180 215 0.81

HSLA 281.14, 0.3%, 0.77%, 0.81

LABA 76.31, 14.94, -14.44, 0.81

 

CMYK 21 / 0 / 43 / 57

HEX #384B23CE

RGBA 56 75 35 0.81

HSLA 88.5, 0.36%, 0.22%, 0.81

LABA 29.4, -15.47, 21.33, 0.81

 

CMYK 17 / 0 / 34 / 51

HEX #495D36CE

RGBA 73 93 54 0.81

HSLA 90.77, 0.27%, 0.29%, 0.81

LABA 36.95, -15.43, 19.96, 0.81

 

CMYK 15 / 0 / 28 / 46

HEX #5A6F49CE

RGBA 90 111 73 0.81

HSLA 93.16, 0.21%, 0.36%, 0.81

LABA 44.27, -15.35, 18.68, 0.81

 

CMYK 14 / 0 / 23 / 40

HEX #6B815CCE

RGBA 107 129 92 0.81

HSLA 95.68, 0.17%, 0.43%, 0.81

LABA 51.38, -15.25, 17.51, 0.81

 

CMYK 13 / 0 / 20 / 34

HEX #7C936FCE

RGBA 124 147 111 0.81

HSLA 98.33, 0.14%, 0.51%, 0.81

LABA 58.32, -15.15, 16.42, 0.81

 

CMYK 26 / 0 / 38 / 57

HEX #334B28CE

RGBA 51 75 40 0.81

HSLA 101.14, 0.3%, 0.23%, 0.81

LABA 29.13, -16.86, 17.95, 0.81

 

CMYK 33 / 0 / 51 / 63

HEX #223915CE

RGBA 34 57 21 0.81

HSLA 98.33, 0.46%, 0.15%, 0.81

LABA 21.28, -16.97, 19.39, 0.81

 

CMYK 46 / 0 / 77 / 69

HEX #112702CE

RGBA 17 39 2 0.81

HSLA 95.68, 0.9%, 0.08%, 0.81

LABA 13.07, -16.95, 18.1, 0.81

 

CMYK 81 / 0 / 81 / 74

HEX #001500CE

RGBA 0 21 0 0.81

HSLA 120, 1%, 0.04%, 0.81

LABA 4.84, -9.9, 7.07, 0.81

 

CMYK 81 / 0 / 81 / 80

HEX #000300CE

RGBA 0 3 0 0.81

HSLA 120, 1%, 0.01%, 0.81

LABA 0.59, -1.2, 0.86, 0.81

 

CMYK 32 / 0 / 46 / 70

HEX #344C29

RGB 52 76 41

HSL 101.14, 0.3%, 0.23%

LAB 29.56, -16.84, 17.91

 

CMYK 18 / 0 / 46 / 70

HEX #3E4C29

RGB 62 76 41

HSL 84, 0.3%, 0.23%

LAB 30.29, -12.52, 18.98

 

CMYK 7 / 0 / 46 / 70

HEX #474C29

RGB 71 76 41

HSL 68.57, 0.3%, 0.23%

LAB 31.04, -8.39, 20.09

 

CMYK 0 / 5 / 46 / 70

HEX #4C4829

RGB 76 72 41

HSL 53.14, 0.3%, 0.23%

LAB 30.23, -3.59, 19.18

 

CMYK 0 / 18 / 46 / 70

HEX #4C3E29

RGB 76 62 41

HSL 36, 0.3%, 0.23%

LAB 27.14, 2.7, 15.19

 

CMYK 32 / 0 / 46 / 70

HEX #344C29

RGB 52 76 41

HSL 101.14, 0.3%, 0.23%

LAB 29.56, -16.84, 17.91

 

CMYK 43 / 0 / 46 / 70

HEX #2B4C29

RGB 43 76 41

HSL 116.57, 0.3%, 0.23%

LAB 29.01, -20.38, 17.09

 

CMYK 46 / 0 / 36 / 70

HEX #294C31

RGB 41 76 49

HSL 133.71, 0.3%, 0.23%

LAB 29.06, -19.55, 12.2

 

CMYK 46 / 0 / 24 / 70

HEX #294C3A

RGB 41 76 58

HSL 149.14, 0.3%, 0.23%

LAB 29.28, -17.51, 6.8

 

CMYK 46 / 0 / 11 / 70

HEX #294C44

RGB 41 76 68

HSL 166.29, 0.3%, 0.23%

LAB 29.56, -14.92, 0.79

 

CMYK 32 / 0 / 46 / 70

HEX #344C29

RGB 52 76 41

HSL 101.14, 0.3%, 0.23%

LAB 29.56, -16.84, 17.91

 

CMYK 43 / 0 / 63 / 66

HEX #315620

RGB 49 86 32

HSL 101.11, 0.46%, 0.23%

LAB 32.73, -24.52, 26.86

 

CMYK 53 / 0 / 77 / 63

HEX #2D5F16

RGB 45 95 22

HSL 101.1, 0.62%, 0.23%

LAB 35.6, -31.15, 34.67

 

CMYK 60 / 0 / 88 / 59

HEX #2A690D

RGB 42 105 13

HSL 101.09, 0.78%, 0.23%

LAB 38.94, -36.86, 41

 

CMYK 67 / 0 / 97 / 55

HEX #267203

RGB 38 114 3

HSL 101.08, 0.95%, 0.23%

LAB 41.93, -41.78, 45.99

 

CMYK 32 / 0 / 46 / 70

HEX #344C29

RGB 52 76 41

HSL 101.14, 0.3%, 0.23%

LAB 29.56, -16.84, 17.91

 

CMYK 16 / 0 / 24 / 74

HEX #384333

RGB 56 67 51

HSL 101.25, 0.14%, 0.23%

LAB 27, -8.08, 8.26

 

CMYK 2 / 5 / 0 / 76

HEX #3B393C

RGB 59 57 60

HSL 280, 0.03%, 0.23%

LAB 24.27, 1.55, -1.56

 

CMYK 10 / 31 / 0 / 73

HEX #3F3046

RGB 63 48 70

HSL 280.91, 0.19%, 0.23%

LAB 22.35, 11.65, -11.11

 

CMYK 16 / 52 / 0 / 69

HEX #42264F

RGB 66 38 79

HSL 280.98, 0.35%, 0.23%

LAB 20.48, 21.64, -20.06

 

CMYK 7 / 0 / 46 / 70

HEX #474C29

RGB 71 76 41

HSL 68.57, 0.3%, 0.23%

LAB 31.04, -8.39, 20.09

 

CMYK 18 / 0 / 46 / 70

HEX #3E4C29

RGB 62 76 41

HSL 84, 0.3%, 0.23%

LAB 30.29, -12.52, 18.98

 

CMYK 32 / 0 / 46 / 70

HEX #344C29

RGB 52 76 41

HSL 101.14, 0.3%, 0.23%

LAB 29.56, -16.84, 17.91

 

CMYK 43 / 0 / 46 / 70

HEX #2B4C29

RGB 43 76 41

HSL 116.57, 0.3%, 0.23%

LAB 29.01, -20.38, 17.09

 

CMYK 46 / 0 / 36 / 70

HEX #294C31

RGB 41 76 49

HSL 133.71, 0.3%, 0.23%

LAB 29.06, -19.55, 12.2

 

CMYK 35 / 0 / 48 / 91

HEX #0F170C

RGB 15 23 12

HSL 103.64, 0.31%, 0.07%

LAB 6.69, -5.51, 4.95

 

CMYK 31 / 0 / 45 / 81

HEX #22311B

RGB 34 49 27

HSL 100.91, 0.29%, 0.15%

LAB 18.43, -11.41, 12.09

 

CMYK 32 / 0 / 46 / 70

HEX #344C29

RGB 52 76 41

HSL 101.14, 0.3%, 0.23%

LAB 29.56, -16.84, 17.91

 

CMYK 32 / 0 / 47 / 60

HEX #466737

RGB 70 103 55

HSL 101.25, 0.3%, 0.31%

LAB 40.05, -21.86, 23.3

 

CMYK 32 / 0 / 46 / 49

HEX #598246

RGB 89 130 70

HSL 101, 0.3%, 0.39%

LAB 50.13, -26.08, 27.96

 

CMYK 32 / 0 / 47 / 71

HEX #334B28

RGB 51 75 40

HSL 101.14, 0.3%, 0.23%

LAB 29.13, -16.86, 17.95

 

CMYK 46 / 0 / 5 / 70

HEX #294C48

RGB 41 76 72

HSL 173.14, 0.3%, 0.23%

LAB 29.68, -13.8, -1.6

 

CMYK 0 / 46 / 13 / 70

HEX #4C2942

RGB 76 41 66

HSL 317.14, 0.3%, 0.23%

LAB 22, 20.46, -8.78

 

CMYK 32 / 0 / 47 / 71

HEX #334B28

RGB 51 75 40

HSL 101.14, 0.3%, 0.23%

LAB 29.13, -16.86, 17.95

 

CMYK 46 / 32 / 0 / 70

HEX #29344C

RGB 41 52 76

HSL 221.14, 0.3%, 0.23%

LAB 21.76, 2.74, -16.23

 

CMYK 0 / 46 / 32 / 70

HEX #4C2934

RGB 76 41 52

HSL 341.14, 0.3%, 0.23%

LAB 21.47, 17.93, 0.01

 

CMYK 32 / 0 / 47 / 71

HEX #334B28

RGB 51 75 40

HSL 101.14, 0.3%, 0.23%

LAB 29.13, -16.86, 17.95

 

CMYK 46 / 0 / 5 / 70

HEX #294C48

RGB 41 76 72

HSL 173.14, 0.3%, 0.23%

LAB 29.68, -13.8, -1.6

 

CMYK 14 / 46 / 0 / 70

HEX #41294C

RGB 65 41 76

HSL 281.14, 0.3%, 0.23%

LAB 20.95, 18.59, -17.31

 

CMYK 0 / 46 / 41 / 70

HEX #4C292D

RGB 76 41 45

HSL 353.14, 0.3%, 0.23%

LAB 21.25, 16.86, 4.51

 

CMYK 32 / 0 / 47 / 71

HEX #334B28

RGB 51 75 40

HSL 101.14, 0.3%, 0.23%

LAB 29.13, -16.86, 17.95

 

CMYK 46 / 8 / 0 / 70

HEX #29464C

RGB 41 70 76

HSL 190.29, 0.3%, 0.23%

LAB 27.77, -9.02, -7.03

 

CMYK 14 / 46 / 0 / 70

HEX #41294C

RGB 65 41 76

HSL 281.14, 0.3%, 0.23%

LAB 20.95, 18.59, -17.31

 

CMYK 0 / 37 / 46 / 70

HEX #4C3029

RGB 76 48 41

HSL 12, 0.3%, 0.23%

LAB 23.03, 11.79, 9.71

 

Description

Color code: HEX #334B28CE | qconv.com Color code: HEX #334B28CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 75 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 75 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 38 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 38% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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