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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3347FE it is the complementary color #CCB801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3347FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3347FE shade: #3847F9, #4959FF, #5A6BFF, #6B7DFF and #7C8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3347FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3347FE shade: #3347FE, #2235EB, #1123D8, #0011C5 and #0000B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3347FE shade: #3448FE, #5734FE, #8D34FE, #C434FE and #FA34FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3347FE shade: #3448FE and #3434FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3347FE shade matches the following richer shades: #3448FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3347FE shade: #3448FE, #4555ED, #5562DD, #6670CC and #767DBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3347FE shade: #34B4FE, #347EFE, #3448FE, #5634FE and #8C34FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3347FE shade: #0117DE, #0B23FE, #3448FE, #5D6DFE and #8692FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3347FE shade: #3347FE, #FE34EA and #99FE34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3347FE shade: #3347FE, #FE3448 and #48FE34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3347FE shade: #3347FE, #FE34EA, #FEEA34 and #34FE48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3347FE shade: #3347FE, #FE34AD, #FEEA34 and #34FE85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 72 / 0 / 0

HEX #3347FE

RGB 51 71 254

HSL 234.09, 0.99%, 0.6%

LAB 41.79, 55.58, -91.48

 

Complementary color

CMYK 0 / 10 / 100 / 20

HEX #CCB801

RGB 204 184 1

HSL 54.09, 0.99%, 0.4%

LAB 74.27, -8.1, 75.87

 

CMYK 78 / 71 / 0 / 2

HEX #3847F9

RGB 56 71 249

HSL 235.34, 0.94%, 0.6%

LAB 41.51, 54.3, -89.14

 

CMYK 71 / 65 / 0 / 0

HEX #4959FF

RGB 73 89 255

HSL 234.73, 1%, 0.64%

LAB 46.69, 47.45, -83.94

 

CMYK 65 / 58 / 0 / 0

HEX #5A6BFF

RGB 90 107 255

HSL 233.82, 1%, 0.68%

LAB 51.73, 38.84, -75.66

 

CMYK 58 / 51 / 0 / 0

HEX #6B7DFF

RGB 107 125 255

HSL 232.7, 1%, 0.71%

LAB 57.09, 30.79, -66.94

 

CMYK 51 / 44 / 0 / 0

HEX #7C8FFF

RGB 124 143 255

HSL 231.3, 1%, 0.74%

LAB 62.63, 23.44, -57.99

 

CMYK 80 / 72 / 0 / 0

HEX #3347FE

RGB 51 71 254

HSL 234.09, 0.99%, 0.6%

LAB 41.79, 55.58, -91.48

 

CMYK 86 / 77 / 0 / 8

HEX #2235EB

RGB 34 53 235

HSL 234.33, 0.83%, 0.53%

LAB 35.76, 58.21, -90.79

 

CMYK 92 / 84 / 0 / 15

HEX #1123D8

RGB 17 35 216

HSL 234.57, 0.85%, 0.46%

LAB 30.11, 60.37, -89.32

 

CMYK 100 / 91 / 0 / 23

HEX #0011C5

RGB 0 17 197

HSL 234.82, 1%, 0.39%

LAB 25.05, 61.27, -86.68

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 80 / 72 / 0 / 0

HEX #3448FE

RGB 52 72 254

HSL 234.06, 0.99%, 0.6%

LAB 42.03, 55.09, -91.08

 

CMYK 66 / 80 / 0 / 0

HEX #5734FE

RGB 87 52 254

HSL 250.4, 0.99%, 0.6%

LAB 40.63, 67.68, -93.33

 

CMYK 44 / 80 / 0 / 0

HEX #8D34FE

RGB 141 52 254

HSL 266.44, 0.99%, 0.6%

LAB 46.01, 73.54, -84.29

 

CMYK 23 / 80 / 0 / 0

HEX #C434FE

RGB 196 52 254

HSL 282.77, 0.99%, 0.6%

LAB 53.33, 81.66, -72.03

 

CMYK 2 / 80 / 0 / 0

HEX #FA34FE

RGB 250 52 254

HSL 298.81, 0.99%, 0.6%

LAB 61.6, 90.94, -58.29

 

CMYK 80 / 72 / 0 / 0

HEX #3448FE

RGB 52 72 254

HSL 234.06, 0.99%, 0.6%

LAB 42.03, 55.09, -91.08

 

CMYK 80 / 80 / 0 / 0

HEX #3434FE

RGB 52 52 254

HSL 240, 0.99%, 0.6%

LAB 38.45, 65.32, -97.02

 

CMYK 80 / 72 / 0 / 0

HEX #3448FE

RGB 52 72 254

HSL 234.06, 0.99%, 0.6%

LAB 42.03, 55.09, -91.08

 

CMYK 80 / 72 / 0 / 0

HEX #3448FE

RGB 52 72 254

HSL 234.06, 0.99%, 0.6%

LAB 42.03, 55.09, -91.08

 

CMYK 71 / 64 / 0 / 7

HEX #4555ED

RGB 69 85 237

HSL 234.29, 0.82%, 0.6%

LAB 44.06, 43.36, -78.19

 

CMYK 62 / 56 / 0 / 13

HEX #5562DD

RGB 85 98 221

HSL 234.26, 0.67%, 0.6%

LAB 46.83, 32.26, -64.59

 

CMYK 50 / 45 / 0 / 20

HEX #6670CC

RGB 102 112 204

HSL 234.12, 0.5%, 0.6%

LAB 50.42, 21.5, -49.07

 

CMYK 37 / 34 / 0 / 26

HEX #767DBC

RGB 118 125 188

HSL 234, 0.34%, 0.6%

LAB 54.19, 12.99, -33.9

 

CMYK 80 / 29 / 0 / 0

HEX #34B4FE

RGB 52 180 254

HSL 201.98, 0.99%, 0.6%

LAB 69.84, -9.51, -46.21

 

CMYK 80 / 50 / 0 / 0

HEX #347EFE

RGB 52 126 254

HSL 218.02, 0.99%, 0.6%

LAB 54.87, 22.24, -70.09

 

CMYK 80 / 72 / 0 / 0

HEX #3448FE

RGB 52 72 254

HSL 234.06, 0.99%, 0.6%

LAB 42.03, 55.09, -91.08

 

CMYK 66 / 80 / 0 / 0

HEX #5634FE

RGB 86 52 254

HSL 250.1, 0.99%, 0.6%

LAB 40.56, 67.59, -93.46

 

CMYK 45 / 80 / 0 / 0

HEX #8C34FE

RGB 140 52 254

HSL 266.14, 0.99%, 0.6%

LAB 45.89, 73.41, -84.48

 

CMYK 100 / 90 / 0 / 13

HEX #0117DE

RGB 1 23 222

HSL 234.03, 0.99%, 0.44%

LAB 29.14, 66.33, -94.4

 

CMYK 96 / 86 / 0 / 0

HEX #0B23FE

RGB 11 35 254

HSL 234.07, 0.99%, 0.52%

LAB 34.86, 71.21, -103.02

 

CMYK 80 / 72 / 0 / 0

HEX #3448FE

RGB 52 72 254

HSL 234.06, 0.99%, 0.6%

LAB 42.03, 55.09, -91.08

 

CMYK 63 / 57 / 0 / 0

HEX #5D6DFE

RGB 93 109 254

HSL 234.04, 0.99%, 0.68%

LAB 52.31, 37.75, -74.16

 

CMYK 47 / 43 / 0 / 0

HEX #8692FE

RGB 134 146 254

HSL 234, 0.98%, 0.76%

LAB 63.98, 23.58, -55.26

 

CMYK 80 / 72 / 0 / 0

HEX #3347FE

RGB 51 71 254

HSL 234.09, 0.99%, 0.6%

LAB 41.79, 55.58, -91.48

 

CMYK 0 / 80 / 8 / 0

HEX #FE34EA

RGB 254 52 234

HSL 305.94, 0.99%, 0.6%

LAB 61.19, 88.81, -47.78

 

CMYK 40 / 0 / 80 / 0

HEX #99FE34

RGB 153 254 52

HSL 90, 0.99%, 0.6%

LAB 90.74, -58.61, 79.17

 

CMYK 80 / 72 / 0 / 0

HEX #3347FE

RGB 51 71 254

HSL 234.09, 0.99%, 0.6%

LAB 41.79, 55.58, -91.48

 

CMYK 0 / 80 / 72 / 0

HEX #FE3448

RGB 254 52 72

HSL 354.06, 0.99%, 0.6%

LAB 56.08, 73.94, 38.86

 

CMYK 72 / 0 / 80 / 0

HEX #48FE34

RGB 72 254 52

HSL 114.06, 0.99%, 0.6%

LAB 88.21, -78.5, 75.92

 

CMYK 80 / 72 / 0 / 0

HEX #3347FE

RGB 51 71 254

HSL 234.09, 0.99%, 0.6%

LAB 41.79, 55.58, -91.48

 

CMYK 0 / 80 / 8 / 0

HEX #FE34EA

RGB 254 52 234

HSL 305.94, 0.99%, 0.6%

LAB 61.19, 88.81, -47.78

 

CMYK 0 / 8 / 80 / 0

HEX #FEEA34

RGB 254 234 52

HSL 54.06, 0.99%, 0.6%

LAB 91.76, -10.98, 82.53

 

CMYK 80 / 0 / 72 / 0

HEX #34FE48

RGB 52 254 72

HSL 125.94, 0.99%, 0.6%

LAB 88.01, -79.88, 69.48

 

CMYK 80 / 72 / 0 / 0

HEX #3347FE

RGB 51 71 254

HSL 234.09, 0.99%, 0.6%

LAB 41.79, 55.58, -91.48

 

CMYK 0 / 80 / 32 / 0

HEX #FE34AD

RGB 254 52 173

HSL 324.06, 0.99%, 0.6%

LAB 58.55, 81.33, -17.1

 

CMYK 0 / 8 / 80 / 0

HEX #FEEA34

RGB 254 234 52

HSL 54.06, 0.99%, 0.6%

LAB 91.76, -10.98, 82.53

 

CMYK 80 / 0 / 48 / 0

HEX #34FE85

RGB 52 254 133

HSL 144.06, 0.99%, 0.6%

LAB 88.59, -72.76, 44.42

 

Description

Color code: HEX #3347FE | qconv.com Color code: HEX #3347FE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 71 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 71 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 72 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 72% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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