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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #334183 it is the complementary color #CCBE7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #334183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #334183 shade: #38417E, #495391, #5A65A4, #6B77B7 and #7C89CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #334183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #334183 shade: #334183, #222F70, #111D5D, #000B4A and #000037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #334183 shade: #334284, #3B3384, #513384, #673384 and #7C3384

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #334183 shade: #334284 and #333384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #334183 shade matches the following richer shades: #334284, #253893, #162EA2 and #0725B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #334183 shade: #334284, #424B75, #515566, #605F58 and #6F6849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #334183 shade: #336D84, #335884, #334284, #3A3384 and #503384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #334183 shade: #1C2449, #283366, #334284, #3F50A2 and #4F62BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #334183 shade: #334183, #843383 and #638433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #334183 shade: #334183, #843342 and #428433

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #334183 shade: #334183, #843383, #847533 and #338435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #334183 shade: #334183, #84336B, #847533 and #33844D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 50 / 0 / 49

HEX #334183

RGB 51 65 131

HSL 229.5, 0.44%, 0.36%

LAB 29.72, 15.97, -39

 

Complementary color

CMYK 0 / 7 / 39 / 20

HEX #CCBE7C

RGB 204 190 124

HSL 49.5, 0.44%, 0.64%

LAB 76.75, -4.53, 35.11

 

CMYK 56 / 48 / 0 / 51

HEX #38417E

RGB 56 65 126

HSL 232.29, 0.38%, 0.36%

LAB 29.73, 15.29, -35.85

 

CMYK 50 / 43 / 0 / 43

HEX #495391

RGB 73 83 145

HSL 231.67, 0.33%, 0.43%

LAB 37.2, 13.99, -35.57

 

CMYK 45 / 38 / 0 / 36

HEX #5A65A4

RGB 90 101 164

HSL 231.08, 0.29%, 0.5%

LAB 44.46, 12.97, -35.36

 

CMYK 42 / 35 / 0 / 28

HEX #6B77B7

RGB 107 119 183

HSL 230.53, 0.35%, 0.57%

LAB 51.54, 12.14, -35.23

 

CMYK 39 / 32 / 0 / 21

HEX #7C89CA

RGB 124 137 202

HSL 230, 0.42%, 0.64%

LAB 58.45, 11.45, -35.15

 

CMYK 61 / 50 / 0 / 49

HEX #334183

RGB 51 65 131

HSL 229.5, 0.44%, 0.36%

LAB 29.72, 15.97, -39

 

CMYK 70 / 58 / 0 / 56

HEX #222F70

RGB 34 47 112

HSL 230, 0.53%, 0.29%

LAB 22.1, 18, -39.35

 

CMYK 82 / 69 / 0 / 64

HEX #111D5D

RGB 17 29 93

HSL 230.53, 0.69%, 0.22%

LAB 14.33, 20.79, -39.59

 

CMYK 100 / 85 / 0 / 71

HEX #000B4A

RGB 0 11 74

HSL 231.08, 1%, 0.15%

LAB 6.63, 23.72, -39.35

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 61 / 50 / 0 / 48

HEX #334284

RGB 51 66 132

HSL 228.89, 0.44%, 0.36%

LAB 30.07, 15.66, -39.06

 

CMYK 55 / 61 / 0 / 48

HEX #3B3384

RGB 59 51 132

HSL 245.93, 0.44%, 0.36%

LAB 26.63, 27.34, -44.58

 

CMYK 39 / 61 / 0 / 48

HEX #513384

RGB 81 51 132

HSL 262.22, 0.44%, 0.36%

LAB 28.86, 32.34, -40.87

 

CMYK 22 / 61 / 0 / 48

HEX #673384

RGB 103 51 132

HSL 278.52, 0.44%, 0.36%

LAB 31.62, 37.99, -36.3

 

CMYK 6 / 61 / 0 / 48

HEX #7C3384

RGB 124 51 132

HSL 294.07, 0.44%, 0.36%

LAB 34.64, 43.64, -31.31

 

CMYK 61 / 50 / 0 / 48

HEX #334284

RGB 51 66 132

HSL 228.89, 0.44%, 0.36%

LAB 30.07, 15.66, -39.06

 

CMYK 61 / 61 / 0 / 48

HEX #333384

RGB 51 51 132

HSL 240, 0.44%, 0.36%

LAB 25.97, 25.77, -45.68

 

CMYK 61 / 50 / 0 / 48

HEX #334284

RGB 51 66 132

HSL 228.89, 0.44%, 0.36%

LAB 30.07, 15.66, -39.06

 

CMYK 75 / 62 / 0 / 42

HEX #253893

RGB 37 56 147

HSL 229.64, 0.6%, 0.36%

LAB 27.65, 25.77, -52.29

 

CMYK 86 / 72 / 0 / 36

HEX #162EA2

RGB 22 46 162

HSL 229.71, 0.76%, 0.36%

LAB 25.96, 36.69, -64.24

 

CMYK 96 / 79 / 0 / 31

HEX #0725B1

RGB 7 37 177

HSL 229.41, 0.92%, 0.36%

LAB 25.39, 46.8, -74.24

 

CMYK 61 / 50 / 0 / 48

HEX #334284

RGB 51 66 132

HSL 228.89, 0.44%, 0.36%

LAB 30.07, 15.66, -39.06

 

CMYK 44 / 36 / 0 / 54

HEX #424B75

RGB 66 75 117

HSL 229.41, 0.28%, 0.36%

LAB 32.86, 8.26, -25.22

 

CMYK 21 / 17 / 0 / 60

HEX #515566

RGB 81 85 102

HSL 228.57, 0.11%, 0.36%

LAB 36.38, 2.47, -10.33

 

CMYK 0 / 1 / 8 / 62

HEX #605F58

RGB 96 95 88

HSL 52.5, 0.04%, 0.36%

LAB 40.21, -1.01, 4.14

 

CMYK 0 / 6 / 34 / 56

HEX #6F6849

RGB 111 104 73

HSL 48.95, 0.21%, 0.36%

LAB 43.89, -2.46, 18.49

 

CMYK 61 / 17 / 0 / 48

HEX #336D84

RGB 51 109 132

HSL 197.04, 0.44%, 0.36%

LAB 43.22, -11.62, -18.4

 

CMYK 61 / 33 / 0 / 48

HEX #335884

RGB 51 88 132

HSL 212.59, 0.44%, 0.36%

LAB 36.65, 1.13, -28.61

 

CMYK 61 / 50 / 0 / 48

HEX #334284

RGB 51 66 132

HSL 228.89, 0.44%, 0.36%

LAB 30.07, 15.66, -39.06

 

CMYK 56 / 61 / 0 / 48

HEX #3A3384

RGB 58 51 132

HSL 245.19, 0.44%, 0.36%

LAB 26.54, 27.14, -44.73

 

CMYK 39 / 61 / 0 / 48

HEX #503384

RGB 80 51 132

HSL 261.48, 0.44%, 0.36%

LAB 28.74, 32.1, -41.06

 

CMYK 62 / 51 / 0 / 71

HEX #1C2449

RGB 28 36 73

HSL 229.33, 0.45%, 0.2%

LAB 15.43, 9.39, -24.23

 

CMYK 61 / 50 / 0 / 60

HEX #283366

RGB 40 51 102

HSL 229.35, 0.44%, 0.28%

LAB 22.92, 12.53, -31.54

 

CMYK 61 / 50 / 0 / 48

HEX #334284

RGB 51 66 132

HSL 228.89, 0.44%, 0.36%

LAB 30.07, 15.66, -39.06

 

CMYK 61 / 51 / 0 / 36

HEX #3F50A2

RGB 63 80 162

HSL 229.7, 0.44%, 0.44%

LAB 36.75, 19.51, -46.57

 

CMYK 58 / 48 / 0 / 27

HEX #4F62BB

RGB 79 98 187

HSL 229.44, 0.44%, 0.52%

LAB 44.21, 19.74, -49.28

 

CMYK 61 / 50 / 0 / 49

HEX #334183

RGB 51 65 131

HSL 229.5, 0.44%, 0.36%

LAB 29.72, 15.97, -39

 

CMYK 0 / 61 / 1 / 48

HEX #843383

RGB 132 51 131

HSL 300.74, 0.44%, 0.36%

LAB 35.81, 45.64, -28.75

 

CMYK 25 / 0 / 61 / 48

HEX #638433

RGB 99 132 51

HSL 84.44, 0.44%, 0.36%

LAB 51.15, -25.4, 39.08

 

CMYK 61 / 50 / 0 / 49

HEX #334183

RGB 51 65 131

HSL 229.5, 0.44%, 0.36%

LAB 29.72, 15.97, -39

 

CMYK 0 / 61 / 50 / 48

HEX #843342

RGB 132 51 66

HSL 348.89, 0.44%, 0.36%

LAB 33.28, 36.2, 8.78

 

CMYK 50 / 0 / 61 / 48

HEX #428433

RGB 66 132 51

HSL 108.89, 0.44%, 0.36%

LAB 49.37, -37.42, 36.6

 

CMYK 61 / 50 / 0 / 49

HEX #334183

RGB 51 65 131

HSL 229.5, 0.44%, 0.36%

LAB 29.72, 15.97, -39

 

CMYK 0 / 61 / 1 / 48

HEX #843383

RGB 132 51 131

HSL 300.74, 0.44%, 0.36%

LAB 35.81, 45.64, -28.75

 

CMYK 0 / 11 / 61 / 48

HEX #847533

RGB 132 117 51

HSL 48.89, 0.44%, 0.36%

LAB 49.33, -2.83, 37.77

 

CMYK 61 / 0 / 60 / 48

HEX #338435

RGB 51 132 53

HSL 121.48, 0.44%, 0.36%

LAB 48.84, -41.41, 34.85

 

CMYK 61 / 50 / 0 / 49

HEX #334183

RGB 51 65 131

HSL 229.5, 0.44%, 0.36%

LAB 29.72, 15.97, -39

 

CMYK 0 / 61 / 19 / 48

HEX #84336B

RGB 132 51 107

HSL 318.52, 0.44%, 0.36%

LAB 34.67, 41.52, -15.5

 

CMYK 0 / 11 / 61 / 48

HEX #847533

RGB 132 117 51

HSL 48.89, 0.44%, 0.36%

LAB 49.33, -2.83, 37.77

 

CMYK 61 / 0 / 42 / 48

HEX #33844D

RGB 51 132 77

HSL 139.26, 0.44%, 0.36%

LAB 49.18, -37.62, 22.55

 

Description

Color code: HEX #334183 | qconv.com Color code: HEX #334183 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 65 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 65 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 50 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 50% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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