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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33404E it is the complementary color #CCBFB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33404E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33404E shade: #384049, #49525C, #5A646F, #6B7682 and #7C8895

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33404E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33404E shade: #33404E, #222E3B, #111C28, #000A15 and #000002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33404E shade: #323F4D, #32384D, #34324D, #3B324D and #42324D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33404E shade: #323F4D, #32384D and #32324D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33404E shade matches the following richer shades: #323F4D, #283F57, #1E3E62, #133E6C and #093E76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33404E shade: #323F4D, #3D4043, #474039, #51402E and #5C4124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33404E shade: #324D4D, #32464D, #323F4D, #32384D and #34324D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33404E shade: #12161B, #222B34, #323F4D, #435466 and #53687F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33404E shade: #33404E, #46324D and #4A4D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33404E shade: #33404E, #4D323F and #3F4D32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33404E shade: #33404E, #46324D, #4D4032 and #3A4D32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33404E shade: #33404E, #4D324D, #4D4032 and #324D33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 18 / 0 / 69

HEX #33404E

RGB 51 64 78

HSL 211.11, 0.21%, 0.25%

LAB 26.51, -1.36, -10.19

 

Complementary color

CMYK 0 / 6 / 13 / 20

HEX #CCBFB1

RGB 204 191 177

HSL 31.11, 0.21%, 0.75%

LAB 78.04, 2.21, 8.69

 

CMYK 23 / 12 / 0 / 71

HEX #384049

RGB 56 64 73

HSL 211.76, 0.13%, 0.25%

LAB 26.7, -0.97, -6.57

 

CMYK 21 / 11 / 0 / 64

HEX #49525C

RGB 73 82 92

HSL 211.58, 0.12%, 0.32%

LAB 34.44, -1.12, -7.03

 

CMYK 19 / 10 / 0 / 56

HEX #5A646F

RGB 90 100 111

HSL 211.43, 0.1%, 0.39%

LAB 41.9, -1.25, -7.5

 

CMYK 18 / 9 / 0 / 49

HEX #6B7682

RGB 107 118 130

HSL 211.3, 0.1%, 0.46%

LAB 49.12, -1.38, -7.96

 

CMYK 17 / 9 / 0 / 42

HEX #7C8895

RGB 124 136 149

HSL 211.2, 0.11%, 0.54%

LAB 56.15, -1.5, -8.42

 

CMYK 35 / 18 / 0 / 69

HEX #33404E

RGB 51 64 78

HSL 211.11, 0.21%, 0.25%

LAB 26.51, -1.36, -10.19

 

CMYK 42 / 22 / 0 / 77

HEX #222E3B

RGB 34 46 59

HSL 211.2, 0.27%, 0.18%

LAB 18.41, -1.09, -9.89

 

CMYK 58 / 30 / 0 / 84

HEX #111C28

RGB 17 28 40

HSL 211.3, 0.4%, 0.11%

LAB 9.82, -0.67, -9.67

 

CMYK 100 / 52 / 0 / 92

HEX #000A15

RGB 0 10 21

HSL 211.43, 1%, 0.04%

LAB 2.45, -0.57, -6.49

 

CMYK 100 / 100 / 0 / 99

HEX #000002

RGB 0 0 2

HSL 240, 1%, 0%

LAB 0.04, 0.28, -0.76

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 35 / 27 / 0 / 70

HEX #32384D

RGB 50 56 77

HSL 226.67, 0.21%, 0.25%

LAB 23.81, 3.32, -13.66

 

CMYK 32 / 35 / 0 / 70

HEX #34324D

RGB 52 50 77

HSL 244.44, 0.21%, 0.25%

LAB 22.11, 8.12, -16.27

 

CMYK 23 / 35 / 0 / 70

HEX #3B324D

RGB 59 50 77

HSL 260, 0.21%, 0.25%

LAB 22.82, 10.63, -15.13

 

CMYK 14 / 35 / 0 / 70

HEX #42324D

RGB 66 50 77

HSL 275.56, 0.21%, 0.25%

LAB 23.59, 13.23, -13.87

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 35 / 27 / 0 / 70

HEX #32384D

RGB 50 56 77

HSL 226.67, 0.21%, 0.25%

LAB 23.81, 3.32, -13.66

 

CMYK 35 / 35 / 0 / 70

HEX #32324D

RGB 50 50 77

HSL 240, 0.21%, 0.25%

LAB 21.93, 7.43, -16.58

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 54 / 28 / 0 / 66

HEX #283F57

RGB 40 63 87

HSL 210.64, 0.37%, 0.25%

LAB 25.85, -1.21, -17.15

 

CMYK 69 / 37 / 0 / 62

HEX #1E3E62

RGB 30 62 98

HSL 211.76, 0.53%, 0.25%

LAB 25.57, 1.19, -24.76

 

CMYK 82 / 43 / 0 / 58

HEX #133E6C

RGB 19 62 108

HSL 211.01, 0.7%, 0.25%

LAB 25.76, 3.49, -30.92

 

CMYK 92 / 47 / 0 / 54

HEX #093E76

RGB 9 62 118

HSL 210.83, 0.86%, 0.25%

LAB 26.19, 6.8, -36.61

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 9 / 4 / 0 / 74

HEX #3D4043

RGB 61 64 67

HSL 210, 0.05%, 0.25%

LAB 26.92, -0.54, -2.27

 

CMYK 0 / 10 / 20 / 72

HEX #474039

RGB 71 64 57

HSL 30, 0.11%, 0.25%

LAB 27.58, 1.62, 5.37

 

CMYK 0 / 21 / 43 / 68

HEX #51402E

RGB 81 64 46

HSL 30.86, 0.28%, 0.25%

LAB 28.42, 4.49, 13.8

 

CMYK 0 / 29 / 61 / 64

HEX #5C4124

RGB 92 65 36

HSL 31.07, 0.44%, 0.25%

LAB 29.87, 8.03, 22.14

 

CMYK 35 / 0 / 0 / 70

HEX #324D4D

RGB 50 77 77

HSL 180, 0.21%, 0.25%

LAB 30.69, -10.13, -3.26

 

CMYK 35 / 9 / 0 / 70

HEX #32464D

RGB 50 70 77

HSL 195.56, 0.21%, 0.25%

LAB 28.36, -5.84, -6.73

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 35 / 27 / 0 / 70

HEX #32384D

RGB 50 56 77

HSL 226.67, 0.21%, 0.25%

LAB 23.81, 3.32, -13.66

 

CMYK 32 / 35 / 0 / 70

HEX #34324D

RGB 52 50 77

HSL 244.44, 0.21%, 0.25%

LAB 22.11, 8.12, -16.27

 

CMYK 33 / 19 / 0 / 89

HEX #12161B

RGB 18 22 27

HSL 213.33, 0.2%, 0.09%

LAB 7.06, -0.35, -4.11

 

CMYK 35 / 17 / 0 / 80

HEX #222B34

RGB 34 43 52

HSL 210, 0.21%, 0.17%

LAB 17.06, -1.26, -7.08

 

CMYK 35 / 18 / 0 / 70

HEX #323F4D

RGB 50 63 77

HSL 211.11, 0.21%, 0.25%

LAB 26.07, -1.35, -10.21

 

CMYK 34 / 18 / 0 / 60

HEX #435466

RGB 67 84 102

HSL 210.86, 0.21%, 0.33%

LAB 34.99, -1.73, -12.53

 

CMYK 35 / 18 / 0 / 50

HEX #53687F

RGB 83 104 127

HSL 211.36, 0.21%, 0.41%

LAB 43.17, -1.81, -15.32

 

CMYK 35 / 18 / 0 / 69

HEX #33404E

RGB 51 64 78

HSL 211.11, 0.21%, 0.25%

LAB 26.51, -1.36, -10.19

 

CMYK 9 / 35 / 0 / 70

HEX #46324D

RGB 70 50 77

HSL 284.44, 0.21%, 0.25%

LAB 24.06, 14.74, -13.1

 

CMYK 4 / 0 / 35 / 70

HEX #4A4D32

RGB 74 77 50

HSL 66.67, 0.21%, 0.25%

LAB 31.79, -6.33, 15.65

 

CMYK 35 / 18 / 0 / 69

HEX #33404E

RGB 51 64 78

HSL 211.11, 0.21%, 0.25%

LAB 26.51, -1.36, -10.19

 

CMYK 0 / 35 / 18 / 70

HEX #4D323F

RGB 77 50 63

HSL 331.11, 0.21%, 0.25%

LAB 24.38, 14.52, -3.17

 

CMYK 18 / 0 / 35 / 70

HEX #3F4D32

RGB 63 77 50

HSL 91.11, 0.21%, 0.25%

LAB 30.87, -11.23, 14.25

 

CMYK 35 / 18 / 0 / 69

HEX #33404E

RGB 51 64 78

HSL 211.11, 0.21%, 0.25%

LAB 26.51, -1.36, -10.19

 

CMYK 9 / 35 / 0 / 70

HEX #46324D

RGB 70 50 77

HSL 284.44, 0.21%, 0.25%

LAB 24.06, 14.74, -13.1

 

CMYK 0 / 17 / 35 / 70

HEX #4D4032

RGB 77 64 50

HSL 31.11, 0.21%, 0.25%

LAB 28.05, 3.18, 10.66

 

CMYK 25 / 0 / 35 / 70

HEX #3A4D32

RGB 58 77 50

HSL 102.22, 0.21%, 0.25%

LAB 30.49, -13.36, 13.68

 

CMYK 35 / 18 / 0 / 69

HEX #33404E

RGB 51 64 78

HSL 211.11, 0.21%, 0.25%

LAB 26.51, -1.36, -10.19

 

CMYK 0 / 35 / 0 / 70

HEX #4D324D

RGB 77 50 77

HSL 300, 0.21%, 0.25%

LAB 24.94, 17.42, -11.69

 

CMYK 0 / 17 / 35 / 70

HEX #4D4032

RGB 77 64 50

HSL 31.11, 0.21%, 0.25%

LAB 28.05, 3.18, 10.66

 

CMYK 35 / 0 / 34 / 70

HEX #324D33

RGB 50 77 51

HSL 122.22, 0.21%, 0.25%

LAB 29.97, -16.39, 12.27

 

Description

Color code: HEX #33404E | qconv.com Color code: HEX #33404E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 64 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 64 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 18 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 18% 0% 69% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - iSpot.tv
Link: http://ispot.tv

14% - DSC02536_edit0.JPG (...
Link: http://img01.militaryblog.jp

96% - 三つのこだわり |
Link: http://laducco-lotion.motheris.com

73% - Itfutures Home
Link: http://www.itfutures.co.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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