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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #333998CE it is the complementary color #CCC667CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #333998CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #333998CE shade: #383993CE, #494BA6CE, #5A5DB9CE, #6B6FCCCE and #7C81DFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #333998CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #333998CE shade: #333998CE, #222785CE, #111572CE, #00035FCE and #00004CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #333998CE shade: #333999, #483399, #643399, #7F3399 and #993397

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #333998CE shade: #333999 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #333998CE shade matches the following richer shades: #333999, #222BAA, #121CBA and #010DCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #333998CE shade: #333999, #444888, #545678, #656567 and #757357

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #333998CE shade: #337099, #335599, #333A99, #473399 and #633399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #333998CE shade: #1E225B, #292E7A, #333999, #3D45B8 and #575EC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #333998CE shade: #333998, #99338B and #639933

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #333998CE shade: #333998, #99333A and #3A9933

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #333998CE shade: #333998, #99338B, #999233 and #339941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #333998CE shade: #333998, #99336D, #999233 and #33995F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 51 / 0 / 33

HEX #333998CE

RGBA 51 57 152 0.81

HSLA 236.44, 0.5%, 0.4%, 0.81

LABA 29.15, 28.94, -52.87, 0.81

 

Complementary color

CMYK 0 / 2 / 40 / 16

HEX #CCC667CE

RGBA 204 198 103 0.81

HSLA 56.44, 0.5%, 0.6%, 0.81

LABA 78.58, -10.77, 47.91, 0.81

 

CMYK 50 / 50 / 0 / 34

HEX #383993CE

RGBA 56 57 147 0.81

HSLA 239.34, 0.45%, 0.4%, 0.81

LABA 29.09, 28.01, -49.89, 0.81

 

CMYK 45 / 44 / 0 / 28

HEX #494BA6CE

RGBA 73 75 166 0.81

HSLA 238.71, 0.39%, 0.47%, 0.81

LABA 36.37, 26.12, -49.54, 0.81

 

CMYK 42 / 40 / 0 / 22

HEX #5A5DB9CE

RGBA 90 93 185 0.81

HSLA 238.11, 0.4%, 0.54%, 0.81

LABA 43.51, 24.56, -49.2, 0.81

 

CMYK 39 / 37 / 0 / 16

HEX #6B6FCCCE

RGBA 107 111 204 0.81

HSLA 237.53, 0.49%, 0.61%, 0.81

LABA 50.52, 23.27, -48.89, 0.81

 

CMYK 36 / 34 / 0 / 10

HEX #7C81DFCE

RGBA 124 129 223 0.81

HSLA 236.97, 0.61%, 0.68%, 0.81

LABA 57.38, 22.17, -48.64, 0.81

 

CMYK 54 / 51 / 0 / 33

HEX #333998CE

RGBA 51 57 152 0.81

HSLA 236.44, 0.5%, 0.4%, 0.81

LABA 29.15, 28.94, -52.87, 0.81

 

CMYK 60 / 57 / 0 / 39

HEX #222785CE

RGBA 34 39 133 0.81

HSLA 236.97, 0.59%, 0.33%, 0.81

LABA 21.89, 31.47, -53.03, 0.81

 

CMYK 69 / 66 / 0 / 45

HEX #111572CE

RGBA 17 21 114 0.81

HSLA 237.53, 0.74%, 0.26%, 0.81

LABA 14.79, 34.2, -52.66, 0.81

 

CMYK 81 / 78 / 0 / 51

HEX #00035FCE

RGBA 0 3 95 0.81

HSLA 238.11, 1%, 0.19%, 0.81

LABA 8.05, 36.59, -51.36, 0.81

 

CMYK 81 / 81 / 0 / 57

HEX #00004CCE

RGBA 0 0 76 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 4.71, 30.43, -43.91, 0.81

 

CMYK 67 / 63 / 0 / 40

HEX #333999

RGB 51 57 153

HSL 236.47, 0.5%, 0.4%

LAB 29.24, 29.3, -53.34

 

CMYK 53 / 67 / 0 / 40

HEX #483399

RGB 72 51 153

HSL 252.35, 0.5%, 0.4%

LAB 29.53, 36.67, -52.79

 

CMYK 35 / 67 / 0 / 40

HEX #643399

RGB 100 51 153

HSL 268.82, 0.5%, 0.4%

LAB 32.65, 42.45, -47.58

 

CMYK 17 / 67 / 0 / 40

HEX #7F3399

RGB 127 51 153

HSL 284.71, 0.5%, 0.4%

LAB 36.33, 48.71, -41.47

 

CMYK 0 / 67 / 1 / 40

HEX #993397

RGB 153 51 151

HSL 301.18, 0.5%, 0.4%

LAB 40.2, 54.67, -33.85

 

CMYK 67 / 63 / 0 / 40

HEX #333999

RGB 51 57 153

HSL 236.47, 0.5%, 0.4%

LAB 29.24, 29.3, -53.34

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 67 / 63 / 0 / 40

HEX #333999

RGB 51 57 153

HSL 236.47, 0.5%, 0.4%

LAB 29.24, 29.3, -53.34

 

CMYK 80 / 75 / 0 / 33

HEX #222BAA

RGB 34 43 170

HSL 236.03, 0.67%, 0.4%

LAB 26.65, 42.18, -67.93

 

CMYK 90 / 85 / 0 / 27

HEX #121CBA

RGB 18 28 186

HSL 236.43, 0.82%, 0.4%

LAB 25.27, 54.36, -79.8

 

CMYK 100 / 94 / 0 / 20

HEX #010DCB

RGB 1 13 203

HSL 236.44, 0.99%, 0.4%

LAB 25.58, 63.96, -89.32

 

CMYK 67 / 63 / 0 / 40

HEX #333999

RGB 51 57 153

HSL 236.47, 0.5%, 0.4%

LAB 29.24, 29.3, -53.34

 

CMYK 50 / 47 / 0 / 47

HEX #444888

RGB 68 72 136

HSL 236.47, 0.33%, 0.4%

LAB 33.22, 16.94, -36.42

 

CMYK 30 / 28 / 0 / 53

HEX #545678

RGB 84 86 120

HSL 236.67, 0.18%, 0.4%

LAB 37.66, 7.67, -19.51

 

CMYK 2 / 2 / 0 / 60

HEX #656567

RGB 101 101 103

HSL 240, 0.01%, 0.4%

LAB 42.84, 0.42, -1.13

 

CMYK 0 / 2 / 26 / 54

HEX #757357

RGB 117 115 87

HSL 56, 0.15%, 0.4%

LAB 47.92, -4.2, 15.82

 

CMYK 67 / 27 / 0 / 40

HEX #337099

RGB 51 112 153

HSL 204.12, 0.5%, 0.4%

LAB 45.07, -6.22, -28.06

 

CMYK 67 / 44 / 0 / 40

HEX #335599

RGB 51 85 153

HSL 220, 0.5%, 0.4%

LAB 36.93, 10.72, -40.91

 

CMYK 67 / 62 / 0 / 40

HEX #333A99

RGB 51 58 153

HSL 235.88, 0.5%, 0.4%

LAB 29.49, 28.65, -52.93

 

CMYK 54 / 67 / 0 / 40

HEX #473399

RGB 71 51 153

HSL 251.76, 0.5%, 0.4%

LAB 29.43, 36.48, -52.95

 

CMYK 35 / 67 / 0 / 40

HEX #633399

RGB 99 51 153

HSL 268.24, 0.5%, 0.4%

LAB 32.53, 42.22, -47.79

 

CMYK 67 / 63 / 0 / 64

HEX #1E225B

RGB 30 34 91

HSL 236.07, 0.5%, 0.24%

LAB 16.38, 18.36, -34.88

 

CMYK 66 / 62 / 0 / 52

HEX #292E7A

RGB 41 46 122

HSL 236.3, 0.5%, 0.32%

LAB 23.1, 23.72, -44.08

 

CMYK 67 / 63 / 0 / 40

HEX #333999

RGB 51 57 153

HSL 236.47, 0.5%, 0.4%

LAB 29.24, 29.3, -53.34

 

CMYK 67 / 63 / 0 / 28

HEX #3D45B8

RGB 61 69 184

HSL 236.1, 0.5%, 0.48%

LAB 35.42, 34.02, -61.81

 

CMYK 56 / 53 / 0 / 22

HEX #575EC7

RGB 87 94 199

HSL 236.25, 0.5%, 0.56%

LAB 44.45, 27.83, -55.82

 

CMYK 66 / 63 / 0 / 40

HEX #333998

RGB 51 57 152

HSL 236.44, 0.5%, 0.4%

LAB 29.15, 28.94, -52.87

 

CMYK 0 / 67 / 9 / 40

HEX #99338B

RGB 153 51 139

HSL 308.24, 0.5%, 0.4%

LAB 39.59, 52.66, -27.52

 

CMYK 35 / 0 / 67 / 40

HEX #639933

RGB 99 153 51

HSL 91.76, 0.5%, 0.4%

LAB 57.73, -35.33, 46.3

 

CMYK 66 / 63 / 0 / 40

HEX #333998

RGB 51 57 152

HSL 236.44, 0.5%, 0.4%

LAB 29.15, 28.94, -52.87

 

CMYK 0 / 67 / 62 / 40

HEX #99333A

RGB 153 51 58

HSL 355.88, 0.5%, 0.4%

LAB 36.83, 43, 19.31

 

CMYK 62 / 0 / 67 / 40

HEX #3A9933

RGB 58 153 51

HSL 115.88, 0.5%, 0.4%

LAB 56.01, -48.01, 43.94

 

CMYK 66 / 63 / 0 / 40

HEX #333998

RGB 51 57 152

HSL 236.44, 0.5%, 0.4%

LAB 29.15, 28.94, -52.87

 

CMYK 0 / 67 / 9 / 40

HEX #99338B

RGB 153 51 139

HSL 308.24, 0.5%, 0.4%

LAB 39.59, 52.66, -27.52

 

CMYK 0 / 5 / 67 / 40

HEX #999233

RGB 153 146 51

HSL 55.88, 0.5%, 0.4%

LAB 59.5, -9.33, 49.34

 

CMYK 67 / 0 / 58 / 40

HEX #339941

RGB 51 153 65

HSL 128.24, 0.5%, 0.4%

LAB 55.96, -47.93, 37.31

 

CMYK 66 / 63 / 0 / 40

HEX #333998

RGB 51 57 152

HSL 236.44, 0.5%, 0.4%

LAB 29.15, 28.94, -52.87

 

CMYK 0 / 67 / 29 / 40

HEX #99336D

RGB 153 51 109

HSL 325.88, 0.5%, 0.4%

LAB 38.28, 48.21, -10.95

 

CMYK 0 / 5 / 67 / 40

HEX #999233

RGB 153 146 51

HSL 55.88, 0.5%, 0.4%

LAB 59.5, -9.33, 49.34

 

CMYK 67 / 0 / 38 / 40

HEX #33995F

RGB 51 153 95

HSL 145.88, 0.5%, 0.4%

LAB 56.4, -42.94, 22.14

 

Description

Color code: HEX #333998CE | qconv.com Color code: HEX #333998CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 57 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 57 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 51 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 51% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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