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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331F7E it is the complementary color #CCE081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331F7E shade: #381F79, #49318C, #5A439F, #6B55B2 and #7C67C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331F7E shade: #331F7E, #220D6B, #110058, #000045 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331F7E shade: #331E7F, #4D1E7F, #671E7F, #7F1E7D and #7F1E63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331F7E shade: #331E7F and #1E1E7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331F7E shade matches the following richer shades: #331E7F, #2B128C and #240598

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331F7E shade: #331E7F, #3A2B72, #413865, #494558 and #50514C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331F7E shade: #1E3E7F, #1E257F, #321E7F, #4B1E7F and #651E7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331F7E shade: #180E3C, #25165E, #331E7F, #4026A0 and #4D2EC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331F7E shade: #331F7E, #7F1E58 and #327F1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331F7E shade: #331F7E, #7F321E and #1E7F32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331F7E shade: #331F7E, #7F1E58, #6B7F1E and #1E7F45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331F7E shade: #331F7E, #7F1E3B, #6B7F1E and #1E7F62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 75 / 0 / 51

HEX #331F7E

RGB 51 31 126

HSL 252.63, 0.61%, 0.31%

LAB 20.79, 36.23, -50.37

 

Complementary color

CMYK 9 / 0 / 42 / 12

HEX #CCE081

RGB 204 224 129

HSL 72.63, 0.61%, 0.69%

LAB 85.87, -21.14, 44.19

 

CMYK 54 / 74 / 0 / 53

HEX #381F79

RGB 56 31 121

HSL 256.67, 0.59%, 0.3%

LAB 20.83, 35.48, -47.1

 

CMYK 48 / 65 / 0 / 45

HEX #49318C

RGB 73 49 140

HSL 255.82, 0.48%, 0.37%

LAB 28.13, 34.07, -47.06

 

CMYK 43 / 58 / 0 / 38

HEX #5A439F

RGB 90 67 159

HSL 255, 0.41%, 0.44%

LAB 35.38, 32.67, -46.86

 

CMYK 40 / 52 / 0 / 30

HEX #6B55B2

RGB 107 85 178

HSL 254.19, 0.38%, 0.52%

LAB 42.52, 31.39, -46.62

 

CMYK 37 / 48 / 0 / 23

HEX #7C67C5

RGB 124 103 197

HSL 253.4, 0.45%, 0.59%

LAB 49.52, 30.26, -46.39

 

CMYK 60 / 75 / 0 / 51

HEX #331F7E

RGB 51 31 126

HSL 252.63, 0.61%, 0.31%

LAB 20.79, 36.23, -50.37

 

CMYK 68 / 88 / 0 / 58

HEX #220D6B

RGB 34 13 107

HSL 253.4, 0.78%, 0.24%

LAB 13.77, 37.37, -49.76

 

CMYK 81 / 100 / 0 / 65

HEX #110058

RGB 17 0 88

HSL 251.59, 1%, 0.17%

LAB 7.44, 36.83, -47.62

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 39 / 76 / 0 / 50

HEX #4D1E7F

RGB 77 30 127

HSL 269.07, 0.62%, 0.31%

LAB 23.8, 41.53, -45.96

 

CMYK 19 / 76 / 0 / 50

HEX #671E7F

RGB 103 30 127

HSL 285.15, 0.62%, 0.31%

LAB 27.69, 46.83, -39.46

 

CMYK 0 / 76 / 2 / 50

HEX #7F1E7D

RGB 127 30 125

HSL 301.24, 0.62%, 0.31%

LAB 31.63, 51.79, -31.68

 

CMYK 0 / 76 / 22 / 50

HEX #7F1E63

RGB 127 30 99

HSL 317.32, 0.62%, 0.31%

LAB 30.26, 47.69, -17.25

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 76 / 76 / 0 / 50

HEX #1E1E7F

RGB 30 30 127

HSL 240, 0.62%, 0.31%

LAB 18.96, 34.53, -54.08

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 69 / 87 / 0 / 45

HEX #2B128C

RGB 43 18 140

HSL 252.3, 0.77%, 0.31%

LAB 19.39, 45.95, -61.53

 

CMYK 76 / 97 / 0 / 40

HEX #240598

RGB 36 5 152

HSL 252.65, 0.94%, 0.31%

LAB 19.02, 53.01, -69.62

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 49 / 62 / 0 / 55

HEX #3A2B72

RGB 58 43 114

HSL 252.68, 0.45%, 0.31%

LAB 23.14, 26.37, -38.85

 

CMYK 36 / 45 / 0 / 60

HEX #413865

RGB 65 56 101

HSL 252, 0.29%, 0.31%

LAB 26.42, 15.59, -25.19

 

CMYK 17 / 22 / 0 / 65

HEX #494558

RGB 73 69 88

HSL 252.63, 0.12%, 0.31%

LAB 30.35, 6.14, -10.67

 

CMYK 1 / 0 / 6 / 68

HEX #50514C

RGB 80 81 76

HSL 72, 0.03%, 0.31%

LAB 34.22, -1.46, 2.79

 

CMYK 76 / 51 / 0 / 50

HEX #1E3E7F

RGB 30 62 127

HSL 220.21, 0.62%, 0.31%

LAB 27.45, 12.8, -40.23

 

CMYK 76 / 71 / 0 / 50

HEX #1E257F

RGB 30 37 127

HSL 235.67, 0.62%, 0.31%

LAB 20.56, 30.09, -51.44

 

CMYK 61 / 76 / 0 / 50

HEX #321E7F

RGB 50 30 127

HSL 252.37, 0.62%, 0.31%

LAB 20.59, 36.96, -51.33

 

CMYK 41 / 76 / 0 / 50

HEX #4B1E7F

RGB 75 30 127

HSL 267.84, 0.62%, 0.31%

LAB 23.53, 41.15, -46.41

 

CMYK 20 / 76 / 0 / 50

HEX #651E7F

RGB 101 30 127

HSL 283.92, 0.62%, 0.31%

LAB 27.37, 46.4, -39.99

 

CMYK 60 / 77 / 0 / 76

HEX #180E3C

RGB 24 14 60

HSL 253.04, 0.62%, 0.15%

LAB 7.54, 19.61, -27.87

 

CMYK 61 / 77 / 0 / 63

HEX #25165E

RGB 37 22 94

HSL 252.5, 0.62%, 0.23%

LAB 14.26, 28.8, -40.32

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 60 / 76 / 0 / 37

HEX #4026A0

RGB 64 38 160

HSL 252.79, 0.62%, 0.39%

LAB 26.78, 44.8, -61.59

 

CMYK 60 / 76 / 0 / 24

HEX #4D2EC1

RGB 77 46 193

HSL 252.65, 0.62%, 0.47%

LAB 32.66, 52.18, -71.58

 

CMYK 60 / 75 / 0 / 51

HEX #331F7E

RGB 51 31 126

HSL 252.63, 0.61%, 0.31%

LAB 20.79, 36.23, -50.37

 

CMYK 0 / 76 / 31 / 50

HEX #7F1E58

RGB 127 30 88

HSL 324.12, 0.62%, 0.31%

LAB 29.78, 46.19, -10.83

 

CMYK 61 / 0 / 76 / 50

HEX #327F1E

RGB 50 127 30

HSL 107.63, 0.62%, 0.31%

LAB 46.91, -42.1, 42.96

 

CMYK 60 / 75 / 0 / 51

HEX #331F7E

RGB 51 31 126

HSL 252.63, 0.61%, 0.31%

LAB 20.79, 36.23, -50.37

 

CMYK 0 / 61 / 76 / 50

HEX #7F321E

RGB 127 50 30

HSL 12.37, 0.62%, 0.31%

LAB 31.55, 32.09, 29

 

CMYK 76 / 0 / 61 / 50

HEX #1E7F32

RGB 30 127 50

HSL 132.37, 0.62%, 0.31%

LAB 46.56, -44.31, 33.54

 

CMYK 60 / 75 / 0 / 51

HEX #331F7E

RGB 51 31 126

HSL 252.63, 0.61%, 0.31%

LAB 20.79, 36.23, -50.37

 

CMYK 0 / 76 / 31 / 50

HEX #7F1E58

RGB 127 30 88

HSL 324.12, 0.62%, 0.31%

LAB 29.78, 46.19, -10.83

 

CMYK 16 / 0 / 76 / 50

HEX #6B7F1E

RGB 107 127 30

HSL 72.37, 0.62%, 0.31%

LAB 49.98, -21.03, 47

 

CMYK 76 / 0 / 46 / 50

HEX #1E7F45

RGB 30 127 69

HSL 144.12, 0.62%, 0.31%

LAB 46.82, -41.22, 23.82

 

CMYK 60 / 75 / 0 / 51

HEX #331F7E

RGB 51 31 126

HSL 252.63, 0.61%, 0.31%

LAB 20.79, 36.23, -50.37

 

CMYK 0 / 76 / 54 / 50

HEX #7F1E3B

RGB 127 30 59

HSL 342.06, 0.62%, 0.31%

LAB 28.79, 43.03, 6.96

 

CMYK 16 / 0 / 76 / 50

HEX #6B7F1E

RGB 107 127 30

HSL 72.37, 0.62%, 0.31%

LAB 49.98, -21.03, 47

 

CMYK 76 / 0 / 23 / 50

HEX #1E7F62

RGB 30 127 98

HSL 162.06, 0.62%, 0.31%

LAB 47.41, -34.73, 7.99

 

Description

Color code: HEX #331F7E | qconv.com Color code: HEX #331F7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 31 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 31 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 75 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 75% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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