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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331C83 it is the complementary color #CCE37C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331C83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331C83 shade: #381C7E, #492E91, #5A40A4, #6B52B7 and #7C64CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331C83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331C83 shade: #331C83, #220A70, #11005D, #00004A and #000037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331C83 shade: #331C82, #4E1C82, #6A1C82, #821C7F and #821C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331C83 shade: #331C82 and #1C1C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331C83 shade matches the following richer shades: #331C82, #2C0F8F and #24029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331C83 shade: #331C82, #3A2876, #413569, #48425C and #4F4F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331C83 shade: #1C3C82, #1C2182, #321C82, #4D1C82 and #691C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331C83 shade: #180D3E, #251460, #331C82, #4023A4 and #4D2AC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331C83 shade: #331C83, #821C58 and #2F821C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331C83 shade: #331C83, #82321C and #1C8232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331C83 shade: #331C83, #821C58, #6C821C and #1C8246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331C83 shade: #331C83, #821C39, #6C821C and #1C8265

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 79 / 0 / 49

HEX #331C83

RGB 51 28 131

HSL 253.4, 0.65%, 0.31%

LAB 20.72, 39.43, -53.64

 

Complementary color

CMYK 10 / 0 / 45 / 11

HEX #CCE37C

RGB 204 227 124

HSL 73.4, 0.65%, 0.69%

LAB 86.62, -23.13, 47.54

 

CMYK 56 / 78 / 0 / 51

HEX #381C7E

RGB 56 28 126

HSL 257.14, 0.64%, 0.3%

LAB 20.74, 38.62, -50.43

 

CMYK 50 / 68 / 0 / 43

HEX #492E91

RGB 73 46 145

HSL 256.36, 0.52%, 0.37%

LAB 27.89, 37.34, -50.55

 

CMYK 45 / 61 / 0 / 36

HEX #5A40A4

RGB 90 64 164

HSL 255.6, 0.44%, 0.45%

LAB 35.04, 35.94, -50.41

 

CMYK 42 / 55 / 0 / 28

HEX #6B52B7

RGB 107 82 183

HSL 254.85, 0.41%, 0.52%

LAB 42.12, 34.61, -50.18

 

CMYK 39 / 50 / 0 / 21

HEX #7C64CA

RGB 124 100 202

HSL 254.12, 0.49%, 0.59%

LAB 49.09, 33.41, -49.95

 

CMYK 61 / 79 / 0 / 49

HEX #331C83

RGB 51 28 131

HSL 253.4, 0.65%, 0.31%

LAB 20.72, 39.43, -53.64

 

CMYK 70 / 91 / 0 / 56

HEX #220A70

RGB 34 10 112

HSL 254.12, 0.84%, 0.24%

LAB 13.98, 40.11, -52.66

 

CMYK 82 / 100 / 0 / 64

HEX #11005D

RGB 17 0 93

HSL 250.97, 1%, 0.18%

LAB 8.21, 38.28, -49.72

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 61 / 78 / 0 / 49

HEX #331C82

RGB 51 28 130

HSL 253.53, 0.65%, 0.31%

LAB 20.62, 39.12, -53.18

 

CMYK 40 / 78 / 0 / 49

HEX #4E1C82

RGB 78 28 130

HSL 269.41, 0.65%, 0.31%

LAB 23.88, 43.4, -47.72

 

CMYK 18 / 78 / 0 / 49

HEX #6A1C82

RGB 106 28 130

HSL 285.88, 0.65%, 0.31%

LAB 28.13, 48.84, -40.62

 

CMYK 0 / 78 / 2 / 49

HEX #821C7F

RGB 130 28 127

HSL 301.76, 0.65%, 0.31%

LAB 32.05, 53.44, -32.23

 

CMYK 0 / 78 / 24 / 49

HEX #821C63

RGB 130 28 99

HSL 318.24, 0.65%, 0.31%

LAB 30.59, 49.15, -16.7

 

CMYK 61 / 78 / 0 / 49

HEX #331C82

RGB 51 28 130

HSL 253.53, 0.65%, 0.31%

LAB 20.62, 39.12, -53.18

 

CMYK 78 / 78 / 0 / 49

HEX #1C1C82

RGB 28 28 130

HSL 240, 0.65%, 0.31%

LAB 18.75, 36.59, -56.32

 

CMYK 61 / 78 / 0 / 49

HEX #331C82

RGB 51 28 130

HSL 253.53, 0.65%, 0.31%

LAB 20.62, 39.12, -53.18

 

CMYK 69 / 90 / 0 / 44

HEX #2C0F8F

RGB 44 15 143

HSL 253.59, 0.81%, 0.31%

LAB 19.48, 48.01, -63.25

 

CMYK 77 / 99 / 0 / 39

HEX #24029C

RGB 36 2 156

HSL 253.25, 0.97%, 0.31%

LAB 19.3, 54.89, -71.61

 

CMYK 61 / 78 / 0 / 49

HEX #331C82

RGB 51 28 130

HSL 253.53, 0.65%, 0.31%

LAB 20.62, 39.12, -53.18

 

CMYK 51 / 66 / 0 / 54

HEX #3A2876

RGB 58 40 118

HSL 253.85, 0.49%, 0.31%

LAB 22.74, 29.56, -42.06

 

CMYK 38 / 50 / 0 / 59

HEX #413569

RGB 65 53 105

HSL 253.85, 0.33%, 0.31%

LAB 25.83, 18.81, -28.71

 

CMYK 22 / 28 / 0 / 64

HEX #48425C

RGB 72 66 92

HSL 253.85, 0.16%, 0.31%

LAB 29.53, 8.77, -14.5

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 78 / 54 / 0 / 49

HEX #1C3C82

RGB 28 60 130

HSL 221.18, 0.65%, 0.31%

LAB 26.99, 15.14, -42.84

 

CMYK 78 / 75 / 0 / 49

HEX #1C2182

RGB 28 33 130

HSL 237.06, 0.65%, 0.31%

LAB 19.83, 33.57, -54.55

 

CMYK 62 / 78 / 0 / 49

HEX #321C82

RGB 50 28 130

HSL 252.94, 0.65%, 0.31%

LAB 20.52, 38.98, -53.35

 

CMYK 41 / 78 / 0 / 49

HEX #4D1C82

RGB 77 28 130

HSL 268.82, 0.65%, 0.31%

LAB 23.74, 43.23, -47.95

 

CMYK 19 / 78 / 0 / 49

HEX #691C82

RGB 105 28 130

HSL 285.29, 0.65%, 0.31%

LAB 27.97, 48.63, -40.89

 

CMYK 61 / 79 / 0 / 76

HEX #180D3E

RGB 24 13 62

HSL 253.47, 0.65%, 0.15%

LAB 7.5, 21, -29.37

 

CMYK 61 / 79 / 0 / 62

HEX #251460

RGB 37 20 96

HSL 253.42, 0.66%, 0.23%

LAB 14.05, 30.65, -42.01

 

CMYK 61 / 78 / 0 / 49

HEX #331C82

RGB 51 28 130

HSL 253.53, 0.65%, 0.31%

LAB 20.62, 39.12, -53.18

 

CMYK 61 / 79 / 0 / 36

HEX #4023A4

RGB 64 35 164

HSL 253.49, 0.65%, 0.39%

LAB 26.66, 47.5, -64.22

 

CMYK 61 / 79 / 0 / 22

HEX #4D2AC7

RGB 77 42 199

HSL 253.38, 0.65%, 0.47%

LAB 32.61, 55.78, -75.19

 

CMYK 61 / 79 / 0 / 49

HEX #331C83

RGB 51 28 131

HSL 253.4, 0.65%, 0.31%

LAB 20.72, 39.43, -53.64

 

CMYK 0 / 78 / 32 / 49

HEX #821C58

RGB 130 28 88

HSL 324.71, 0.65%, 0.31%

LAB 30.11, 47.7, -10.27

 

CMYK 64 / 0 / 78 / 49

HEX #2F821C

RGB 47 130 28

HSL 108.82, 0.65%, 0.31%

LAB 47.82, -44.15, 44.56

 

CMYK 61 / 79 / 0 / 49

HEX #331C83

RGB 51 28 131

HSL 253.4, 0.65%, 0.31%

LAB 20.72, 39.43, -53.64

 

CMYK 0 / 62 / 78 / 49

HEX #82321C

RGB 130 50 28

HSL 12.94, 0.65%, 0.31%

LAB 32.06, 33.19, 30.85

 

CMYK 78 / 0 / 62 / 49

HEX #1C8232

RGB 28 130 50

HSL 132.94, 0.65%, 0.31%

LAB 47.55, -45.71, 34.69

 

CMYK 61 / 79 / 0 / 49

HEX #331C83

RGB 51 28 131

HSL 253.4, 0.65%, 0.31%

LAB 20.72, 39.43, -53.64

 

CMYK 0 / 78 / 32 / 49

HEX #821C58

RGB 130 28 88

HSL 324.71, 0.65%, 0.31%

LAB 30.11, 47.7, -10.27

 

CMYK 17 / 0 / 78 / 49

HEX #6C821C

RGB 108 130 28

HSL 72.94, 0.65%, 0.31%

LAB 50.96, -22.23, 48.67

 

CMYK 78 / 0 / 46 / 49

HEX #1C8246

RGB 28 130 70

HSL 144.71, 0.65%, 0.31%

LAB 47.82, -42.51, 24.54

 

CMYK 61 / 79 / 0 / 49

HEX #331C83

RGB 51 28 131

HSL 253.4, 0.65%, 0.31%

LAB 20.72, 39.43, -53.64

 

CMYK 0 / 78 / 56 / 49

HEX #821C39

RGB 130 28 57

HSL 342.94, 0.65%, 0.31%

LAB 29.09, 44.5, 8.8

 

CMYK 17 / 0 / 78 / 49

HEX #6C821C

RGB 108 130 28

HSL 72.94, 0.65%, 0.31%

LAB 50.96, -22.23, 48.67

 

CMYK 78 / 0 / 22 / 49

HEX #1C8265

RGB 28 130 101

HSL 162.94, 0.65%, 0.31%

LAB 48.45, -35.55, 7.71

 

Description

Color code: HEX #331C83 | qconv.com Color code: HEX #331C83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 28 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 28 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 79 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 79% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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