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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #331648 it is the complementary color #CCE9B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #331648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #331648 shade: #381643, #492856, #5A3A69, #6B4C7C and #7C5E8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #331648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #331648 shade: #331648, #220435, #110022, #00000F and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #331648 shade: #321646, #3F1646, #461640, #461633 and #461626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #331648 shade: #321646, #251646, #181646 and #161646

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #331648 shade matches the following richer shades: #321646, #330E4E and #340755

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #331648 shade: #321646, #311D3F, #2F2437, #2E2C30 and #2D3329

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #331648 shade: #171646, #241646, #311646, #3E1646 and #461641

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #331648 shade: #050207, #1B0C27, #321646, #481F66 and #5F2985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #331648 shade: #331648, #461621 and #16461E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #331648 shade: #331648, #463116 and #164631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #331648 shade: #331648, #461621, #2B4616 and #16463B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #331648 shade: #331648, #461916, #2B4616 and #164346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 69 / 0 / 72

HEX #331648

RGB 51 22 72

HSL 274.8, 0.53%, 0.18%

LAB 14.09, 25.12, -25.55

 

Complementary color

CMYK 12 / 0 / 21 / 9

HEX #CCE9B7

RGB 204 233 183

HSL 94.8, 0.53%, 0.82%

LAB 89.17, -18.34, 21.2

 

CMYK 16 / 67 / 0 / 74

HEX #381643

RGB 56 22 67

HSL 285.33, 0.51%, 0.17%

LAB 14.51, 25.28, -21.36

 

CMYK 15 / 53 / 0 / 66

HEX #492856

RGB 73 40 86

HSL 283.04, 0.37%, 0.25%

LAB 22.32, 24.46, -21.77

 

CMYK 14 / 45 / 0 / 59

HEX #5A3A69

RGB 90 58 105

HSL 280.85, 0.29%, 0.32%

LAB 29.96, 23.54, -22.01

 

CMYK 14 / 39 / 0 / 51

HEX #6B4C7C

RGB 107 76 124

HSL 278.75, 0.24%, 0.39%

LAB 37.39, 22.68, -22.21

 

CMYK 13 / 34 / 0 / 44

HEX #7C5E8F

RGB 124 94 143

HSL 276.73, 0.21%, 0.46%

LAB 44.62, 21.91, -22.4

 

CMYK 29 / 69 / 0 / 72

HEX #331648

RGB 51 22 72

HSL 274.8, 0.53%, 0.18%

LAB 14.09, 25.12, -25.55

 

CMYK 36 / 92 / 0 / 79

HEX #220435

RGB 34 4 53

HSL 276.73, 0.86%, 0.11%

LAB 6.18, 25.36, -24.92

 

CMYK 50 / 100 / 0 / 87

HEX #110022

RGB 17 0 34

HSL 270, 1%, 0.07%

LAB 2.12, 12.16, -17.03

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 29 / 69 / 0 / 73

HEX #321646

RGB 50 22 70

HSL 275, 0.52%, 0.18%

LAB 13.79, 24.29, -24.65

 

CMYK 10 / 69 / 0 / 73

HEX #3F1646

RGB 63 22 70

HSL 291.25, 0.52%, 0.18%

LAB 15.86, 28.08, -21.22

 

CMYK 0 / 69 / 9 / 73

HEX #461640

RGB 70 22 64

HSL 307.5, 0.52%, 0.18%

LAB 16.73, 28.96, -15.6

 

CMYK 0 / 69 / 27 / 73

HEX #461633

RGB 70 22 51

HSL 323.75, 0.52%, 0.18%

LAB 16.08, 26.64, -7.43

 

CMYK 0 / 69 / 46 / 73

HEX #461626

RGB 70 22 38

HSL 340, 0.52%, 0.18%

LAB 15.57, 24.74, 1.17

 

CMYK 29 / 69 / 0 / 73

HEX #321646

RGB 50 22 70

HSL 275, 0.52%, 0.18%

LAB 13.79, 24.29, -24.65

 

CMYK 47 / 69 / 0 / 73

HEX #251646

RGB 37 22 70

HSL 258.75, 0.52%, 0.18%

LAB 12.02, 20.75, -27.6

 

CMYK 66 / 69 / 0 / 73

HEX #181646

RGB 24 22 70

HSL 242.5, 0.52%, 0.18%

LAB 10.63, 17.71, -29.91

 

CMYK 69 / 69 / 0 / 73

HEX #161646

RGB 22 22 70

HSL 240, 0.52%, 0.18%

LAB 10.46, 17.31, -30.2

 

CMYK 29 / 69 / 0 / 73

HEX #321646

RGB 50 22 70

HSL 275, 0.52%, 0.18%

LAB 13.79, 24.29, -24.65

 

CMYK 35 / 82 / 0 / 69

HEX #330E4E

RGB 51 14 78

HSL 274.69, 0.7%, 0.18%

LAB 13.03, 31.05, -31.4

 

CMYK 39 / 92 / 0 / 67

HEX #340755

RGB 52 7 85

HSL 274.62, 0.85%, 0.18%

LAB 12.85, 35.96, -36.49

 

CMYK 29 / 69 / 0 / 73

HEX #321646

RGB 50 22 70

HSL 275, 0.52%, 0.18%

LAB 13.79, 24.29, -24.65

 

CMYK 22 / 54 / 0 / 75

HEX #311D3F

RGB 49 29 63

HSL 275.29, 0.37%, 0.18%

LAB 14.9, 17.52, -18.01

 

CMYK 15 / 35 / 0 / 78

HEX #2F2437

RGB 47 36 55

HSL 274.74, 0.21%, 0.18%

LAB 16.22, 9.7, -10.36

 

CMYK 4 / 8 / 0 / 81

HEX #2E2C30

RGB 46 44 48

HSL 270, 0.04%, 0.18%

LAB 18.35, 1.85, -2.26

 

CMYK 12 / 0 / 20 / 80

HEX #2D3329

RGB 45 51 41

HSL 96, 0.11%, 0.18%

LAB 20.38, -4.9, 5.49

 

CMYK 67 / 69 / 0 / 73

HEX #171646

RGB 23 22 70

HSL 241.25, 0.52%, 0.18%

LAB 10.54, 17.51, -30.06

 

CMYK 49 / 69 / 0 / 73

HEX #241646

RGB 36 22 70

HSL 257.5, 0.52%, 0.18%

LAB 11.9, 20.49, -27.8

 

CMYK 30 / 69 / 0 / 73

HEX #311646

RGB 49 22 70

HSL 273.75, 0.52%, 0.18%

LAB 13.64, 24.01, -24.9

 

CMYK 11 / 69 / 0 / 73

HEX #3E1646

RGB 62 22 70

HSL 290, 0.52%, 0.18%

LAB 15.7, 27.78, -21.5

 

CMYK 0 / 69 / 7 / 73

HEX #461641

RGB 70 22 65

HSL 306.25, 0.52%, 0.18%

LAB 16.78, 29.16, -16.21

 

CMYK 29 / 71 / 0 / 97

HEX #050207

RGB 5 2 7

HSL 276, 0.56%, 0.02%

LAB 0.82, 1.48, -1.62

 

CMYK 31 / 69 / 0 / 85

HEX #1B0C27

RGB 27 12 39

HSL 273.33, 0.53%, 0.1%

LAB 5.8, 13.71, -15.12

 

CMYK 29 / 69 / 0 / 73

HEX #321646

RGB 50 22 70

HSL 275, 0.52%, 0.18%

LAB 13.79, 24.29, -24.65

 

CMYK 29 / 70 / 0 / 60

HEX #481F66

RGB 72 31 102

HSL 274.65, 0.53%, 0.26%

LAB 21.27, 33.45, -34.01

 

CMYK 29 / 69 / 0 / 48

HEX #5F2985

RGB 95 41 133

HSL 275.22, 0.53%, 0.34%

LAB 28.67, 41.46, -41.7

 

CMYK 29 / 69 / 0 / 72

HEX #331648

RGB 51 22 72

HSL 274.8, 0.53%, 0.18%

LAB 14.09, 25.12, -25.55

 

CMYK 0 / 69 / 53 / 73

HEX #461621

RGB 70 22 33

HSL 346.25, 0.52%, 0.18%

LAB 15.41, 24.13, 4.57

 

CMYK 69 / 0 / 57 / 73

HEX #16461E

RGB 22 70 30

HSL 130, 0.52%, 0.18%

LAB 25.7, -26.13, 19.3

 

CMYK 29 / 69 / 0 / 72

HEX #331648

RGB 51 22 72

HSL 274.8, 0.53%, 0.18%

LAB 14.09, 25.12, -25.55

 

CMYK 0 / 30 / 69 / 73

HEX #463116

RGB 70 49 22

HSL 33.75, 0.52%, 0.18%

LAB 22.15, 6.07, 20.69

 

CMYK 69 / 0 / 30 / 73

HEX #164631

RGB 22 70 49

HSL 153.75, 0.52%, 0.18%

LAB 26.08, -22.04, 7.97

 

CMYK 29 / 69 / 0 / 72

HEX #331648

RGB 51 22 72

HSL 274.8, 0.53%, 0.18%

LAB 14.09, 25.12, -25.55

 

CMYK 0 / 69 / 53 / 73

HEX #461621

RGB 70 22 33

HSL 346.25, 0.52%, 0.18%

LAB 15.41, 24.13, 4.57

 

CMYK 39 / 0 / 69 / 73

HEX #2B4616

RGB 43 70 22

HSL 93.75, 0.52%, 0.18%

LAB 26.6, -19.98, 25.08

 

CMYK 69 / 0 / 16 / 73

HEX #16463B

RGB 22 70 59

HSL 166.25, 0.52%, 0.18%

LAB 26.35, -19.26, 1.87

 

CMYK 29 / 69 / 0 / 72

HEX #331648

RGB 51 22 72

HSL 274.8, 0.53%, 0.18%

LAB 14.09, 25.12, -25.55

 

CMYK 0 / 64 / 69 / 73

HEX #461916

RGB 70 25 22

HSL 3.75, 0.52%, 0.18%

LAB 15.77, 21.37, 12.95

 

CMYK 39 / 0 / 69 / 73

HEX #2B4616

RGB 43 70 22

HSL 93.75, 0.52%, 0.18%

LAB 26.6, -19.98, 25.08

 

CMYK 69 / 4 / 0 / 73

HEX #164346

RGB 22 67 70

HSL 183.75, 0.52%, 0.18%

LAB 25.64, -14.06, -6.39

 

Description

Color code: HEX #331648 | qconv.com Color code: HEX #331648 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 22 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 22 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 69 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 69% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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