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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E837 it is the complementary color #CD17C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E837 shade: #37E832, #48FA45, #59FF58, #6AFF6B and #7BFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E837 shade: #32E837, #21D624, #10C411, #00B200 and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E837 shade: #30E835, #5DE830, #8EE830, #C0E830 and #E8DF30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E837 shade: #30E835, #30E867, #30E899, #30E8CA and #30D5E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E837 shade matches the following richer shades: #30E835 and #1EFB24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E837 shade: #30E835, #43D547, #56C359, #68B06A and #7B9E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E837 shade: #8FE830, #5EE830, #30E834, #30E864 and #30E895

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E837 shade: #14B218, #18D71D, #30E835, #56EC5A and #7BF07E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E837 shade: #32E837, #30C0E8 and #E83077

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E837 shade: #32E837, #3430E8 and #E83430

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E837 shade: #32E837, #30C0E8, #E830E5 and #E85830

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E837 shade: #32E837, #3089E8, #E830E5 and #E88F30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 76 / 9

HEX #32E837

RGB 50 232 55

HSL 121.65, 0.8%, 0.55%

LAB 81.11, -74.91, 68.16

 

Complementary color

CMYK 0 / 89 / 2 / 20

HEX #CD17C8

RGB 205 23 200

HSL 301.65, 0.8%, 0.45%

LAB 49.21, 80.4, -47.99

 

CMYK 76 / 0 / 78 / 9

HEX #37E832

RGB 55 232 50

HSL 118.35, 0.8%, 0.55%

LAB 81.16, -74.58, 69.73

 

CMYK 71 / 0 / 72 / 2

HEX #48FA45

RGB 72 250 69

HSL 119.01, 0.95%, 0.63%

LAB 87.08, -76.21, 69.67

 

CMYK 65 / 0 / 65 / 0

HEX #59FF58

RGB 89 255 88

HSL 119.64, 1%, 0.67%

LAB 89.09, -73.21, 64.92

 

CMYK 58 / 0 / 58 / 0

HEX #6AFF6B

RGB 106 255 107

HSL 120.4, 1%, 0.71%

LAB 89.69, -67.75, 57.88

 

CMYK 52 / 0 / 51 / 0

HEX #7BFF7E

RGB 123 255 126

HSL 121.36, 1%, 0.74%

LAB 90.43, -61.43, 50.35

 

CMYK 78 / 0 / 76 / 9

HEX #32E837

RGB 50 232 55

HSL 121.65, 0.8%, 0.55%

LAB 81.11, -74.91, 68.16

 

CMYK 85 / 0 / 83 / 16

HEX #21D624

RGB 33 214 36

HSL 120.99, 0.73%, 0.48%

LAB 75.17, -72.63, 67.79

 

CMYK 92 / 0 / 91 / 23

HEX #10C411

RGB 16 196 17

HSL 120.33, 0.85%, 0.42%

LAB 69.21, -69.6, 66.32

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 79 / 0 / 77 / 9

HEX #30E835

RGB 48 232 53

HSL 121.63, 0.8%, 0.55%

LAB 81.07, -75.28, 68.73

 

CMYK 60 / 0 / 79 / 9

HEX #5DE830

RGB 93 232 48

HSL 105.33, 0.8%, 0.55%

LAB 81.98, -67.71, 71.36

 

CMYK 39 / 0 / 79 / 9

HEX #8EE830

RGB 142 232 48

HSL 89.35, 0.8%, 0.55%

LAB 83.8, -53.77, 73.71

 

CMYK 17 / 0 / 79 / 9

HEX #C0E830

RGB 192 232 48

HSL 73.04, 0.8%, 0.55%

LAB 86.57, -35.47, 77.25

 

CMYK 0 / 4 / 79 / 9

HEX #E8DF30

RGB 232 223 48

HSL 57.07, 0.8%, 0.55%

LAB 87.07, -14.86, 78.81

 

CMYK 79 / 0 / 77 / 9

HEX #30E835

RGB 48 232 53

HSL 121.63, 0.8%, 0.55%

LAB 81.07, -75.28, 68.73

 

CMYK 79 / 0 / 56 / 9

HEX #30E867

RGB 48 232 103

HSL 137.93, 0.8%, 0.55%

LAB 81.47, -70.4, 49.69

 

CMYK 79 / 0 / 34 / 9

HEX #30E899

RGB 48 232 153

HSL 154.24, 0.8%, 0.55%

LAB 82.19, -62.04, 26.1

 

CMYK 79 / 0 / 13 / 9

HEX #30E8CA

RGB 48 232 202

HSL 170.22, 0.8%, 0.55%

LAB 83.23, -50.76, 1.99

 

CMYK 79 / 8 / 0 / 9

HEX #30D5E8

RGB 48 213 232

HSL 186.2, 0.8%, 0.55%

LAB 78.49, -33.9, -21.02

 

CMYK 79 / 0 / 77 / 9

HEX #30E835

RGB 48 232 53

HSL 121.63, 0.8%, 0.55%

LAB 81.07, -75.28, 68.73

 

CMYK 88 / 0 / 86 / 2

HEX #1EFB24

RGB 30 251 36

HSL 121.63, 0.97%, 0.55%

LAB 86.7, -83.1, 78.08

 

CMYK 79 / 0 / 77 / 9

HEX #30E835

RGB 48 232 53

HSL 121.63, 0.8%, 0.55%

LAB 81.07, -75.28, 68.73

 

CMYK 69 / 0 / 67 / 16

HEX #43D547

RGB 67 213 71

HSL 121.64, 0.63%, 0.55%

LAB 75.6, -65.14, 56.91

 

CMYK 56 / 0 / 54 / 24

HEX #56C359

RGB 86 195 89

HSL 121.65, 0.48%, 0.55%

LAB 70.68, -52.61, 43.52

 

CMYK 41 / 0 / 40 / 31

HEX #68B06A

RGB 104 176 106

HSL 121.67, 0.31%, 0.55%

LAB 65.78, -37.17, 28.95

 

CMYK 22 / 0 / 22 / 38

HEX #7B9E7C

RGB 123 158 124

HSL 121.71, 0.15%, 0.55%

LAB 61.76, -18.99, 13.9

 

CMYK 38 / 0 / 79 / 9

HEX #8FE830

RGB 143 232 48

HSL 89.02, 0.8%, 0.55%

LAB 83.84, -53.44, 73.77

 

CMYK 59 / 0 / 79 / 9

HEX #5EE830

RGB 94 232 48

HSL 105, 0.8%, 0.55%

LAB 82, -67.48, 71.4

 

CMYK 79 / 0 / 78 / 9

HEX #30E834

RGB 48 232 52

HSL 121.3, 0.8%, 0.55%

LAB 81.07, -75.34, 69.02

 

CMYK 79 / 0 / 57 / 9

HEX #30E864

RGB 48 232 100

HSL 136.96, 0.8%, 0.55%

LAB 81.44, -70.79, 51.01

 

CMYK 79 / 0 / 36 / 9

HEX #30E895

RGB 48 232 149

HSL 152.93, 0.8%, 0.55%

LAB 82.12, -62.83, 28.05

 

CMYK 89 / 0 / 87 / 30

HEX #14B218

RGB 20 178 24

HSL 121.52, 0.8%, 0.39%

LAB 63.39, -63.98, 59.98

 

CMYK 89 / 0 / 87 / 16

HEX #18D71D

RGB 24 215 29

HSL 121.57, 0.8%, 0.47%

LAB 75.38, -73.95, 69.52

 

CMYK 79 / 0 / 77 / 9

HEX #30E835

RGB 48 232 53

HSL 121.63, 0.8%, 0.55%

LAB 81.07, -75.28, 68.73

 

CMYK 64 / 0 / 62 / 7

HEX #56EC5A

RGB 86 236 90

HSL 121.6, 0.8%, 0.63%

LAB 83.29, -67.28, 57.69

 

CMYK 49 / 0 / 48 / 6

HEX #7BF07E

RGB 123 240 126

HSL 121.54, 0.8%, 0.71%

LAB 86.03, -55.65, 44.9

 

CMYK 78 / 0 / 76 / 9

HEX #32E837

RGB 50 232 55

HSL 121.65, 0.8%, 0.55%

LAB 81.11, -74.91, 68.16

 

CMYK 79 / 17 / 0 / 9

HEX #30C0E8

RGB 48 192 232

HSL 193.04, 0.8%, 0.55%

LAB 72.33, -23.61, -30.43

 

CMYK 0 / 79 / 49 / 9

HEX #E83077

RGB 232 48 119

HSL 336.85, 0.8%, 0.55%

LAB 52.51, 71.95, 5.5

 

CMYK 78 / 0 / 76 / 9

HEX #32E837

RGB 50 232 55

HSL 121.65, 0.8%, 0.55%

LAB 81.11, -74.91, 68.16

 

CMYK 78 / 79 / 0 / 9

HEX #3430E8

RGB 52 48 232

HSL 241.3, 0.8%, 0.55%

LAB 35.34, 60.63, -89.76

 

CMYK 0 / 78 / 79 / 9

HEX #E83430

RGB 232 52 48

HSL 1.3, 0.8%, 0.55%

LAB 51.64, 66.97, 46.08

 

CMYK 78 / 0 / 76 / 9

HEX #32E837

RGB 50 232 55

HSL 121.65, 0.8%, 0.55%

LAB 81.11, -74.91, 68.16

 

CMYK 79 / 17 / 0 / 9

HEX #30C0E8

RGB 48 192 232

HSL 193.04, 0.8%, 0.55%

LAB 72.33, -23.61, -30.43

 

CMYK 0 / 79 / 1 / 9

HEX #E830E5

RGB 232 48 229

HSL 300.98, 0.8%, 0.55%

LAB 57, 84.82, -51.84

 

CMYK 0 / 62 / 79 / 9

HEX #E85830

RGB 232 88 48

HSL 13.04, 0.8%, 0.55%

LAB 56.44, 53.85, 50.82

 

CMYK 78 / 0 / 76 / 9

HEX #32E837

RGB 50 232 55

HSL 121.65, 0.8%, 0.55%

LAB 81.11, -74.91, 68.16

 

CMYK 79 / 41 / 0 / 9

HEX #3089E8

RGB 48 137 232

HSL 210.98, 0.8%, 0.55%

LAB 56.43, 6.99, -55.39

 

CMYK 0 / 79 / 1 / 9

HEX #E830E5

RGB 232 48 229

HSL 300.98, 0.8%, 0.55%

LAB 57, 84.82, -51.84

 

CMYK 0 / 38 / 79 / 9

HEX #E88F30

RGB 232 143 48

HSL 30.98, 0.8%, 0.55%

LAB 67.29, 26.72, 61.1

 

Description

Color code: HEX #32E837 | qconv.com Color code: HEX #32E837 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 232 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 232 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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