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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E178 it is the complementary color #CD1E87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E178 shade: #37E173, #48F386, #59FF99, #6AFFAC and #7BFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E178 shade: #32E178, #21CF65, #10BD52, #00AB3F and #00992C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E178 shade: #33E178, #33E14A, #4BE133, #7AE133 and #A9E133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E178 shade: #33E178, #33E1A7, #33E1D6, #33BCE1 and #338DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E178 shade matches the following richer shades: #33E178 and #20F375

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E178 shade: #33E178, #46CE7C, #59BB80, #6CA884 and #7F9588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E178 shade: #4AE133, #33E14A, #33E178, #33E1A7 and #33E1D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E178 shade: #19A852, #1ECC64, #33E178, #57E690 and #7BEBA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E178 shade: #32E178, #3378E1 and #E13333

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E178 shade: #32E178, #7833E1 and #E17833

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E178 shade: #32E178, #3378E1, #E1339B and #E19B33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E178 shade: #32E178, #3344E1, #E1339B and #E1CF33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 47 / 12

HEX #32E178

RGB 50 225 120

HSL 144, 0.74%, 0.54%

LAB 79.55, -65.35, 39.26

 

Complementary color

CMYK 0 / 85 / 34 / 20

HEX #CD1E87

RGB 205 30 135

HSL 324, 0.74%, 0.46%

LAB 46.52, 71, -13.62

 

CMYK 76 / 0 / 49 / 12

HEX #37E173

RGB 55 225 115

HSL 141.18, 0.74%, 0.55%

LAB 79.56, -65.52, 41.73

 

CMYK 70 / 0 / 45 / 5

HEX #48F386

RGB 72 243 134

HSL 141.75, 0.88%, 0.62%

LAB 85.6, -66.32, 40.21

 

CMYK 65 / 0 / 40 / 0

HEX #59FF99

RGB 89 255 153

HSL 143.13, 1%, 0.67%

LAB 89.83, -64.67, 36.43

 

CMYK 58 / 0 / 33 / 0

HEX #6AFFAC

RGB 106 255 172

HSL 146.58, 1%, 0.71%

LAB 90.58, -58.07, 28.02

 

CMYK 52 / 0 / 25 / 0

HEX #7BFFBF

RGB 123 255 191

HSL 150.91, 1%, 0.74%

LAB 91.46, -50.77, 19.66

 

CMYK 78 / 0 / 47 / 12

HEX #32E178

RGB 50 225 120

HSL 144, 0.74%, 0.54%

LAB 79.55, -65.35, 39.26

 

CMYK 84 / 0 / 51 / 19

HEX #21CF65

RGB 33 207 101

HSL 143.45, 0.73%, 0.47%

LAB 73.47, -64.07, 40.89

 

CMYK 92 / 0 / 57 / 26

HEX #10BD52

RGB 16 189 82

HSL 142.89, 0.84%, 0.4%

LAB 67.36, -62.25, 42.55

 

CMYK 100 / 0 / 63 / 33

HEX #00AB3F

RGB 0 171 63

HSL 142.11, 1%, 0.34%

LAB 61.21, -59.85, 44.17

 

CMYK 100 / 0 / 71 / 40

HEX #00992C

RGB 0 153 44

HSL 137.25, 1%, 0.3%

LAB 55.04, -56.43, 45.57

 

CMYK 77 / 0 / 47 / 12

HEX #33E178

RGB 51 225 120

HSL 143.79, 0.74%, 0.54%

LAB 79.56, -65.23, 39.28

 

CMYK 77 / 0 / 67 / 12

HEX #33E14A

RGB 51 225 74

HSL 127.93, 0.74%, 0.54%

LAB 79.07, -71.15, 59.38

 

CMYK 67 / 0 / 77 / 12

HEX #4BE133

RGB 75 225 51

HSL 111.72, 0.74%, 0.54%

LAB 79.38, -69.08, 67.87

 

CMYK 46 / 0 / 77 / 12

HEX #7AE133

RGB 122 225 51

HSL 95.52, 0.74%, 0.54%

LAB 80.86, -57.28, 69.81

 

CMYK 25 / 0 / 77 / 12

HEX #A9E133

RGB 169 225 51

HSL 79.31, 0.74%, 0.54%

LAB 83.19, -41.1, 72.82

 

CMYK 77 / 0 / 47 / 12

HEX #33E178

RGB 51 225 120

HSL 143.79, 0.74%, 0.54%

LAB 79.56, -65.23, 39.28

 

CMYK 77 / 0 / 26 / 12

HEX #33E1A7

RGB 51 225 167

HSL 160, 0.74%, 0.54%

LAB 80.37, -56.11, 16.34

 

CMYK 77 / 0 / 5 / 12

HEX #33E1D6

RGB 51 225 214

HSL 176.21, 0.74%, 0.54%

LAB 81.52, -44.3, -6.88

 

CMYK 77 / 16 / 0 / 12

HEX #33BCE1

RGB 51 188 225

HSL 192.76, 0.74%, 0.54%

LAB 70.94, -23.55, -28.76

 

CMYK 77 / 37 / 0 / 12

HEX #338DE1

RGB 51 141 225

HSL 208.97, 0.74%, 0.54%

LAB 57.26, 2.35, -50.17

 

CMYK 77 / 0 / 47 / 12

HEX #33E178

RGB 51 225 120

HSL 143.79, 0.74%, 0.54%

LAB 79.56, -65.23, 39.28

 

CMYK 87 / 0 / 52 / 5

HEX #20F375

RGB 32 243 117

HSL 144.17, 0.9%, 0.54%

LAB 84.84, -73.37, 47.26

 

CMYK 77 / 0 / 47 / 12

HEX #33E178

RGB 51 225 120

HSL 143.79, 0.74%, 0.54%

LAB 79.56, -65.23, 39.28

 

CMYK 66 / 0 / 40 / 19

HEX #46CE7C

RGB 70 206 124

HSL 143.82, 0.58%, 0.54%

LAB 74.13, -54.85, 30.31

 

CMYK 52 / 0 / 32 / 27

HEX #59BB80

RGB 89 187 128

HSL 143.88, 0.42%, 0.54%

LAB 68.91, -42.32, 21.32

 

CMYK 36 / 0 / 21 / 34

HEX #6CA884

RGB 108 168 132

HSL 144, 0.26%, 0.54%

LAB 64.05, -27.46, 12.53

 

CMYK 15 / 0 / 9 / 42

HEX #7F9588

RGB 127 149 136

HSL 144.55, 0.09%, 0.54%

LAB 59.69, -10.48, 4.25

 

CMYK 67 / 0 / 77 / 12

HEX #4AE133

RGB 74 225 51

HSL 112.07, 0.74%, 0.54%

LAB 79.35, -69.27, 67.84

 

CMYK 77 / 0 / 67 / 12

HEX #33E14A

RGB 51 225 74

HSL 127.93, 0.74%, 0.54%

LAB 79.07, -71.15, 59.38

 

CMYK 77 / 0 / 47 / 12

HEX #33E178

RGB 51 225 120

HSL 143.79, 0.74%, 0.54%

LAB 79.56, -65.23, 39.28

 

CMYK 77 / 0 / 26 / 12

HEX #33E1A7

RGB 51 225 167

HSL 160, 0.74%, 0.54%

LAB 80.37, -56.11, 16.34

 

CMYK 77 / 0 / 5 / 12

HEX #33E1D5

RGB 51 225 213

HSL 175.86, 0.74%, 0.54%

LAB 81.49, -44.58, -6.39

 

CMYK 85 / 0 / 51 / 34

HEX #19A852

RGB 25 168 82

HSL 143.92, 0.74%, 0.38%

LAB 60.62, -54.62, 34.37

 

CMYK 85 / 0 / 51 / 20

HEX #1ECC64

RGB 30 204 100

HSL 144.14, 0.74%, 0.46%

LAB 72.48, -63.49, 40.14

 

CMYK 77 / 0 / 47 / 12

HEX #33E178

RGB 51 225 120

HSL 143.79, 0.74%, 0.54%

LAB 79.56, -65.23, 39.28

 

CMYK 62 / 0 / 37 / 10

HEX #57E690

RGB 87 230 144

HSL 143.92, 0.74%, 0.62%

LAB 82.18, -57.26, 30.82

 

CMYK 48 / 0 / 29 / 8

HEX #7BEBA8

RGB 123 235 168

HSL 144.11, 0.74%, 0.7%

LAB 85.23, -46.79, 22.84

 

CMYK 78 / 0 / 47 / 12

HEX #32E178

RGB 50 225 120

HSL 144, 0.74%, 0.54%

LAB 79.55, -65.35, 39.26

 

CMYK 77 / 47 / 0 / 12

HEX #3378E1

RGB 51 120 225

HSL 216.21, 0.74%, 0.54%

LAB 51.35, 15.16, -59.62

 

CMYK 0 / 77 / 77 / 12

HEX #E13333

RGB 225 51 51

HSL 0, 0.74%, 0.54%

LAB 50.23, 65.34, 42.6

 

CMYK 78 / 0 / 47 / 12

HEX #32E178

RGB 50 225 120

HSL 144, 0.74%, 0.54%

LAB 79.55, -65.35, 39.26

 

CMYK 47 / 77 / 0 / 12

HEX #7833E1

RGB 120 51 225

HSL 263.79, 0.74%, 0.54%

LAB 40.89, 64.17, -76.41

 

CMYK 0 / 47 / 77 / 12

HEX #E17833

RGB 225 120 51

HSL 23.79, 0.74%, 0.54%

LAB 61.38, 36, 53.91

 

CMYK 78 / 0 / 47 / 12

HEX #32E178

RGB 50 225 120

HSL 144, 0.74%, 0.54%

LAB 79.55, -65.35, 39.26

 

CMYK 77 / 47 / 0 / 12

HEX #3378E1

RGB 51 120 225

HSL 216.21, 0.74%, 0.54%

LAB 51.35, 15.16, -59.62

 

CMYK 0 / 77 / 31 / 12

HEX #E1339B

RGB 225 51 155

HSL 324.14, 0.74%, 0.54%

LAB 52.67, 72.86, -15.96

 

CMYK 0 / 31 / 77 / 12

HEX #E19B33

RGB 225 155 51

HSL 35.86, 0.74%, 0.54%

LAB 69.25, 17.49, 61.48

 

CMYK 78 / 0 / 47 / 12

HEX #32E178

RGB 50 225 120

HSL 144, 0.74%, 0.54%

LAB 79.55, -65.35, 39.26

 

CMYK 77 / 70 / 0 / 12

HEX #3344E1

RGB 51 68 225

HSL 234.14, 0.74%, 0.54%

LAB 38.33, 47.66, -80.83

 

CMYK 0 / 77 / 31 / 12

HEX #E1339B

RGB 225 51 155

HSL 324.14, 0.74%, 0.54%

LAB 52.67, 72.86, -15.96

 

CMYK 0 / 8 / 77 / 12

HEX #E1CF33

RGB 225 207 51

HSL 53.79, 0.74%, 0.54%

LAB 82.31, -9.73, 73.51

 

Description

Color code: HEX #32E178 | qconv.com Color code: HEX #32E178 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 225 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 225 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 47 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 47% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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enhttps://qconv.com/en/colors/hex-32E178Array ( [type] => color [name] => [description] => [image] => [breadcrumb] => Array ( [0] => Array ( [name] => qConv [url] => https://qconv.com/en ) [1] => Array ( [name] => [url] => https://qconv.com/en/colors/hex-32E178 ) ) [color] => Array ( [hex] => 32e178 [set] => HEX [props] => Array ( [0] => Array ( [id] => HEX [value] => #32E178 ) ) [name] => #32E178 ) )