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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32E075 it is the complementary color #CD1F8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32E075. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32E075 shade: #37E070, #48F283, #59FF96, #6AFFA9 and #7BFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32E075. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32E075 shade: #32E075, #21CE62, #10BC4F, #00AA3C and #009829

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32E075 shade: #33E176, #33E147, #4EE133, #7DE133 and #ABE133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32E075 shade: #33E176, #33E1A5, #33E1D3, #33BFE1 and #3390E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32E075 shade matches the following richer shades: #33E176 and #20F371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32E075 shade: #33E176, #46CE7A, #59BB7E, #6CA883 and #7F9587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32E075 shade: #4DE133, #33E147, #33E175, #33E1A4 and #33E1D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32E075 shade: #19A850, #1ECC61, #33E176, #57E68E and #7BEBA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32E075 shade: #32E075, #337BE1 and #E13336

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32E075 shade: #32E075, #7533E1 and #E17533

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32E075 shade: #32E075, #337BE1, #E1339E and #E19833

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32E075 shade: #32E075, #3347E1, #E1339E and #E1CC33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 48 / 12

HEX #32E075

RGB 50 224 117

HSL 143.1, 0.74%, 0.54%

LAB 79.2, -65.49, 40.29

 

Complementary color

CMYK 0 / 85 / 33 / 20

HEX #CD1F8A

RGB 205 31 138

HSL 323.1, 0.74%, 0.46%

LAB 46.7, 71.12, -15.17

 

CMYK 75 / 0 / 50 / 12

HEX #37E070

RGB 55 224 112

HSL 140.24, 0.73%, 0.55%

LAB 79.21, -65.64, 42.74

 

CMYK 70 / 0 / 46 / 5

HEX #48F283

RGB 72 242 131

HSL 140.82, 0.87%, 0.62%

LAB 85.26, -66.45, 41.23

 

CMYK 65 / 0 / 41 / 0

HEX #59FF96

RGB 89 255 150

HSL 142.05, 1%, 0.67%

LAB 89.79, -65.18, 37.85

 

CMYK 58 / 0 / 34 / 0

HEX #6AFFA9

RGB 106 255 169

HSL 145.37, 1%, 0.71%

LAB 90.53, -58.62, 29.46

 

CMYK 52 / 0 / 26 / 0

HEX #7BFFBC

RGB 123 255 188

HSL 149.55, 1%, 0.74%

LAB 91.4, -51.36, 21.11

 

CMYK 78 / 0 / 48 / 12

HEX #32E075

RGB 50 224 117

HSL 143.1, 0.74%, 0.54%

LAB 79.2, -65.49, 40.29

 

CMYK 84 / 0 / 52 / 19

HEX #21CE62

RGB 33 206 98

HSL 142.54, 0.72%, 0.47%

LAB 73.12, -64.19, 41.9

 

CMYK 91 / 0 / 58 / 26

HEX #10BC4F

RGB 16 188 79

HSL 141.98, 0.84%, 0.4%

LAB 67.01, -62.35, 43.54

 

CMYK 100 / 0 / 65 / 33

HEX #00AA3C

RGB 0 170 60

HSL 141.18, 1%, 0.33%

LAB 60.85, -59.9, 45.1

 

CMYK 100 / 0 / 73 / 40

HEX #009829

RGB 0 152 41

HSL 136.18, 1%, 0.3%

LAB 54.68, -56.42, 46.38

 

CMYK 77 / 0 / 48 / 12

HEX #33E176

RGB 51 225 118

HSL 143.1, 0.74%, 0.54%

LAB 79.54, -65.55, 40.23

 

CMYK 77 / 0 / 68 / 12

HEX #33E147

RGB 51 225 71

HSL 126.9, 0.74%, 0.54%

LAB 79.05, -71.43, 60.52

 

CMYK 65 / 0 / 77 / 12

HEX #4EE133

RGB 78 225 51

HSL 110.69, 0.74%, 0.54%

LAB 79.45, -68.49, 67.97

 

CMYK 44 / 0 / 77 / 12

HEX #7DE133

RGB 125 225 51

HSL 94.48, 0.74%, 0.54%

LAB 80.99, -56.35, 69.97

 

CMYK 24 / 0 / 77 / 12

HEX #ABE133

RGB 171 225 51

HSL 78.62, 0.74%, 0.54%

LAB 83.31, -40.34, 72.97

 

CMYK 77 / 0 / 48 / 12

HEX #33E176

RGB 51 225 118

HSL 143.1, 0.74%, 0.54%

LAB 79.54, -65.55, 40.23

 

CMYK 77 / 0 / 27 / 12

HEX #33E1A5

RGB 51 225 165

HSL 159.31, 0.74%, 0.54%

LAB 80.33, -56.56, 17.33

 

CMYK 77 / 0 / 6 / 12

HEX #33E1D3

RGB 51 225 211

HSL 175.17, 0.74%, 0.54%

LAB 81.43, -45.12, -5.41

 

CMYK 77 / 15 / 0 / 12

HEX #33BFE1

RGB 51 191 225

HSL 191.72, 0.74%, 0.54%

LAB 71.83, -25.07, -27.41

 

CMYK 77 / 36 / 0 / 12

HEX #3390E1

RGB 51 144 225

HSL 207.93, 0.74%, 0.54%

LAB 58.12, 0.58, -48.8

 

CMYK 77 / 0 / 48 / 12

HEX #33E176

RGB 51 225 118

HSL 143.1, 0.74%, 0.54%

LAB 79.54, -65.55, 40.23

 

CMYK 87 / 0 / 53 / 5

HEX #20F371

RGB 32 243 113

HSL 143.03, 0.9%, 0.54%

LAB 84.79, -73.94, 49.06

 

CMYK 77 / 0 / 48 / 12

HEX #33E176

RGB 51 225 118

HSL 143.1, 0.74%, 0.54%

LAB 79.54, -65.55, 40.23

 

CMYK 66 / 0 / 41 / 19

HEX #46CE7A

RGB 70 206 122

HSL 142.94, 0.58%, 0.54%

LAB 74.09, -55.21, 31.3

 

CMYK 52 / 0 / 33 / 27

HEX #59BB7E

RGB 89 187 126

HSL 142.65, 0.42%, 0.54%

LAB 68.87, -42.7, 22.34

 

CMYK 36 / 0 / 22 / 34

HEX #6CA883

RGB 108 168 131

HSL 143, 0.26%, 0.54%

LAB 64.02, -27.66, 13.06

 

CMYK 15 / 0 / 9 / 42

HEX #7F9587

RGB 127 149 135

HSL 141.82, 0.09%, 0.54%

LAB 59.67, -10.68, 4.78

 

CMYK 66 / 0 / 77 / 12

HEX #4DE133

RGB 77 225 51

HSL 111.03, 0.74%, 0.54%

LAB 79.42, -68.69, 67.93

 

CMYK 77 / 0 / 68 / 12

HEX #33E147

RGB 51 225 71

HSL 126.9, 0.74%, 0.54%

LAB 79.05, -71.43, 60.52

 

CMYK 77 / 0 / 48 / 12

HEX #33E175

RGB 51 225 117

HSL 142.76, 0.74%, 0.54%

LAB 79.52, -65.71, 40.7

 

CMYK 77 / 0 / 27 / 12

HEX #33E1A4

RGB 51 225 164

HSL 158.97, 0.74%, 0.54%

LAB 80.31, -56.78, 17.83

 

CMYK 77 / 0 / 7 / 12

HEX #33E1D2

RGB 51 225 210

HSL 174.83, 0.74%, 0.54%

LAB 81.41, -45.4, -4.92

 

CMYK 85 / 0 / 52 / 34

HEX #19A850

RGB 25 168 80

HSL 143.08, 0.74%, 0.38%

LAB 60.6, -54.94, 35.35

 

CMYK 85 / 0 / 52 / 20

HEX #1ECC61

RGB 30 204 97

HSL 143.1, 0.74%, 0.46%

LAB 72.45, -63.95, 41.55

 

CMYK 77 / 0 / 48 / 12

HEX #33E176

RGB 51 225 118

HSL 143.1, 0.74%, 0.54%

LAB 79.54, -65.55, 40.23

 

CMYK 62 / 0 / 38 / 10

HEX #57E68E

RGB 87 230 142

HSL 143.08, 0.74%, 0.62%

LAB 82.15, -57.61, 31.79

 

CMYK 48 / 0 / 29 / 8

HEX #7BEBA6

RGB 123 235 166

HSL 143.04, 0.74%, 0.7%

LAB 85.19, -47.16, 23.82

 

CMYK 78 / 0 / 48 / 12

HEX #32E075

RGB 50 224 117

HSL 143.1, 0.74%, 0.54%

LAB 79.2, -65.49, 40.29

 

CMYK 77 / 45 / 0 / 12

HEX #337BE1

RGB 51 123 225

HSL 215.17, 0.74%, 0.54%

LAB 52.18, 13.29, -58.28

 

CMYK 0 / 77 / 76 / 12

HEX #E13336

RGB 225 51 54

HSL 358.97, 0.74%, 0.54%

LAB 50.27, 65.44, 40.98

 

CMYK 78 / 0 / 48 / 12

HEX #32E075

RGB 50 224 117

HSL 143.1, 0.74%, 0.54%

LAB 79.2, -65.49, 40.29

 

CMYK 48 / 77 / 0 / 12

HEX #7533E1

RGB 117 51 225

HSL 262.76, 0.74%, 0.54%

LAB 40.55, 63.76, -76.99

 

CMYK 0 / 48 / 77 / 12

HEX #E17533

RGB 225 117 51

HSL 22.76, 0.74%, 0.54%

LAB 60.75, 37.54, 53.3

 

CMYK 78 / 0 / 48 / 12

HEX #32E075

RGB 50 224 117

HSL 143.1, 0.74%, 0.54%

LAB 79.2, -65.49, 40.29

 

CMYK 77 / 45 / 0 / 12

HEX #337BE1

RGB 51 123 225

HSL 215.17, 0.74%, 0.54%

LAB 52.18, 13.29, -58.28

 

CMYK 0 / 77 / 30 / 12

HEX #E1339E

RGB 225 51 158

HSL 323.1, 0.74%, 0.54%

LAB 52.78, 73.19, -17.56

 

CMYK 0 / 32 / 77 / 12

HEX #E19833

RGB 225 152 51

HSL 34.83, 0.74%, 0.54%

LAB 68.54, 19.09, 60.81

 

CMYK 78 / 0 / 48 / 12

HEX #32E075

RGB 50 224 117

HSL 143.1, 0.74%, 0.54%

LAB 79.2, -65.49, 40.29

 

CMYK 77 / 68 / 0 / 12

HEX #3347E1

RGB 51 71 225

HSL 233.1, 0.74%, 0.54%

LAB 38.98, 45.89, -79.76

 

CMYK 0 / 77 / 30 / 12

HEX #E1339E

RGB 225 51 158

HSL 323.1, 0.74%, 0.54%

LAB 52.78, 73.19, -17.56

 

CMYK 0 / 9 / 77 / 12

HEX #E1CC33

RGB 225 204 51

HSL 52.76, 0.74%, 0.54%

LAB 81.53, -8.21, 72.81

 

Description

Color code: HEX #32E075 | qconv.com Color code: HEX #32E075 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 224 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 224 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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