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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32DE91 it is the complementary color #CD216E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32DE91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32DE91 shade: #37DE8C, #48F09F, #59FFB2, #6AFFC5 and #7BFFD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32DE91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32DE91 shade: #32DE91, #21CC7E, #10BA6B, #00A858 and #009645

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32DE91 shade: #31DD90, #31DD62, #31DD33, #5DDD31 and #8CDD31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32DE91 shade: #31DD90, #31DDBF, #31CEDD, #319FDD and #3171DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32DE91 shade matches the following richer shades: #31DD90 and #1DF192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32DE91 shade: #31DD90, #44CA8E, #58B78C, #6BA38A and #7E9088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32DE91 shade: #31DD34, #31DD62, #31DD90, #31DDBE and #31CFDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32DE91 shade: #1AA165, #20C57B, #31DD90, #54E3A3 and #78E9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32DE91 shade: #32DE91, #315CDD and #DD4B31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32DE91 shade: #32DE91, #9031DD and #DD9031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32DE91 shade: #32DE91, #315CDD, #DD317F and #DDB231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32DE91 shade: #32DE91, #3931DD, #DD317F and #D5DD31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 35 / 13

HEX #32DE91

RGB 50 222 145

HSL 153.14, 0.72%, 0.53%

LAB 79.02, -59.77, 25.94

 

Complementary color

CMYK 0 / 84 / 46 / 20

HEX #CD216E

RGB 205 33 110

HSL 333.14, 0.72%, 0.47%

LAB 45.9, 68, 0.78

 

CMYK 75 / 0 / 37 / 13

HEX #37DE8C

RGB 55 222 140

HSL 150.54, 0.72%, 0.54%

LAB 79.01, -60.14, 28.52

 

CMYK 70 / 0 / 34 / 6

HEX #48F09F

RGB 72 240 159

HSL 151.07, 0.85%, 0.61%

LAB 85.1, -60.79, 27.05

 

CMYK 65 / 0 / 30 / 0

HEX #59FFB2

RGB 89 255 178

HSL 152.17, 1%, 0.67%

LAB 90.26, -60.06, 24.47

 

CMYK 58 / 0 / 23 / 0

HEX #6AFFC5

RGB 106 255 197

HSL 156.64, 1%, 0.71%

LAB 91.06, -53.1, 15.95

 

CMYK 52 / 0 / 15 / 0

HEX #7BFFD8

RGB 123 255 216

HSL 162.27, 1%, 0.74%

LAB 91.99, -45.52, 7.57

 

CMYK 77 / 0 / 35 / 13

HEX #32DE91

RGB 50 222 145

HSL 153.14, 0.72%, 0.53%

LAB 79.02, -59.77, 25.94

 

CMYK 84 / 0 / 38 / 20

HEX #21CC7E

RGB 33 204 126

HSL 152.63, 0.72%, 0.46%

LAB 72.9, -58.68, 27.54

 

CMYK 91 / 0 / 42 / 27

HEX #10BA6B

RGB 16 186 107

HSL 152.12, 0.84%, 0.4%

LAB 66.74, -57.15, 29.27

 

CMYK 100 / 0 / 48 / 34

HEX #00A858

RGB 0 168 88

HSL 151.43, 1%, 0.33%

LAB 60.52, -55.13, 31.13

 

CMYK 100 / 0 / 54 / 41

HEX #009645

RGB 0 150 69

HSL 147.6, 1%, 0.29%

LAB 54.28, -52.25, 33.12

 

CMYK 78 / 0 / 35 / 13

HEX #31DD90

RGB 49 221 144

HSL 153.14, 0.72%, 0.53%

LAB 78.68, -59.71, 26

 

CMYK 78 / 0 / 56 / 13

HEX #31DD62

RGB 49 221 98

HSL 137.09, 0.72%, 0.53%

LAB 78.02, -67.39, 47.87

 

CMYK 78 / 0 / 77 / 13

HEX #31DD33

RGB 49 221 51

HSL 120.7, 0.72%, 0.53%

LAB 77.64, -72.04, 66.03

 

CMYK 58 / 0 / 78 / 13

HEX #5DDD31

RGB 93 221 49

HSL 104.65, 0.72%, 0.53%

LAB 78.61, -63.92, 67.91

 

CMYK 37 / 0 / 78 / 13

HEX #8CDD31

RGB 140 221 49

HSL 88.26, 0.72%, 0.53%

LAB 80.47, -49.98, 70.31

 

CMYK 78 / 0 / 35 / 13

HEX #31DD90

RGB 49 221 144

HSL 153.14, 0.72%, 0.53%

LAB 78.68, -59.71, 26

 

CMYK 78 / 0 / 14 / 13

HEX #31DDBF

RGB 49 221 191

HSL 169.53, 0.72%, 0.53%

LAB 79.69, -48.92, 2.67

 

CMYK 78 / 7 / 0 / 13

HEX #31CEDD

RGB 49 206 221

HSL 185.23, 0.72%, 0.53%

LAB 76.08, -33.83, -18.77

 

CMYK 78 / 28 / 0 / 13

HEX #319FDD

RGB 49 159 221

HSL 201.63, 0.72%, 0.53%

LAB 62.23, -9.66, -40.1

 

CMYK 78 / 49 / 0 / 13

HEX #3171DD

RGB 49 113 221

HSL 217.67, 0.72%, 0.53%

LAB 49.11, 17.85, -60.97

 

CMYK 78 / 0 / 35 / 13

HEX #31DD90

RGB 49 221 144

HSL 153.14, 0.72%, 0.53%

LAB 78.68, -59.71, 26

 

CMYK 88 / 0 / 39 / 5

HEX #1DF192

RGB 29 241 146

HSL 153.11, 0.88%, 0.53%

LAB 84.61, -68.09, 32.87

 

CMYK 78 / 0 / 35 / 13

HEX #31DD90

RGB 49 221 144

HSL 153.14, 0.72%, 0.53%

LAB 78.68, -59.71, 26

 

CMYK 66 / 0 / 30 / 21

HEX #44CA8E

RGB 68 202 142

HSL 153.13, 0.56%, 0.53%

LAB 73.17, -50.13, 19.58

 

CMYK 52 / 0 / 23 / 28

HEX #58B78C

RGB 88 183 140

HSL 152.84, 0.4%, 0.53%

LAB 67.9, -38.35, 13.42

 

CMYK 34 / 0 / 15 / 36

HEX #6BA38A

RGB 107 163 138

HSL 153.21, 0.23%, 0.53%

LAB 62.64, -24.04, 7.19

 

CMYK 13 / 0 / 6 / 44

HEX #7E9088

RGB 126 144 136

HSL 153.33, 0.08%, 0.53%

LAB 58.19, -8.1, 2.06

 

CMYK 78 / 0 / 76 / 13

HEX #31DD34

RGB 49 221 52

HSL 121.05, 0.72%, 0.53%

LAB 77.65, -71.98, 65.72

 

CMYK 78 / 0 / 56 / 13

HEX #31DD62

RGB 49 221 98

HSL 137.09, 0.72%, 0.53%

LAB 78.02, -67.39, 47.87

 

CMYK 78 / 0 / 35 / 13

HEX #31DD90

RGB 49 221 144

HSL 153.14, 0.72%, 0.53%

LAB 78.68, -59.71, 26

 

CMYK 78 / 0 / 14 / 13

HEX #31DDBE

RGB 49 221 190

HSL 169.19, 0.72%, 0.53%

LAB 79.66, -49.18, 3.16

 

CMYK 78 / 6 / 0 / 13

HEX #31CFDD

RGB 49 207 221

HSL 184.88, 0.72%, 0.53%

LAB 76.37, -34.3, -18.32

 

CMYK 84 / 0 / 37 / 37

HEX #1AA165

RGB 26 161 101

HSL 153.33, 0.72%, 0.37%

LAB 58.65, -48.47, 21.78

 

CMYK 84 / 0 / 38 / 23

HEX #20C57B

RGB 32 197 123

HSL 153.09, 0.72%, 0.45%

LAB 70.64, -56.83, 26.09

 

CMYK 78 / 0 / 35 / 13

HEX #31DD90

RGB 49 221 144

HSL 153.14, 0.72%, 0.53%

LAB 78.68, -59.71, 26

 

CMYK 63 / 0 / 28 / 11

HEX #54E3A3

RGB 84 227 163

HSL 153.15, 0.72%, 0.61%

LAB 81.55, -52.98, 20.17

 

CMYK 48 / 0 / 22 / 9

HEX #78E9B6

RGB 120 233 182

HSL 152.92, 0.72%, 0.69%

LAB 84.82, -43.91, 14.99

 

CMYK 77 / 0 / 35 / 13

HEX #32DE91

RGB 50 222 145

HSL 153.14, 0.72%, 0.53%

LAB 79.02, -59.77, 25.94

 

CMYK 78 / 58 / 0 / 13

HEX #315CDD

RGB 49 92 221

HSL 225, 0.72%, 0.53%

LAB 43.55, 31.23, -70

 

CMYK 0 / 66 / 78 / 13

HEX #DD4B31

RGB 221 75 49

HSL 9.07, 0.72%, 0.53%

LAB 52.54, 55.61, 45.82

 

CMYK 77 / 0 / 35 / 13

HEX #32DE91

RGB 50 222 145

HSL 153.14, 0.72%, 0.53%

LAB 79.02, -59.77, 25.94

 

CMYK 35 / 78 / 0 / 13

HEX #9031DD

RGB 144 49 221

HSL 273.14, 0.72%, 0.53%

LAB 43.28, 67.6, -70.1

 

CMYK 0 / 35 / 78 / 13

HEX #DD9031

RGB 221 144 49

HSL 33.14, 0.72%, 0.53%

LAB 66.17, 21.6, 59.18

 

CMYK 77 / 0 / 35 / 13

HEX #32DE91

RGB 50 222 145

HSL 153.14, 0.72%, 0.53%

LAB 79.02, -59.77, 25.94

 

CMYK 78 / 58 / 0 / 13

HEX #315CDD

RGB 49 92 221

HSL 225, 0.72%, 0.53%

LAB 43.55, 31.23, -70

 

CMYK 0 / 78 / 43 / 13

HEX #DD317F

RGB 221 49 127

HSL 332.79, 0.72%, 0.53%

LAB 50.81, 69.57, -2.06

 

CMYK 0 / 19 / 78 / 13

HEX #DDB231

RGB 221 178 49

HSL 45, 0.72%, 0.53%

LAB 74.47, 3.45, 66.9

 

CMYK 77 / 0 / 35 / 13

HEX #32DE91

RGB 50 222 145

HSL 153.14, 0.72%, 0.53%

LAB 79.02, -59.77, 25.94

 

CMYK 74 / 78 / 0 / 13

HEX #3931DD

RGB 57 49 221

HSL 242.79, 0.72%, 0.53%

LAB 34.57, 57.15, -84.73

 

CMYK 0 / 78 / 43 / 13

HEX #DD317F

RGB 221 49 127

HSL 332.79, 0.72%, 0.53%

LAB 50.81, 69.57, -2.06

 

CMYK 4 / 0 / 78 / 13

HEX #D5DD31

RGB 213 221 49

HSL 62.79, 0.72%, 0.53%

LAB 85.04, -21.77, 76.17

 

Description

Color code: HEX #32DE91 | qconv.com Color code: HEX #32DE91 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 222 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 222 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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