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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D983 it is the complementary color #CD267C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D983 shade: #37D97E, #48EB91, #59FDA4, #6AFFB7 and #7BFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D983 shade: #32D983, #21C770, #10B55D, #00A34A and #009137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D983 shade: #30D982, #30D955, #39D930, #67D930 and #94D930

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D983 shade: #30D982, #30D9B0, #30D5D9, #30A7D9 and #307AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D983 shade matches the following richer shades: #30D982 and #1CED81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D983 shade: #30D982, #44C583, #58B183, #6C9E84 and #7F8A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D983 shade: #39D930, #30D955, #30D982, #30D9AF and #30D6D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D983 shade: #1C9A59, #23BD6E, #30D982, #53DF97 and #76E6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D983 shade: #32D983, #3066D9 and #D93E30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D983 shade: #32D983, #8230D9 and #D98230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D983 shade: #32D983, #3066D9, #D93087 and #D9A430

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D983 shade: #32D983, #3033D9, #D93087 and #D9D630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 40 / 15

HEX #32D983

RGB 50 217 131

HSL 149.1, 0.69%, 0.52%

LAB 77.25, -60.64, 30.76

 

Complementary color

CMYK 0 / 81 / 40 / 20

HEX #CD267C

RGB 205 38 124

HSL 329.1, 0.69%, 0.48%

LAB 46.74, 68.14, -6.58

 

CMYK 75 / 0 / 42 / 15

HEX #37D97E

RGB 55 217 126

HSL 146.3, 0.68%, 0.53%

LAB 77.25, -60.91, 33.32

 

CMYK 69 / 0 / 38 / 8

HEX #48EB91

RGB 72 235 145

HSL 146.87, 0.8%, 0.6%

LAB 83.36, -61.57, 31.81

 

CMYK 65 / 0 / 35 / 1

HEX #59FDA4

RGB 89 253 164

HSL 147.44, 0.98%, 0.67%

LAB 89.42, -61.98, 30.41

 

CMYK 58 / 0 / 28 / 0

HEX #6AFFB7

RGB 106 255 183

HSL 151.01, 1%, 0.71%

LAB 90.78, -55.96, 22.72

 

CMYK 52 / 0 / 21 / 0

HEX #7BFFCA

RGB 123 255 202

HSL 155.91, 1%, 0.74%

LAB 91.68, -48.53, 14.34

 

CMYK 77 / 0 / 40 / 15

HEX #32D983

RGB 50 217 131

HSL 149.1, 0.69%, 0.52%

LAB 77.25, -60.64, 30.76

 

CMYK 83 / 0 / 44 / 22

HEX #21C770

RGB 33 199 112

HSL 148.55, 0.72%, 0.45%

LAB 71.1, -59.53, 32.4

 

CMYK 91 / 0 / 49 / 29

HEX #10B55D

RGB 16 181 93

HSL 148, 0.84%, 0.39%

LAB 64.92, -57.92, 34.15

 

CMYK 100 / 0 / 55 / 36

HEX #00A34A

RGB 0 163 74

HSL 147.24, 1%, 0.32%

LAB 58.69, -55.78, 35.97

 

CMYK 100 / 0 / 62 / 43

HEX #009137

RGB 0 145 55

HSL 142.76, 1%, 0.28%

LAB 52.43, -52.66, 37.83

 

CMYK 78 / 0 / 40 / 15

HEX #30D982

RGB 48 217 130

HSL 149.11, 0.69%, 0.52%

LAB 77.2, -61.06, 31.21

 

CMYK 78 / 0 / 61 / 15

HEX #30D955

RGB 48 217 85

HSL 133.14, 0.69%, 0.52%

LAB 76.62, -67.86, 52.08

 

CMYK 74 / 0 / 78 / 15

HEX #39D930

RGB 57 217 48

HSL 116.8, 0.69%, 0.52%

LAB 76.5, -69.9, 65.89

 

CMYK 53 / 0 / 78 / 15

HEX #67D930

RGB 103 217 48

HSL 100.47, 0.69%, 0.52%

LAB 77.71, -59.98, 67.47

 

CMYK 32 / 0 / 78 / 15

HEX #94D930

RGB 148 217 48

HSL 84.5, 0.69%, 0.52%

LAB 79.69, -45.55, 70.03

 

CMYK 78 / 0 / 40 / 15

HEX #30D982

RGB 48 217 130

HSL 149.11, 0.69%, 0.52%

LAB 77.2, -61.06, 31.21

 

CMYK 78 / 0 / 19 / 15

HEX #30D9B0

RGB 48 217 176

HSL 165.44, 0.69%, 0.52%

LAB 78.1, -51.14, 8.37

 

CMYK 78 / 2 / 0 / 15

HEX #30D5D9

RGB 48 213 217

HSL 181.42, 0.69%, 0.52%

LAB 78.01, -38.37, -13.71

 

CMYK 78 / 23 / 0 / 15

HEX #30A7D9

RGB 48 167 217

HSL 197.75, 0.69%, 0.52%

LAB 64.38, -15.53, -34.53

 

CMYK 78 / 44 / 0 / 15

HEX #307AD9

RGB 48 122 217

HSL 213.73, 0.69%, 0.52%

LAB 51.33, 10.61, -55.14

 

CMYK 78 / 0 / 40 / 15

HEX #30D982

RGB 48 217 130

HSL 149.11, 0.69%, 0.52%

LAB 77.2, -61.06, 31.21

 

CMYK 88 / 0 / 46 / 7

HEX #1CED81

RGB 28 237 129

HSL 149, 0.85%, 0.52%

LAB 83.13, -69.82, 39.36

 

CMYK 78 / 0 / 40 / 15

HEX #30D982

RGB 48 217 130

HSL 149.11, 0.69%, 0.52%

LAB 77.2, -61.06, 31.21

 

CMYK 65 / 0 / 34 / 23

HEX #44C583

RGB 68 197 131

HSL 149.3, 0.53%, 0.52%

LAB 71.42, -50.38, 23.03

 

CMYK 50 / 0 / 26 / 31

HEX #58B183

RGB 88 177 131

HSL 148.99, 0.36%, 0.52%

LAB 65.87, -37.55, 15.5

 

CMYK 32 / 0 / 16 / 38

HEX #6C9E84

RGB 108 158 132

HSL 148.8, 0.2%, 0.52%

LAB 61.05, -22.47, 8.3

 

CMYK 8 / 0 / 4 / 46

HEX #7F8A84

RGB 127 138 132

HSL 147.27, 0.04%, 0.52%

LAB 56.44, -5.23, 1.83

 

CMYK 74 / 0 / 78 / 15

HEX #39D930

RGB 57 217 48

HSL 116.8, 0.69%, 0.52%

LAB 76.5, -69.9, 65.89

 

CMYK 78 / 0 / 61 / 15

HEX #30D955

RGB 48 217 85

HSL 133.14, 0.69%, 0.52%

LAB 76.62, -67.86, 52.08

 

CMYK 78 / 0 / 40 / 15

HEX #30D982

RGB 48 217 130

HSL 149.11, 0.69%, 0.52%

LAB 77.2, -61.06, 31.21

 

CMYK 78 / 0 / 19 / 15

HEX #30D9AF

RGB 48 217 175

HSL 165.09, 0.69%, 0.52%

LAB 78.08, -51.39, 8.87

 

CMYK 78 / 1 / 0 / 15

HEX #30D6D9

RGB 48 214 217

HSL 181.07, 0.69%, 0.52%

LAB 78.3, -38.82, -13.27

 

CMYK 82 / 0 / 42 / 40

HEX #1C9A59

RGB 28 154 89

HSL 149.05, 0.69%, 0.36%

LAB 56.17, -48.03, 25.02

 

CMYK 81 / 0 / 42 / 26

HEX #23BD6E

RGB 35 189 110

HSL 149.22, 0.69%, 0.44%

LAB 67.93, -56.15, 29.3

 

CMYK 78 / 0 / 40 / 15

HEX #30D982

RGB 48 217 130

HSL 149.11, 0.69%, 0.52%

LAB 77.2, -61.06, 31.21

 

CMYK 63 / 0 / 32 / 13

HEX #53DF97

RGB 83 223 151

HSL 149.14, 0.69%, 0.6%

LAB 80.09, -53.98, 24.4

 

CMYK 49 / 0 / 25 / 10

HEX #76E6AC

RGB 118 230 172

HSL 148.93, 0.69%, 0.68%

LAB 83.66, -45.12, 18.58

 

CMYK 77 / 0 / 40 / 15

HEX #32D983

RGB 50 217 131

HSL 149.1, 0.69%, 0.52%

LAB 77.25, -60.64, 30.76

 

CMYK 78 / 53 / 0 / 15

HEX #3066D9

RGB 48 102 217

HSL 220.83, 0.69%, 0.52%

LAB 45.83, 23.24, -64.02

 

CMYK 0 / 71 / 78 / 15

HEX #D93E30

RGB 217 62 48

HSL 4.97, 0.69%, 0.52%

LAB 49.99, 59.26, 43.51

 

CMYK 77 / 0 / 40 / 15

HEX #32D983

RGB 50 217 131

HSL 149.1, 0.69%, 0.52%

LAB 77.25, -60.64, 30.76

 

CMYK 40 / 78 / 0 / 15

HEX #8230D9

RGB 130 48 217

HSL 269.11, 0.69%, 0.52%

LAB 41.01, 64.89, -71.6

 

CMYK 0 / 40 / 78 / 15

HEX #D98230

RGB 217 130 48

HSL 29.11, 0.69%, 0.52%

LAB 62.45, 27.37, 55.87

 

CMYK 77 / 0 / 40 / 15

HEX #32D983

RGB 50 217 131

HSL 149.1, 0.69%, 0.52%

LAB 77.25, -60.64, 30.76

 

CMYK 78 / 53 / 0 / 15

HEX #3066D9

RGB 48 102 217

HSL 220.83, 0.69%, 0.52%

LAB 45.83, 23.24, -64.02

 

CMYK 0 / 78 / 38 / 15

HEX #D93087

RGB 217 48 135

HSL 329.11, 0.69%, 0.52%

LAB 50.23, 69.6, -7.81

 

CMYK 0 / 24 / 78 / 15

HEX #D9A430

RGB 217 164 48

HSL 41.18, 0.69%, 0.52%

LAB 70.54, 9.12, 63.48

 

CMYK 77 / 0 / 40 / 15

HEX #32D983

RGB 50 217 131

HSL 149.1, 0.69%, 0.52%

LAB 77.25, -60.64, 30.76

 

CMYK 78 / 76 / 0 / 15

HEX #3033D9

RGB 48 51 217

HSL 238.93, 0.69%, 0.52%

LAB 33.99, 54.27, -83.41

 

CMYK 0 / 78 / 38 / 15

HEX #D93087

RGB 217 48 135

HSL 329.11, 0.69%, 0.52%

LAB 50.23, 69.6, -7.81

 

CMYK 0 / 1 / 78 / 15

HEX #D9D630

RGB 217 214 48

HSL 58.93, 0.69%, 0.52%

LAB 83.47, -16.71, 75.18

 

Description

Color code: HEX #32D983 | qconv.com Color code: HEX #32D983 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 217 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 217 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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