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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D3B1 it is the complementary color #CD2C4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D3B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D3B1 shade: #37D3AC, #48E5BF, #59F7D2, #6AFFE5 and #7BFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D3B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D3B1 shade: #32D3B1, #21C19E, #10AF8B, #009D78 and #008B65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D3B1 shade: #31D3B1, #31D385, #31D359, #34D331 and #60D331

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D3B1 shade: #31D3B1, #31CAD3, #319ED3, #3172D3 and #3146D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D3B1 shade matches the following richer shades: #31D3B1, #1DE7BD and #08FCC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D3B1 shade: #31D3B1, #45BFA5, #59AB9A, #6D978E and #828282

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D3B1 shade: #31D359, #31D385, #31D3B0, #31CBD3 and #31A0D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D3B1 shade: #1F937A, #26B597, #31D3B1, #53DABE and #75E2CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D3B1 shade: #32D3B1, #3134D3 and #D36F31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D3B1 shade: #32D3B1, #B031D3 and #D3B031

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D3B1 shade: #32D3B1, #3134D3, #D33154 and #D3D131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D3B1 shade: #32D3B1, #5F31D3, #D33154 and #A5D331

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 16 / 17

HEX #32D3B1

RGB 50 211 177

HSL 167.33, 0.65%, 0.51%

LAB 76.34, -48.21, 5.3

 

Complementary color

CMYK 0 / 79 / 62 / 20

HEX #CD2C4E

RGB 205 44 78

HSL 347.33, 0.65%, 0.49%

LAB 46.08, 62.91, 20.83

 

CMYK 74 / 0 / 18 / 17

HEX #37D3AC

RGB 55 211 172

HSL 165, 0.64%, 0.52%

LAB 76.3, -48.87, 7.94

 

CMYK 69 / 0 / 17 / 10

HEX #48E5BF

RGB 72 229 191

HSL 165.48, 0.75%, 0.59%

LAB 82.47, -49.47, 6.74

 

CMYK 64 / 0 / 15 / 3

HEX #59F7D2

RGB 89 247 210

HSL 165.95, 0.91%, 0.66%

LAB 88.59, -49.86, 5.65

 

CMYK 58 / 0 / 10 / 0

HEX #6AFFE5

RGB 106 255 229

HSL 169.53, 1%, 0.71%

LAB 91.79, -45.84, 0.49

 

CMYK 52 / 0 / 3 / 0

HEX #7BFFF8

RGB 123 255 248

HSL 176.82, 1%, 0.74%

LAB 92.8, -37.97, -7.8

 

CMYK 76 / 0 / 16 / 17

HEX #32D3B1

RGB 50 211 177

HSL 167.33, 0.65%, 0.51%

LAB 76.34, -48.21, 5.3

 

CMYK 83 / 0 / 18 / 24

HEX #21C19E

RGB 33 193 158

HSL 166.88, 0.71%, 0.44%

LAB 70.13, -47.21, 6.6

 

CMYK 91 / 0 / 21 / 31

HEX #10AF8B

RGB 16 175 139

HSL 166.42, 0.83%, 0.37%

LAB 63.86, -45.84, 8.05

 

CMYK 100 / 0 / 24 / 38

HEX #009D78

RGB 0 157 120

HSL 165.86, 1%, 0.31%

LAB 57.53, -44.08, 9.65

 

CMYK 100 / 0 / 27 / 45

HEX #008B65

RGB 0 139 101

HSL 163.6, 1%, 0.27%

LAB 51.16, -41.59, 11.48

 

CMYK 77 / 0 / 16 / 17

HEX #31D3B1

RGB 49 211 177

HSL 167.41, 0.65%, 0.51%

LAB 76.32, -48.32, 5.28

 

CMYK 77 / 0 / 37 / 17

HEX #31D385

RGB 49 211 133

HSL 151.11, 0.65%, 0.51%

LAB 75.41, -58.2, 27.29

 

CMYK 77 / 0 / 58 / 17

HEX #31D359

RGB 49 211 89

HSL 134.81, 0.65%, 0.51%

LAB 74.8, -65.3, 48.19

 

CMYK 75 / 0 / 77 / 17

HEX #34D331

RGB 52 211 49

HSL 118.89, 0.65%, 0.51%

LAB 74.53, -68.75, 63.66

 

CMYK 55 / 0 / 77 / 17

HEX #60D331

RGB 96 211 49

HSL 102.59, 0.65%, 0.51%

LAB 75.64, -59.65, 65.1

 

CMYK 77 / 0 / 16 / 17

HEX #31D3B1

RGB 49 211 177

HSL 167.41, 0.65%, 0.51%

LAB 76.32, -48.32, 5.28

 

CMYK 77 / 4 / 0 / 17

HEX #31CAD3

RGB 49 202 211

HSL 183.33, 0.65%, 0.51%

LAB 74.57, -34.95, -15.65

 

CMYK 77 / 25 / 0 / 17

HEX #319ED3

RGB 49 158 211

HSL 199.63, 0.65%, 0.51%

LAB 61.49, -12.58, -35.7

 

CMYK 77 / 46 / 0 / 17

HEX #3172D3

RGB 49 114 211

HSL 215.93, 0.65%, 0.51%

LAB 48.75, 13.48, -55.88

 

CMYK 77 / 67 / 0 / 17

HEX #3146D3

RGB 49 70 211

HSL 232.22, 0.65%, 0.51%

LAB 37.37, 41.46, -74.39

 

CMYK 77 / 0 / 16 / 17

HEX #31D3B1

RGB 49 211 177

HSL 167.41, 0.65%, 0.51%

LAB 76.32, -48.32, 5.28

 

CMYK 87 / 0 / 18 / 9

HEX #1DE7BD

RGB 29 231 189

HSL 167.52, 0.81%, 0.51%

LAB 82.43, -55.04, 7.65

 

CMYK 97 / 0 / 21 / 1

HEX #08FCC8

RGB 8 252 200

HSL 167.21, 0.98%, 0.51%

LAB 88.85, -61.27, 11.08

 

CMYK 77 / 0 / 16 / 17

HEX #31D3B1

RGB 49 211 177

HSL 167.41, 0.65%, 0.51%

LAB 76.32, -48.32, 5.28

 

CMYK 64 / 0 / 14 / 25

HEX #45BFA5

RGB 69 191 165

HSL 167.21, 0.49%, 0.51%

LAB 70.35, -39.98, 3.18

 

CMYK 48 / 0 / 10 / 33

HEX #59AB9A

RGB 89 171 154

HSL 167.56, 0.33%, 0.51%

LAB 64.63, -29.27, 1.03

 

CMYK 28 / 0 / 6 / 41

HEX #6D978E

RGB 109 151 142

HSL 167.14, 0.17%, 0.51%

LAB 59.29, -16.33, 0.1

 

CMYK 0 / 0 / 0 / 49

HEX #828282

RGB 130 130 130

HSL 0, 0%, 0.51%

LAB 54.37, 0, -0.01

 

CMYK 77 / 0 / 58 / 17

HEX #31D359

RGB 49 211 89

HSL 134.81, 0.65%, 0.51%

LAB 74.8, -65.3, 48.19

 

CMYK 77 / 0 / 37 / 17

HEX #31D385

RGB 49 211 133

HSL 151.11, 0.65%, 0.51%

LAB 75.41, -58.2, 27.29

 

CMYK 77 / 0 / 17 / 17

HEX #31D3B0

RGB 49 211 176

HSL 167.04, 0.65%, 0.51%

LAB 76.3, -48.57, 5.78

 

CMYK 77 / 4 / 0 / 17

HEX #31CBD3

RGB 49 203 211

HSL 182.96, 0.65%, 0.51%

LAB 74.87, -35.42, -15.2

 

CMYK 77 / 24 / 0 / 17

HEX #31A0D3

RGB 49 160 211

HSL 198.89, 0.65%, 0.51%

LAB 62.08, -13.68, -34.78

 

CMYK 79 / 0 / 17 / 42

HEX #1F937A

RGB 31 147 122

HSL 167.07, 0.65%, 0.35%

LAB 54.62, -37.16, 4.39

 

CMYK 79 / 0 / 17 / 29

HEX #26B597

RGB 38 181 151

HSL 167.41, 0.65%, 0.43%

LAB 66.29, -43.51, 4.92

 

CMYK 77 / 0 / 16 / 17

HEX #31D3B1

RGB 49 211 177

HSL 167.41, 0.65%, 0.51%

LAB 76.32, -48.32, 5.28

 

CMYK 62 / 0 / 13 / 15

HEX #53DABE

RGB 83 218 190

HSL 167.56, 0.65%, 0.59%

LAB 79.44, -43.26, 2.93

 

CMYK 48 / 0 / 10 / 11

HEX #75E2CB

RGB 117 226 203

HSL 167.34, 0.65%, 0.67%

LAB 83.17, -36.87, 1.58

 

CMYK 76 / 0 / 16 / 17

HEX #32D3B1

RGB 50 211 177

HSL 167.33, 0.65%, 0.51%

LAB 76.34, -48.21, 5.3

 

CMYK 77 / 75 / 0 / 17

HEX #3134D3

RGB 49 52 211

HSL 238.89, 0.65%, 0.51%

LAB 33.59, 51.89, -80.62

 

CMYK 0 / 47 / 77 / 17

HEX #D36F31

RGB 211 111 49

HSL 22.96, 0.65%, 0.51%

LAB 57.5, 34.97, 50.32

 

CMYK 76 / 0 / 16 / 17

HEX #32D3B1

RGB 50 211 177

HSL 167.33, 0.65%, 0.51%

LAB 76.34, -48.21, 5.3

 

CMYK 17 / 77 / 0 / 17

HEX #B031D3

RGB 176 49 211

HSL 287.04, 0.65%, 0.51%

LAB 47.14, 71.11, -57.89

 

CMYK 0 / 17 / 77 / 17

HEX #D3B031

RGB 211 176 49

HSL 47.04, 0.65%, 0.51%

LAB 72.97, 0.17, 65.16

 

CMYK 76 / 0 / 16 / 17

HEX #32D3B1

RGB 50 211 177

HSL 167.33, 0.65%, 0.51%

LAB 76.34, -48.21, 5.3

 

CMYK 77 / 75 / 0 / 17

HEX #3134D3

RGB 49 52 211

HSL 238.89, 0.65%, 0.51%

LAB 33.59, 51.89, -80.62

 

CMYK 0 / 77 / 60 / 17

HEX #D33154

RGB 211 49 84

HSL 347.04, 0.65%, 0.51%

LAB 47.86, 63.5, 19.72

 

CMYK 0 / 1 / 77 / 17

HEX #D3D131

RGB 211 209 49

HSL 59.26, 0.65%, 0.51%

LAB 81.66, -16.73, 73.09

 

CMYK 76 / 0 / 16 / 17

HEX #32D3B1

RGB 50 211 177

HSL 167.33, 0.65%, 0.51%

LAB 76.34, -48.21, 5.3

 

CMYK 55 / 77 / 0 / 17

HEX #5F31D3

RGB 95 49 211

HSL 257.04, 0.65%, 0.51%

LAB 36.62, 58.06, -75.5

 

CMYK 0 / 77 / 60 / 17

HEX #D33154

RGB 211 49 84

HSL 347.04, 0.65%, 0.51%

LAB 47.86, 63.5, 19.72

 

CMYK 22 / 0 / 77 / 17

HEX #A5D331

RGB 165 211 49

HSL 77.04, 0.65%, 0.51%

LAB 78.93, -36.48, 69.38

 

Description

Color code: HEX #32D3B1 | qconv.com Color code: HEX #32D3B1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 211 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 211 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 16 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 16% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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