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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32D083 it is the complementary color #CD2F7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32D083. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32D083 shade: #37D07E, #48E291, #59F4A4, #6AFFB7 and #7BFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32D083. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32D083 shade: #32D083, #21BE70, #10AC5D, #009A4A and #008837

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32D083 shade: #33D184, #33D15A, #38D133, #62D133 and #8CD133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32D083 shade: #33D184, #33D1AE, #33C9D1, #339ED1 and #3374D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32D083 shade matches the following richer shades: #33D184, #1FE585 and #0BF985

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32D083 shade: #33D184, #48BD84, #5CA883, #709483 and #848082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32D083 shade: #39D133, #33D158, #33D182, #33D1AC and #33CCD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32D083 shade: #21915A, #28B26F, #33D184, #55D898 and #77E0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32D083 shade: #32D083, #3363D1 and #D14333

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32D083 shade: #32D083, #8233D1 and #D18233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32D083 shade: #32D083, #3363D1, #D13382 and #D1A233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32D083 shade: #32D083, #3333D1, #D13382 and #D1D133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 37 / 18

HEX #32D083

RGB 50 208 131

HSL 150.76, 0.63%, 0.51%

LAB 74.46, -57.36, 27.06

 

Complementary color

CMYK 0 / 77 / 40 / 20

HEX #CD2F7C

RGB 205 47 124

HSL 330.76, 0.63%, 0.49%

LAB 47.58, 65.73, -5.33

 

CMYK 74 / 0 / 39 / 18

HEX #37D07E

RGB 55 208 126

HSL 147.84, 0.62%, 0.52%

LAB 74.46, -57.65, 29.67

 

CMYK 68 / 0 / 36 / 11

HEX #48E291

RGB 72 226 145

HSL 148.44, 0.73%, 0.58%

LAB 80.64, -58.22, 28.18

 

CMYK 64 / 0 / 33 / 4

HEX #59F4A4

RGB 89 244 164

HSL 149.03, 0.88%, 0.65%

LAB 86.75, -58.56, 26.81

 

CMYK 58 / 0 / 28 / 0

HEX #6AFFB7

RGB 106 255 183

HSL 151.01, 1%, 0.71%

LAB 90.78, -55.96, 22.72

 

CMYK 52 / 0 / 21 / 0

HEX #7BFFCA

RGB 123 255 202

HSL 155.91, 1%, 0.74%

LAB 91.68, -48.53, 14.34

 

CMYK 76 / 0 / 37 / 18

HEX #32D083

RGB 50 208 131

HSL 150.76, 0.63%, 0.51%

LAB 74.46, -57.36, 27.06

 

CMYK 83 / 0 / 41 / 25

HEX #21BE70

RGB 33 190 112

HSL 150.19, 0.7%, 0.44%

LAB 68.26, -56.34, 28.68

 

CMYK 91 / 0 / 46 / 33

HEX #10AC5D

RGB 16 172 93

HSL 149.62, 0.83%, 0.37%

LAB 62, -54.83, 30.44

 

CMYK 100 / 0 / 52 / 40

HEX #009A4A

RGB 0 154 74

HSL 148.83, 1%, 0.3%

LAB 55.69, -52.78, 32.3

 

CMYK 100 / 0 / 60 / 47

HEX #008837

RGB 0 136 55

HSL 144.26, 1%, 0.27%

LAB 49.36, -49.71, 34.25

 

CMYK 76 / 0 / 37 / 18

HEX #33D184

RGB 51 209 132

HSL 150.76, 0.63%, 0.51%

LAB 74.81, -57.41, 27.01

 

CMYK 76 / 0 / 57 / 18

HEX #33D15A

RGB 51 209 90

HSL 134.81, 0.63%, 0.51%

LAB 74.22, -64.25, 47.05

 

CMYK 73 / 0 / 76 / 18

HEX #38D133

RGB 56 209 51

HSL 118.1, 0.63%, 0.51%

LAB 73.99, -67.38, 62.5

 

CMYK 53 / 0 / 76 / 18

HEX #62D133

RGB 98 209 51

HSL 102.15, 0.63%, 0.51%

LAB 75.1, -58.26, 63.97

 

CMYK 33 / 0 / 76 / 18

HEX #8CD133

RGB 140 209 51

HSL 86.2, 0.63%, 0.51%

LAB 76.93, -44.88, 66.37

 

CMYK 76 / 0 / 37 / 18

HEX #33D184

RGB 51 209 132

HSL 150.76, 0.63%, 0.51%

LAB 74.81, -57.41, 27.01

 

CMYK 76 / 0 / 17 / 18

HEX #33D1AE

RGB 51 209 174

HSL 166.71, 0.63%, 0.51%

LAB 75.68, -48.02, 5.96

 

CMYK 76 / 4 / 0 / 18

HEX #33C9D1

RGB 51 201 209

HSL 183.04, 0.63%, 0.51%

LAB 74.24, -34.87, -15.05

 

CMYK 76 / 24 / 0 / 18

HEX #339ED1

RGB 51 158 209

HSL 199.37, 0.63%, 0.51%

LAB 61.45, -13.04, -34.65

 

CMYK 76 / 44 / 0 / 18

HEX #3374D1

RGB 51 116 209

HSL 215.32, 0.63%, 0.51%

LAB 49.25, 11.71, -53.94

 

CMYK 76 / 0 / 37 / 18

HEX #33D184

RGB 51 209 132

HSL 150.76, 0.63%, 0.51%

LAB 74.81, -57.41, 27.01

 

CMYK 86 / 0 / 42 / 10

HEX #1FE585

RGB 31 229 133

HSL 150.91, 0.79%, 0.51%

LAB 80.75, -66.26, 34.31

 

CMYK 96 / 0 / 47 / 2

HEX #0BF985

RGB 11 249 133

HSL 150.76, 0.95%, 0.51%

LAB 86.76, -73.79, 42.03

 

CMYK 76 / 0 / 37 / 18

HEX #33D184

RGB 51 209 132

HSL 150.76, 0.63%, 0.51%

LAB 74.81, -57.41, 27.01

 

CMYK 62 / 0 / 30 / 26

HEX #48BD84

RGB 72 189 132

HSL 150.77, 0.47%, 0.51%

LAB 69.07, -46.16, 19.3

 

CMYK 45 / 0 / 22 / 34

HEX #5CA883

RGB 92 168 131

HSL 150.79, 0.3%, 0.51%

LAB 63.28, -32.34, 11.9

 

CMYK 24 / 0 / 11 / 42

HEX #709483

RGB 112 148 131

HSL 151.67, 0.14%, 0.51%

LAB 58.29, -16.17, 4.94

 

CMYK 0 / 3 / 2 / 48

HEX #848082

RGB 132 128 130

HSL 330, 0.02%, 0.51%

LAB 53.98, 1.9, -0.55

 

CMYK 73 / 0 / 76 / 18

HEX #39D133

RGB 57 209 51

HSL 117.72, 0.63%, 0.51%

LAB 74, -67.22, 62.53

 

CMYK 76 / 0 / 58 / 18

HEX #33D158

RGB 51 209 88

HSL 134.05, 0.63%, 0.51%

LAB 74.2, -64.5, 47.94

 

CMYK 76 / 0 / 38 / 18

HEX #33D182

RGB 51 209 130

HSL 150, 0.63%, 0.51%

LAB 74.77, -57.8, 28

 

CMYK 76 / 0 / 18 / 18

HEX #33D1AC

RGB 51 209 172

HSL 165.95, 0.63%, 0.51%

LAB 75.63, -48.52, 6.96

 

CMYK 76 / 2 / 0 / 18

HEX #33CCD1

RGB 51 204 209

HSL 181.9, 0.63%, 0.51%

LAB 75.13, -36.27, -13.71

 

CMYK 77 / 0 / 38 / 43

HEX #21915A

RGB 33 145 90

HSL 150.54, 0.63%, 0.35%

LAB 53.29, -43.73, 20.67

 

CMYK 78 / 0 / 38 / 30

HEX #28B26F

RGB 40 178 111

HSL 150.87, 0.63%, 0.43%

LAB 64.52, -51.32, 24.27

 

CMYK 76 / 0 / 37 / 18

HEX #33D184

RGB 51 209 132

HSL 150.76, 0.63%, 0.51%

LAB 74.81, -57.41, 27.01

 

CMYK 61 / 0 / 30 / 15

HEX #55D898

RGB 85 216 152

HSL 150.69, 0.63%, 0.59%

LAB 78.06, -50.59, 21.1

 

CMYK 47 / 0 / 23 / 12

HEX #77E0AD

RGB 119 224 173

HSL 150.86, 0.63%, 0.67%

LAB 81.97, -42.05, 15.7

 

CMYK 76 / 0 / 37 / 18

HEX #32D083

RGB 50 208 131

HSL 150.76, 0.63%, 0.51%

LAB 74.46, -57.36, 27.06

 

CMYK 76 / 53 / 0 / 18

HEX #3363D1

RGB 51 99 209

HSL 221.77, 0.63%, 0.51%

LAB 44.56, 22.51, -61.49

 

CMYK 0 / 68 / 76 / 18

HEX #D14333

RGB 209 67 51

HSL 6.08, 0.63%, 0.51%

LAB 49.26, 54.91, 40.68

 

CMYK 76 / 0 / 37 / 18

HEX #32D083

RGB 50 208 131

HSL 150.76, 0.63%, 0.51%

LAB 74.46, -57.36, 27.06

 

CMYK 38 / 76 / 0 / 18

HEX #8233D1

RGB 130 51 209

HSL 270, 0.63%, 0.51%

LAB 40.76, 61.86, -67.39

 

CMYK 0 / 38 / 76 / 18

HEX #D18233

RGB 209 130 51

HSL 30, 0.63%, 0.51%

LAB 61.45, 24.13, 53.26

 

CMYK 76 / 0 / 37 / 18

HEX #32D083

RGB 50 208 131

HSL 150.76, 0.63%, 0.51%

LAB 74.46, -57.36, 27.06

 

CMYK 76 / 53 / 0 / 18

HEX #3363D1

RGB 51 99 209

HSL 221.77, 0.63%, 0.51%

LAB 44.56, 22.51, -61.49

 

CMYK 0 / 76 / 38 / 18

HEX #D13382

RGB 209 51 130

HSL 330, 0.63%, 0.51%

LAB 48.93, 66.19, -6.9

 

CMYK 0 / 22 / 76 / 18

HEX #D1A233

RGB 209 162 51

HSL 42.15, 0.63%, 0.51%

LAB 69.21, 6.83, 60.82

 

CMYK 76 / 0 / 37 / 18

HEX #32D083

RGB 50 208 131

HSL 150.76, 0.63%, 0.51%

LAB 74.46, -57.36, 27.06

 

CMYK 76 / 76 / 0 / 18

HEX #3333D1

RGB 51 51 209

HSL 240, 0.63%, 0.51%

LAB 33.3, 51.94, -79.94

 

CMYK 0 / 76 / 38 / 18

HEX #D13382

RGB 209 51 130

HSL 330, 0.63%, 0.51%

LAB 48.93, 66.19, -6.9

 

CMYK 0 / 0 / 76 / 18

HEX #D1D133

RGB 209 209 51

HSL 60, 0.63%, 0.51%

LAB 81.51, -17.5, 72.29

 

Description

Color code: HEX #32D083 | qconv.com Color code: HEX #32D083 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 208 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 208 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 37 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 37% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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