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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32C7DA it is the complementary color #CD3825. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32C7DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32C7DA shade: #37C7D5, #48D9E8, #59EBFB, #6AFDFF and #7BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32C7DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32C7DA shade: #32C7DA, #21B5C7, #10A3B4, #0091A1 and #007F8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32C7DA shade: #34C7DA, #349BDA, #346EDA, #3441DA and #5434DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32C7DA shade: #34C7DA, #349BDA, #346EDA, #3441DA and #3434DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32C7DA shade matches the following richer shades: #34C7DA and #21D6ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32C7DA shade: #34C7DA, #48B8C6, #5BA9B3, #6F9AA0 and #828B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32C7DA shade: #34DA92, #34DABE, #34C9DA, #349DDA and #3471DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32C7DA shade: #1D909F, #24B0C2, #34C7DA, #57D1E0 and #7ADAE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32C7DA shade: #32C7DA, #6634DA and #DAA834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32C7DA shade: #32C7DA, #DA34C9 and #C9DA34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32C7DA shade: #32C7DA, #6634DA, #DA4534 and #A8DA34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32C7DA shade: #32C7DA, #9834DA, #DA4534 and #77DA34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 9 / 0 / 15

HEX #32C7DA

RGB 50 199 218

HSL 186.79, 0.69%, 0.53%

LAB 73.92, -31.31, -20.41

 

Complementary color

CMYK 0 / 73 / 82 / 20

HEX #CD3825

RGB 205 56 37

HSL 6.79, 0.69%, 0.47%

LAB 46.9, 57.27, 45.41

 

CMYK 74 / 7 / 0 / 16

HEX #37C7D5

RGB 55 199 213

HSL 185.32, 0.65%, 0.53%

LAB 73.85, -32.3, -17.81

 

CMYK 69 / 6 / 0 / 9

HEX #48D9E8

RGB 72 217 232

HSL 185.63, 0.78%, 0.6%

LAB 80.08, -33.16, -18.56

 

CMYK 65 / 6 / 0 / 2

HEX #59EBFB

RGB 89 235 251

HSL 185.93, 0.95%, 0.67%

LAB 86.26, -33.83, -19.25

 

CMYK 58 / 1 / 0 / 0

HEX #6AFDFF

RGB 106 253 255

HSL 180.81, 1%, 0.71%

LAB 91.92, -38.38, -12.79

 

CMYK 52 / 0 / 0 / 0

HEX #7BFFFF

RGB 123 255 255

HSL 180, 1%, 0.74%

LAB 92.99, -36.22, -11.14

 

CMYK 77 / 9 / 0 / 15

HEX #32C7DA

RGB 50 199 218

HSL 186.79, 0.69%, 0.53%

LAB 73.92, -31.31, -20.41

 

CMYK 83 / 9 / 0 / 22

HEX #21B5C7

RGB 33 181 199

HSL 186.51, 0.72%, 0.45%

LAB 67.65, -30.01, -19.59

 

CMYK 91 / 9 / 0 / 29

HEX #10A3B4

RGB 16 163 180

HSL 186.22, 0.84%, 0.38%

LAB 61.31, -28.34, -18.67

 

CMYK 100 / 10 / 0 / 37

HEX #0091A1

RGB 0 145 161

HSL 185.96, 1%, 0.32%

LAB 54.89, -26.31, -17.65

 

CMYK 100 / 11 / 0 / 44

HEX #007F8E

RGB 0 127 142

HSL 186.34, 1%, 0.28%

LAB 48.43, -23.62, -16.47

 

CMYK 76 / 9 / 0 / 15

HEX #34C7DA

RGB 52 199 218

HSL 186.87, 0.69%, 0.53%

LAB 73.96, -31.1, -20.35

 

CMYK 76 / 29 / 0 / 15

HEX #349BDA

RGB 52 155 218

HSL 202.77, 0.69%, 0.53%

LAB 60.99, -8.14, -40.38

 

CMYK 76 / 50 / 0 / 15

HEX #346EDA

RGB 52 110 218

HSL 219.04, 0.69%, 0.53%

LAB 48.19, 18.96, -60.75

 

CMYK 76 / 70 / 0 / 15

HEX #3441DA

RGB 52 65 218

HSL 235.3, 0.69%, 0.53%

LAB 37.06, 47.13, -78.91

 

CMYK 61 / 76 / 0 / 15

HEX #5434DA

RGB 84 52 218

HSL 251.57, 0.69%, 0.53%

LAB 36.75, 57.3, -79.35

 

CMYK 76 / 9 / 0 / 15

HEX #34C7DA

RGB 52 199 218

HSL 186.87, 0.69%, 0.53%

LAB 73.96, -31.1, -20.35

 

CMYK 76 / 29 / 0 / 15

HEX #349BDA

RGB 52 155 218

HSL 202.77, 0.69%, 0.53%

LAB 60.99, -8.14, -40.38

 

CMYK 76 / 50 / 0 / 15

HEX #346EDA

RGB 52 110 218

HSL 219.04, 0.69%, 0.53%

LAB 48.19, 18.96, -60.75

 

CMYK 76 / 70 / 0 / 15

HEX #3441DA

RGB 52 65 218

HSL 235.3, 0.69%, 0.53%

LAB 37.06, 47.13, -78.91

 

CMYK 76 / 76 / 0 / 15

HEX #3434DA

RGB 52 52 218

HSL 240, 0.69%, 0.53%

LAB 34.49, 54.34, -83.15

 

CMYK 76 / 9 / 0 / 15

HEX #34C7DA

RGB 52 199 218

HSL 186.87, 0.69%, 0.53%

LAB 73.96, -31.1, -20.35

 

CMYK 86 / 10 / 0 / 7

HEX #21D6ED

RGB 33 214 237

HSL 186.76, 0.85%, 0.53%

LAB 78.77, -33.92, -23.28

 

CMYK 76 / 9 / 0 / 15

HEX #34C7DA

RGB 52 199 218

HSL 186.87, 0.69%, 0.53%

LAB 73.96, -31.1, -20.35

 

CMYK 64 / 7 / 0 / 22

HEX #48B8C6

RGB 72 184 198

HSL 186.67, 0.53%, 0.53%

LAB 69.28, -27.14, -16.49

 

CMYK 49 / 6 / 0 / 30

HEX #5BA9B3

RGB 91 169 179

HSL 186.82, 0.37%, 0.53%

LAB 64.85, -21.27, -12.59

 

CMYK 31 / 4 / 0 / 37

HEX #6F9AA0

RGB 111 154 160

HSL 187.35, 0.21%, 0.53%

LAB 60.81, -13.04, -7.85

 

CMYK 7 / 1 / 0 / 45

HEX #828B8C

RGB 130 139 140

HSL 186, 0.04%, 0.53%

LAB 57.18, -3.07, -1.67

 

CMYK 76 / 0 / 33 / 15

HEX #34DA92

RGB 52 218 146

HSL 153.98, 0.69%, 0.53%

LAB 77.84, -57.84, 23.83

 

CMYK 76 / 0 / 13 / 15

HEX #34DABE

RGB 52 218 190

HSL 169.88, 0.69%, 0.53%

LAB 78.8, -47.61, 1.92

 

CMYK 76 / 8 / 0 / 15

HEX #34C9DA

RGB 52 201 218

HSL 186.14, 0.69%, 0.53%

LAB 74.55, -32.06, -19.46

 

CMYK 76 / 28 / 0 / 15

HEX #349DDA

RGB 52 157 218

HSL 202.05, 0.69%, 0.53%

LAB 61.57, -9.26, -39.46

 

CMYK 76 / 48 / 0 / 15

HEX #3471DA

RGB 52 113 218

HSL 217.95, 0.69%, 0.53%

LAB 49.01, 17.06, -59.43

 

CMYK 82 / 9 / 0 / 38

HEX #1D909F

RGB 29 144 159

HSL 186.92, 0.69%, 0.37%

LAB 54.77, -24.8, -16.66

 

CMYK 81 / 9 / 0 / 24

HEX #24B0C2

RGB 36 176 194

HSL 186.84, 0.69%, 0.45%

LAB 66, -28.9, -19.33

 

CMYK 76 / 9 / 0 / 15

HEX #34C7DA

RGB 52 199 218

HSL 186.87, 0.69%, 0.53%

LAB 73.96, -31.1, -20.35

 

CMYK 61 / 7 / 0 / 12

HEX #57D1E0

RGB 87 209 224

HSL 186.57, 0.69%, 0.61%

LAB 77.88, -29.38, -17.58

 

CMYK 47 / 6 / 0 / 9

HEX #7ADAE7

RGB 122 218 231

HSL 187.16, 0.69%, 0.69%

LAB 81.87, -24.99, -15.2

 

CMYK 77 / 9 / 0 / 15

HEX #32C7DA

RGB 50 199 218

HSL 186.79, 0.69%, 0.53%

LAB 73.92, -31.31, -20.41

 

CMYK 53 / 76 / 0 / 15

HEX #6634DA

RGB 102 52 218

HSL 258.07, 0.69%, 0.53%

LAB 38.45, 59.5, -76.49

 

CMYK 0 / 23 / 76 / 15

HEX #DAA834

RGB 218 168 52

HSL 41.93, 0.69%, 0.53%

LAB 71.66, 7.57, 63.11

 

CMYK 77 / 9 / 0 / 15

HEX #32C7DA

RGB 50 199 218

HSL 186.79, 0.69%, 0.53%

LAB 73.92, -31.31, -20.41

 

CMYK 0 / 76 / 8 / 15

HEX #DA34C9

RGB 218 52 201

HSL 306.14, 0.69%, 0.53%

LAB 53.58, 76.92, -41.49

 

CMYK 8 / 0 / 76 / 15

HEX #C9DA34

RGB 201 218 52

HSL 66.14, 0.69%, 0.53%

LAB 83.34, -25.16, 73.44

 

CMYK 77 / 9 / 0 / 15

HEX #32C7DA

RGB 50 199 218

HSL 186.79, 0.69%, 0.53%

LAB 73.92, -31.31, -20.41

 

CMYK 53 / 76 / 0 / 15

HEX #6634DA

RGB 102 52 218

HSL 258.07, 0.69%, 0.53%

LAB 38.45, 59.5, -76.49

 

CMYK 0 / 68 / 76 / 15

HEX #DA4534

RGB 218 69 52

HSL 6.14, 0.69%, 0.53%

LAB 51.16, 57.11, 42.65

 

CMYK 23 / 0 / 76 / 15

HEX #A8DA34

RGB 168 218 52

HSL 78.07, 0.69%, 0.53%

LAB 81.14, -38.33, 70.59

 

CMYK 77 / 9 / 0 / 15

HEX #32C7DA

RGB 50 199 218

HSL 186.79, 0.69%, 0.53%

LAB 73.92, -31.31, -20.41

 

CMYK 30 / 76 / 0 / 15

HEX #9834DA

RGB 152 52 218

HSL 276.14, 0.69%, 0.53%

LAB 44.51, 67.19, -66.34

 

CMYK 0 / 68 / 76 / 15

HEX #DA4534

RGB 218 69 52

HSL 6.14, 0.69%, 0.53%

LAB 51.16, 57.11, 42.65

 

CMYK 45 / 0 / 76 / 15

HEX #77DA34

RGB 119 218 52

HSL 95.78, 0.69%, 0.53%

LAB 78.64, -55.47, 67.35

 

Description

Color code: HEX #32C7DA | qconv.com Color code: HEX #32C7DA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 199 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 199 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 9 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 9% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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