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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32BE36 it is the complementary color #CD41C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32BE36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32BE36 shade: #37BE31, #48D044, #59E257, #6AF46A and #7BFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32BE36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32BE36 shade: #32BE36, #21AC23, #109A10, #008800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32BE36 shade: #32BD36, #54BD32, #79BD32, #9FBD32 and #BDB632

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32BE36 shade: #32BD36, #32BD5C, #32BD81, #32BDA7 and #32AEBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32BE36 shade matches the following richer shades: #32BD36, #1FD124 and #0CE412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32BE36 shade: #32BD36, #46AA49, #59975B, #6D836D and #80707F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32BE36 shade: #7ABD32, #55BD32, #32BD35, #32BD5A and #32BD7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32BE36 shade: #217C24, #2A9D2D, #32BD36, #4ACF4E and #6BD86E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32BE36 shade: #32BE36, #329FBD and #BD3268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32BE36 shade: #32BE36, #3532BD and #BD3532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32BE36 shade: #32BE36, #329FBD, #BD32BB and #BD5032

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32BE36 shade: #32BE36, #3276BD, #BD32BB and #BD7A32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 72 / 25

HEX #32BE36

RGB 50 190 54

HSL 121.71, 0.58%, 0.47%

LAB 67.85, -62.09, 55.23

 

Complementary color

CMYK 0 / 68 / 2 / 20

HEX #CD41C9

RGB 205 65 201

HSL 301.71, 0.58%, 0.53%

LAB 52.92, 69.99, -42.66

 

CMYK 71 / 0 / 74 / 25

HEX #37BE31

RGB 55 190 49

HSL 117.45, 0.59%, 0.47%

LAB 67.92, -61.65, 57.14

 

CMYK 65 / 0 / 67 / 18

HEX #48D044

RGB 72 208 68

HSL 118.29, 0.6%, 0.54%

LAB 74.13, -62.79, 56.57

 

CMYK 61 / 0 / 62 / 11

HEX #59E257

RGB 89 226 87

HSL 119.14, 0.71%, 0.61%

LAB 80.29, -63.51, 55.62

 

CMYK 57 / 0 / 57 / 4

HEX #6AF46A

RGB 106 244 106

HSL 120, 0.86%, 0.69%

LAB 86.41, -63.94, 54.49

 

CMYK 52 / 0 / 51 / 0

HEX #7BFF7D

RGB 123 255 125

HSL 120.91, 1%, 0.74%

LAB 90.42, -61.56, 50.79

 

CMYK 74 / 0 / 72 / 25

HEX #32BE36

RGB 50 190 54

HSL 121.71, 0.58%, 0.47%

LAB 67.85, -62.09, 55.23

 

CMYK 81 / 0 / 80 / 33

HEX #21AC23

RGB 33 172 35

HSL 120.86, 0.68%, 0.4%

LAB 61.61, -60.29, 55.47

 

CMYK 90 / 0 / 90 / 40

HEX #109A10

RGB 16 154 16

HSL 120, 0.81%, 0.33%

LAB 55.34, -57.62, 54.6

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 56 / 0 / 74 / 26

HEX #54BD32

RGB 84 189 50

HSL 105.32, 0.58%, 0.47%

LAB 68.4, -54.79, 57.53

 

CMYK 36 / 0 / 74 / 26

HEX #79BD32

RGB 121 189 50

HSL 89.35, 0.58%, 0.47%

LAB 69.96, -43.22, 59.6

 

CMYK 16 / 0 / 74 / 26

HEX #9FBD32

RGB 159 189 50

HSL 72.95, 0.58%, 0.47%

LAB 72.23, -28.61, 62.59

 

CMYK 0 / 4 / 74 / 26

HEX #BDB632

RGB 189 182 50

HSL 56.98, 0.58%, 0.47%

LAB 72.56, -12.47, 63.71

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 74 / 0 / 51 / 26

HEX #32BD5C

RGB 50 189 92

HSL 138.13, 0.58%, 0.47%

LAB 67.91, -57.28, 38.47

 

CMYK 74 / 0 / 32 / 26

HEX #32BD81

RGB 50 189 129

HSL 154.1, 0.58%, 0.47%

LAB 68.5, -50.53, 20.05

 

CMYK 74 / 0 / 12 / 26

HEX #32BDA7

RGB 50 189 167

HSL 170.5, 0.58%, 0.47%

LAB 69.37, -41.39, 0.62

 

CMYK 74 / 8 / 0 / 26

HEX #32AEBD

RGB 50 174 189

HSL 186.47, 0.58%, 0.47%

LAB 65.46, -28.04, -17.36

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 85 / 0 / 83 / 18

HEX #1FD124

RGB 31 209 36

HSL 121.69, 0.74%, 0.47%

LAB 73.56, -71.39, 66.32

 

CMYK 95 / 0 / 92 / 11

HEX #0CE412

RGB 12 228 18

HSL 121.67, 0.9%, 0.47%

LAB 79.39, -78.46, 74.75

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 59 / 0 / 57 / 33

HEX #46AA49

RGB 70 170 73

HSL 121.8, 0.42%, 0.47%

LAB 62.11, -49.01, 40.85

 

CMYK 41 / 0 / 40 / 41

HEX #59975B

RGB 89 151 91

HSL 121.94, 0.26%, 0.47%

LAB 57.09, -32.91, 25.49

 

CMYK 17 / 0 / 17 / 49

HEX #6D836D

RGB 109 131 109

HSL 120, 0.09%, 0.47%

LAB 52.5, -12.52, 9.28

 

CMYK 0 / 13 / 1 / 50

HEX #80707F

RGB 128 112 127

HSL 303.75, 0.07%, 0.47%

LAB 49.14, 9.12, -5.96

 

CMYK 35 / 0 / 74 / 26

HEX #7ABD32

RGB 122 189 50

HSL 88.92, 0.58%, 0.47%

LAB 70.01, -42.86, 59.67

 

CMYK 55 / 0 / 74 / 26

HEX #55BD32

RGB 85 189 50

HSL 104.89, 0.58%, 0.47%

LAB 68.43, -54.52, 57.57

 

CMYK 74 / 0 / 72 / 26

HEX #32BD35

RGB 50 189 53

HSL 121.29, 0.58%, 0.47%

LAB 67.52, -61.85, 55.27

 

CMYK 74 / 0 / 52 / 26

HEX #32BD5A

RGB 50 189 90

HSL 137.27, 0.58%, 0.47%

LAB 67.88, -57.58, 39.42

 

CMYK 74 / 0 / 33 / 26

HEX #32BD7F

RGB 50 189 127

HSL 153.24, 0.58%, 0.47%

LAB 68.46, -50.95, 21.07

 

CMYK 73 / 0 / 71 / 51

HEX #217C24

RGB 33 124 36

HSL 121.98, 0.58%, 0.31%

LAB 45.45, -44.36, 38.87

 

CMYK 73 / 0 / 71 / 38

HEX #2A9D2D

RGB 42 157 45

HSL 121.57, 0.58%, 0.39%

LAB 56.88, -53.34, 47.25

 

CMYK 74 / 0 / 71 / 26

HEX #32BD36

RGB 50 189 54

HSL 121.73, 0.58%, 0.47%

LAB 67.53, -61.77, 54.9

 

CMYK 64 / 0 / 62 / 19

HEX #4ACF4E

RGB 74 207 78

HSL 121.8, 0.58%, 0.55%

LAB 73.95, -61.04, 52.23

 

CMYK 50 / 0 / 49 / 15

HEX #6BD86E

RGB 107 216 110

HSL 121.65, 0.58%, 0.63%

LAB 78.09, -52.6, 42.61

 

CMYK 74 / 0 / 72 / 25

HEX #32BE36

RGB 50 190 54

HSL 121.71, 0.58%, 0.47%

LAB 67.85, -62.09, 55.23

 

CMYK 74 / 16 / 0 / 26

HEX #329FBD

RGB 50 159 189

HSL 192.95, 0.58%, 0.47%

LAB 60.91, -20.4, -24.29

 

CMYK 0 / 74 / 45 / 26

HEX #BD3268

RGB 189 50 104

HSL 336.69, 0.58%, 0.47%

LAB 44.38, 58.51, 1.91

 

CMYK 74 / 0 / 72 / 25

HEX #32BE36

RGB 50 190 54

HSL 121.71, 0.58%, 0.47%

LAB 67.85, -62.09, 55.23

 

CMYK 72 / 74 / 0 / 26

HEX #3532BD

RGB 53 50 189

HSL 241.29, 0.58%, 0.47%

LAB 31.14, 46.19, -71.79

 

CMYK 0 / 72 / 74 / 26

HEX #BD3532

RGB 189 53 50

HSL 1.29, 0.58%, 0.47%

LAB 43.65, 53.73, 34.01

 

CMYK 74 / 0 / 72 / 25

HEX #32BE36

RGB 50 190 54

HSL 121.71, 0.58%, 0.47%

LAB 67.85, -62.09, 55.23

 

CMYK 74 / 16 / 0 / 26

HEX #329FBD

RGB 50 159 189

HSL 192.95, 0.58%, 0.47%

LAB 60.91, -20.4, -24.29

 

CMYK 0 / 74 / 1 / 26

HEX #BD32BB

RGB 189 50 187

HSL 300.86, 0.58%, 0.47%

LAB 47.86, 69.25, -42.73

 

CMYK 0 / 58 / 74 / 26

HEX #BD5032

RGB 189 80 50

HSL 12.95, 0.58%, 0.47%

LAB 47.99, 42.09, 38.85

 

CMYK 74 / 0 / 72 / 25

HEX #32BE36

RGB 50 190 54

HSL 121.71, 0.58%, 0.47%

LAB 67.85, -62.09, 55.23

 

CMYK 74 / 38 / 0 / 26

HEX #3276BD

RGB 50 118 189

HSL 210.65, 0.58%, 0.47%

LAB 48.65, 2.95, -43.44

 

CMYK 0 / 74 / 1 / 26

HEX #BD32BB

RGB 189 50 187

HSL 300.86, 0.58%, 0.47%

LAB 47.86, 69.25, -42.73

 

CMYK 0 / 35 / 74 / 26

HEX #BD7A32

RGB 189 122 50

HSL 31.08, 0.58%, 0.47%

LAB 57.04, 19.9, 48.45

 

Description

Color code: HEX #32BE36 | qconv.com Color code: HEX #32BE36 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 190 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 190 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 72 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 72% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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