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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B73B it is the complementary color #CD48C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B73B shade: #37B736, #48C949, #59DB5C, #6AED6F and #7BFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B73B shade: #32B73B, #21A528, #109315, #008102 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B73B shade: #32B83B, #4DB832, #72B832, #96B832 and #B8B732

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B73B shade: #32B83B, #32B860, #32B884, #32B8A8 and #32A5B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B73B shade matches the following richer shades: #32B83B, #1FCB2B and #0CDE1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B73B shade: #32B83B, #45A54C, #58925C, #6B7F6D and #7E6C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B73B shade: #71B832, #4DB832, #32B83B, #32B85F and #32B883

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B73B shade: #217727, #2A9831, #32B83B, #47CD50 and #68D66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B73B shade: #32B73B, #3295B8 and #B8325F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B73B shade: #32B73B, #3B32B8 and #B83B32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B73B shade: #32B73B, #3295B8, #B832AF and #B85632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B73B shade: #32B73B, #326CB8, #B832AF and #B87E32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 68 / 28

HEX #32B73B

RGB 50 183 59

HSL 124.06, 0.57%, 0.46%

LAB 65.64, -59.35, 50.94

 

Complementary color

CMYK 0 / 65 / 4 / 20

HEX #CD48C4

RGB 205 72 196

HSL 304.06, 0.57%, 0.54%

LAB 53.6, 66.59, -38.72

 

CMYK 70 / 0 / 70 / 28

HEX #37B736

RGB 55 183 54

HSL 119.53, 0.54%, 0.46%

LAB 65.71, -58.93, 53.03

 

CMYK 64 / 0 / 64 / 21

HEX #48C949

RGB 72 201 73

HSL 120.47, 0.54%, 0.54%

LAB 71.98, -59.89, 52.16

 

CMYK 59 / 0 / 58 / 14

HEX #59DB5C

RGB 89 219 92

HSL 121.38, 0.64%, 0.6%

LAB 78.2, -60.47, 51.03

 

CMYK 55 / 0 / 53 / 7

HEX #6AED6F

RGB 106 237 111

HSL 122.29, 0.78%, 0.67%

LAB 84.37, -60.78, 49.8

 

CMYK 52 / 0 / 49 / 0

HEX #7BFF82

RGB 123 255 130

HSL 123.18, 1%, 0.74%

LAB 90.48, -60.91, 48.54

 

CMYK 73 / 0 / 68 / 28

HEX #32B73B

RGB 50 183 59

HSL 124.06, 0.57%, 0.46%

LAB 65.64, -59.35, 50.94

 

CMYK 80 / 0 / 76 / 35

HEX #21A528

RGB 33 165 40

HSL 123.18, 0.67%, 0.39%

LAB 59.33, -57.75, 51.59

 

CMYK 89 / 0 / 86 / 42

HEX #109315

RGB 16 147 21

HSL 122.29, 0.8%, 0.32%

LAB 52.98, -55.3, 51.36

 

CMYK 100 / 0 / 98 / 49

HEX #008102

RGB 0 129 2

HSL 120.93, 1%, 0.25%

LAB 46.58, -51.91, 49.77

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 73 / 0 / 68 / 28

HEX #32B83B

RGB 50 184 59

HSL 124.03, 0.57%, 0.46%

LAB 65.96, -59.68, 51.28

 

CMYK 58 / 0 / 73 / 28

HEX #4DB832

RGB 77 184 50

HSL 107.91, 0.57%, 0.46%

LAB 66.59, -54.79, 55.63

 

CMYK 38 / 0 / 73 / 28

HEX #72B832

RGB 114 184 50

HSL 91.34, 0.57%, 0.46%

LAB 68.09, -43.56, 57.63

 

CMYK 18 / 0 / 73 / 28

HEX #96B832

RGB 150 184 50

HSL 75.22, 0.57%, 0.46%

LAB 70.17, -29.89, 60.39

 

CMYK 0 / 1 / 73 / 28

HEX #B8B732

RGB 184 183 50

HSL 59.55, 0.57%, 0.46%

LAB 72.42, -15.13, 63.43

 

CMYK 73 / 0 / 68 / 28

HEX #32B83B

RGB 50 184 59

HSL 124.03, 0.57%, 0.46%

LAB 65.96, -59.68, 51.28

 

CMYK 73 / 0 / 48 / 28

HEX #32B860

RGB 50 184 96

HSL 140.6, 0.57%, 0.46%

LAB 66.37, -54.86, 34.55

 

CMYK 73 / 0 / 28 / 28

HEX #32B884

RGB 50 184 132

HSL 156.72, 0.57%, 0.46%

LAB 66.99, -47.88, 16.36

 

CMYK 73 / 0 / 9 / 28

HEX #32B8A8

RGB 50 184 168

HSL 172.84, 0.57%, 0.46%

LAB 67.86, -38.9, -2.14

 

CMYK 73 / 10 / 0 / 28

HEX #32A5B8

RGB 50 165 184

HSL 188.51, 0.57%, 0.46%

LAB 62.55, -25.1, -18.98

 

CMYK 73 / 0 / 68 / 28

HEX #32B83B

RGB 50 184 59

HSL 124.03, 0.57%, 0.46%

LAB 65.96, -59.68, 51.28

 

CMYK 85 / 0 / 79 / 20

HEX #1FCB2B

RGB 31 203 43

HSL 124.19, 0.74%, 0.46%

LAB 71.68, -69.26, 62.64

 

CMYK 95 / 0 / 88 / 13

HEX #0CDE1B

RGB 12 222 27

HSL 124.29, 0.9%, 0.46%

LAB 77.52, -76.58, 71.75

 

CMYK 73 / 0 / 68 / 28

HEX #32B83B

RGB 50 184 59

HSL 124.03, 0.57%, 0.46%

LAB 65.96, -59.68, 51.28

 

CMYK 58 / 0 / 54 / 35

HEX #45A54C

RGB 69 165 76

HSL 124.38, 0.41%, 0.46%

LAB 60.51, -46.91, 37.47

 

CMYK 40 / 0 / 37 / 43

HEX #58925C

RGB 88 146 92

HSL 124.14, 0.25%, 0.46%

LAB 55.49, -30.71, 22.82

 

CMYK 16 / 0 / 14 / 50

HEX #6B7F6D

RGB 107 127 109

HSL 126, 0.09%, 0.46%

LAB 51.16, -11.06, 7.37

 

CMYK 0 / 14 / 1 / 51

HEX #7E6C7D

RGB 126 108 125

HSL 303.33, 0.08%, 0.46%

LAB 47.81, 10.34, -6.78

 

CMYK 39 / 0 / 73 / 28

HEX #71B832

RGB 113 184 50

HSL 91.79, 0.57%, 0.46%

LAB 68.04, -43.9, 57.56

 

CMYK 58 / 0 / 73 / 28

HEX #4DB832

RGB 77 184 50

HSL 107.91, 0.57%, 0.46%

LAB 66.59, -54.79, 55.63

 

CMYK 73 / 0 / 68 / 28

HEX #32B83B

RGB 50 184 59

HSL 124.03, 0.57%, 0.46%

LAB 65.96, -59.68, 51.28

 

CMYK 73 / 0 / 48 / 28

HEX #32B85F

RGB 50 184 95

HSL 140.15, 0.57%, 0.46%

LAB 66.36, -55.02, 35.04

 

CMYK 73 / 0 / 29 / 28

HEX #32B883

RGB 50 184 131

HSL 156.27, 0.57%, 0.46%

LAB 66.97, -48.1, 16.87

 

CMYK 72 / 0 / 67 / 53

HEX #217727

RGB 33 119 39

HSL 124.19, 0.57%, 0.3%

LAB 43.75, -42.21, 35.67

 

CMYK 72 / 0 / 68 / 40

HEX #2A9831

RGB 42 152 49

HSL 123.82, 0.57%, 0.38%

LAB 55.25, -51.23, 43.86

 

CMYK 73 / 0 / 68 / 28

HEX #32B83B

RGB 50 184 59

HSL 124.03, 0.57%, 0.46%

LAB 65.96, -59.68, 51.28

 

CMYK 65 / 0 / 61 / 20

HEX #47CD50

RGB 71 205 80

HSL 124.03, 0.57%, 0.54%

LAB 73.27, -60.73, 50.57

 

CMYK 51 / 0 / 48 / 16

HEX #68D66F

RGB 104 214 111

HSL 123.82, 0.57%, 0.62%

LAB 77.39, -52.46, 41.23

 

CMYK 73 / 0 / 68 / 28

HEX #32B73B

RGB 50 183 59

HSL 124.06, 0.57%, 0.46%

LAB 65.64, -59.35, 50.94

 

CMYK 73 / 19 / 0 / 28

HEX #3295B8

RGB 50 149 184

HSL 195.67, 0.57%, 0.46%

LAB 57.69, -16.72, -26.43

 

CMYK 0 / 73 / 48 / 28

HEX #B8325F

RGB 184 50 95

HSL 339.85, 0.57%, 0.46%

LAB 43.21, 56.25, 5.71

 

CMYK 73 / 0 / 68 / 28

HEX #32B73B

RGB 50 183 59

HSL 124.06, 0.57%, 0.46%

LAB 65.64, -59.35, 50.94

 

CMYK 68 / 73 / 0 / 28

HEX #3B32B8

RGB 59 50 184

HSL 244.03, 0.57%, 0.46%

LAB 31.05, 45.19, -68.98

 

CMYK 0 / 68 / 73 / 28

HEX #B83B32

RGB 184 59 50

HSL 4.03, 0.57%, 0.46%

LAB 43.58, 49.76, 33.69

 

CMYK 73 / 0 / 68 / 28

HEX #32B73B

RGB 50 183 59

HSL 124.06, 0.57%, 0.46%

LAB 65.64, -59.35, 50.94

 

CMYK 73 / 19 / 0 / 28

HEX #3295B8

RGB 50 149 184

HSL 195.67, 0.57%, 0.46%

LAB 57.69, -16.72, -26.43

 

CMYK 0 / 73 / 5 / 28

HEX #B832AF

RGB 184 50 175

HSL 304.03, 0.57%, 0.46%

LAB 46.4, 66.26, -38.06

 

CMYK 0 / 53 / 73 / 28

HEX #B85632

RGB 184 86 50

HSL 16.12, 0.57%, 0.46%

LAB 48.36, 37.18, 39.02

 

CMYK 73 / 0 / 68 / 28

HEX #32B73B

RGB 50 183 59

HSL 124.06, 0.57%, 0.46%

LAB 65.64, -59.35, 50.94

 

CMYK 73 / 41 / 0 / 28

HEX #326CB8

RGB 50 108 184

HSL 214.03, 0.57%, 0.46%

LAB 45.45, 7.31, -45.64

 

CMYK 0 / 73 / 5 / 28

HEX #B832AF

RGB 184 50 175

HSL 304.03, 0.57%, 0.46%

LAB 46.4, 66.26, -38.06

 

CMYK 0 / 32 / 73 / 28

HEX #B87E32

RGB 184 126 50

HSL 34.03, 0.57%, 0.46%

LAB 57.41, 15.5, 48.63

 

Description

Color code: HEX #32B73B | qconv.com Color code: HEX #32B73B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 183 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 183 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 68 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 68% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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