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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B5E7 it is the complementary color #CD4A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B5E7 shade: #37B5E2, #48C7F5, #59D9FF, #6AEBFF and #7BFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B5E7 shade: #32B5E7, #21A3D4, #1091C1, #007FAE and #006D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B5E7 shade: #31B4E6, #3183E6, #3153E6, #4131E6 and #7131E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B5E7 shade: #31B4E6, #3183E6, #3153E6 and #3131E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B5E7 shade matches the following richer shades: #31B4E6 and #1FBDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B5E7 shade: #31B4E6, #44ACD4, #56A4C1, #699BAF and #7B939C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B5E7 shade: #31E6B6, #31E6E6, #31B6E6, #3186E6 and #3155E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B5E7 shade: #1485B1, #19A1D6, #31B4E6, #56C2EB and #7BCFEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B5E7 shade: #32B5E7, #8631E6 and #E6CE31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B5E7 shade: #32B5E7, #E631B6 and #B6E631

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B5E7 shade: #32B5E7, #8631E6, #E66131 and #92E631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B5E7 shade: #32B5E7, #BC31E6, #E66131 and #5BE631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 22 / 0 / 9

HEX #32B5E7

RGB 50 181 231

HSL 196.57, 0.79%, 0.55%

LAB 69.11, -18.06, -34.87

 

Complementary color

CMYK 0 / 64 / 88 / 20

HEX #CD4A18

RGB 205 74 24

HSL 16.57, 0.79%, 0.45%

LAB 49.43, 49.85, 53.33

 

CMYK 76 / 20 / 0 / 11

HEX #37B5E2

RGB 55 181 226

HSL 195.79, 0.75%, 0.55%

LAB 69, -19.19, -32.29

 

CMYK 71 / 19 / 0 / 4

HEX #48C7F5

RGB 72 199 245

HSL 195.95, 0.9%, 0.62%

LAB 75.34, -20.33, -32.77

 

CMYK 65 / 15 / 0 / 0

HEX #59D9FF

RGB 89 217 255

HSL 193.73, 1%, 0.67%

LAB 81.27, -23.95, -28.94

 

CMYK 58 / 8 / 0 / 0

HEX #6AEBFF

RGB 106 235 255

HSL 188.05, 1%, 0.71%

LAB 86.85, -29.97, -20.41

 

CMYK 52 / 1 / 0 / 0

HEX #7BFDFF

RGB 123 253 255

HSL 180.91, 1%, 0.74%

LAB 92.43, -35.29, -11.97

 

CMYK 78 / 22 / 0 / 9

HEX #32B5E7

RGB 50 181 231

HSL 196.57, 0.79%, 0.55%

LAB 69.11, -18.06, -34.87

 

CMYK 84 / 23 / 0 / 17

HEX #21A3D4

RGB 33 163 212

HSL 196.42, 0.73%, 0.48%

LAB 62.74, -16.44, -34.34

 

CMYK 92 / 25 / 0 / 24

HEX #1091C1

RGB 16 145 193

HSL 196.27, 0.85%, 0.41%

LAB 56.3, -14.41, -33.73

 

CMYK 100 / 27 / 0 / 32

HEX #007FAE

RGB 0 127 174

HSL 196.21, 1%, 0.34%

LAB 49.78, -11.96, -33.05

 

CMYK 100 / 30 / 0 / 39

HEX #006D9B

RGB 0 109 155

HSL 197.81, 1%, 0.3%

LAB 43.22, -8.78, -32.21

 

CMYK 79 / 22 / 0 / 10

HEX #31B4E6

RGB 49 180 230

HSL 196.57, 0.78%, 0.55%

LAB 68.76, -17.97, -34.87

 

CMYK 79 / 43 / 0 / 10

HEX #3183E6

RGB 49 131 230

HSL 212.82, 0.78%, 0.55%

LAB 54.66, 10, -57.12

 

CMYK 79 / 64 / 0 / 10

HEX #3153E6

RGB 49 83 230

HSL 228.73, 0.78%, 0.55%

LAB 42.08, 40.16, -77.51

 

CMYK 72 / 79 / 0 / 10

HEX #4131E6

RGB 65 49 230

HSL 245.3, 0.78%, 0.55%

LAB 36.05, 60.43, -87.42

 

CMYK 51 / 79 / 0 / 10

HEX #7131E6

RGB 113 49 230

HSL 261.22, 0.78%, 0.55%

LAB 40.28, 65.3, -80.3

 

CMYK 79 / 22 / 0 / 10

HEX #31B4E6

RGB 49 180 230

HSL 196.57, 0.78%, 0.55%

LAB 68.76, -17.97, -34.87

 

CMYK 79 / 43 / 0 / 10

HEX #3183E6

RGB 49 131 230

HSL 212.82, 0.78%, 0.55%

LAB 54.66, 10, -57.12

 

CMYK 79 / 64 / 0 / 10

HEX #3153E6

RGB 49 83 230

HSL 228.73, 0.78%, 0.55%

LAB 42.08, 40.16, -77.51

 

CMYK 79 / 79 / 0 / 10

HEX #3131E6

RGB 49 49 230

HSL 240, 0.78%, 0.55%

LAB 35.13, 59.37, -88.98

 

CMYK 79 / 22 / 0 / 10

HEX #31B4E6

RGB 49 180 230

HSL 196.57, 0.78%, 0.55%

LAB 68.76, -17.97, -34.87

 

CMYK 88 / 24 / 0 / 2

HEX #1FBDF9

RGB 31 189 249

HSL 196.51, 0.95%, 0.55%

LAB 71.91, -17.63, -40.3

 

CMYK 79 / 22 / 0 / 10

HEX #31B4E6

RGB 49 180 230

HSL 196.57, 0.78%, 0.55%

LAB 68.76, -17.97, -34.87

 

CMYK 68 / 19 / 0 / 17

HEX #44ACD4

RGB 68 172 212

HSL 196.67, 0.63%, 0.55%

LAB 66.13, -17.31, -29.03

 

CMYK 55 / 15 / 0 / 24

HEX #56A4C1

RGB 86 164 193

HSL 196.26, 0.46%, 0.55%

LAB 63.66, -15.72, -22.23

 

CMYK 40 / 11 / 0 / 31

HEX #699BAF

RGB 105 155 175

HSL 197.14, 0.3%, 0.55%

LAB 61.26, -11.43, -15.69

 

CMYK 21 / 6 / 0 / 39

HEX #7B939C

RGB 123 147 156

HSL 196.36, 0.14%, 0.55%

LAB 59.41, -6.41, -7.58

 

CMYK 79 / 0 / 21 / 10

HEX #31E6B6

RGB 49 230 182

HSL 164.09, 0.78%, 0.55%

LAB 82.18, -54.81, 11

 

CMYK 79 / 0 / 0 / 10

HEX #31E6E6

RGB 49 230 230

HSL 180, 0.78%, 0.55%

LAB 83.42, -42.2, -12.53

 

CMYK 79 / 21 / 0 / 10

HEX #31B6E6

RGB 49 182 230

HSL 195.91, 0.78%, 0.55%

LAB 69.34, -19.02, -33.96

 

CMYK 79 / 42 / 0 / 10

HEX #3186E6

RGB 49 134 230

HSL 211.82, 0.78%, 0.55%

LAB 55.5, 8.17, -55.77

 

CMYK 79 / 63 / 0 / 10

HEX #3155E6

RGB 49 85 230

HSL 228.07, 0.78%, 0.55%

LAB 42.56, 38.92, -76.73

 

CMYK 89 / 25 / 0 / 31

HEX #1485B1

RGB 20 133 177

HSL 196.82, 0.8%, 0.39%

LAB 51.95, -13.33, -31.38

 

CMYK 88 / 25 / 0 / 16

HEX #19A1D6

RGB 25 161 214

HSL 196.83, 0.79%, 0.47%

LAB 62.13, -15.19, -36.41

 

CMYK 79 / 22 / 0 / 10

HEX #31B4E6

RGB 49 180 230

HSL 196.57, 0.78%, 0.55%

LAB 68.76, -17.97, -34.87

 

CMYK 63 / 17 / 0 / 8

HEX #56C2EB

RGB 86 194 235

HSL 196.51, 0.79%, 0.63%

LAB 73.91, -18.79, -29.56

 

CMYK 49 / 13 / 0 / 6

HEX #7BCFEF

RGB 123 207 239

HSL 196.55, 0.78%, 0.71%

LAB 79.08, -17.09, -23.67

 

CMYK 78 / 22 / 0 / 9

HEX #32B5E7

RGB 50 181 231

HSL 196.57, 0.79%, 0.55%

LAB 69.11, -18.06, -34.87

 

CMYK 42 / 79 / 0 / 10

HEX #8631E6

RGB 134 49 230

HSL 268.18, 0.78%, 0.55%

LAB 42.73, 68.12, -76.18

 

CMYK 0 / 10 / 79 / 10

HEX #E6CE31

RGB 230 206 49

HSL 52.04, 0.78%, 0.55%

LAB 82.48, -7.17, 74.43

 

CMYK 78 / 22 / 0 / 9

HEX #32B5E7

RGB 50 181 231

HSL 196.57, 0.79%, 0.55%

LAB 69.11, -18.06, -34.87

 

CMYK 0 / 79 / 21 / 10

HEX #E631B6

RGB 230 49 182

HSL 315.91, 0.78%, 0.55%

LAB 54.45, 77.72, -29

 

CMYK 21 / 0 / 79 / 10

HEX #B6E631

RGB 182 230 49

HSL 75.91, 0.78%, 0.55%

LAB 85.38, -38.43, 75.68

 

CMYK 78 / 22 / 0 / 9

HEX #32B5E7

RGB 50 181 231

HSL 196.57, 0.79%, 0.55%

LAB 69.11, -18.06, -34.87

 

CMYK 42 / 79 / 0 / 10

HEX #8631E6

RGB 134 49 230

HSL 268.18, 0.78%, 0.55%

LAB 42.73, 68.12, -76.18

 

CMYK 0 / 58 / 79 / 10

HEX #E66131

RGB 230 97 49

HSL 15.91, 0.78%, 0.55%

LAB 57.65, 49.14, 51.42

 

CMYK 37 / 0 / 79 / 10

HEX #92E631

RGB 146 230 49

HSL 87.85, 0.78%, 0.55%

LAB 83.4, -51.58, 73.14

 

CMYK 78 / 22 / 0 / 9

HEX #32B5E7

RGB 50 181 231

HSL 196.57, 0.79%, 0.55%

LAB 69.11, -18.06, -34.87

 

CMYK 18 / 79 / 0 / 10

HEX #BC31E6

RGB 188 49 230

HSL 286.08, 0.78%, 0.55%

LAB 50.22, 76.75, -63.67

 

CMYK 0 / 58 / 79 / 10

HEX #E66131

RGB 230 97 49

HSL 15.91, 0.78%, 0.55%

LAB 57.65, 49.14, 51.42

 

CMYK 60 / 0 / 79 / 10

HEX #5BE631

RGB 91 230 49

HSL 106.08, 0.78%, 0.55%

LAB 81.31, -67.45, 70.44

 

Description

Color code: HEX #32B5E7 | qconv.com Color code: HEX #32B5E7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 181 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 181 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 22 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 22% 0% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Anonymous Animals in...
Link: http://googlesystem.blogspot.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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