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Color name
HEX #32B238

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B238 it is the complementary color #CD4DC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B238 shade: #37B233, #48C446, #59D659, #6AE86C and #7BFA7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B238 shade: #32B238, #21A025, #108E12, #007C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B238 shade: #32B339, #4FB332, #72B332, #94B332 and #B3AF32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B238 shade: #32B339, #32B35B, #32B37E, #32B3A0 and #32A3B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B238 shade matches the following richer shades: #32B339, #20C628 and #0DD817

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B238 shade: #32B339, #45A049, #588E5A, #6A7B6B and #7D697C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B238 shade: #73B332, #50B332, #32B337, #32B359 and #32B37B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B238 shade: #207324, #29932E, #32B339, #44CA4B and #65D36A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B238 shade: #32B238, #3295B3 and #B33262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B238 shade: #32B238, #3732B3 and #B33732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B238 shade: #32B238, #3295B3, #B332AF and #B35032

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B238 shade: #32B238, #326EB3, #B332AF and #B37732

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 69 / 30

HEX #32B238

RGB 50 178 56

HSL 122.81, 0.56%, 0.45%

LAB 64, -57.97, 50.41

 

Complementary color

CMYK 0 / 62 / 3 / 20

HEX #CD4DC7

RGB 205 77 199

HSL 302.81, 0.56%, 0.55%

LAB 54.46, 65.09, -39.09

 

CMYK 69 / 0 / 71 / 30

HEX #37B233

RGB 55 178 51

HSL 118.11, 0.55%, 0.45%

LAB 64.07, -57.52, 52.49

 

CMYK 63 / 0 / 64 / 23

HEX #48C446

RGB 72 196 70

HSL 119.05, 0.52%, 0.52%

LAB 70.39, -58.45, 51.67

 

CMYK 58 / 0 / 58 / 16

HEX #59D659

RGB 89 214 89

HSL 120, 0.6%, 0.59%

LAB 76.64, -59, 50.57

 

CMYK 54 / 0 / 53 / 9

HEX #6AE86C

RGB 106 232 108

HSL 120.95, 0.73%, 0.66%

LAB 82.84, -59.29, 49.35

 

CMYK 51 / 0 / 49 / 2

HEX #7BFA7F

RGB 123 250 127

HSL 121.89, 0.93%, 0.73%

LAB 88.98, -59.4, 48.09

 

CMYK 72 / 0 / 69 / 30

HEX #32B238

RGB 50 178 56

HSL 122.81, 0.56%, 0.45%

LAB 64, -57.97, 50.41

 

CMYK 79 / 0 / 77 / 37

HEX #21A025

RGB 33 160 37

HSL 121.89, 0.66%, 0.38%

LAB 57.65, -56.39, 50.98

 

CMYK 89 / 0 / 87 / 44

HEX #108E12

RGB 16 142 18

HSL 120.95, 0.8%, 0.31%

LAB 51.27, -53.93, 50.57

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 72 / 0 / 68 / 30

HEX #32B339

RGB 50 179 57

HSL 123.26, 0.56%, 0.45%

LAB 64.33, -58.21, 50.35

 

CMYK 56 / 0 / 72 / 30

HEX #4FB332

RGB 79 179 50

HSL 106.51, 0.56%, 0.45%

LAB 65.07, -52.43, 54.11

 

CMYK 36 / 0 / 72 / 30

HEX #72B332

RGB 114 179 50

HSL 90.23, 0.56%, 0.45%

LAB 66.56, -41.43, 56.1

 

CMYK 17 / 0 / 72 / 30

HEX #94B332

RGB 148 179 50

HSL 74.42, 0.56%, 0.45%

LAB 68.58, -28.32, 58.78

 

CMYK 0 / 2 / 72 / 30

HEX #B3AF32

RGB 179 175 50

HSL 58.14, 0.56%, 0.45%

LAB 69.81, -13.2, 60.78

 

CMYK 72 / 0 / 68 / 30

HEX #32B339

RGB 50 179 57

HSL 123.26, 0.56%, 0.45%

LAB 64.33, -58.21, 50.35

 

CMYK 72 / 0 / 49 / 30

HEX #32B35B

RGB 50 179 91

HSL 139.07, 0.56%, 0.45%

LAB 64.7, -53.85, 34.99

 

CMYK 72 / 0 / 30 / 30

HEX #32B37E

RGB 50 179 126

HSL 155.35, 0.56%, 0.45%

LAB 65.3, -47.19, 17.27

 

CMYK 72 / 0 / 11 / 30

HEX #32B3A0

RGB 50 179 160

HSL 171.16, 0.56%, 0.45%

LAB 66.1, -38.83, -0.3

 

CMYK 72 / 9 / 0 / 30

HEX #32A3B3

RGB 50 163 179

HSL 187.44, 0.56%, 0.45%

LAB 61.76, -25.66, -17.37

 

CMYK 72 / 0 / 68 / 30

HEX #32B339

RGB 50 179 57

HSL 123.26, 0.56%, 0.45%

LAB 64.33, -58.21, 50.35

 

CMYK 84 / 0 / 80 / 22

HEX #20C628

RGB 32 198 40

HSL 122.89, 0.72%, 0.45%

LAB 70.07, -67.89, 62

 

CMYK 94 / 0 / 89 / 15

HEX #0DD817

RGB 13 216 23

HSL 122.96, 0.89%, 0.45%

LAB 75.61, -75.05, 70.81

 

CMYK 72 / 0 / 68 / 30

HEX #32B339

RGB 50 179 57

HSL 123.26, 0.56%, 0.45%

LAB 64.33, -58.21, 50.35

 

CMYK 57 / 0 / 54 / 37

HEX #45A049

RGB 69 160 73

HSL 122.64, 0.4%, 0.45%

LAB 58.87, -45.34, 36.97

 

CMYK 38 / 0 / 37 / 44

HEX #588E5A

RGB 88 142 90

HSL 122.22, 0.23%, 0.45%

LAB 54.2, -29.14, 22.21

 

CMYK 14 / 0 / 13 / 52

HEX #6A7B6B

RGB 106 123 107

HSL 123.53, 0.07%, 0.45%

LAB 49.85, -9.6, 6.66

 

CMYK 0 / 16 / 1 / 51

HEX #7D697C

RGB 125 105 124

HSL 303, 0.09%, 0.45%

LAB 46.87, 11.54, -7.6

 

CMYK 36 / 0 / 72 / 30

HEX #73B332

RGB 115 179 50

HSL 89.77, 0.56%, 0.45%

LAB 66.61, -41.07, 56.17

 

CMYK 55 / 0 / 72 / 30

HEX #50B332

RGB 80 179 50

HSL 106.05, 0.56%, 0.45%

LAB 65.1, -52.16, 54.15

 

CMYK 72 / 0 / 69 / 30

HEX #32B337

RGB 50 179 55

HSL 122.33, 0.56%, 0.45%

LAB 64.32, -58.4, 51.14

 

CMYK 72 / 0 / 50 / 30

HEX #32B359

RGB 50 179 89

HSL 138.14, 0.56%, 0.45%

LAB 64.68, -54.17, 35.96

 

CMYK 72 / 0 / 31 / 30

HEX #32B37B

RGB 50 179 123

HSL 153.95, 0.56%, 0.45%

LAB 65.24, -47.84, 18.82

 

CMYK 72 / 0 / 69 / 55

HEX #207324

RGB 32 115 36

HSL 122.89, 0.56%, 0.29%

LAB 42.3, -41.27, 35.46

 

CMYK 72 / 0 / 69 / 42

HEX #29932E

RGB 41 147 46

HSL 122.83, 0.56%, 0.37%

LAB 53.53, -49.98, 43.28

 

CMYK 72 / 0 / 68 / 30

HEX #32B339

RGB 50 179 57

HSL 123.26, 0.56%, 0.45%

LAB 64.33, -58.21, 50.35

 

CMYK 66 / 0 / 63 / 21

HEX #44CA4B

RGB 68 202 75

HSL 123.13, 0.56%, 0.53%

LAB 72.21, -60.84, 51.53

 

CMYK 52 / 0 / 50 / 17

HEX #65D36A

RGB 101 211 106

HSL 122.73, 0.56%, 0.61%

LAB 76.31, -52.75, 42.31

 

CMYK 72 / 0 / 69 / 30

HEX #32B238

RGB 50 178 56

HSL 122.81, 0.56%, 0.45%

LAB 64, -57.97, 50.41

 

CMYK 72 / 17 / 0 / 30

HEX #3295B3

RGB 50 149 179

HSL 193.95, 0.56%, 0.45%

LAB 57.49, -18.39, -23.9

 

CMYK 0 / 72 / 45 / 30

HEX #B33262

RGB 179 50 98

HSL 337.67, 0.56%, 0.45%

LAB 42.38, 55.06, 2.53

 

CMYK 72 / 0 / 69 / 30

HEX #32B238

RGB 50 178 56

HSL 122.81, 0.56%, 0.45%

LAB 64, -57.97, 50.41

 

CMYK 69 / 72 / 0 / 30

HEX #3732B3

RGB 55 50 179

HSL 242.33, 0.56%, 0.45%

LAB 30.27, 43.11, -67.29

 

CMYK 0 / 69 / 72 / 30

HEX #B33732

RGB 179 55 50

HSL 2.33, 0.56%, 0.45%

LAB 42.07, 49.7, 31.71

 

CMYK 72 / 0 / 69 / 30

HEX #32B238

RGB 50 178 56

HSL 122.81, 0.56%, 0.45%

LAB 64, -57.97, 50.41

 

CMYK 72 / 17 / 0 / 30

HEX #3295B3

RGB 50 149 179

HSL 193.95, 0.56%, 0.45%

LAB 57.49, -18.39, -23.9

 

CMYK 0 / 72 / 2 / 30

HEX #B332AF

RGB 179 50 175

HSL 301.86, 0.56%, 0.45%

LAB 45.58, 65.15, -39.41

 

CMYK 0 / 55 / 72 / 30

HEX #B35032

RGB 179 80 50

HSL 13.95, 0.56%, 0.45%

LAB 46.38, 38.28, 36.62

 

CMYK 72 / 0 / 69 / 30

HEX #32B238

RGB 50 178 56

HSL 122.81, 0.56%, 0.45%

LAB 64, -57.97, 50.41

 

CMYK 72 / 39 / 0 / 30

HEX #326EB3

RGB 50 110 179

HSL 212.09, 0.56%, 0.45%

LAB 45.75, 4.21, -42.25

 

CMYK 0 / 72 / 2 / 30

HEX #B332AF

RGB 179 50 175

HSL 301.86, 0.56%, 0.45%

LAB 45.58, 65.15, -39.41

 

CMYK 0 / 34 / 72 / 30

HEX #B37732

RGB 179 119 50

HSL 32.09, 0.56%, 0.45%

LAB 55.08, 17.21, 46.02

 

Description

Color code: HEX #32B238 | qconv.com Color code: HEX #32B238 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 178 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 178 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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