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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32B1AA it is the complementary color #CD4E55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32B1AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32B1AA shade: #37B1A5, #48C3B8, #59D5CB, #6AE7DE and #7BF9F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32B1AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32B1AA shade: #32B1AA, #219F97, #108D84, #007B71 and #00695E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32B1AA shade: #32B3AC, #32B389, #32B367, #32B344 and #44B332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32B1AA shade: #32B3AC, #3297B3, #3275B3, #3252B3 and #3232B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32B1AA shade matches the following richer shades: #32B3AC, #20C6BC and #0DD8CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32B1AA shade: #32B3AC, #45A09B, #588E8B, #6A7B7A and #7D696A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32B1AA shade: #32B366, #32B388, #32B3AA, #3299B3 and #3277B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32B1AA shade: #20736E, #29938D, #32B3AC, #44CAC3 and #65D3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32B1AA shade: #32B1AA, #4432B3 and #B37732

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32B1AA shade: #32B1AA, #AA32B3 and #B3AA32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32B1AA shade: #32B1AA, #4432B3, #B3323B and #A2B332

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32B1AA shade: #32B1AA, #6A32B3, #B3323B and #7BB332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 4 / 31

HEX #32B1AA

RGB 50 177 170

HSL 176.69, 0.56%, 0.45%

LAB 65.77, -35.14, -6.33

 

Complementary color

CMYK 0 / 62 / 59 / 20

HEX #CD4E55

RGB 205 78 85

HSL 356.69, 0.56%, 0.55%

LAB 50.79, 50.82, 22.79

 

CMYK 69 / 0 / 7 / 31

HEX #37B1A5

RGB 55 177 165

HSL 174.1, 0.53%, 0.45%

LAB 65.73, -35.85, -3.61

 

CMYK 63 / 0 / 6 / 24

HEX #48C3B8

RGB 72 195 184

HSL 174.63, 0.51%, 0.52%

LAB 72.14, -36.34, -4.55

 

CMYK 58 / 0 / 5 / 16

HEX #59D5CB

RGB 89 213 203

HSL 175.16, 0.6%, 0.59%

LAB 78.48, -36.65, -5.42

 

CMYK 54 / 0 / 4 / 9

HEX #6AE7DE

RGB 106 231 222

HSL 175.68, 0.72%, 0.66%

LAB 84.74, -36.85, -6.21

 

CMYK 51 / 0 / 3 / 2

HEX #7BF9F1

RGB 123 249 241

HSL 176.19, 0.91%, 0.73%

LAB 90.92, -36.97, -6.95

 

CMYK 72 / 0 / 4 / 31

HEX #32B1AA

RGB 50 177 170

HSL 176.69, 0.56%, 0.45%

LAB 65.77, -35.14, -6.33

 

CMYK 79 / 0 / 5 / 38

HEX #219F97

RGB 33 159 151

HSL 176.19, 0.66%, 0.38%

LAB 59.3, -34.23, -5.29

 

CMYK 89 / 0 / 6 / 45

HEX #108D84

RGB 16 141 132

HSL 175.68, 0.8%, 0.31%

LAB 52.76, -32.92, -4.11

 

CMYK 100 / 0 / 8 / 52

HEX #007B71

RGB 0 123 113

HSL 175.12, 1%, 0.24%

LAB 46.12, -31.22, -2.78

 

CMYK 100 / 0 / 10 / 59

HEX #00695E

RGB 0 105 94

HSL 173.71, 1%, 0.21%

LAB 39.43, -28.63, -1.17

 

CMYK 72 / 0 / 4 / 30

HEX #32B3AC

RGB 50 179 172

HSL 176.74, 0.56%, 0.45%

LAB 66.44, -35.5, -6.45

 

CMYK 72 / 0 / 23 / 30

HEX #32B389

RGB 50 179 137

HSL 160.47, 0.56%, 0.45%

LAB 65.53, -44.67, 11.58

 

CMYK 72 / 0 / 42 / 30

HEX #32B367

RGB 50 179 103

HSL 144.65, 0.56%, 0.45%

LAB 64.88, -51.81, 29.02

 

CMYK 72 / 0 / 62 / 30

HEX #32B344

RGB 50 179 68

HSL 128.37, 0.56%, 0.45%

LAB 64.43, -57.03, 45.73

 

CMYK 62 / 0 / 72 / 30

HEX #44B332

RGB 68 179 50

HSL 111.63, 0.56%, 0.45%

LAB 64.72, -55.18, 53.65

 

CMYK 72 / 0 / 4 / 30

HEX #32B3AC

RGB 50 179 172

HSL 176.74, 0.56%, 0.45%

LAB 66.44, -35.5, -6.45

 

CMYK 72 / 16 / 0 / 30

HEX #3297B3

RGB 50 151 179

HSL 193.02, 0.56%, 0.45%

LAB 58.1, -19.45, -22.96

 

CMYK 72 / 35 / 0 / 30

HEX #3275B3

RGB 50 117 179

HSL 208.84, 0.56%, 0.45%

LAB 47.82, -0.1, -38.97

 

CMYK 72 / 54 / 0 / 30

HEX #3252B3

RGB 50 82 179

HSL 225.12, 0.56%, 0.45%

LAB 37.78, 22.23, -55.04

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 72 / 0 / 4 / 30

HEX #32B3AC

RGB 50 179 172

HSL 176.74, 0.56%, 0.45%

LAB 66.44, -35.5, -6.45

 

CMYK 84 / 0 / 5 / 22

HEX #20C6BC

RGB 32 198 188

HSL 176.39, 0.72%, 0.45%

LAB 72.45, -41.3, -6.36

 

CMYK 94 / 0 / 5 / 15

HEX #0DD8CD

RGB 13 216 205

HSL 176.75, 0.89%, 0.45%

LAB 78.23, -45.27, -6.98

 

CMYK 72 / 0 / 4 / 30

HEX #32B3AC

RGB 50 179 172

HSL 176.74, 0.56%, 0.45%

LAB 66.44, -35.5, -6.45

 

CMYK 57 / 0 / 3 / 37

HEX #45A09B

RGB 69 160 155

HSL 176.7, 0.4%, 0.45%

LAB 60.58, -28.1, -5.57

 

CMYK 38 / 0 / 2 / 44

HEX #588E8B

RGB 88 142 139

HSL 176.67, 0.23%, 0.45%

LAB 55.36, -18.58, -4.07

 

CMYK 14 / 0 / 1 / 52

HEX #6A7B7A

RGB 106 123 122

HSL 176.47, 0.07%, 0.45%

LAB 50.26, -6.45, -1.57

 

CMYK 0 / 16 / 15 / 51

HEX #7D696A

RGB 125 105 106

HSL 357, 0.09%, 0.45%

LAB 46.32, 8.11, 2.39

 

CMYK 72 / 0 / 43 / 30

HEX #32B366

RGB 50 179 102

HSL 144.19, 0.56%, 0.45%

LAB 64.87, -51.99, 29.53

 

CMYK 72 / 0 / 24 / 30

HEX #32B388

RGB 50 179 136

HSL 160, 0.56%, 0.45%

LAB 65.51, -44.91, 12.1

 

CMYK 72 / 0 / 5 / 30

HEX #32B3AA

RGB 50 179 170

HSL 175.81, 0.56%, 0.45%

LAB 66.38, -36.06, -5.42

 

CMYK 72 / 15 / 0 / 30

HEX #3299B3

RGB 50 153 179

HSL 192.09, 0.56%, 0.45%

LAB 58.71, -20.51, -22.02

 

CMYK 72 / 34 / 0 / 30

HEX #3277B3

RGB 50 119 179

HSL 207.91, 0.56%, 0.45%

LAB 48.42, -1.31, -38.03

 

CMYK 72 / 0 / 4 / 55

HEX #20736E

RGB 32 115 110

HSL 176.39, 0.56%, 0.29%

LAB 43.79, -25.35, -4.38

 

CMYK 72 / 0 / 4 / 42

HEX #29938D

RGB 41 147 141

HSL 176.6, 0.56%, 0.37%

LAB 55.34, -30.53, -5.44

 

CMYK 72 / 0 / 4 / 30

HEX #32B3AC

RGB 50 179 172

HSL 176.74, 0.56%, 0.45%

LAB 66.44, -35.5, -6.45

 

CMYK 66 / 0 / 3 / 21

HEX #44CAC3

RGB 68 202 195

HSL 176.87, 0.56%, 0.53%

LAB 74.45, -37.2, -7.12

 

CMYK 52 / 0 / 3 / 17

HEX #65D3CD

RGB 101 211 205

HSL 176.73, 0.56%, 0.61%

LAB 78.32, -32.87, -6.67

 

CMYK 72 / 0 / 4 / 31

HEX #32B1AA

RGB 50 177 170

HSL 176.69, 0.56%, 0.45%

LAB 65.77, -35.14, -6.33

 

CMYK 62 / 72 / 0 / 30

HEX #4432B3

RGB 68 50 179

HSL 248.37, 0.56%, 0.45%

LAB 31.27, 44.72, -65.63

 

CMYK 0 / 34 / 72 / 30

HEX #B37732

RGB 179 119 50

HSL 32.09, 0.56%, 0.45%

LAB 55.08, 17.21, 46.02

 

CMYK 72 / 0 / 4 / 31

HEX #32B1AA

RGB 50 177 170

HSL 176.69, 0.56%, 0.45%

LAB 65.77, -35.14, -6.33

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 5 / 72 / 30

HEX #B3AA32

RGB 179 170 50

HSL 55.81, 0.56%, 0.45%

LAB 68.43, -10.61, 59.46

 

CMYK 72 / 0 / 4 / 31

HEX #32B1AA

RGB 50 177 170

HSL 176.69, 0.56%, 0.45%

LAB 65.77, -35.14, -6.33

 

CMYK 62 / 72 / 0 / 30

HEX #4432B3

RGB 68 50 179

HSL 248.37, 0.56%, 0.45%

LAB 31.27, 44.72, -65.63

 

CMYK 0 / 72 / 67 / 30

HEX #B3323B

RGB 179 50 59

HSL 355.81, 0.56%, 0.45%

LAB 41.5, 52.1, 25.63

 

CMYK 9 / 0 / 72 / 30

HEX #A2B332

RGB 162 179 50

HSL 67.91, 0.56%, 0.45%

LAB 69.58, -22.5, 60.1

 

CMYK 72 / 0 / 4 / 31

HEX #32B1AA

RGB 50 177 170

HSL 176.69, 0.56%, 0.45%

LAB 65.77, -35.14, -6.33

 

CMYK 41 / 72 / 0 / 30

HEX #6A32B3

RGB 106 50 179

HSL 266.05, 0.56%, 0.45%

LAB 35.2, 50.82, -59.03

 

CMYK 0 / 72 / 67 / 30

HEX #B3323B

RGB 179 50 59

HSL 355.81, 0.56%, 0.45%

LAB 41.5, 52.1, 25.63

 

CMYK 31 / 0 / 72 / 30

HEX #7BB332

RGB 123 179 50

HSL 86.05, 0.56%, 0.45%

LAB 67.04, -38.14, 56.74

 

Description

Color code: HEX #32B1AA | qconv.com Color code: HEX #32B1AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 177 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 177 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 4 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 4% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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