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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32AFD0 it is the complementary color #CD502F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32AFD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32AFD0 shade: #37AFCB, #48C1DE, #59D3F1, #6AE5FF and #7BF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32AFD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32AFD0 shade: #32AFD0, #219DBD, #108BAA, #007997 and #006784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32AFD0 shade: #33B0D1, #3385D1, #335BD1, #3633D1 and #6133D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32AFD0 shade: #33B0D1, #3385D1, #335BD1 and #3333D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32AFD0 shade matches the following richer shades: #33B0D1, #1FBCE5 and #0BC7F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32AFD0 shade: #33B0D1, #48A4BD, #5C98A8, #708D94 and #848180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32AFD0 shade: #33D19C, #33D1C6, #33B1D1, #3387D1 and #335DD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32AFD0 shade: #217991, #2896B2, #33B0D1, #55BDD8 and #77CAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32AFD0 shade: #32AFD0, #7233D1 and #D1B133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32AFD0 shade: #32AFD0, #D133B1 and #B1D133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32AFD0 shade: #32AFD0, #7233D1, #D15333 and #92D133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32AFD0 shade: #32AFD0, #A233D1, #D15333 and #63D133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 16 / 0 / 18

HEX #32AFD0

RGB 50 175 208

HSL 192.53, 0.63%, 0.51%

LAB 66.44, -22.52, -26.38

 

Complementary color

CMYK 0 / 61 / 77 / 20

HEX #CD502F

RGB 205 80 47

HSL 12.53, 0.63%, 0.49%

LAB 50.6, 47.84, 43.99

 

CMYK 73 / 14 / 0 / 20

HEX #37AFCB

RGB 55 175 203

HSL 191.35, 0.59%, 0.51%

LAB 66.35, -23.54, -23.73

 

CMYK 68 / 13 / 0 / 13

HEX #48C1DE

RGB 72 193 222

HSL 191.6, 0.69%, 0.58%

LAB 72.75, -24.43, -24.32

 

CMYK 63 / 12 / 0 / 5

HEX #59D3F1

RGB 89 211 241

HSL 191.84, 0.84%, 0.65%

LAB 79.08, -25.12, -24.85

 

CMYK 58 / 10 / 0 / 0

HEX #6AE5FF

RGB 106 229 255

HSL 190.47, 1%, 0.71%

LAB 85.16, -27.06, -22.97

 

CMYK 52 / 3 / 0 / 0

HEX #7BF7FF

RGB 123 247 255

HSL 183.64, 1%, 0.74%

LAB 90.76, -32.49, -14.48

 

CMYK 76 / 16 / 0 / 18

HEX #32AFD0

RGB 50 175 208

HSL 192.53, 0.63%, 0.51%

LAB 66.44, -22.52, -26.38

 

CMYK 83 / 17 / 0 / 26

HEX #219DBD

RGB 33 157 189

HSL 192.31, 0.7%, 0.44%

LAB 59.99, -21.15, -25.73

 

CMYK 91 / 18 / 0 / 33

HEX #108BAA

RGB 16 139 170

HSL 192.08, 0.83%, 0.36%

LAB 53.47, -19.38, -25

 

CMYK 100 / 20 / 0 / 41

HEX #007997

RGB 0 121 151

HSL 191.92, 1%, 0.3%

LAB 46.86, -17.18, -24.18

 

CMYK 100 / 22 / 0 / 48

HEX #006784

RGB 0 103 132

HSL 193.18, 1%, 0.26%

LAB 40.19, -14.18, -23.17

 

CMYK 76 / 16 / 0 / 18

HEX #33B0D1

RGB 51 176 209

HSL 192.53, 0.63%, 0.51%

LAB 66.79, -22.6, -26.38

 

CMYK 76 / 36 / 0 / 18

HEX #3385D1

RGB 51 133 209

HSL 208.86, 0.63%, 0.51%

LAB 54.11, 1.3, -46.18

 

CMYK 76 / 56 / 0 / 18

HEX #335BD1

RGB 51 91 209

HSL 224.81, 0.63%, 0.51%

LAB 42.44, 27.65, -64.93

 

CMYK 74 / 76 / 0 / 18

HEX #3633D1

RGB 54 51 209

HSL 241.14, 0.63%, 0.51%

LAB 33.47, 52.17, -79.65

 

CMYK 54 / 76 / 0 / 18

HEX #6133D1

RGB 97 51 209

HSL 257.47, 0.63%, 0.51%

LAB 36.95, 56.86, -73.78

 

CMYK 76 / 16 / 0 / 18

HEX #33B0D1

RGB 51 176 209

HSL 192.53, 0.63%, 0.51%

LAB 66.79, -22.6, -26.38

 

CMYK 76 / 36 / 0 / 18

HEX #3385D1

RGB 51 133 209

HSL 208.86, 0.63%, 0.51%

LAB 54.11, 1.3, -46.18

 

CMYK 76 / 56 / 0 / 18

HEX #335BD1

RGB 51 91 209

HSL 224.81, 0.63%, 0.51%

LAB 42.44, 27.65, -64.93

 

CMYK 76 / 76 / 0 / 18

HEX #3333D1

RGB 51 51 209

HSL 240, 0.63%, 0.51%

LAB 33.3, 51.94, -79.94

 

CMYK 76 / 16 / 0 / 18

HEX #33B0D1

RGB 51 176 209

HSL 192.53, 0.63%, 0.51%

LAB 66.79, -22.6, -26.38

 

CMYK 86 / 18 / 0 / 10

HEX #1FBCE5

RGB 31 188 229

HSL 192.42, 0.79%, 0.51%

LAB 70.81, -23.87, -31.17

 

CMYK 96 / 20 / 0 / 2

HEX #0BC7F9

RGB 11 199 249

HSL 192.61, 0.95%, 0.51%

LAB 74.67, -23.58, -36.02

 

CMYK 76 / 16 / 0 / 18

HEX #33B0D1

RGB 51 176 209

HSL 192.53, 0.63%, 0.51%

LAB 66.79, -22.6, -26.38

 

CMYK 62 / 13 / 0 / 26

HEX #48A4BD

RGB 72 164 189

HSL 192.82, 0.47%, 0.51%

LAB 63.01, -19.65, -21.02

 

CMYK 45 / 10 / 0 / 34

HEX #5C98A8

RGB 92 152 168

HSL 192.63, 0.3%, 0.51%

LAB 59.49, -15.12, -14.47

 

CMYK 24 / 5 / 0 / 42

HEX #708D94

RGB 112 141 148

HSL 191.67, 0.14%, 0.51%

LAB 56.72, -8.53, -7.09

 

CMYK 0 / 2 / 3 / 48

HEX #848180

RGB 132 129 128

HSL 15, 0.02%, 0.51%

LAB 54.2, 0.93, 0.93

 

CMYK 76 / 0 / 25 / 18

HEX #33D19C

RGB 51 209 156

HSL 159.87, 0.63%, 0.51%

LAB 75.27, -52.33, 15

 

CMYK 76 / 0 / 5 / 18

HEX #33D1C6

RGB 51 209 198

HSL 175.82, 0.63%, 0.51%

LAB 76.3, -41.68, -6.04

 

CMYK 76 / 15 / 0 / 18

HEX #33B1D1

RGB 51 177 209

HSL 192.15, 0.63%, 0.51%

LAB 67.09, -23.11, -25.92

 

CMYK 76 / 35 / 0 / 18

HEX #3387D1

RGB 51 135 209

HSL 208.1, 0.63%, 0.51%

LAB 54.69, 0.11, -45.26

 

CMYK 76 / 56 / 0 / 18

HEX #335DD1

RGB 51 93 209

HSL 224.05, 0.63%, 0.51%

LAB 42.97, 26.37, -64.08

 

CMYK 77 / 17 / 0 / 43

HEX #217991

RGB 33 121 145

HSL 192.86, 0.63%, 0.35%

LAB 47.03, -16.9, -20.33

 

CMYK 78 / 16 / 0 / 30

HEX #2896B2

RGB 40 150 178

HSL 192.17, 0.63%, 0.43%

LAB 57.54, -20.49, -23.27

 

CMYK 76 / 16 / 0 / 18

HEX #33B0D1

RGB 51 176 209

HSL 192.53, 0.63%, 0.51%

LAB 66.79, -22.6, -26.38

 

CMYK 61 / 13 / 0 / 15

HEX #55BDD8

RGB 85 189 216

HSL 192.37, 0.63%, 0.59%

LAB 71.75, -22.11, -22.56

 

CMYK 47 / 10 / 0 / 12

HEX #77CAE0

RGB 119 202 224

HSL 192.57, 0.63%, 0.67%

LAB 77.01, -19.51, -18.78

 

CMYK 76 / 16 / 0 / 18

HEX #32AFD0

RGB 50 175 208

HSL 192.53, 0.63%, 0.51%

LAB 66.44, -22.52, -26.38

 

CMYK 45 / 76 / 0 / 18

HEX #7233D1

RGB 114 51 209

HSL 263.92, 0.63%, 0.51%

LAB 38.81, 59.31, -70.67

 

CMYK 0 / 15 / 76 / 18

HEX #D1B133

RGB 209 177 51

HSL 47.85, 0.63%, 0.51%

LAB 73.05, -1.15, 64.46

 

CMYK 76 / 16 / 0 / 18

HEX #32AFD0

RGB 50 175 208

HSL 192.53, 0.63%, 0.51%

LAB 66.44, -22.52, -26.38

 

CMYK 0 / 76 / 15 / 18

HEX #D133B1

RGB 209 51 177

HSL 312.15, 0.63%, 0.51%

LAB 50.8, 71.86, -32.03

 

CMYK 15 / 0 / 76 / 18

HEX #B1D133

RGB 177 209 51

HSL 72.15, 0.63%, 0.51%

LAB 79.15, -30.71, 69.25

 

CMYK 76 / 16 / 0 / 18

HEX #32AFD0

RGB 50 175 208

HSL 192.53, 0.63%, 0.51%

LAB 66.44, -22.52, -26.38

 

CMYK 45 / 76 / 0 / 18

HEX #7233D1

RGB 114 51 209

HSL 263.92, 0.63%, 0.51%

LAB 38.81, 59.31, -70.67

 

CMYK 0 / 60 / 76 / 18

HEX #D15333

RGB 209 83 51

HSL 12.15, 0.63%, 0.51%

LAB 51.82, 48.07, 43.41

 

CMYK 30 / 0 / 76 / 18

HEX #92D133

RGB 146 209 51

HSL 83.92, 0.63%, 0.51%

LAB 77.25, -42.71, 66.79

 

CMYK 76 / 16 / 0 / 18

HEX #32AFD0

RGB 50 175 208

HSL 192.53, 0.63%, 0.51%

LAB 66.44, -22.52, -26.38

 

CMYK 22 / 76 / 0 / 18

HEX #A233D1

RGB 162 51 209

HSL 282.15, 0.63%, 0.51%

LAB 45.15, 67.47, -60.06

 

CMYK 0 / 60 / 76 / 18

HEX #D15333

RGB 209 83 51

HSL 12.15, 0.63%, 0.51%

LAB 51.82, 48.07, 43.41

 

CMYK 53 / 0 / 76 / 18

HEX #63D133

RGB 99 209 51

HSL 101.77, 0.63%, 0.51%

LAB 75.13, -57.99, 64.02

 

Description

Color code: HEX #32AFD0 | qconv.com Color code: HEX #32AFD0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 175 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 175 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 16 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 16% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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