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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #32A099 it is the complementary color #CD5F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #32A099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #32A099 shade: #37A094, #48B2A7, #59C4BA, #6AD6CD and #7BE8E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #32A099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #32A099 shade: #32A099, #218E86, #107C73, #006A60 and #00584D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #32A099 shade: #329F98, #329F7B, #329F5D, #329F40 and #429F32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #32A099 shade: #329F98, #32899F, #326B9F, #324E9F and #32329F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #32A099 shade matches the following richer shades: #329F98, #21B0A7 and #10C1B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #32A099 shade: #329F98, #438E89, #547D7A, #656C6C and #765B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #32A099 shade: #329F5E, #329F7B, #329F98, #32899F and #326C9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #32A099 shade: #1E605C, #28807A, #329F98, #3CBEB6 and #59CBC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #32A099 shade: #32A099, #41329F and #9F6C32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #32A099 shade: #32A099, #98329F and #9F9832

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #32A099 shade: #32A099, #41329F, #9F3239 and #909F32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #32A099 shade: #32A099, #61329F, #9F3239 and #709F32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 4 / 37

HEX #32A099

RGB 50 160 153

HSL 176.18, 0.52%, 0.41%

LAB 60, -31.99, -5.36

 

Complementary color

CMYK 0 / 54 / 50 / 20

HEX #CD5F66

RGB 205 95 102

HSL 356.18, 0.52%, 0.59%

LAB 54.16, 44.22, 17.27

 

CMYK 66 / 0 / 7 / 37

HEX #37A094

RGB 55 160 148

HSL 173.14, 0.49%, 0.42%

LAB 59.97, -32.61, -2.55

 

CMYK 60 / 0 / 6 / 30

HEX #48B2A7

RGB 72 178 167

HSL 173.77, 0.42%, 0.49%

LAB 66.53, -32.95, -3.49

 

CMYK 55 / 0 / 5 / 23

HEX #59C4BA

RGB 89 196 186

HSL 174.39, 0.48%, 0.56%

LAB 72.99, -33.14, -4.33

 

CMYK 50 / 0 / 4 / 16

HEX #6AD6CD

RGB 106 214 205

HSL 175, 0.57%, 0.63%

LAB 79.37, -33.24, -5.11

 

CMYK 47 / 0 / 3 / 9

HEX #7BE8E0

RGB 123 232 224

HSL 175.6, 0.7%, 0.7%

LAB 85.66, -33.27, -5.84

 

CMYK 69 / 0 / 4 / 37

HEX #32A099

RGB 50 160 153

HSL 176.18, 0.52%, 0.41%

LAB 60, -31.99, -5.36

 

CMYK 77 / 0 / 6 / 44

HEX #218E86

RGB 33 142 134

HSL 175.6, 0.62%, 0.34%

LAB 53.37, -31.23, -4.33

 

CMYK 87 / 0 / 7 / 51

HEX #107C73

RGB 16 124 115

HSL 175, 0.77%, 0.27%

LAB 46.66, -30.06, -3.15

 

CMYK 100 / 0 / 9 / 58

HEX #006A60

RGB 0 106 96

HSL 174.34, 1%, 0.21%

LAB 39.84, -28.47, -1.8

 

CMYK 100 / 0 / 13 / 65

HEX #00584D

RGB 0 88 77

HSL 172.5, 1%, 0.17%

LAB 32.95, -25.81, -0.12

 

CMYK 69 / 0 / 4 / 38

HEX #329F98

RGB 50 159 152

HSL 176.15, 0.52%, 0.41%

LAB 59.65, -31.8, -5.3

 

CMYK 69 / 0 / 23 / 38

HEX #329F7B

RGB 50 159 123

HSL 160.18, 0.52%, 0.41%

LAB 58.89, -39.48, 9.97

 

CMYK 69 / 0 / 42 / 38

HEX #329F5D

RGB 50 159 93

HSL 143.67, 0.52%, 0.41%

LAB 58.29, -45.93, 25.72

 

CMYK 69 / 0 / 60 / 38

HEX #329F40

RGB 50 159 64

HSL 127.71, 0.52%, 0.41%

LAB 57.89, -50.47, 40.06

 

CMYK 58 / 0 / 69 / 38

HEX #429F32

RGB 66 159 50

HSL 111.19, 0.52%, 0.41%

LAB 58.21, -48.36, 46.82

 

CMYK 69 / 0 / 4 / 38

HEX #329F98

RGB 50 159 152

HSL 176.15, 0.52%, 0.41%

LAB 59.65, -31.8, -5.3

 

CMYK 69 / 14 / 0 / 38

HEX #32899F

RGB 50 137 159

HSL 192.11, 0.52%, 0.41%

LAB 53.03, -18.51, -19.28

 

CMYK 69 / 33 / 0 / 38

HEX #326B9F

RGB 50 107 159

HSL 208.62, 0.52%, 0.41%

LAB 43.79, -1.24, -33.61

 

CMYK 69 / 51 / 0 / 38

HEX #324E9F

RGB 50 78 159

HSL 224.59, 0.52%, 0.41%

LAB 35.26, 17.41, -47.2

 

CMYK 69 / 69 / 0 / 38

HEX #32329F

RGB 50 50 159

HSL 240, 0.52%, 0.41%

LAB 28.01, 35.74, -58.99

 

CMYK 69 / 0 / 4 / 38

HEX #329F98

RGB 50 159 152

HSL 176.15, 0.52%, 0.41%

LAB 59.65, -31.8, -5.3

 

CMYK 81 / 0 / 5 / 31

HEX #21B0A7

RGB 33 176 167

HSL 176.22, 0.68%, 0.41%

LAB 65.09, -37.38, -5.7

 

CMYK 92 / 0 / 6 / 24

HEX #10C1B6

RGB 16 193 182

HSL 176.27, 0.85%, 0.41%

LAB 70.61, -41.72, -5.82

 

CMYK 69 / 0 / 4 / 38

HEX #329F98

RGB 50 159 152

HSL 176.15, 0.52%, 0.41%

LAB 59.65, -31.8, -5.3

 

CMYK 53 / 0 / 4 / 44

HEX #438E89

RGB 67 142 137

HSL 176, 0.36%, 0.41%

LAB 54.39, -24.47, -4.46

 

CMYK 33 / 0 / 2 / 51

HEX #547D7A

RGB 84 125 122

HSL 175.61, 0.2%, 0.41%

LAB 49.44, -14.91, -2.93

 

CMYK 6 / 0 / 0 / 58

HEX #656C6C

RGB 101 108 108

HSL 180, 0.03%, 0.41%

LAB 45.05, -2.66, -0.93

 

CMYK 0 / 23 / 21 / 54

HEX #765B5D

RGB 118 91 93

HSL 355.56, 0.13%, 0.41%

LAB 41.41, 11.38, 3.1

 

CMYK 69 / 0 / 41 / 38

HEX #329F5E

RGB 50 159 94

HSL 144.22, 0.52%, 0.41%

LAB 58.3, -45.74, 25.2

 

CMYK 69 / 0 / 23 / 38

HEX #329F7B

RGB 50 159 123

HSL 160.18, 0.52%, 0.41%

LAB 58.89, -39.48, 9.97

 

CMYK 69 / 0 / 4 / 38

HEX #329F98

RGB 50 159 152

HSL 176.15, 0.52%, 0.41%

LAB 59.65, -31.8, -5.3

 

CMYK 69 / 14 / 0 / 38

HEX #32899F

RGB 50 137 159

HSL 192.11, 0.52%, 0.41%

LAB 53.03, -18.51, -19.28

 

CMYK 69 / 32 / 0 / 38

HEX #326C9F

RGB 50 108 159

HSL 208.07, 0.52%, 0.41%

LAB 44.1, -1.85, -33.13

 

CMYK 69 / 0 / 4 / 62

HEX #1E605C

RGB 30 96 92

HSL 176.36, 0.52%, 0.25%

LAB 36.77, -21.43, -3.81

 

CMYK 69 / 0 / 5 / 50

HEX #28807A

RGB 40 128 122

HSL 175.91, 0.52%, 0.33%

LAB 48.63, -27, -4.33

 

CMYK 69 / 0 / 4 / 38

HEX #329F98

RGB 50 159 152

HSL 176.15, 0.52%, 0.41%

LAB 59.65, -31.8, -5.3

 

CMYK 68 / 0 / 4 / 25

HEX #3CBEB6

RGB 60 190 182

HSL 176.31, 0.52%, 0.49%

LAB 70.29, -36.42, -6.23

 

CMYK 56 / 0 / 4 / 20

HEX #59CBC3

RGB 89 203 195

HSL 175.79, 0.52%, 0.57%

LAB 75.31, -34.09, -5.79

 

CMYK 69 / 0 / 4 / 37

HEX #32A099

RGB 50 160 153

HSL 176.18, 0.52%, 0.41%

LAB 60, -31.99, -5.36

 

CMYK 59 / 69 / 0 / 38

HEX #41329F

RGB 65 50 159

HSL 248.26, 0.52%, 0.41%

LAB 29.18, 37.94, -57.04

 

CMYK 0 / 32 / 69 / 38

HEX #9F6C32

RGB 159 108 50

HSL 31.93, 0.52%, 0.41%

LAB 49.89, 14.56, 39.72

 

CMYK 69 / 0 / 4 / 37

HEX #32A099

RGB 50 160 153

HSL 176.18, 0.52%, 0.41%

LAB 60, -31.99, -5.36

 

CMYK 4 / 69 / 0 / 38

HEX #98329F

RGB 152 50 159

HSL 296.15, 0.52%, 0.41%

LAB 40.34, 56.24, -38.46

 

CMYK 0 / 4 / 69 / 38

HEX #9F9832

RGB 159 152 50

HSL 56.15, 0.52%, 0.41%

LAB 61.7, -9.93, 52.19

 

CMYK 69 / 0 / 4 / 37

HEX #32A099

RGB 50 160 153

HSL 176.18, 0.52%, 0.41%

LAB 60, -31.99, -5.36

 

CMYK 59 / 69 / 0 / 38

HEX #41329F

RGB 65 50 159

HSL 248.26, 0.52%, 0.41%

LAB 29.18, 37.94, -57.04

 

CMYK 0 / 69 / 64 / 38

HEX #9F3239

RGB 159 50 57

HSL 356.15, 0.52%, 0.41%

LAB 37.75, 45.42, 21.35

 

CMYK 9 / 0 / 69 / 38

HEX #909F32

RGB 144 159 50

HSL 68.26, 0.52%, 0.41%

LAB 62.47, -20.13, 52.58

 

CMYK 69 / 0 / 4 / 37

HEX #32A099

RGB 50 160 153

HSL 176.18, 0.52%, 0.41%

LAB 60, -31.99, -5.36

 

CMYK 39 / 69 / 0 / 38

HEX #61329F

RGB 97 50 159

HSL 265.87, 0.52%, 0.41%

LAB 32.54, 43.89, -51.42

 

CMYK 0 / 69 / 64 / 38

HEX #9F3239

RGB 159 50 57

HSL 356.15, 0.52%, 0.41%

LAB 37.75, 45.42, 21.35

 

CMYK 30 / 0 / 69 / 38

HEX #709F32

RGB 112 159 50

HSL 85.87, 0.52%, 0.41%

LAB 60.31, -33.25, 49.67

 

Description

Color code: HEX #32A099 | qconv.com Color code: HEX #32A099 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 160 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 160 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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