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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3299BA it is the complementary color #CD6645. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3299BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3299BA shade: #3799B5, #48ABC8, #59BDDB, #6ACFEE and #7BE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3299BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3299BA shade: #3299BA, #2187A7, #107594, #006381 and #00516E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3299BA shade: #3198B9, #3174B9, #314FB9, #3831B9 and #5D31B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3299BA shade: #3198B9, #3174B9, #314FB9 and #3131B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3299BA shade matches the following richer shades: #3198B9, #1EA2CC and #0BACDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3299BA shade: #3198B9, #448FA6, #578593, #6A7B80 and #7D716D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3299BA shade: #31B991, #31B9B5, #319AB9, #3175B9 and #3151B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3299BA shade: #206378, #297E99, #3198B9, #46ADCE and #67BBD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3299BA shade: #3299BA, #6C31B9 and #B9A331

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3299BA shade: #3299BA, #B9319A and #9AB931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3299BA shade: #3299BA, #6C31B9, #B95131 and #7EB931

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3299BA shade: #3299BA, #9531B9, #B95131 and #56B931

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 18 / 0 / 27

HEX #3299BA

RGB 50 153 186

HSL 194.56, 0.58%, 0.46%

LAB 58.98, -18.21, -25.57

 

Complementary color

CMYK 0 / 50 / 66 / 20

HEX #CD6645

RGB 205 102 69

HSL 14.56, 0.58%, 0.54%

LAB 54.98, 38.23, 37.18

 

CMYK 70 / 15 / 0 / 29

HEX #3799B5

RGB 55 153 181

HSL 193.33, 0.53%, 0.46%

LAB 58.91, -19.15, -22.84

 

CMYK 64 / 15 / 0 / 22

HEX #48ABC8

RGB 72 171 200

HSL 193.59, 0.54%, 0.53%

LAB 65.49, -19.92, -23.35

 

CMYK 59 / 14 / 0 / 14

HEX #59BDDB

RGB 89 189 219

HSL 193.85, 0.64%, 0.6%

LAB 71.98, -20.5, -23.82

 

CMYK 55 / 13 / 0 / 7

HEX #6ACFEE

RGB 106 207 238

HSL 194.09, 0.8%, 0.67%

LAB 78.38, -20.94, -24.26

 

CMYK 52 / 12 / 0 / 0

HEX #7BE1FF

RGB 123 225 255

HSL 193.64, 1%, 0.74%

LAB 84.63, -21.83, -23.72

 

CMYK 73 / 18 / 0 / 27

HEX #3299BA

RGB 50 153 186

HSL 194.56, 0.58%, 0.46%

LAB 58.98, -18.21, -25.57

 

CMYK 80 / 19 / 0 / 35

HEX #2187A7

RGB 33 135 167

HSL 194.33, 0.67%, 0.39%

LAB 52.33, -16.94, -25

 

CMYK 89 / 21 / 0 / 42

HEX #107594

RGB 16 117 148

HSL 194.09, 0.8%, 0.32%

LAB 45.59, -15.22, -24.35

 

CMYK 100 / 23 / 0 / 49

HEX #006381

RGB 0 99 129

HSL 193.95, 1%, 0.25%

LAB 38.74, -13.02, -23.6

 

CMYK 100 / 26 / 0 / 57

HEX #00516E

RGB 0 81 110

HSL 195.82, 1%, 0.22%

LAB 31.83, -9.81, -22.63

 

CMYK 74 / 18 / 0 / 27

HEX #3198B9

RGB 49 152 185

HSL 194.56, 0.58%, 0.46%

LAB 58.61, -18.14, -25.57

 

CMYK 74 / 37 / 0 / 27

HEX #3174B9

RGB 49 116 185

HSL 210.44, 0.58%, 0.46%

LAB 47.81, 2.57, -42.46

 

CMYK 74 / 57 / 0 / 27

HEX #314FB9

RGB 49 79 185

HSL 226.76, 0.58%, 0.46%

LAB 37.39, 26.31, -59.22

 

CMYK 70 / 74 / 0 / 27

HEX #3831B9

RGB 56 49 185

HSL 243.09, 0.58%, 0.46%

LAB 30.74, 45.75, -70.09

 

CMYK 50 / 74 / 0 / 27

HEX #5D31B9

RGB 93 49 185

HSL 259.41, 0.58%, 0.46%

LAB 34.04, 50.68, -64.55

 

CMYK 74 / 18 / 0 / 27

HEX #3198B9

RGB 49 152 185

HSL 194.56, 0.58%, 0.46%

LAB 58.61, -18.14, -25.57

 

CMYK 74 / 37 / 0 / 27

HEX #3174B9

RGB 49 116 185

HSL 210.44, 0.58%, 0.46%

LAB 47.81, 2.57, -42.46

 

CMYK 74 / 57 / 0 / 27

HEX #314FB9

RGB 49 79 185

HSL 226.76, 0.58%, 0.46%

LAB 37.39, 26.31, -59.22

 

CMYK 74 / 74 / 0 / 27

HEX #3131B9

RGB 49 49 185

HSL 240, 0.58%, 0.46%

LAB 30.28, 45.06, -70.85

 

CMYK 74 / 18 / 0 / 27

HEX #3198B9

RGB 49 152 185

HSL 194.56, 0.58%, 0.46%

LAB 58.61, -18.14, -25.57

 

CMYK 85 / 21 / 0 / 20

HEX #1EA2CC

RGB 30 162 204

HSL 194.48, 0.74%, 0.46%

LAB 62.06, -18.9, -30.93

 

CMYK 95 / 23 / 0 / 13

HEX #0BACDF

RGB 11 172 223

HSL 194.43, 0.91%, 0.46%

LAB 65.67, -18.52, -35.86

 

CMYK 74 / 18 / 0 / 27

HEX #3198B9

RGB 49 152 185

HSL 194.56, 0.58%, 0.46%

LAB 58.61, -18.14, -25.57

 

CMYK 59 / 14 / 0 / 35

HEX #448FA6

RGB 68 143 166

HSL 194.08, 0.42%, 0.46%

LAB 55.71, -16.29, -19.16

 

CMYK 41 / 10 / 0 / 42

HEX #578593

RGB 87 133 147

HSL 194, 0.26%, 0.46%

LAB 52.85, -11.86, -12.46

 

CMYK 17 / 4 / 0 / 50

HEX #6A7B80

RGB 106 123 128

HSL 193.64, 0.09%, 0.46%

LAB 50.44, -5.09, -4.83

 

CMYK 0 / 10 / 13 / 51

HEX #7D716D

RGB 125 113 109

HSL 15, 0.07%, 0.46%

LAB 48.6, 3.93, 3.9

 

CMYK 74 / 0 / 22 / 27

HEX #31B991

RGB 49 185 145

HSL 162.35, 0.58%, 0.46%

LAB 67.57, -45.4, 10.08

 

CMYK 74 / 0 / 2 / 27

HEX #31B9B5

RGB 49 185 181

HSL 178.24, 0.58%, 0.46%

LAB 68.52, -35.82, -8.32

 

CMYK 74 / 17 / 0 / 27

HEX #319AB9

RGB 49 154 185

HSL 193.68, 0.58%, 0.46%

LAB 59.22, -19.2, -24.63

 

CMYK 74 / 37 / 0 / 27

HEX #3175B9

RGB 49 117 185

HSL 210, 0.58%, 0.46%

LAB 48.11, 1.95, -42

 

CMYK 74 / 56 / 0 / 27

HEX #3151B9

RGB 49 81 185

HSL 225.88, 0.58%, 0.46%

LAB 37.92, 25, -58.36

 

CMYK 73 / 18 / 0 / 53

HEX #206378

RGB 32 99 120

HSL 194.32, 0.58%, 0.3%

LAB 38.88, -13.4, -17.86

 

CMYK 73 / 18 / 0 / 40

HEX #297E99

RGB 41 126 153

HSL 194.46, 0.58%, 0.38%

LAB 49.12, -15.85, -21.8

 

CMYK 74 / 18 / 0 / 27

HEX #3198B9

RGB 49 152 185

HSL 194.56, 0.58%, 0.46%

LAB 58.61, -18.14, -25.57

 

CMYK 66 / 16 / 0 / 19

HEX #46ADCE

RGB 70 173 206

HSL 194.56, 0.58%, 0.54%

LAB 66.25, -19.43, -25.52

 

CMYK 52 / 13 / 0 / 16

HEX #67BBD6

RGB 103 187 214

HSL 194.59, 0.58%, 0.62%

LAB 71.74, -18.12, -21.41

 

CMYK 73 / 18 / 0 / 27

HEX #3299BA

RGB 50 153 186

HSL 194.56, 0.58%, 0.46%

LAB 58.98, -18.21, -25.57

 

CMYK 42 / 74 / 0 / 27

HEX #6C31B9

RGB 108 49 185

HSL 266.03, 0.58%, 0.46%

LAB 35.77, 53.17, -61.65

 

CMYK 0 / 12 / 74 / 27

HEX #B9A331

RGB 185 163 49

HSL 50.29, 0.58%, 0.46%

LAB 67.07, -4.33, 58.7

 

CMYK 73 / 18 / 0 / 27

HEX #3299BA

RGB 50 153 186

HSL 194.56, 0.58%, 0.46%

LAB 58.98, -18.21, -25.57

 

CMYK 0 / 74 / 17 / 27

HEX #B9319A

RGB 185 49 154

HSL 313.68, 0.58%, 0.46%

LAB 45.42, 63.69, -27.1

 

CMYK 17 / 0 / 74 / 27

HEX #9AB931

RGB 154 185 49

HSL 73.68, 0.58%, 0.46%

LAB 70.73, -28.8, 61.37

 

CMYK 73 / 18 / 0 / 27

HEX #3299BA

RGB 50 153 186

HSL 194.56, 0.58%, 0.46%

LAB 58.98, -18.21, -25.57

 

CMYK 42 / 74 / 0 / 27

HEX #6C31B9

RGB 108 49 185

HSL 266.03, 0.58%, 0.46%

LAB 35.77, 53.17, -61.65

 

CMYK 0 / 56 / 74 / 27

HEX #B95131

RGB 185 81 49

HSL 14.12, 0.58%, 0.46%

LAB 47.52, 40.04, 38.69

 

CMYK 32 / 0 / 74 / 27

HEX #7EB931

RGB 126 185 49

HSL 86.03, 0.58%, 0.46%

LAB 69.01, -39.74, 59.11

 

CMYK 73 / 18 / 0 / 27

HEX #3299BA

RGB 50 153 186

HSL 194.56, 0.58%, 0.46%

LAB 58.98, -18.21, -25.57

 

CMYK 19 / 74 / 0 / 27

HEX #9531B9

RGB 149 49 185

HSL 284.12, 0.58%, 0.46%

LAB 41.36, 60.92, -52.32

 

CMYK 0 / 56 / 74 / 27

HEX #B95131

RGB 185 81 49

HSL 14.12, 0.58%, 0.46%

LAB 47.52, 40.04, 38.69

 

CMYK 54 / 0 / 74 / 27

HEX #56B931

RGB 86 185 49

HSL 103.68, 0.58%, 0.46%

LAB 67.2, -52.84, 56.71

 

Description

Color code: HEX #3299BA | qconv.com Color code: HEX #3299BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 153 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 153 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 18 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 18% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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