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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3293DACE it is the complementary color #CD6C25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3293DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3293DACE shade: #3793D5CE, #48A5E8CE, #59B7FBCE, #6AC9FFCE and #7BDBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3293DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3293DACE shade: #3293DACE, #2181C7CE, #106FB4CE, #005DA1CE and #004B8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3293DACE shade: #3494DA, #3467DA, #343BDA, #5B34DA and #8734DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3293DACE shade: #3494DA, #3467DA, #343BDA and #3434DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3293DACE shade matches the following richer shades: #3494DA and #2197ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3293DACE shade: #3494DA, #4891C6, #5B8EB3, #6F8BA0 and #82888C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3293DACE shade: #34DAC7, #34C1DA, #3495DA, #3469DA and #343DDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3293DACE shade: #1D689F, #247FC2, #3494DA, #57A6E0 and #7AB9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3293DACE shade: #3293DA, #9A34DA and #D7DA34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3293DACE shade: #3293DA, #DA3495 and #95DA34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3293DACE shade: #3293DA, #9A34DA, #DA7934 and #74DA34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3293DACE shade: #3293DA, #CC34DA, #DA7934 and #42DA34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 26 / 0 / 12

HEX #3293DACE

RGBA 50 147 218 0.81

HSLA 205.36, 0.69%, 0.53%, 0.81

LABA 58.61, -3.8, -44.12, 0.81

 

Complementary color

CMYK 0 / 38 / 66 / 16

HEX #CD6C25CE

RGBA 205 108 37 0.81

HSLA 25.36, 0.69%, 0.47%, 0.81

LABA 55.93, 33.68, 53.73, 0.81

 

CMYK 60 / 25 / 0 / 13

HEX #3793D5CE

RGBA 55 147 213 0.81

HSLA 205.06, 0.65%, 0.53%, 0.81

LABA 58.49, -4.98, -41.5, 0.81

 

CMYK 56 / 23 / 0 / 7

HEX #48A5E8CE

RGBA 72 165 232 0.81

HSLA 205.13, 0.78%, 0.6%, 0.81

LABA 65.05, -6.33, -41.7, 0.81

 

CMYK 52 / 22 / 0 / 1

HEX #59B7FBCE

RGBA 89 183 251 0.81

HSLA 205.19, 0.95%, 0.67%, 0.81

LABA 71.52, -7.42, -41.89, 0.81

 

CMYK 47 / 17 / 0 / 0

HEX #6AC9FFCE

RGBA 106 201 255 0.81

HSLA 201.74, 1%, 0.71%, 0.81

LABA 77.32, -12.87, -34.99, 0.81

 

CMYK 42 / 11 / 0 / 0

HEX #7BDBFFCE

RGBA 123 219 255 0.81

HSLA 196.36, 1%, 0.74%, 0.81

LABA 82.96, -18.81, -26.26, 0.81

 

CMYK 62 / 26 / 0 / 12

HEX #3293DACE

RGBA 50 147 218 0.81

HSLA 205.36, 0.69%, 0.53%, 0.81

LABA 58.61, -3.8, -44.12, 0.81

 

CMYK 68 / 28 / 0 / 18

HEX #2181C7CE

RGBA 33 129 199 0.81

HSLA 205.3, 0.72%, 0.45%, 0.81

LABA 52, -1.87, -43.88, 0.81

 

CMYK 74 / 31 / 0 / 24

HEX #106FB4CE

RGBA 16 111 180 0.81

HSLA 205.24, 0.84%, 0.38%, 0.81

LABA 45.32, 0.59, -43.56, 0.81

 

CMYK 81 / 34 / 0 / 30

HEX #005DA1CE

RGBA 0 93 161 0.81

HSLA 205.34, 1%, 0.32%, 0.81

LABA 38.55, 3.6, -43.18, 0.81

 

CMYK 81 / 38 / 0 / 36

HEX #004B8ECE

RGBA 0 75 142 0.81

HSLA 208.31, 1%, 0.28%, 0.81

LABA 31.77, 7.57, -42.58, 0.81

 

CMYK 76 / 32 / 0 / 15

HEX #3494DA

RGB 52 148 218

HSL 205.3, 0.69%, 0.53%

LAB 58.95, -4.15, -43.59

 

CMYK 76 / 53 / 0 / 15

HEX #3467DA

RGB 52 103 218

HSL 221.57, 0.69%, 0.53%

LAB 46.3, 23.41, -63.81

 

CMYK 76 / 73 / 0 / 15

HEX #343BDA

RGB 52 59 218

HSL 237.47, 0.69%, 0.53%

LAB 35.83, 50.56, -80.94

 

CMYK 58 / 76 / 0 / 15

HEX #5B34DA

RGB 91 52 218

HSL 254.1, 0.69%, 0.53%

LAB 37.38, 58.11, -78.3

 

CMYK 38 / 76 / 0 / 15

HEX #8734DA

RGB 135 52 218

HSL 270, 0.69%, 0.53%

LAB 42.26, 64.36, -70.1

 

CMYK 76 / 32 / 0 / 15

HEX #3494DA

RGB 52 148 218

HSL 205.3, 0.69%, 0.53%

LAB 58.95, -4.15, -43.59

 

CMYK 76 / 53 / 0 / 15

HEX #3467DA

RGB 52 103 218

HSL 221.57, 0.69%, 0.53%

LAB 46.3, 23.41, -63.81

 

CMYK 76 / 73 / 0 / 15

HEX #343BDA

RGB 52 59 218

HSL 237.47, 0.69%, 0.53%

LAB 35.83, 50.56, -80.94

 

CMYK 76 / 76 / 0 / 15

HEX #3434DA

RGB 52 52 218

HSL 240, 0.69%, 0.53%

LAB 34.49, 54.34, -83.15

 

CMYK 76 / 32 / 0 / 15

HEX #3494DA

RGB 52 148 218

HSL 205.3, 0.69%, 0.53%

LAB 58.95, -4.15, -43.59

 

CMYK 86 / 36 / 0 / 7

HEX #2197ED

RGB 33 151 237

HSL 205.29, 0.85%, 0.53%

LAB 60.4, -0.71, -51.86

 

CMYK 76 / 32 / 0 / 15

HEX #3494DA

RGB 52 148 218

HSL 205.3, 0.69%, 0.53%

LAB 58.95, -4.15, -43.59

 

CMYK 64 / 27 / 0 / 22

HEX #4891C6

RGB 72 145 198

HSL 205.24, 0.53%, 0.53%

LAB 57.76, -6.38, -34.19

 

CMYK 49 / 21 / 0 / 30

HEX #5B8EB3

RGB 91 142 179

HSL 205.23, 0.37%, 0.53%

LAB 56.9, -6.67, -24.67

 

CMYK 31 / 13 / 0 / 37

HEX #6F8BA0

RGB 111 139 160

HSL 205.71, 0.21%, 0.53%

LAB 56.47, -4.75, -14.36

 

CMYK 7 / 3 / 0 / 45

HEX #82888C

RGB 130 136 140

HSL 204, 0.04%, 0.53%

LAB 56.33, -1.37, -2.91

 

CMYK 76 / 0 / 9 / 15

HEX #34DAC7

RGB 52 218 199

HSL 173.13, 0.69%, 0.53%

LAB 79.04, -45.24, -2.54

 

CMYK 76 / 11 / 0 / 15

HEX #34C1DA

RGB 52 193 218

HSL 189.04, 0.69%, 0.53%

LAB 72.18, -28.18, -23.06

 

CMYK 76 / 32 / 0 / 15

HEX #3495DA

RGB 52 149 218

HSL 204.94, 0.69%, 0.53%

LAB 59.24, -4.72, -43.13

 

CMYK 76 / 52 / 0 / 15

HEX #3469DA

RGB 52 105 218

HSL 220.84, 0.69%, 0.53%

LAB 46.84, 22.13, -62.94

 

CMYK 76 / 72 / 0 / 15

HEX #343DDA

RGB 52 61 218

HSL 236.75, 0.69%, 0.53%

LAB 36.23, 49.43, -80.28

 

CMYK 82 / 35 / 0 / 38

HEX #1D689F

RGB 29 104 159

HSL 205.38, 0.69%, 0.37%

LAB 42.25, -2.26, -36.08

 

CMYK 81 / 35 / 0 / 24

HEX #247FC2

RGB 36 127 194

HSL 205.44, 0.69%, 0.45%

LAB 51.21, -2.27, -42.28

 

CMYK 76 / 32 / 0 / 15

HEX #3494DA

RGB 52 148 218

HSL 205.3, 0.69%, 0.53%

LAB 58.95, -4.15, -43.59

 

CMYK 61 / 26 / 0 / 12

HEX #57A6E0

RGB 87 166 224

HSL 205.4, 0.69%, 0.61%

LAB 65.5, -7.04, -36.57

 

CMYK 47 / 20 / 0 / 9

HEX #7AB9E7

RGB 122 185 231

HSL 205.32, 0.69%, 0.69%

LAB 72.63, -7.97, -29.23

 

CMYK 77 / 33 / 0 / 15

HEX #3293DA

RGB 50 147 218

HSL 205.36, 0.69%, 0.53%

LAB 58.61, -3.8, -44.12

 

CMYK 29 / 76 / 0 / 15

HEX #9A34DA

RGB 154 52 218

HSL 276.87, 0.69%, 0.53%

LAB 44.78, 67.53, -65.88

 

CMYK 1 / 0 / 76 / 15

HEX #D7DA34

RGB 215 218 52

HSL 61.08, 0.69%, 0.53%

LAB 84.4, -19.37, 74.79

 

CMYK 77 / 33 / 0 / 15

HEX #3293DA

RGB 50 147 218

HSL 205.36, 0.69%, 0.53%

LAB 58.61, -3.8, -44.12

 

CMYK 0 / 76 / 32 / 15

HEX #DA3495

RGB 218 52 149

HSL 324.94, 0.69%, 0.53%

LAB 51.3, 70.2, -14.58

 

CMYK 32 / 0 / 76 / 15

HEX #95DA34

RGB 149 218 52

HSL 84.94, 0.69%, 0.53%

LAB 80.06, -45.41, 69.19

 

CMYK 77 / 33 / 0 / 15

HEX #3293DA

RGB 50 147 218

HSL 205.36, 0.69%, 0.53%

LAB 58.61, -3.8, -44.12

 

CMYK 29 / 76 / 0 / 15

HEX #9A34DA

RGB 154 52 218

HSL 276.87, 0.69%, 0.53%

LAB 44.78, 67.53, -65.88

 

CMYK 0 / 44 / 76 / 15

HEX #DA7934

RGB 218 121 52

HSL 24.94, 0.69%, 0.53%

LAB 60.63, 32.7, 52.4

 

CMYK 47 / 0 / 76 / 15

HEX #74DA34

RGB 116 218 52

HSL 96.87, 0.69%, 0.53%

LAB 78.52, -56.38, 67.19

 

CMYK 77 / 33 / 0 / 15

HEX #3293DA

RGB 50 147 218

HSL 205.36, 0.69%, 0.53%

LAB 58.61, -3.8, -44.12

 

CMYK 6 / 76 / 0 / 15

HEX #CC34DA

RGB 204 52 218

HSL 294.94, 0.69%, 0.53%

LAB 52.24, 76.74, -53.48

 

CMYK 0 / 44 / 76 / 15

HEX #DA7934

RGB 218 121 52

HSL 24.94, 0.69%, 0.53%

LAB 60.63, 32.7, 52.4

 

CMYK 70 / 0 / 76 / 15

HEX #42DA34

RGB 66 218 52

HSL 114.94, 0.69%, 0.53%

LAB 77.01, -68.46, 65.21

 

Description

Color code: HEX #3293DACE | qconv.com Color code: HEX #3293DACE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 147 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 147 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 26 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 26% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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