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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #328D36 it is the complementary color #CD72C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #328D36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #328D36 shade: #378D31, #489F44, #59B157, #6AC36A and #7BD57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #328D36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #328D36 shade: #328D36, #217B23, #106910, #005700 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #328D36 shade: #318C35, #468C31, #5E8C31, #768C31 and #8C8831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #328D36 shade: #318C35, #318C4D, #318C66, #318C7E and #31818C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #328D36 shade matches the following richer shades: #318C35, #229B27, #13AA19 and #03B90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #328D36 shade: #318C35, #407C43, #506D51, #5F5E5F and #6E4F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #328D36 shade: #5E8C31, #468C31, #318C34, #318C4C and #318C64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #328D36 shade: #1C4F1E, #266D29, #318C35, #3CAA41 and #4EC153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #328D36 shade: #328D36, #31778C and #8C3152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #328D36 shade: #328D36, #34318C and #8C3431

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #328D36 shade: #328D36, #31778C, #8C3189 and #8C4631

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #328D36 shade: #328D36, #315B8C, #8C3189 and #8C6131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 62 / 45

HEX #328D36

RGB 50 141 54

HSL 122.64, 0.48%, 0.37%

LAB 51.83, -45.03, 37.82

 

Complementary color

CMYK 0 / 44 / 2 / 20

HEX #CD72C9

RGB 205 114 201

HSL 302.64, 0.48%, 0.63%

LAB 60.98, 48.21, -30.04

 

CMYK 61 / 0 / 65 / 45

HEX #378D31

RGB 55 141 49

HSL 116.09, 0.48%, 0.37%

LAB 51.93, -44.41, 40.31

 

CMYK 55 / 0 / 57 / 38

HEX #489F44

RGB 72 159 68

HSL 117.36, 0.4%, 0.45%

LAB 58.59, -44.8, 39.13

 

CMYK 50 / 0 / 51 / 31

HEX #59B157

RGB 89 177 87

HSL 118.67, 0.37%, 0.52%

LAB 65.17, -44.91, 37.83

 

CMYK 46 / 0 / 46 / 24

HEX #6AC36A

RGB 106 195 106

HSL 120, 0.43%, 0.59%

LAB 71.65, -44.85, 36.52

 

CMYK 42 / 0 / 41 / 16

HEX #7BD57D

RGB 123 213 125

HSL 121.33, 0.52%, 0.66%

LAB 78.04, -44.71, 35.25

 

CMYK 65 / 0 / 62 / 45

HEX #328D36

RGB 50 141 54

HSL 122.64, 0.48%, 0.37%

LAB 51.83, -45.03, 37.82

 

CMYK 73 / 0 / 72 / 52

HEX #217B23

RGB 33 123 35

HSL 121.33, 0.58%, 0.31%

LAB 45.1, -44.1, 38.92

 

CMYK 85 / 0 / 85 / 59

HEX #106910

RGB 16 105 16

HSL 120, 0.74%, 0.24%

LAB 38.29, -42.28, 39.24

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 65 / 0 / 62 / 45

HEX #318C35

RGB 49 140 53

HSL 122.64, 0.48%, 0.37%

LAB 51.46, -45, 37.86

 

CMYK 50 / 0 / 65 / 45

HEX #468C31

RGB 70 140 49

HSL 106.15, 0.48%, 0.37%

LAB 52.15, -39.77, 40.71

 

CMYK 33 / 0 / 65 / 45

HEX #5E8C31

RGB 94 140 49

HSL 90.33, 0.48%, 0.37%

LAB 53.34, -31.41, 42.35

 

CMYK 16 / 0 / 65 / 45

HEX #768C31

RGB 118 140 49

HSL 74.51, 0.48%, 0.37%

LAB 54.9, -21.66, 44.49

 

CMYK 0 / 3 / 65 / 45

HEX #8C8831

RGB 140 136 49

HSL 57.36, 0.48%, 0.37%

LAB 55.49, -9.88, 45.65

 

CMYK 65 / 0 / 62 / 45

HEX #318C35

RGB 49 140 53

HSL 122.64, 0.48%, 0.37%

LAB 51.46, -45, 37.86

 

CMYK 65 / 0 / 45 / 45

HEX #318C4D

RGB 49 140 77

HSL 138.46, 0.48%, 0.37%

LAB 51.77, -41.41, 25.9

 

CMYK 65 / 0 / 27 / 45

HEX #318C66

RGB 49 140 102

HSL 154.95, 0.48%, 0.37%

LAB 52.25, -36.29, 12.54

 

CMYK 65 / 0 / 10 / 45

HEX #318C7E

RGB 49 140 126

HSL 170.77, 0.48%, 0.37%

LAB 52.86, -30.18, -0.42

 

CMYK 65 / 8 / 0 / 45

HEX #31818C

RGB 49 129 140

HSL 187.25, 0.48%, 0.37%

LAB 49.79, -20.48, -13.14

 

CMYK 65 / 0 / 62 / 45

HEX #318C35

RGB 49 140 53

HSL 122.64, 0.48%, 0.37%

LAB 51.46, -45, 37.86

 

CMYK 78 / 0 / 75 / 39

HEX #229B27

RGB 34 155 39

HSL 122.48, 0.64%, 0.37%

LAB 56.02, -54.48, 48.63

 

CMYK 89 / 0 / 85 / 33

HEX #13AA19

RGB 19 170 25

HSL 122.38, 0.8%, 0.37%

LAB 60.74, -61.69, 57.38

 

CMYK 98 / 0 / 94 / 27

HEX #03B90B

RGB 3 185 11

HSL 122.64, 0.97%, 0.37%

LAB 65.55, -67.33, 64.06

 

CMYK 65 / 0 / 62 / 45

HEX #318C35

RGB 49 140 53

HSL 122.64, 0.48%, 0.37%

LAB 51.46, -45, 37.86

 

CMYK 48 / 0 / 46 / 51

HEX #407C43

RGB 64 124 67

HSL 123, 0.32%, 0.37%

LAB 46.86, -32.28, 25.18

 

CMYK 27 / 0 / 26 / 57

HEX #506D51

RGB 80 109 81

HSL 122.07, 0.15%, 0.37%

LAB 43.12, -16.73, 12.3

 

CMYK 0 / 1 / 0 / 63

HEX #5F5E5F

RGB 95 94 95

HSL 300, 0.01%, 0.37%

LAB 40.02, 0.61, -0.44

 

CMYK 0 / 28 / 1 / 57

HEX #6E4F6D

RGB 110 79 109

HSL 301.94, 0.16%, 0.37%

LAB 37.86, 18.57, -12.16

 

CMYK 33 / 0 / 65 / 45

HEX #5E8C31

RGB 94 140 49

HSL 90.33, 0.48%, 0.37%

LAB 53.34, -31.41, 42.35

 

CMYK 50 / 0 / 65 / 45

HEX #468C31

RGB 70 140 49

HSL 106.15, 0.48%, 0.37%

LAB 52.15, -39.77, 40.71

 

CMYK 65 / 0 / 63 / 45

HEX #318C34

RGB 49 140 52

HSL 121.98, 0.48%, 0.37%

LAB 51.45, -45.12, 38.33

 

CMYK 65 / 0 / 46 / 45

HEX #318C4C

RGB 49 140 76

HSL 137.8, 0.48%, 0.37%

LAB 51.76, -41.59, 26.43

 

CMYK 65 / 0 / 29 / 45

HEX #318C64

RGB 49 140 100

HSL 153.63, 0.48%, 0.37%

LAB 52.21, -36.75, 13.63

 

CMYK 65 / 0 / 62 / 69

HEX #1C4F1E

RGB 28 79 30

HSL 122.35, 0.48%, 0.21%

LAB 29.24, -28.52, 23.63

 

CMYK 65 / 0 / 62 / 57

HEX #266D29

RGB 38 109 41

HSL 122.54, 0.48%, 0.29%

LAB 40.43, -37, 30.98

 

CMYK 65 / 0 / 62 / 45

HEX #318C35

RGB 49 140 53

HSL 122.64, 0.48%, 0.37%

LAB 51.46, -45, 37.86

 

CMYK 65 / 0 / 62 / 33

HEX #3CAA41

RGB 60 170 65

HSL 122.73, 0.48%, 0.45%

LAB 61.73, -52.29, 44.08

 

CMYK 60 / 0 / 57 / 24

HEX #4EC153

RGB 78 193 83

HSL 122.61, 0.48%, 0.53%

LAB 69.74, -54.55, 45.17

 

CMYK 65 / 0 / 62 / 45

HEX #328D36

RGB 50 141 54

HSL 122.64, 0.48%, 0.37%

LAB 51.83, -45.03, 37.82

 

CMYK 65 / 15 / 0 / 45

HEX #31778C

RGB 49 119 140

HSL 193.85, 0.48%, 0.37%

LAB 46.63, -15.04, -17.95

 

CMYK 0 / 65 / 41 / 45

HEX #8C3152

RGB 140 49 82

HSL 338.24, 0.48%, 0.37%

LAB 34.76, 41.65, 0.75

 

CMYK 65 / 0 / 62 / 45

HEX #328D36

RGB 50 141 54

HSL 122.64, 0.48%, 0.37%

LAB 51.83, -45.03, 37.82

 

CMYK 63 / 65 / 0 / 45

HEX #34318C

RGB 52 49 140

HSL 241.98, 0.48%, 0.37%

LAB 26.22, 30.06, -50.27

 

CMYK 0 / 63 / 65 / 45

HEX #8C3431

RGB 140 52 49

HSL 1.98, 0.48%, 0.37%

LAB 34.5, 37.24, 21.52

 

CMYK 65 / 0 / 62 / 45

HEX #328D36

RGB 50 141 54

HSL 122.64, 0.48%, 0.37%

LAB 51.83, -45.03, 37.82

 

CMYK 65 / 15 / 0 / 45

HEX #31778C

RGB 49 119 140

HSL 193.85, 0.48%, 0.37%

LAB 46.63, -15.04, -17.95

 

CMYK 0 / 65 / 2 / 45

HEX #8C3189

RGB 140 49 137

HSL 301.98, 0.48%, 0.37%

LAB 37.07, 49.75, -30.39

 

CMYK 0 / 50 / 65 / 45

HEX #8C4631

RGB 140 70 49

HSL 13.85, 0.48%, 0.37%

LAB 38.16, 27.82, 26.04

 

CMYK 65 / 0 / 62 / 45

HEX #328D36

RGB 50 141 54

HSL 122.64, 0.48%, 0.37%

LAB 51.83, -45.03, 37.82

 

CMYK 65 / 35 / 0 / 45

HEX #315B8C

RGB 49 91 140

HSL 212.31, 0.48%, 0.37%

LAB 37.89, 1.69, -31.53

 

CMYK 0 / 65 / 2 / 45

HEX #8C3189

RGB 140 49 137

HSL 301.98, 0.48%, 0.37%

LAB 37.07, 49.75, -30.39

 

CMYK 0 / 31 / 65 / 45

HEX #8C6131

RGB 140 97 49

HSL 31.65, 0.48%, 0.37%

LAB 44.73, 12.27, 33.8

 

Description

Color code: HEX #328D36 | qconv.com Color code: HEX #328D36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 141 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 141 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 62 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 62% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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